Wikipedia - User contributions [en]

Gürkan Coşkun

2022-09-25T12:45:31Z

Homonihilis:

'''Gürkan Coşkun''' ([[Çorum]], 1941 - 22 September 2022, İstanbul) or more widely known as '''Komet''' was a famous [[Turkish people|Turkish]] painter. After attending [[Mimar Sinan University of Fine Arts|İstanbul State Academy of Fine Arts]] between the years 1960 and 1967, he moved to [[Paris]] in 1971. Today, he still splits his time between the two cities. His work is exhibited in various countries and is very respected in his home town.<ref>[http://www.ntvmsnbc.com/news/27694.asp Bir çocuk ressam - Komet]</ref> In his paintings, he usually blends fantasy and reality.
[[File:Komet_(Turkish_painter).jpg|thumb|'''Gürkan Coşkun When he was painting''' ]]

== References ==

<references/>

== External links ==
* [http://www.castyourart.com/en/2010/09/29/komet-director-of-nightmares/ CastYourArt Videoportrait of Komet]

{{authority control}}

{{DEFAULTSORT:Coskun, Gurkan}}
[[Category:1941 births]]
[[Category:deaths in 2022]]
[[Category:Living people]]
[[Category:Turkish painters]]
[[Category:People from Osmancık]]

{{Turkey-painter-stub}}

Gürkan Coşkun

2022-09-25T12:44:49Z

Homonihilis: passed away :(

'''Gürkan Coşkun''' ([[Çorum]], 1941 - 22 September 2022, İstanbul) or more widely known as '''Komet''' was a famous [[Turkish people|Turkish]] painter. After attending [[Mimar Sinan University of Fine Arts|İstanbul State Academy of Fine Arts]] between the years 1960 and 1967, he moved to [[Paris]] in 1971. Today, he still splits his time between the two cities. His work is exhibited in various countries and is very respected in his home town.<ref>[http://www.ntvmsnbc.com/news/27694.asp Bir çocuk ressam - Komet]</ref> In his paintings, he usually blends fantasy and reality.
[[File:Komet_(Turkish_painter).jpg|thumb|'''Gürkan Coşkun When he was painting''' ]]

== References ==

<references/>

== External links ==
* [http://www.castyourart.com/en/2010/09/29/komet-director-of-nightmares/ CastYourArt Videoportrait of Komet]

{{authority control}}

{{DEFAULTSORT:Coskun, Gurkan}}
[[Category:1941 births]]
[[Category:Living people]]
[[Category:Turkish painters]]
[[Category:People from Osmancık]]

{{Turkey-painter-stub}}

View of Toledo

2022-08-11T14:19:35Z

Homonihilis: /* Comparison to View and Plan of Toledo */ +link

{{see also|View and Plan of Toledo}}{{short description|Painting by El Greco}}
{{Infobox Artwork
| image_file=El Greco View of Toledo.jpg
| title=View of Toledo
| artist=[[El Greco]]
| other_language_1=[[Spanish language|Spanish]]
| other_title_1=Vista de Toledo
| year=1596–1600
| medium=Oil on canvas
| height_metric=121.3
| width_metric=108.6
| metric_unit=cm
| imperial_unit=in
| city=[[New York City]]
| museum= [[Metropolitan Museum of Art]]
| movement=[[Mannerism]]
}}

'''''View of Toledo''''' (original title ''Vista de Toledo''), is one of the two surviving [[landscapes]] painted by [[El Greco]], along with ''[[View and Plan of Toledo]]''. ''View of Toledo'' is held by the Metropolitan Museum of Art in New York City.

''View of Toledo'' is among the best known depictions of the sky in [[Western art]], along with [[Vincent van Gogh]]'s ''[[The Starry Night]]'' and the landscapes of [[J. M. W. Turner]] and [[Claude Monet]]. Art historian [[Keith Christiansen (art historian)|Keith Christiansen]] included ''View of Toledo'' among the artist's most ambitious masterpieces, describing it as one of Western art's most celebrated landscapes.<ref>{{Cite web|last=Christiansen|first=Keith|date=October 2004|title=El Greco (1541-1614)|url=https://www.metmuseum.org/toah/hd/grec/hd_grec.htm|access-date=2020-11-18|website=www.metmuseum.org}}</ref>

== Historical context ==

=== Dating ===
Art historians, specifically [[Harold Wethey]], have debated the exact dating of ''View of Toledo''. There was some debate among art historians due to early literature that wrote about El Greco. The early literature that Walter Liedtke mentions in "Three Paintings by El Greco," suggests that the ''View of Toledo'' was painted after 1600 and shortly before El Greco passed in 1614. However, art historian Harold Wethey believes it was painted between 1595-1600 because of the similarities to El Greco's other piece, ''Saint Joseph and the Christ Child''. Wethey backs up this claim because ''Saint Joseph and the Christ Child'' was completed between 1597-1599. Wethey also provides more evidence by pointing out the same techniques used in the background of ''Saint Joseph and the Christ Child'' that one can see in ''View of Toledo''.<ref name=LIEDTKE2015>{{cite journal |last1=LIEDTKE |first1=WALTER |title=Three Paintings by El Greco |journal=Metropolitan Museum Journal |date=2015 |volume=50 |pages=12–41 |doi=10.1086/685671 |jstor=26455349 |s2cid=192023558 }}</ref>

=== Significance of landscape ===
Landscape paintings were rare among Spanish paintings of the [[Renaissance]] and [[Baroque]] periods. Due to landscape paintings being so rare, some speculate that ''View of Toledo'' is actually from a larger painting. However, there has been no valid proof or confirmation to whether that is the case.<ref name=Baetjer1981>{{cite journal |last1=Baetjer |first1=Katharine |title=El Greco |journal=The Metropolitan Museum of Art Bulletin |date=1981 |volume=39 |issue=1 |pages=1–48 |doi=10.2307/3259011 |jstor=3259011 }}</ref> The [[Council of Trent]]'s ban against landscape painting {{citation needed|date=August 2021}} lends credence to the idea that this work may stand as the first Spanish landscape painting of its time.

== Description ==
''View of Toledo'' is a landscape portrait. The painting is vibrant with blues, black, white, and vivid greens. It is made up of all earth tones. Most notable is the distinct color contrast between the darkness of the skies above and the vibrance of green in the hills below. ''View of Toledo'' shows viewers an image of darkness, or moodiness that is present in Toledo. Observers can see that the sky grows exceptionally dark near the city. El Greco creates a palette full of dramatic colors. While contemplating ''View of Toledo'', people can see the contrast from light to dark. There are rolling hills depicted with Toledo at the top. The city of Toledo is very grey in contrast to the vibrant green of the hills. On the opposite end the city itself is also a light contrast to the dark color of the sky. El Greco uses pure colors to his advantage.<ref>{{cite journal |last1=Krumrine |first1=Mary Louise |title=Color in El Greco |journal=Arte Lombarda |date=1993 |issue=105/107 (2-4) |pages=42–48 |jstor=43132606 }}</ref> The location of the [[Castillo de San Servando|Castle of San Servando]], on the left, is accurately depicted. However, many other landmarks that are clearly referring to Toledo are not in the correct location that is true to the city. Walter Liedtke believes this is because El Greco painted the ''View of Toledo'' more as a future or a hope to what it would look like.<ref name=LIEDTKE2015/> Art historians, Jonathon Brown and Richard Kagan, have also hinted to the theory that El Greco painted the city of Toledo in an alternate way to fit his imagination or ideal version of Toledo.<ref>{{cite journal |last1=BROWN |first1=JONATHAN |last2=KAGAN |first2=RICHARD L. |title=View of Toledo |journal=Studies in the History of Art |date=1982 |volume=11 |pages=18–VII |jstor=42617938 }}</ref>

==Style==
El Greco has a unique style with influences from Italian artists as well as Spanish and Greek. Throughout his painting career, El Greco changed his style based upon the places he lived. However, he almost always painted with influence from his Cretan or Greek roots. He often wrote in Greek and used the Greek alphabet instead of the Latin alphabet. ''View of Toledo'' carries this tradition of his Greek roots through his signature. He always signed his art with his real name, Domenikos Theotokopoulos.<ref>{{cite journal |last1=Casper |first1=Andrew R. |title=Greeks abroad: (as)signing artistic identity in early modern Europe |journal=Renaissance Studies |date=2014 |volume=28 |issue=3 |pages=356–376 |doi=10.1111/rest.12014 |jstor=24424018 |s2cid=154399371 }}</ref> El Greco's signature appears in the lower-right corner. El Greco's style was known to be more uneven.<ref>{{cite journal |last1=Turner |first1=Nicholas |title=A Proposal for El Greco as a Draftsman |journal=Master Drawings |date=2007 |volume=45 |issue=3 |pages=291–324 |jstor=20444515 }}</ref> That uneven detail that is normally found in his art is in his line work and in the physical location of Toledo in the painting. While influenced by the [[Mannerist]] style, El Greco's expressive handling of color and form is without parallel in the history of art. The Welsh art historian David Davies asserts that the philosophies of [[Platonism]] and ancient [[Neo-Platonism]], the works of [[Plotinus]] and [[Pseudo-Dionysius the Areopagite]], the texts of the Church fathers and the liturgy offer the keys to the understanding of El Greco's style.<ref name=":1">D. Davies, "The Influence of Neo-Platonism on El Greco", 20 etc. D. Davies, the Byzantine Legacy in the Art of El Greco, 425–445{{full|date=February 2022}}</ref> Summarizing the ensuing scholarly debate on this issue, José Álvarez Lopera, curator at the [[Museo del Prado]], Madrid, concludes that the presence of "Byzantine memories" is obvious in El Greco's mature works, though there are still some obscure issues concerning his Byzantine origins needing further illumination.<ref name=":1" />

== Interpretation ==

=== Symbolism ===
The city of Toledo is at the very top of the hill in ''View of Toledo''. Art historian, Walter Liedtke, speculates that El Greco wanted to emphasize the greatness of Toledo. Due to Toledo sitting at the top, it symbolized the city's position being near heaven, yet still at the top of hill making it of earthly possession. Using medieval tradition, El Greco incorporated landmarks such as the cathedral and the [[Alcázar]] which were positioned in a manner where he could create his version of Toledo, "a city of the spirit".<ref name=":1" /> Toledo is the highest point it could be without being unnatural or in the sky, almost as if El Greco used the hills to work as a pedestal. It is thought that this painting's enigmatic symbolism could be related to the mysticism that infused the city during the period.

== Comparison to ''View and Plan of Toledo'' ==
''View of Toledo'' and ''[[View and Plan of Toledo]]'', on display at the [[El Greco Museum, Toledo|El Greco Museum]] in [[Toledo, Spain|Toledo]], have the same city as the center of its image, but a much different appearance and message. For starters, ''View of Toledo'' was painted before the latter. It has a more vibrant feeling with all the green and white to contrast the dark blue and black. ''View and Plan of Toledo'' has a much warmer and earth tone to it with lots of browns. It is also an aerial perspective in comparison to ''View of Toledo''. For being paintings depicting Toledo, they could not be any different. However, they were believed to be commissioned by Pedro Salazar de Mendoza as they were found to be a part of his personal collection after his death. Salazar was very passionate about Toledo in every aspect. Due to Salazar's love of the city, it is believed to have inspired El Greco to paint both ''View of Toledo'' and ''View and Plan of Toledo''.<ref name=LIEDTKE2015/>
[[File:View_and_Plan_of_Toledo.jpg|none|thumb|500x500px|''[[View and Plan of Toledo]]'' is the only other known landscape portrait by El Greco. It is believed to have been completed sometime between 1600 and 1610.]]

==See also==
* ''[[100 Great Paintings]]'', 1980 BBC series

==Notes==

{{reflist}}

== References ==

=== Scholarly articles and books ===

* {{cite journal |last1=Baetjer |first1=Katharine |title=El Greco |journal=The Metropolitan Museum of Art Bulletin |date=1981 |volume=39 |issue=1 |pages=1–48 |doi=10.2307/3259011 |jstor=3259011 }}
* {{cite journal |last1=BROWN |first1=JONATHAN |last2=KAGAN |first2=RICHARD L. |title=View of Toledo |journal=Studies in the History of Art |date=1982 |volume=11 |pages=18–VII |jstor=42617938 }}
* {{cite journal |last1=Casper |first1=Andrew R. |title=Greeks abroad: (as)signing artistic identity in early modern Europe |journal=Renaissance Studies |date=2014 |volume=28 |issue=3 |pages=356–376 |doi=10.1111/rest.12014 |jstor=24424018 |s2cid=154399371 }}
* Christiansen, Keith (October 2004). "El Greco (1541-1614)". ''www.metmuseum.org''. Retrieved 2020-11-18
* Davies, D. "The Influence of Neo-Platonism on El Greco", 20 etc. D. Davies, the Byzantine Legacy in the Art of El Greco, 425–445
* {{cite journal |last1=Krumrine |first1=Mary Louise |title=Color in El Greco |journal=Arte Lombarda |date=1993 |issue=105/107 (2-4) |pages=42–48 |jstor=43132606 }}
* {{cite journal |last1=LIEDTKE |first1=WALTER |title=Three Paintings by El Greco |journal=Metropolitan Museum Journal |date=2015 |volume=50 |pages=12–41 |doi=10.1086/685671 |jstor=26455349 |s2cid=192023558 }}
* {{cite journal |last1=Turner |first1=Nicholas |title=A Proposal for El Greco as a Draftsman |journal=Master Drawings |date=2007 |volume=45 |issue=3 |pages=291–324 |jstor=20444515 }}

==External links==
*[http://www.metmuseum.org/Collections/search-the-collections/110001017 Metropolitan Museum of Art – View of Toledo]
*[http://sites.google.com/site/beautyandterror/Home/city-on-a-hill Essay on this painting from the book ''Beauty and Terror'' by Brian A. Oard]
*[https://web.archive.org/web/20110113193924/http://www.wallartforless.com/selectItem.do?itemId=10402500&catId=1 Painting of El Greco]
{{El Greco}}

[[Category:Paintings by El Greco]]
[[Category:1590s paintings]]
[[Category:Landscape paintings]]
[[Category:Paintings in the collection of the Metropolitan Museum of Art]]

Aras Bulut İynemli

2021-09-25T23:04:34Z

Homonihilis: /* TV series */

{{Use dmy dates|date=September 2020}}
{{short description|Turkish actor}}
{{BLP sources|date=November 2019}}
{{Infobox person
| name = Aras Bulut İynemli
| image = Arasbulut.jpg
| birth_date = {{birth date and age|1990|8|25|df=yes}}
| birth_place = [[Istanbul]], [[Turkey]]
| nationality = [[Turkey|Turkish]]
| education =
| occupation = [[Actor]]
| years_active = 2009–present
| partner(s) =
| children =
}}
'''Aras Bulut İynemli''' (born 25 August 1990) is a Turkish actor. İynemli has won numerous accolades for his acting since the beginning of his career. He is best known for his performances in the television series ''[[Öyle Bir Geçer Zaman ki]]'' (English: As Time Goes by), ''[[Muhteşem Yüzyıl]]'' (English: Magnificent Century), ''{{ill|Maral: En Güzel Hikayem|lt=Maral|tr|Maral:_En_Güzel_Hikayem|vertical-align=sup}},'' ''[[İçerde]]'' (English: Inside) and ''[[Çukur]]'' (English: The Pit).

== Family ==
He has an older brother, actor Orçun İynemli and an older sister, television host and singer Yeşim İynemli. Other relatives who are actors are [[Miray Daner]] (cousin), [[Cengiz Daner]] (uncle) and [[İlhan Daner]] (great uncle).<ref>{{Cite web |url=https://www.ucankus.com/detay/132523/maral-adli-diziyle-ekranlara-geri-donen-hazal-kaya-ve-aras-bulut-iynemliden-samimi-aciklamalar |title="MARAL" ADLI DİZİYLE EKRANLARA GERİ DÖNEN HAZAL KAYA VE ARAS BULUT İYNEMLİ'DEN SAMİMİ AÇIKLAMALAR!.. – Uçankuş |website=ucankus}}</ref><ref>{{Cite web |url=https://www.superhaber.tv/aras-bulut-iynemlinin-agabeyi-de-oyuncu-cikti-galeri-175204 |title=Aras Bulut İynemli'nin kuzeni ve ağabeyi de oyuncu çıktı! |first=Super |last=Haber |date=14 February 2019 |website=superhaber.tv/aras-bulut-iynemlinin-agabeyi-de-oyuncu-cikti-galeri-175204}}</ref>

== Career ==
After playing a role in 2–3 commercials, he got a role in the drama series ''[[Öyle Bir Geçer Zaman ki]]'' in 2010. This drama gained international success and İynemli received a reward as well. Before this he had also worked in the drama ''Back Street'', but he took a hiatus after the first part as he had to complete his education of aircraft engineering. He won [[ÖSS]] ([[SAT]] exam in [[Turkey]]) as one of first 100 students. He continued his studies at the [[Istanbul Technical University]].<ref>{{cite web |url=https://m.gecce.com/haber-hazal-kaya-ve-aras-bulut-iynemli-izzet-capaya-konustu |title=Hazal Kaya ve Aras Bulut İynemli, İzzet Çapa'ya konuştu! |publisher=Gecce |date=8 March 2015 |access-date=6 November 2019}}</ref> In 2011, while he was 20 he received the Antalya Television Award for Best Supporting Actor.

In 2013 he appeared in the Azerbaijani-Turkish movie ''Mahmut and Meryem'', based on a novel by Elçin Efendiyev.<ref>{{cite web |url=http://gecce.com/magazin/haber/oyle-bir-kotu-ki |title=Aras Bulut İynemli'nin oyunculuğu beğenilmedi |archive-url=https://web.archive.org/web/20150413041906/http://gecce.com/magazin/haber/oyle-bir-kotu-ki |archive-date=13 April 2015 | access-date = 10 November 2019 | url-status = dead}}</ref> He played a disabled boy in ''Tamam mıyız?'' and portrayed [[Şehzade Bayezid]] on ''[[Muhteşem Yüzyıl]]'' in the same year.

In 2015, İynemli was selected to play the main male character in the series ''Maral: En Güzel Hikayem'' together with the actress [[Hazal Kaya]]. In 2016–17, he played the role of Umut Yılmaz / Mert Karadağ in ''[[İçerde]]''. In 2017, he began playing the role of Yamaç Koçovalı in ''[[Çukur]]''.

In 2019, İynemli portrayed a mentally ill father who was wrongly imprisoned for murder in ''[[7. Koğuştaki Mucize]]'', which broke viewing records in Turkey within a short period. After the movie was broadcast on [[Netflix]], it was well received by audience in France and Latin America.<ref>{{cite news |title="Koğuştaki Mucize", "Le Roi Lion"… les grands gagnants du confinement sur les plates-formes |url=http://www.leparisien.fr/culture-loisirs/cinema/kogustaki-mucize-le-roi-lion-les-grands-gagnants-du-confinement-sur-les-plates-formes-22-05-2020-8321985.php#xtor=AD-1481423552 |access-date=28 May 2020 |work=Le Parisien |date=22 May 2020}}</ref><ref>{{cite news |title=Ağlayanlar, Hıçkıranlar Gırla: Amerikan ve Fransız Netflix'in TOP 1'inde Yedinci Koğuştaki Mucize Var! |url=https://onedio.com/haber/aglayanlar-hickiranlar-girla-amerikan-ve-fransiz-netflix-in-top-1-inde-yedinci-kogustaki-mucize-var-901505 |access-date=28 May 2020 |work=onedio |date=31 March 2020}}</ref>

In addition to his acting career, İynemli has appeared in many advertising films and is the face of numerous brands.

== Filmography ==
=== TV series ===
{| class="wikitable sortable"
! Title
! Translated title
! Year
! Role
|-
| ''[[Arka Sokaklar]]''
|
|
| Guest role
|-
| ''[[Öyle Bir Geçer Zaman ki]]''
| ''As Time Goes by''
| 2010–13
| Mete Akarsu
|-
| ''[[Muhteşem Yüzyıl]]''
| ''Magnificent Century''
| 2013–14
| [[Şehzade Bayezid]]
|-
| ''Maral: En Güzel Hikayem''
| ''Maral: My Most Beautiful Story''
| 2015
| Sarp Altan
|-
| ''[[İçerde]]''
| ''Insider''
| 2016–17
| Umut Yılmaz / Mert Karadağ
|-
|''[[Çukur]]''
|''Pit''
|2017–21
| Yamaç Koçovalı
|-
|}

=== Film ===
{| class="wikitable sortable"
! Title
! Translated title
! Year
! Role
|-
| ''Mahmut ile Meryem''
| ''Mahmut And Meryem''
| 2013
| Mahmut
|-
|''[[Are We OK?|Tamam mıyız?]]''
| ''[[Are We OK?]]''
| 2013
| İhsan
|-
|''[[Martıların Efendisi]]''
|
| 2017
| Taxi driver
|-
| ''[[7. Koğuştaki Mucize]]''
| ''Miracle in Cell No.7''
| 2019
|Memo
|}

== Awards and Nominations ==
{| class="wikitable" style="font-size: 95%;"
! Year !! Award !! Category !! Work !! Result
|-
|rowspan=2| 2011 || Antalya Television Awards || Best Supporting Actor || rowspan="2" |''[[Öyle Bir Geçer Zaman Ki]]''|| {{Won}}
|-
|TelevizyonDizisi.com (The Bests) Awards || Best Supporting Actor ||{{Won}}
|-
|2014 || Sadri Alışık Theatre and Cinema Awards || Ekrem Bora Promising Actor ||''[[Are We OK?|Tamam mıyız?]]''|| {{Won}}
|-
| rowspan="2" |2016
|Istanbul University Mode Awards
|Most Stylish Actor of the Year
|
|{{Won}}
|-
| 7th İMK Social Media Awards || Best Actor || rowspan="12" |''[[İçerde]]''||{{Nominated}}
|-
| rowspan="11" | 2017 || 5th Bilkent TV Awards || Best Drama Actor ||{{Nominated}}
|-
|1st Müzikonair Awards || Best TV Series Actor ||{{Nominated}}
|-
|24th İTÜ EMÖS Achievement Awards || Most Successful Actor of the Year ||{{Nominated}}
|-
|6th TURKMSIC The Bests of the Year Awards || Best Actor of the Year ||{{Nominated}}
|-
|12th İTÜ Makinistanbul Media, Art and Sport Awards || Epgik Special Awards ||{{Won}}
|-
|8th KTÜ Media Awards || Most Popular Actor ||{{Nominated}}
|-
|11th GSÜ EN Awards || Best TV/Cinema Actor ||{{Nominated}}
|-
|1st Turkey Children's Awards || Best TV Series Actor ||{{Nominated}}
|-
|Yeditepe University 5th Dilek Awards || Best Actor ||{{Won}}
|-
|Okan University The Bests of the Year Awards || Best TV Series Actor ||{{Won}}
|-
|44th Pantene [[Golden Butterfly Awards]] || Best Actor ||{{Nominated}}
|-
| rowspan="7" |2018
|The ONE awards
|| Reputable Face Of A Brand ||
|{{Won}}
|-
|13th Kemal Sunal Culture And Art Awards
|Best Actor Of The Year || rowspan="15" |''[[Çukur]]''
|{{Won}}
|-
| Yeditepe University 6th Dilek Awards || Best Actor ||{{Won}}
|-
|MGD 23rd Golden Objective Awards || Best Actor ||{{Won}}
|-
|9th Quality of Magazine Awards || Top Quality Actor ||{{Won}}
|-
|45th Pantene Golden Butterfly Awards || Best Actor ||{{Won}}
|-
|[[GQ (magazine)|GQ Turkey]] 2018 || Men of the Year ||{{Won}}
|-
| rowspan="6" |2019
|7th Bilkent TV Awards
|Best Drama Actor ||{{Won}}
|-
|13th Galatasaray University The Bests Awards
|Best TV Series Actor of the Year
|{{Nominated}}
|-
|Turkey Youth Awards
|Best Actor
|{{Nominated}}
|-
|25th AYAL Awards
|Best Actor of the Year
|{{Won}}
|-
|9th [[Elle (magazine)|Elle]] Style Awards
|Elle Style Actor Of The Year
|{{Won}}
|-
|46th Pantene Golden Butterfly Awards
|Best Actor
|{{Nominated}}
|-
| rowspan="9" |2020
|Turkey Youth Awards
|Best Actor
|{{Nominated}}
|-
|3rd International Izmir Artemis Film Festival
|Best Actor
|{{Nominated}}
|-
|Social Media Awards
|Best Instagram Actor
|{{Won}}
|-
|Ayaklı Newspaper Awards
|Best Cinema Actor
| rowspan="6" |''[[7. Koğuştaki Mucize]]''
|{{Won}}
|-
|8th Yeditepe Dilek Awards
|Best Cinema Actor
|{{Won}}
|-
|Turkey Youth Awards
|Best Cinema Actor
|{{Won}}
|-
|3rd International Izmir Artemis Film Festival
|Best Cinema Actor
|{{Won}}
|-
|34th Se-Sam Awards
|Turkish Cinema From Past To Future
|{{Won}}
|-
|1st Sinemaport Awards
|Best Cinema Actor ||{{Won}}
|}

== References ==
{{reflist}}

== External links ==
* {{IMDb name|4199420|Aras Bulut İynemli}}
* [https://twitter.com/Aras_B_iynemli Aras Bulut İynemli] on Twitter

{{Golden Butterfly Award Best Actor}}

{{Authority control}}

{{DEFAULTSORT:Iynemli, Aras Bulut}}
[[Category:1990 births]]
[[Category:Istanbul Technical University alumni]]
[[Category:Living people]]
[[Category:Male actors from Istanbul]]
[[Category:People from Istanbul]]
[[Category:Turkish male film actors]]
[[Category:Turkish male television actors]]
[[Category:Golden Butterfly Award winners]]

Nabis (art)

2021-03-29T17:28:04Z

Homonihilis: /* Breakup */ link fix

[[File:Serusier - the talisman.JPG|thumb|200px|right|The first Nabis painting, by [[Paul Sérusier]], ''Le Bois d'Amour à Pont-Aven'' or ''[[The Talisman (painting)|Le Talisman]]'', 1888, oil on wood, 27 x 21.5 cm, [[Musée d'Orsay]], Paris]]

'''Les Nabis''' (French: '''les nabis''', {{IPA-fr|le nabi}}) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from [[impressionism]] and academic art to [[abstract art]], [[symbolism (arts)|symbolism]] and the other early movements of [[modernism]]. The members included [[Pierre Bonnard]], [[Maurice Denis]], [[Paul Ranson]], [[Édouard Vuillard]], [[Ker-Xavier Roussel]], [[Félix Vallotton]], [[Paul Sérusier]] and Auguste Cazalis.<ref>[https://books.google.no/books?id=Vn_M6j7KejAC&printsec=frontcover&dq=Symbolist+Art+Theories:+A+Critical+Anthology+Henri+Dorra&hl=en&sa=X&ved=2ahUKEwjA8LfU96TtAhUO-yoKHbYwC3UQ6AEwAHoECAAQAg Symbolist Art Theories: A Critical Anthology, edited by Henri Dorra, p.352]</ref> Most were students at the [[Académie Julian]] in [[Paris]] in the late 1880s. The artists shared a common admiration for [[Paul Gauguin]] and [[Paul Cézanne]] and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist.<ref>[https://www.britannica.com/art/Nabis-French-artists Nabis, French artists] in Encyclopædia Britannica online edition</ref> In 1900, the artists held their final exhibition and went their separate ways.<ref name="Daphne">Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21</ref>

==Origin of the term==
The Nabis took their name from a [[Hebrew language|Hebrew]] term which comes from the word ''nebiim'' or prophet<ref>Enclopaedia Britannica on-line edition, "The Nabis", retrieved 19 April 2020</ref><ref> [https://cdm16028.contentdm.oclc.org/digital/collection/p15324coll10/id/92098 Pierre Bonnard, the graphic art], p. 7</ref><ref>Burhan 1979, p. 231: "There is, in fact, every reason to believe that the title was chosen by these young painters as a reference to Islamic traditions, since when-ever Serusier signed a canvas 'Nabi,' ... he wrote the word out in Arabic script." as quoted in [https://cdm16028.contentdm.oclc.org/digital/collection/p15324coll10/id/92285 Pierre Bonnard, the graphic art], notes</ref> {{efn|The French term ''nabi'' (also used in English), referring to a person inspired to speak the word of God, is clearly related to the Hebrew term for ''prophet''{{snd}}{{lang|he|נביא}} (''navi'') mentioned frequently in the Hebrew Bible{{snd}}and the similar Arabic word {{lang|ar|نَبِيّ}} (''nabiyy''). The word appears in many languages, including Indonesian.}} The term was coined in 1888 by the linguist Auguste Cazalis,<ref>Brooker, Peter (2013). ''The Oxford Critical and Cultural History of Modernist Magazines, Volume 3, Part 1''. Oxford: [[Oxford University Press]]. p. 91. {{ISBN|0199659583}}.</ref> who drew a parallel between the way these painters aimed to revitalize painting (as 'prophets of modern art') and the way the ancient prophets had rejuvenated Israel.<ref>Oxford English Dictionary, headword ''nabi''</ref>

==Beginning==
[[File:'Motif Romanesque' by Maurice Denis, 1890, LACMA.JPG|thumb|right|200px|''Motif Romanesque'' by [[Maurice Denis]] (1890), one of the earliest Nabi paintings]]

The Nabis were a group of young artists of the [[Académie Julian]] in Paris, who wanted to transform the foundations of art. One of the artists, [[Paul Sérusier]], had traveled to [[Pont-Aven]] in October 1888, where under the guidance of [[Paul Gauguin]] he made a small painting of the port on wood, composed of patches of vivid color assembled to give the feeling of the port. The students called this first Nabis painting ''[[The Talisman (painting)|The Talisman]]'', and it eventually became an icon of 20th-century art.<ref name="Daphne" />

In 1889, the same year of the Paris International Exposition and the opening of the [[Eiffel Tower]], the group held its first modest exposition at the Café des Arts, which was located without the grounds of the Exposition. It was titled ''The Impressionist and Synthesist Group'', and included works by two well-known artists, Paul Gauguin and [[Émile Bernard]].

In August 1890, [[Maurice Denis]], then eighteen years old, gave the group a more concrete philosophy. Writing under the name Pierre Louis, he wrote an article in the journal ''Art et Critique'' entitled ''The Definition of Neo-traditionalism'', which became the manifesto of the movement. The celebrated opening line of the essay was: "Remember that a picture, before being a battle horse, a female nude or some sort of anecdote, is essentially a flat surface covered with colors assembled in a certain order." This idea was not original to Denis; the idea had been forward not long before by [[Hippolyte Taine]] in ''The Philosophy of Art'', where Taine wrote: "A painting is a colored surface, in which the various tones and various degrees of light are placed with a certain choice; that is its intimate being." However, it was the expression of Denis which seized the attention of artists. As Denis explained, he did not mean that form of the painting was more important than the subject. He wrote, "The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves...everything is contained in the beauty of the work." In his essay, he termed this new movement "neo-traditionalism", in opposition to the "progressivism" of the Neo-impressionists, led by [[Seurat]].{{sfn|Bouillon|2006|pages=20–21}}

The following year, in 1891, three of the Nabis, [[Pierre Bonnard]], [[Édouard Vuillard]] and Maurice Denis, took a studio at 28 rue Pigalle in Paris. It was frequented by other early Nabis, including [[Ker-Xavier Roussel]] and Paul Sérusier, as well as journalists and figures from the theatrical and literary world.

In 1892, the Nabis branched out into the theatrical world and the decorative arts. Paul Ranson, assisted by Sérusier, Bonnard, and Vuillard, designed sets for a theatrical presentation of the ''Bateau ivre'' of the poet [[Arthur Rimbaud]]. Maurice Denis made costumes and sets for another theatrical production, the ''Trilogy d'Antoina'' at the Théatre Moderne, and also painted a ceiling for the residence of the art collector and painter [[Henry Lerolle]].

The Nabis held a group exhibition in Toulouse in June 1894, and the following year presented their work in [[Siegfried Bing]]'s Maison de l'Art Nouveau, the famous gallery which had given its name to the [[Art Nouveau]] movement.<ref name="Daphne" />

Throughout their existence the Nabis were a sort of half-serious semi-secret society, who used humorous nicknames and a private vocabulary.<ref name=chr>{{cite web | url = https://www.christies.com/features/10-things-to-know-about-Edouard-Vuillard-8635-1.aspx | title= The life and art of Édouard Vuillard| publisher= Christie's | date= 7 February 2019 | access-date= 24 March 2021 | archive-url= https://web.archive.org/web/20210321173733/https://www.christies.com/features/10-things-to-know-about-Edouard-Vuillard-8635-1.aspx | archive-date= 21 March 2021}}</ref> Even the name of the group was secret until 1897. They called a studio an 'ergasterium'<ref name=chr/> and ended their letters with the initials ''E.T.P.M.V. et M.P.'', signifying ''En ta paume, mon verbe et ma pensée'' ("In your palm, my word and my thoughts").<ref>{{cite web | url = https://www.kemperart.org/exhibitions/palm-your-hand-my-words-and-my-thoughts | title= In The Palm of Your Hand, My Words and My Thoughts| publisher= Kemper Museum of Contemporary Art | date= 2017 | access-date= 24 March 2021 | archive-url= https://web.archive.org/web/20210111063959/https://www.kemperart.org/exhibitions/palm-your-hand-my-words-and-my-thoughts | archive-date = 11 January 2021}}</ref>

==Japanese influence==
The graphic art of Japan, known as [[Japonism]], particularly woodblock prints, was an important influence on the Nabis. The style was popularized in France by the art dealer Siegfried Bing, who traveled to Japan to collect prints by [[Hokusai]] and other Japanese artists, and published a monthly art journal, ''[[Le Japon Artistique]]'', between May 1888 and April 1891, which offered color illustrations. In 1900 he organized an exhibit of seven hundred prints at the [[École des Beaux-Arts]].<ref name="Lacambre">Lacambre, Geneviève, ''La déferlante japonaise'' , published in ''Les Nabis et le décor'', Beaux Arts Editions (March 2019), pp. 38-40 </ref>

Pierre Bonnard was particularly influenced by the Japanese style; his nickname among the Nabis was "Le plus japonard". For one series of four paintings created in 1890–91, ''The Women in the Garden'', now in the [[Musée d'Orsay]], Bonnard adapted a Japanese format called ''kamemono'' with a narrow vertical canvas. The models are his sister Andrée and his cousin Berthe Schaedin. The four figures are presented in curving, serpentine postures, like those in Japanese prints. The faces of the women look away from the artist; the bold patterns of their consumes and the foliage behind them dominate the paintings. He originally conceived the work as a Japanese screen, but he finally decided to separate it into four paintings, and to emphasize the decorative aspect, he added a painted border around the canvases.<ref name="Lacambre" />

The theme of women in a garden, stylistically adapted from Japanese prints, appeared in the work of other Nabis, including Maurice Denis and Paul Sérusier. Denis used the theme of women in gardens in paintings and decorative murals. Sérusier adapted the same format in his ''Women at the Spring'' (1898), stylistically depicting women descending a hill to take water from a spring.<ref name="Lacambre" />

<gallery widths="200px" heights="200px" perrow="4">
File:Femmes au jardin.gif|Pierre Bonnard, ''Women in the Garden'' (1890–91), in the Japanese ''kamemono'' style
File:Soir de septembre-Maurice Denis-IMG 8192.JPG|Maurice Denis, ''Evening in September'' (1891)
File:Édouard Vuillard, 1891, The Flowered Dress (O vestido estampado), oil on canvas, 38 x 46 cm, Museu de Arte de São Paulo.jpg|''The printed dress'' by [[Édouard Vuillard]] (1891), [[Museu de Arte de São Paulo]]
</gallery>

== Religion, symbolism, myths and legends ==
The Nabis were influenced by the literature, music and theater of the [[symbolist]] movement, and, among some of the Nabis, there was a strong current of [[mysticism]] and [[esotericism]]. Their approach to their order was partly humorous and whimsical; the studio of Ranson at 25 [[Boulevard du Montparnasse]] was called their "temple", Madame Ranson was termed "The light of the Temple", and the original Nabi painting by Sérusier was displayed in the studio like a shrine, and titled ''The Talisman''. Sérusier whimsically painted Paul Ranson in a sort of Nabic robe, with a staff and a text before him. However, they also had a more serious side. They rejected the materialism of the new industrial age, and admired the poetry of [[Baudelaire]], [[Mallarmé]] and [[Edgar Allan Poe]]. They placed themselves in opposition to the current of [[Realism (arts)|naturalism]] expressed in the paintings of [[Courbet]] and [[Manet]] and the literature of [[Émile Zola]].<ref name="Raffali">Raffali, Ludovic, ''Les Nabis - Un movement Symbolist?'' in ''Les Nabis et le Decor'', ''L'Objet d'Art'', March 2019, pp. 63, 64 </ref>

Maurice Denis and Paul Sérusier were the Nabis who most often painted religious subjects. The work of Denis was influenced by the paintings of [[Fra Angelico]]. He often painted scenes and themes taken from the Bible, but with the figures in modern costume, in simplified landscapes and surrounded by light, a symbol of faith. In 1895, he received a commission for a series of seven large paintings called ''The Legend of Saint Hubert'' for the Paris home of Baron Cochin. They illustrated the story of Saint Hubert hunting in the forest of [[Aquitaine]], seeing a vision of Christ, and being converted to Christianity.<ref name="Raffali" />

Paul Sérusier painted less Christian and more mystical scenes, particularly ''La Vision pros du torrent'' or ''The rendezvous of fairies'' (1897), showing a group of women in Breton costumes passing through the forest, carrying bouquets of flowers to a ceremony, and ''Femmes à la Source'', depicting a series of women solemnly descending through a mystical forest to a spring. This illustrates the legend of the [[Danaides]], who in mythology were condemned to fill and refill leaking jugs of water from a spring. He painted several works of women in Breton costumes conducting pagan ceremonies in the forests of Brittany.<ref name="Raffali" />

<gallery widths="200px" heights="200px" perrow="4">
File:Maurice Denis, 1889, Le Calvaire (Climbing to Calvary), oil on canvas, 41 x 32.5 cm, Musée d'Orsay.jpg|[[Maurice Denis]], ''Le Calvaire (Climbing to Calvary)'' (1889), Musée d'Orsay
File:MauriceDenis-LaLegendeDeStHubert-7LArriveeALErmitage.JPG|Maurice Denis, Final scene of the Legend of Saint Hubert (1897), Departmental Museum of Maurice Denis, Saint-Germain-en-Laye (1897)
File:LES DANAÏDES OR FEMMES À LA SOURCE.PNG|[[Paul Sérusier]], ''Women at the Spring'', Musée d'Orsay (1898)
File:Serusier-BoisSacre.jpg|Paul Sérusier, ''The Sacred Woods''
</gallery>

==Interiors==
The Nabis [[Pierre Bonnard]], [[Félix Vallotton]] and [[Édouard Vuillard]], created particularly remarkable paintings depicting the interiors of homes, where the inhabitants of the rooms were almost entirely absorbed into the intense floral decoration and furnishings. In some of the paintings, such as Vuillard's ''The Seamstress'' and ''La Table de toilet'' (1895), or ''People in an Interior - Music'', it is difficult to even find and count the individuals in the painting.<ref>Jolin, Camille, ''Les Intéieurs de Vuillars- Entre Poésie Mystère'', ''L'Objet d'Art'', ''Les Nabis et Le Decor'', March 2019, pp. 52-55</ref><ref name="Luxembourg">[https://en.museeduluxembourg.fr/sites/museeduluxembourg.fr/files/Guide_Visite_NABIS_GB.pdf ''Les Nabis et le décor'' - Musée du Luxembourg, Paris]</ref>
<gallery widths="200px" heights="200px" perrow="4">
File:Seamstress by Edouard Vuillard.jpg|Édouard Vuillard, ''[[The Seamstress (painting)|The Seamstress]]'', (1893), [[Indianapolis Museum of Art]]
File:Edouard Vuillard - Woman in a Striped Dress - Google Art Project.jpg|Édouard Vuillard, ''Woman in a Striped Dress'' (1895), National Gallery of Art
File:Vuilllard Interior 1896.jpg|Édouard Vuillard, ''People in Interior- Music'' (1896), Petit Palais Museum, Paris
File:Misia at the Piano MET DT3150.jpg|''Misia at the Piano'' (c. 1898), Édouard Vuillard, Metropolitan Museum of Art
</gallery>

==Women in the garden==
One of the most common subjects of the Nabis was women in an idyllic garden setting, usually picking flowers or fruit. It appeared in four panels representing the seasons of a young woman's life by [[Maurice Denis]] (1890–91), painted for the bedroom of a young girl, and in the panels of women in the public parks of Paris by Édouard Vuillard (1894) painted for the residence of his patron Alexandre Nathanson; two paintings of women and children picking apples in an orchard by Pierre Bonnard (1894–96); and in a tapestry by Paul Ranson, ''Spring'', depicting three women picking fruit. All the images are highly stylized, often using the same serpentine forms to represent the women, the trees and the foliage. The young women in the series by Denis are shown traveling along a road, dressed in vestal white in the first painting, then in different colors as they reach maturity in the final painting.<ref name="Daphne" />
<gallery widths="200px" heights="200px" perrow="4">
File:La barrière fleurie, Le Pouldu 1889 Paul Serusier.jpg|[[Paul Sérusier]], The flower barrier (1889)
File:Denis-Road-of-Life.jpg|''April'' or ''The road of life'' by [[Maurice Denis]], painted for the bedroom of a young girl. (1892)
File:PaulElieRanson+Spring-WomenBeneathBlossomingTrees+neddlepoint-on-canvas+1895+MuseeD'Orsay-Paris.jpg|Women picking flowers in the garden, tapestry by [[Paul Ranson]] (1895)
File:1896 Bonnard Familie des Komponisten Claude Terrasse anagoria.JPG|The Bonnard Family in the garden, screen by [[Pierre Bonnard]] (1896)
</gallery>

==Decorative art==
One of the stated objectives of the Nabis was to break down the barriers between art and ordinary life, and in particular the distinction between art and decoration. Much of the art they created was designed specifically to be decorative, for display in salons and dining rooms. They designed screens, murals, wallpaper, tapestries, dishware, lampshades, and ornament for furniture, as well as theater decor and costume design, and graphic design for advertising posters. [[Paul Ranson]], working with Art Nouveau architect [[Henry Van de Velde]] made murals to decorate the dining room of art gallery owner [[Siegfried Bing]]. After a visit to the United States, where he saw the stained glass designs of [[Louis Comfort Tiffany]] and his firm, Bing invited the Nabis to submit their own designs for Tiffany glass. Roussel, Vuillard, Vallotton, Ranson, Denis, Bonnard, and Ibels all made designs, which Bing displayed in his gallery in Paris in April 1895, along with designs of non-Nabis, including [[Toulouse-Lautrec]]. In the end the windows were not made, but Maurice Denis continued to create window designs on symbolist themes, with bold designs and vivid colors. In 1895, Vuillard was commissioned to design a series of plates, which featured women in highly stylized costumes.<ref>Jolin, Camille, ''Le Beau dans le quotidian'', in ''Les Nabis et le Decor'', pp. 29-41, in ''L'Objet D'Art'', March 2019</ref><ref name="Luxembourg" />
<gallery widths="200px" heights="200px" perrow="4">
File:Edouard Vuillard - Public Gardens - Google Art Project.jpg|Decorative screen, ''The Public Gardens'' by [[Édouard Vuillard]] (1895)
File:MauriceDenis-LeCheminDeLaVie.JPG|Stained glass window, "The Path of Life'', by [[Maurice Denis]] (1895)
File:MauriceDenis-LEchelleDansLeFeuillage.JPG|''The Ladder in the foliage'' by Maurice Denis (1892), canvas on a wood panel, made for the ceiling of the home of art patron [[Henry Lerolle]]. The same woman on the ladder is seen from four points of view.
File:Edouard vuillard, piatto con donna con camicia rigata e gonna a balze, 1895.jpg|Plate depicting a woman in a striped blouse, by Édouard Vuillard (1895)
</gallery>

==Graphic arts==
Members of Les Nabis worked in a variety of media, using oils on both canvas and cardboard, and [[distemper (paint)|distemper]] on canvas and wall decoration, and they also produced posters, prints, book illustrations, textiles and furniture. Considered to be on the cutting edge of modern art during their early period, their subject matter was representational (though often [[Symbolist]] in inspiration), but was design-oriented along the lines of the Japanese prints they so admired, and [[Art Nouveau]]. However, the artists of the Nabis circle were highly influenced by the paintings of the [[Impressionists]], and thus while sharing the flatness, page layout, and negative space of art nouveau and other decorative modes, much of Les{{nbsp}}Nabis' art has a painterly, non-realistic look, with color palettes reminiscent of Cézanne and Gauguin. Bonnard's posters and lithographs are more firmly in the Art Nouveau, or [[Toulouse-Lautrec]] manner. After the turn of the century, as modern art moved towards [[Fauvism]], [[Expressionism]], [[Cubism]], and [[Abstract art|Abstraction]], Les{{nbsp}}Nabis were viewed as conservatives and, indeed, were among the last group of artists to stick to the roots and artistic ambitions of the Impressionists, pursuing these ends almost into the middle of the 20th{{nbsp}} century. In their later years, these painters also largely abandoned their earlier interests in decorative and applied arts.
<gallery widths="200px" heights="200px" perrow="4">
File:Les Parisiennes cph.3g10009.jpg|[[Pierre Bonnard]], ''Les Parisiennes'' 1893, [[lithograph]]
File:Vallotton pour Bing.jpg|[[Félix Vallotton]] poster for Siegfried Bing's Gallery (1893)
File:Vallotton-Raison.gif|Félix Vallotton, ''La raison probante (The Cogent Reason)'', a [[woodcut]] from the series ''Intimités'' (1898)
File:Frontispiece, from the album Amours MET MM77360.jpg|Maurice Denis, Frontispiece lithograph from the series ''Amour'' (1899)
</gallery>

==Breakup==
In 1897, the Nabis were not present at the well-known [[Salon des Indépendants]], but instead held their own exposition at the Galerie Vollard, more avant-garde than the Salon. Their final exhibition as a group took place in 1900 at the Galerie Bernheim, with works of Bonnard, Denis, Ibels, Maillol, Roussel, Sérusier, Vallotton and Vuillard. After that show, each of the artists went his separate way.<ref name="Daphne" />

Looking back in 1909, Denis described the accomplishment of the Nabis. "Art is no longer a visual sensation that we gather, like a photograph, as it were, of nature. No, it is a creation of our spirit, for which nature is only the occasion."{{sfn|Bouillon|2006|pages=17–18}}

In 1937, Vuillard described the breakup of the Nabis. "...The march of progress was so rapid. Society was ready to welcome [[cubism]] and [[surrealism]] before we had reached what we had imagined as our goal. We found ourselves in a way suspended in the air."<ref>Pierre Bonnard and Ingid Rybeck, ''Chez Bonnard a Deauville'', ''Konstrevy'' no. 4, Stockholm (1937), cited in ''L'objet de l'Art, Les Nabis et le Decor'' (March 2019), page 65</ref>

==Members and associates==
* [[Pierre Bonnard]] (1867–1947), ''le nabi très japonard''
* [[Maurice Denis]] (1870–1943), ''le nabi aux belles icônes''
* [[Maxime Dethomas]] (1869–1929)
* [[Meyer de Haan]] (1852–1895), ''le nabi hollandais''
* [[Hermann-Paul|Rene Georges Hermann-Paul]] (1864–1940)
* [[Henri-Gabriel Ibels]] (1867–1936), ''le nabi journaliste''
* [[Georges Lacombe (painter)|Georges Lacombe]] (1868–1916), ''le nabi sculpteur''
* [[Lugné-Poe]] (1869–1940)
* [[Aristide Maillol]] (1861–1944)
* [[Paul Ranson]] (1864–1909), ''le nabi plus japonard que le nabi japonard''
* [[József Rippl-Rónai]] (1861–1927), ''le nabi hongrois''
* [[Ker-Xavier Roussel]] (1867–1944)
* [[Paul Sérusier]] (1864–1927), ''le nabi à la barbe rutilante''
* [[Marguérite Sérusier]], wife of Paul Sérusier; a notable decorative painter
* [[Félix Vallotton]] (1865–1925), ''le nabi étranger''
* [[Jan Verkade]] (1868–1946), ''le nabi obéliscal''
* [[Édouard Vuillard]] (1868–1940), ''le nabi zouave''

<gallery widths="200px" heights="200px" perrow="4">
File:115 Maurice Denis Portrait de l'artiste à l'âge de 18 ans.jpg|[[Maurice Denis]], aged eighteen, in 1889
File:Édouard Vuillard 001.jpg|[[Édouard Vuillard]], ''[[Self-portrait]]'', 1889
File:Self-portrait-1889.jpg|[[Pierre Bonnard]], ''[[Self-portrait]]'', c. 1889
File:Ranson serusier.jpg|[[Paul Ranson]], [[Paul Sérusier]], and Marie-France Ranson in Paul Ranson's studio, c. 1900
File:Ker-Xavier Roussel, Édouard Vuillard, Romain Coolus, Felix Vallotton 1899.jpg|[[Ker-Xavier Roussel]], [[Édouard Vuillard]], [[Romain Coolus]], [[Félix Vallotton]], 1899
File:Porträt Paul Ranson.jpg|Portrait of [[Paul Ranson]] in Nabi costume, by [[Paul Sérusier]]
</gallery>
Other members of the group included the playwright Pierre Veber, the musician Pierre Hermant, and the linguist Auguste Cazalis,<ref>G. L. Groom, ''Édouard Vuillard: Painter-decorator: Patrons and Projects, 1892-1912'' ([[Yale University Press]], 1993), p.{{nbsp}}10</ref> called (by Ranson) ''le nabi Ben Kallyre''.<ref>Many of the attributed nicknames are cited in Willibrord (Jan) Verkade, ''Die Unruhe zu Gott: Erinnerungen eines Malermönchs'', 5th Edition (Herder & Co., Freiburg im Breisgau 1930), pp.{{nbsp}}67–70.</ref>

==Gallery==
<gallery widths="200px" heights="200px" perrow="3">
File:Félix Vallotton, 1893 - La Valse.jpg|''The Waltz'', [[Félix Vallotton]], Museum of Modern Art Le Havre (1893)
File:Valloton Frau mit Dienstmagd beim Baden.jpg|[[Félix Vallotton]], ''The Mistress and the Servant,'' 1896
File:Paesaggio nabi paul ranson.jpg|[[Paul Ranson]], ''Nabis Landscape'', 1890
File:Georges Lacombe-1868-1946-Marine bleue, Effet de vague,circa 1893,peinture à l'oeuf sur toile,43x64,2 cm,Musée des Beaux-Arts de Rennes.jpg|[[Georges Lacombe (painter)|Georges Lacombe]], ''Marine bleue, Effet de vagues'', 1893
</gallery>

==See also==
*[[Pont-Aven School]]
*[[Henry Lerolle]], patron
*[[Odilon Redon]]

==Notes==
{{notelist}}

==References==
{{reflist}}

==Bibliography==
* {{cite book |last=Bouillon |first=Jean-Paul |title=Maurice Denis - Le spirituel dans l'art |publisher=Gallimard |location=Paris |date=2006 |language=French |isbn=978-2-07-031929-9}}
* Cogeval, Guy (2015). ''Bonnard''. Paris: Hazan, Malakoff. (in French) {{ISBN|978-2-7541-08-36-2}}*

==Further reading==
*{{cite book |first=Patricia Eckert |last=Boyer |title=The Nabis and the Parisian Avant-Garde |publisher=[[Rutgers University Press]] |date=1989 |isbn=978-0-8135-1380-5}}
*{{cite book |first=Charles |last=Chasse |title=The Nabis and Their Period |publisher=Lund Humphries |location=London |date=1969 |asin=B001387EYI}}
*{{cite book |first=Russell T. |last=Clement |title=Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis |publisher=Greenwood Press |date=1996 |isbn=978-0-313-29752-6}}
*{{cite book |first=Bernard |last=Dorival |title=Les peintres du vingtième siècle; Nabis, Fauves, Cubistes |url=https://archive.org/details/lespeintresduvin0000dori |url-access=registration |language=French |publisher=Editions Pierre Tisne |location=Paris |date=1957 |asin=B000PT18NY}}
*{{cite book |first=Claire |last=Freches-Thory |first2=Antoine |last2=Terrasse |title=Nabis: Bonnard, Vuillard and Their Circle |publisher=Flammarion |location=London |date=2003 |isbn=978-2-08-011076-3}}
*{{cite book |first=Albert |last=Kostenevitch |year=2005 |title=Bonnard: and the Nabis |publisher=Parkstone Press |location=London |isbn=978-1-85995-015-9}}

==External links==
{{Wikiquote}}
*[http://alamantra.net/articles/the-prophets-of-montmartre/ The Prophets of Montmartre], an article on Les Nabis by Alamantra
*[http://cdm16028.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/92353 ''Pierre Bonnard, the Graphic Art''], an exhibition catalog from The Metropolitan Museum of Art, which contains material on Bonnard and others in the Les Nabis collective

{{Post-Impressionism|state=expanded}}
{{Western art movements}}
{{ACArt}}

{{DEFAULTSORT:Nabis, The}}
[[Category:French artist groups and collectives]]
[[Category:19th-century art groups]]
[[Category:Post-Impressionism]]
[[Category:French art]]
[[Category:French art movements]]
[[Category:Art movements]]
[[Category:Académie Julian]]

Nabis (art)

2021-03-28T20:11:10Z

Homonihilis: /* Japanese influence */ + internal link

[[File:Serusier - the talisman.JPG|thumb|200px|right|The first Nabis painting, by [[Paul Sérusier]], ''Le Bois d'Amour à Pont-Aven'' or ''[[The Talisman (painting)|Le Talisman]]'', 1888, oil on wood, 27 x 21.5 cm, [[Musée d'Orsay]], Paris]]

'''Les Nabis''' (French: '''les nabis''', {{IPA-fr|le nabi}}) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from [[impressionism]] and academic art to [[abstract art]], [[symbolism (arts)|symbolism]] and the other early movements of [[modernism]]. The members included [[Pierre Bonnard]], [[Maurice Denis]], [[Paul Ranson]], [[Édouard Vuillard]], [[Ker-Xavier Roussel]], [[Félix Vallotton]], [[Paul Sérusier]] and Auguste Cazalis.<ref>[https://books.google.no/books?id=Vn_M6j7KejAC&printsec=frontcover&dq=Symbolist+Art+Theories:+A+Critical+Anthology+Henri+Dorra&hl=en&sa=X&ved=2ahUKEwjA8LfU96TtAhUO-yoKHbYwC3UQ6AEwAHoECAAQAg Symbolist Art Theories: A Critical Anthology, edited by Henri Dorra, p.352]</ref> Most were students at the [[Académie Julian]] in [[Paris]] in the late 1880s. The artists shared a common admiration for [[Paul Gauguin]] and [[Paul Cézanne]] and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist.<ref>[https://www.britannica.com/art/Nabis-French-artists Nabis, French artists] in Encyclopædia Britannica online edition</ref> In 1900, the artists held their final exhibition and went their separate ways.<ref name="Daphne">Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21</ref>

==Origin of the term==
The Nabis took their name from a [[Hebrew language|Hebrew]] term which comes from the word ''nebiim'' or prophet<ref>Enclopaedia Britannica on-line edition, "The Nabis", retrieved 19 April 2020</ref><ref> [https://cdm16028.contentdm.oclc.org/digital/collection/p15324coll10/id/92098 Pierre Bonnard, the graphic art], p. 7</ref><ref>Burhan 1979, p. 231: "There is, in fact, every reason to believe that the title was chosen by these young painters as a reference to Islamic traditions, since when-ever Serusier signed a canvas 'Nabi,' ... he wrote the word out in Arabic script." as quoted in [https://cdm16028.contentdm.oclc.org/digital/collection/p15324coll10/id/92285 Pierre Bonnard, the graphic art], notes</ref> {{efn|The French term ''nabi'' (also used in English), referring to a person inspired to speak the word of God, is clearly related to the Hebrew term for ''prophet''{{snd}}{{lang|he|נביא}} (''navi'') mentioned frequently in the Hebrew Bible{{snd}}and the similar Arabic word {{lang|ar|نَبِيّ}} (''nabiyy''). The word appears in many languages, including Indonesian.}} The term was coined in 1888 by the linguist Auguste Cazalis,<ref>Brooker, Peter (2013). ''The Oxford Critical and Cultural History of Modernist Magazines, Volume 3, Part 1''. Oxford: [[Oxford University Press]]. p. 91. {{ISBN|0199659583}}.</ref> who drew a parallel between the way these painters aimed to revitalize painting (as 'prophets of modern art') and the way the ancient prophets had rejuvenated Israel.<ref>Oxford English Dictionary, headword ''nabi''</ref>

==Beginning==
[[File:'Motif Romanesque' by Maurice Denis, 1890, LACMA.JPG|thumb|right|200px|''Motif Romanesque'' by [[Maurice Denis]] (1890), one of the earliest Nabi paintings]]

The Nabis were a group of young artists of the [[Académie Julian]] in Paris, who wanted to transform the foundations of art. One of the artists, [[Paul Sérusier]], had traveled to [[Pont-Aven]] in October 1888, where under the guidance of [[Paul Gauguin]] he made a small painting of the port on wood, composed of patches of vivid color assembled to give the feeling of the port. The students called this first Nabis painting ''[[The Talisman (painting)|The Talisman]]'', and it eventually became an icon of 20th-century art.<ref name="Daphne" />

In 1889, the same year of the Paris International Exposition and the opening of the [[Eiffel Tower]], the group held its first modest exposition at the Café des Arts, which was located without the grounds of the Exposition. It was titled ''The Impressionist and Synthesist Group'', and included works by two well-known artists, Paul Gauguin and [[Émile Bernard]].

In August 1890, [[Maurice Denis]], then eighteen years old, gave the group a more concrete philosophy. Writing under the name Pierre Louis, he wrote an article in the journal ''Art et Critique'' entitled ''The Definition of Neo-traditionalism'', which became the manifesto of the movement. The celebrated opening line of the essay was: "Remember that a picture, before being a battle horse, a female nude or some sort of anecdote, is essentially a flat surface covered with colors assembled in a certain order." This idea was not original to Denis; the idea had been forward not long before by [[Hippolyte Taine]] in ''The Philosophy of Art'', where Taine wrote: "A painting is a colored surface, in which the various tones and various degrees of light are placed with a certain choice; that is its intimate being." However, it was the expression of Denis which seized the attention of artists. As Denis explained, he did not mean that form of the painting was more important than the subject. He wrote, "The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves...everything is contained in the beauty of the work." In his essay, he termed this new movement "neo-traditionalism", in opposition to the "progressivism" of the Neo-impressionists, led by [[Seurat]].{{sfn|Bouillon|2006|pages=20–21}}

The following year, in 1891, three of the Nabis, [[Pierre Bonnard]], [[Édouard Vuillard]] and Maurice Denis, took a studio at 28 rue Pigalle in Paris. It was frequented by other early Nabis, including [[Ker-Xavier Roussel]] and Paul Sérusier, as well as journalists and figures from the theatrical and literary world.

In 1892, the Nabis branched out into the theatrical world and the decorative arts. Paul Ranson, assisted by Sérusier, Bonnard, and Vuillard, designed sets for a theatrical presentation of the ''Bateau ivre'' of the poet [[Arthur Rimbaud]]. Maurice Denis made costumes and sets for another theatrical production, the ''Trilogy d'Antoina'' at the Théatre Moderne, and also painted a ceiling for the residence of the art collector and painter [[Henry Lerolle]].

The Nabis held a group exhibition in Toulouse in June 1894, and the following year presented their work in [[Siegfried Bing]]'s Maison de l'Art Nouveau, the famous gallery which had given its name to the [[Art Nouveau]] movement.<ref name="Daphne" />

Throughout their existence the Nabis were a sort of half-serious semi-secret society, who used humorous nicknames and a private vocabulary.<ref name=chr>{{cite web | url = https://www.christies.com/features/10-things-to-know-about-Edouard-Vuillard-8635-1.aspx | title= The life and art of Édouard Vuillard| publisher= Christie's | date= 7 February 2019 | access-date= 24 March 2021 | archive-url= https://web.archive.org/web/20210321173733/https://www.christies.com/features/10-things-to-know-about-Edouard-Vuillard-8635-1.aspx | archive-date= 21 March 2021}}</ref> Even the name of the group was secret until 1897. They called a studio an 'ergasterium'<ref name=chr/> and ended their letters with the initials ''E.T.P.M.V. et M.P.'', signifying ''En ta paume, mon verbe et ma pensée'' ("In your palm, my word and my thoughts").<ref>{{cite web | url = https://www.kemperart.org/exhibitions/palm-your-hand-my-words-and-my-thoughts | title= In The Palm of Your Hand, My Words and My Thoughts| publisher= Kemper Museum of Contemporary Art | date= 2017 | access-date= 24 March 2021 | archive-url= https://web.archive.org/web/20210111063959/https://www.kemperart.org/exhibitions/palm-your-hand-my-words-and-my-thoughts | archive-date = 11 January 2021}}</ref>

==Japanese influence==
The graphic art of Japan, known as [[Japonism]], particularly woodblock prints, was an important influence on the Nabis. The style was popularized in France by the art dealer Siegfried Bing, who traveled to Japan to collect prints by [[Hokusai]] and other Japanese artists, and published a monthly art journal, ''[[Le Japon Artistique]]'', between May 1888 and April 1891, which offered color illustrations. In 1900 he organized an exhibit of seven hundred prints at the [[École des Beaux-Arts]].<ref name="Lacambre">Lacambre, Geneviève, ''La déferlante japonaise'' , published in ''Les Nabis et le décor'', Beaux Arts Editions (March 2019), pp. 38-40 </ref>

Pierre Bonnard was particularly influenced by the Japanese style; his nickname among the Nabis was "Le plus japonard". For one series of four paintings created in 1890–91, ''The Women in the Garden'', now in the [[Musée d'Orsay]], Bonnard adapted a Japanese format called ''kamemono'' with a narrow vertical canvas. The models are his sister Andrée and his cousin Berthe Schaedin. The four figures are presented in curving, serpentine postures, like those in Japanese prints. The faces of the women look away from the artist; the bold patterns of their consumes and the foliage behind them dominate the paintings. He originally conceived the work as a Japanese screen, but he finally decided to separate it into four paintings, and to emphasize the decorative aspect, he added a painted border around the canvases.<ref name="Lacambre" />

The theme of women in a garden, stylistically adapted from Japanese prints, appeared in the work of other Nabis, including Maurice Denis and Paul Sérusier. Denis used the theme of women in gardens in paintings and decorative murals. Sérusier adapted the same format in his ''Women at the Spring'' (1898), stylistically depicting women descending a hill to take water from a spring.<ref name="Lacambre" />

<gallery widths="200px" heights="200px" perrow="4">
File:Femmes au jardin.gif|Pierre Bonnard, ''Women in the Garden'' (1890–91), in the Japanese ''kamemono'' style
File:Soir de septembre-Maurice Denis-IMG 8192.JPG|Maurice Denis, ''Evening in September'' (1891)
File:Édouard Vuillard, 1891, The Flowered Dress (O vestido estampado), oil on canvas, 38 x 46 cm, Museu de Arte de São Paulo.jpg|''The printed dress'' by [[Édouard Vuillard]] (1891), [[Museu de Arte de São Paulo]]
</gallery>

== Religion, symbolism, myths and legends ==
The Nabis were influenced by the literature, music and theater of the [[symbolist]] movement, and, among some of the Nabis, there was a strong current of [[mysticism]] and [[esotericism]]. Their approach to their order was partly humorous and whimsical; the studio of Ranson at 25 [[Boulevard du Montparnasse]] was called their "temple", Madame Ranson was termed "The light of the Temple", and the original Nabi painting by Sérusier was displayed in the studio like a shrine, and titled ''The Talisman''. Sérusier whimsically painted Paul Ranson in a sort of Nabic robe, with a staff and a text before him. However, they also had a more serious side. They rejected the materialism of the new industrial age, and admired the poetry of [[Baudelaire]], [[Mallarmé]] and [[Edgar Allan Poe]]. They placed themselves in opposition to the current of [[Realism (arts)|naturalism]] expressed in the paintings of [[Courbet]] and [[Manet]] and the literature of [[Émile Zola]].<ref name="Raffali">Raffali, Ludovic, ''Les Nabis - Un movement Symbolist?'' in ''Les Nabis et le Decor'', ''L'Objet d'Art'', March 2019, pp. 63, 64 </ref>

Maurice Denis and Paul Sérusier were the Nabis who most often painted religious subjects. The work of Denis was influenced by the paintings of [[Fra Angelico]]. He often painted scenes and themes taken from the Bible, but with the figures in modern costume, in simplified landscapes and surrounded by light, a symbol of faith. In 1895, he received a commission for a series of seven large paintings called ''The Legend of Saint Hubert'' for the Paris home of Baron Cochin. They illustrated the story of Saint Hubert hunting in the forest of [[Aquitaine]], seeing a vision of Christ, and being converted to Christianity.<ref name="Raffali" />

Paul Sérusier painted less Christian and more mystical scenes, particularly ''La Vision pros du torrent'' or ''The rendezvous of fairies'' (1897), showing a group of women in Breton costumes passing through the forest, carrying bouquets of flowers to a ceremony, and ''Femmes à la Source'', depicting a series of women solemnly descending through a mystical forest to a spring. This illustrates the legend of the [[Danaides]], who in mythology were condemned to fill and refill leaking jugs of water from a spring. He painted several works of women in Breton costumes conducting pagan ceremonies in the forests of Brittany.<ref name="Raffali" />

<gallery widths="200px" heights="200px" perrow="4">
File:Maurice Denis, 1889, Le Calvaire (Climbing to Calvary), oil on canvas, 41 x 32.5 cm, Musée d'Orsay.jpg|[[Maurice Denis]], ''Le Calvaire (Climbing to Calvary)'' (1889), Musée d'Orsay
File:MauriceDenis-LaLegendeDeStHubert-7LArriveeALErmitage.JPG|Maurice Denis, Final scene of the Legend of Saint Hubert (1897), Departmental Museum of Maurice Denis, Saint-Germain-en-Laye (1897)
File:LES DANAÏDES OR FEMMES À LA SOURCE.PNG|[[Paul Sérusier]], ''Women at the Spring'', Musée d'Orsay (1898)
File:Serusier-BoisSacre.jpg|Paul Sérusier, ''The Sacred Woods''
</gallery>

==Interiors==
The Nabis [[Pierre Bonnard]], [[Félix Vallotton]] and [[Édouard Vuillard]], created particularly remarkable paintings depicting the interiors of homes, where the inhabitants of the rooms were almost entirely absorbed into the intense floral decoration and furnishings. In some of the paintings, such as Vuillard's ''The Seamstress'' and ''La Table de toilet'' (1895), or ''People in an Interior - Music'', it is difficult to even find and count the individuals in the painting.<ref>Jolin, Camille, ''Les Intéieurs de Vuillars- Entre Poésie Mystère'', ''L'Objet d'Art'', ''Les Nabis et Le Decor'', March 2019, pp. 52-55</ref><ref name="Luxembourg">[https://en.museeduluxembourg.fr/sites/museeduluxembourg.fr/files/Guide_Visite_NABIS_GB.pdf ''Les Nabis et le décor'' - Musée du Luxembourg, Paris]</ref>
<gallery widths="200px" heights="200px" perrow="4">
File:Seamstress by Edouard Vuillard.jpg|Édouard Vuillard, ''[[The Seamstress (painting)|The Seamstress]]'', (1893), [[Indianapolis Museum of Art]]
File:Edouard Vuillard - Woman in a Striped Dress - Google Art Project.jpg|Édouard Vuillard, ''Woman in a Striped Dress'' (1895), National Gallery of Art
File:Vuilllard Interior 1896.jpg|Édouard Vuillard, ''People in Interior- Music'' (1896), Petit Palais Museum, Paris
File:Misia at the Piano MET DT3150.jpg|''Misia at the Piano'' (c. 1898), Édouard Vuillard, Metropolitan Museum of Art
</gallery>

==Women in the garden==
One of the most common subjects of the Nabis was women in an idyllic garden setting, usually picking flowers or fruit. It appeared in four panels representing the seasons of a young woman's life by [[Maurice Denis]] (1890–91), painted for the bedroom of a young girl, and in the panels of women in the public parks of Paris by Édouard Vuillard (1894) painted for the residence of his patron Alexandre Nathanson; two paintings of women and children picking apples in an orchard by Pierre Bonnard (1894–96); and in a tapestry by Paul Ranson, ''Spring'', depicting three women picking fruit. All the images are highly stylized, often using the same serpentine forms to represent the women, the trees and the foliage. The young women in the series by Denis are shown traveling along a road, dressed in vestal white in the first painting, then in different colors as they reach maturity in the final painting.<ref name="Daphne" />
<gallery widths="200px" heights="200px" perrow="4">
File:La barrière fleurie, Le Pouldu 1889 Paul Serusier.jpg|[[Paul Sérusier]], The flower barrier (1889)
File:Denis-Road-of-Life.jpg|''April'' or ''The road of life'' by [[Maurice Denis]], painted for the bedroom of a young girl. (1892)
File:PaulElieRanson+Spring-WomenBeneathBlossomingTrees+neddlepoint-on-canvas+1895+MuseeD'Orsay-Paris.jpg|Women picking flowers in the garden, tapestry by [[Paul Ranson]] (1895)
File:1896 Bonnard Familie des Komponisten Claude Terrasse anagoria.JPG|The Bonnard Family in the garden, screen by [[Pierre Bonnard]] (1896)
</gallery>

==Decorative art==
One of the stated objectives of the Nabis was to break down the barriers between art and ordinary life, and in particular the distinction between art and decoration. Much of the art they created was designed specifically to be decorative, for display in salons and dining rooms. They designed screens, murals, wallpaper, tapestries, dishware, lampshades, and ornament for furniture, as well as theater decor and costume design, and graphic design for advertising posters. [[Paul Ranson]], working with Art Nouveau architect [[Henry Van de Velde]] made murals to decorate the dining room of art gallery owner [[Siegfried Bing]]. After a visit to the United States, where he saw the stained glass designs of [[Louis Comfort Tiffany]] and his firm, Bing invited the Nabis to submit their own designs for Tiffany glass. Roussel, Vuillard, Vallotton, Ranson, Denis, Bonnard, and Ibels all made designs, which Bing displayed in his gallery in Paris in April 1895, along with designs of non-Nabis, including [[Toulouse-Lautrec]]. In the end the windows were not made, but Maurice Denis continued to create window designs on symbolist themes, with bold designs and vivid colors. In 1895, Vuillard was commissioned to design a series of plates, which featured women in highly stylized costumes.<ref>Jolin, Camille, ''Le Beau dans le quotidian'', in ''Les Nabis et le Decor'', pp. 29-41, in ''L'Objet D'Art'', March 2019</ref><ref name="Luxembourg" />
<gallery widths="200px" heights="200px" perrow="4">
File:Edouard Vuillard - Public Gardens - Google Art Project.jpg|Decorative screen, ''The Public Gardens'' by [[Édouard Vuillard]] (1895)
File:MauriceDenis-LeCheminDeLaVie.JPG|Stained glass window, "The Path of Life'', by [[Maurice Denis]] (1895)
File:MauriceDenis-LEchelleDansLeFeuillage.JPG|''The Ladder in the foliage'' by Maurice Denis (1892), canvas on a wood panel, made for the ceiling of the home of art patron [[Henry Lerolle]]. The same woman on the ladder is seen from four points of view.
File:Edouard vuillard, piatto con donna con camicia rigata e gonna a balze, 1895.jpg|Plate depicting a woman in a striped blouse, by Édouard Vuillard (1895)
</gallery>

==Graphic arts==
Members of Les Nabis worked in a variety of media, using oils on both canvas and cardboard, and [[distemper (paint)|distemper]] on canvas and wall decoration, and they also produced posters, prints, book illustrations, textiles and furniture. Considered to be on the cutting edge of modern art during their early period, their subject matter was representational (though often [[Symbolist]] in inspiration), but was design-oriented along the lines of the Japanese prints they so admired, and [[Art Nouveau]]. However, the artists of the Nabis circle were highly influenced by the paintings of the [[Impressionists]], and thus while sharing the flatness, page layout, and negative space of art nouveau and other decorative modes, much of Les{{nbsp}}Nabis' art has a painterly, non-realistic look, with color palettes reminiscent of Cézanne and Gauguin. Bonnard's posters and lithographs are more firmly in the Art Nouveau, or [[Toulouse-Lautrec]] manner. After the turn of the century, as modern art moved towards [[Fauvism]], [[Expressionism]], [[Cubism]], and [[Abstract art|Abstraction]], Les{{nbsp}}Nabis were viewed as conservatives and, indeed, were among the last group of artists to stick to the roots and artistic ambitions of the Impressionists, pursuing these ends almost into the middle of the 20th{{nbsp}} century. In their later years, these painters also largely abandoned their earlier interests in decorative and applied arts.
<gallery widths="200px" heights="200px" perrow="4">
File:Les Parisiennes cph.3g10009.jpg|[[Pierre Bonnard]], ''Les Parisiennes'' 1893, [[lithograph]]
File:Vallotton pour Bing.jpg|[[Félix Vallotton]] poster for Siegfried Bing's Gallery (1893)
File:Vallotton-Raison.gif|Félix Vallotton, ''La raison probante (The Cogent Reason)'', a [[woodcut]] from the series ''Intimités'' (1898)
File:Frontispiece, from the album Amours MET MM77360.jpg|Maurice Denis, Frontispiece lithograph from the series ''Amour'' (1899)
</gallery>

==Breakup==
In 1897, the Nabis were not present at the well-known [[Salon des Independents]], but instead held their own exposition at the Galerie Vollard, more avant-garde than the Salon. Their final exhibition as a group took place in 1900 at the Galerie Bernheim, with works of Bonnard, Denis, Ibels, Maillol, Roussel, Sérusier, Vallotton and Vuillard. After that show, each of the artists went his separate way.<ref name="Daphne" />

Looking back in 1909, Denis described the accomplishment of the Nabis. "Art is no longer a visual sensation that we gather, like a photograph, as it were, of nature. No, it is a creation of our spirit, for which nature is only the occasion."{{sfn|Bouillon|2006|pages=17–18}}

In 1937, Vuillard described the breakup of the Nabis. "...The march of progress was so rapid. Society was ready to welcome [[cubism]] and [[surrealism]] before we had reached what we had imagined as our goal. We found ourselves in a way suspended in the air."<ref>Pierre Bonnard and Ingid Rybeck, ''Chez Bonnard a Deauville'', ''Konstrevy'' no. 4, Stockholm (1937), cited in ''L'objet de l'Art, Les Nabis et le Decor'' (March 2019), page 65</ref>

==Members and associates==
* [[Pierre Bonnard]] (1867–1947), ''le nabi très japonard''
* [[Maurice Denis]] (1870–1943), ''le nabi aux belles icônes''
* [[Maxime Dethomas]] (1869–1929)
* [[Meyer de Haan]] (1852–1895), ''le nabi hollandais''
* [[Hermann-Paul|Rene Georges Hermann-Paul]] (1864–1940)
* [[Henri-Gabriel Ibels]] (1867–1936), ''le nabi journaliste''
* [[Georges Lacombe (painter)|Georges Lacombe]] (1868–1916), ''le nabi sculpteur''
* [[Lugné-Poe]] (1869–1940)
* [[Aristide Maillol]] (1861–1944)
* [[Paul Ranson]] (1864–1909), ''le nabi plus japonard que le nabi japonard''
* [[József Rippl-Rónai]] (1861–1927), ''le nabi hongrois''
* [[Ker-Xavier Roussel]] (1867–1944)
* [[Paul Sérusier]] (1864–1927), ''le nabi à la barbe rutilante''
* [[Marguérite Sérusier]], wife of Paul Sérusier; a notable decorative painter
* [[Félix Vallotton]] (1865–1925), ''le nabi étranger''
* [[Jan Verkade]] (1868–1946), ''le nabi obéliscal''
* [[Édouard Vuillard]] (1868–1940), ''le nabi zouave''

<gallery widths="200px" heights="200px" perrow="4">
File:115 Maurice Denis Portrait de l'artiste à l'âge de 18 ans.jpg|[[Maurice Denis]], aged eighteen, in 1889
File:Édouard Vuillard 001.jpg|[[Édouard Vuillard]], ''[[Self-portrait]]'', 1889
File:Self-portrait-1889.jpg|[[Pierre Bonnard]], ''[[Self-portrait]]'', c. 1889
File:Ranson serusier.jpg|[[Paul Ranson]], [[Paul Sérusier]], and Marie-France Ranson in Paul Ranson's studio, c. 1900
File:Ker-Xavier Roussel, Édouard Vuillard, Romain Coolus, Felix Vallotton 1899.jpg|[[Ker-Xavier Roussel]], [[Édouard Vuillard]], [[Romain Coolus]], [[Félix Vallotton]], 1899
File:Porträt Paul Ranson.jpg|Portrait of [[Paul Ranson]] in Nabi costume, by [[Paul Sérusier]]
</gallery>
Other members of the group included the playwright Pierre Veber, the musician Pierre Hermant, and the linguist Auguste Cazalis,<ref>G. L. Groom, ''Édouard Vuillard: Painter-decorator: Patrons and Projects, 1892-1912'' ([[Yale University Press]], 1993), p.{{nbsp}}10</ref> called (by Ranson) ''le nabi Ben Kallyre''.<ref>Many of the attributed nicknames are cited in Willibrord (Jan) Verkade, ''Die Unruhe zu Gott: Erinnerungen eines Malermönchs'', 5th Edition (Herder & Co., Freiburg im Breisgau 1930), pp.{{nbsp}}67–70.</ref>

==Gallery==
<gallery widths="200px" heights="200px" perrow="3">
File:Félix Vallotton, 1893 - La Valse.jpg|''The Waltz'', [[Félix Vallotton]], Museum of Modern Art Le Havre (1893)
File:Valloton Frau mit Dienstmagd beim Baden.jpg|[[Félix Vallotton]], ''The Mistress and the Servant,'' 1896
File:Paesaggio nabi paul ranson.jpg|[[Paul Ranson]], ''Nabis Landscape'', 1890
File:Georges Lacombe-1868-1946-Marine bleue, Effet de vague,circa 1893,peinture à l'oeuf sur toile,43x64,2 cm,Musée des Beaux-Arts de Rennes.jpg|[[Georges Lacombe (painter)|Georges Lacombe]], ''Marine bleue, Effet de vagues'', 1893
</gallery>

==See also==
*[[Pont-Aven School]]
*[[Henry Lerolle]], patron
*[[Odilon Redon]]

==Notes==
{{notelist}}

==References==
{{reflist}}

==Bibliography==
* {{cite book |last=Bouillon |first=Jean-Paul |title=Maurice Denis - Le spirituel dans l'art |publisher=Gallimard |location=Paris |date=2006 |language=French |isbn=978-2-07-031929-9}}
* Cogeval, Guy (2015). ''Bonnard''. Paris: Hazan, Malakoff. (in French) {{ISBN|978-2-7541-08-36-2}}*

==Further reading==
*{{cite book |first=Patricia Eckert |last=Boyer |title=The Nabis and the Parisian Avant-Garde |publisher=[[Rutgers University Press]] |date=1989 |isbn=978-0-8135-1380-5}}
*{{cite book |first=Charles |last=Chasse |title=The Nabis and Their Period |publisher=Lund Humphries |location=London |date=1969 |asin=B001387EYI}}
*{{cite book |first=Russell T. |last=Clement |title=Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis |publisher=Greenwood Press |date=1996 |isbn=978-0-313-29752-6}}
*{{cite book |first=Bernard |last=Dorival |title=Les peintres du vingtième siècle; Nabis, Fauves, Cubistes |url=https://archive.org/details/lespeintresduvin0000dori |url-access=registration |language=French |publisher=Editions Pierre Tisne |location=Paris |date=1957 |asin=B000PT18NY}}
*{{cite book |first=Claire |last=Freches-Thory |first2=Antoine |last2=Terrasse |title=Nabis: Bonnard, Vuillard and Their Circle |publisher=Flammarion |location=London |date=2003 |isbn=978-2-08-011076-3}}
*{{cite book |first=Albert |last=Kostenevitch |year=2005 |title=Bonnard: and the Nabis |publisher=Parkstone Press |location=London |isbn=978-1-85995-015-9}}

==External links==
{{Wikiquote}}
*[http://alamantra.net/articles/the-prophets-of-montmartre/ The Prophets of Montmartre], an article on Les Nabis by Alamantra
*[http://cdm16028.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/92353 ''Pierre Bonnard, the Graphic Art''], an exhibition catalog from The Metropolitan Museum of Art, which contains material on Bonnard and others in the Les Nabis collective

{{Post-Impressionism|state=expanded}}
{{Western art movements}}
{{ACArt}}

{{DEFAULTSORT:Nabis, The}}
[[Category:French artist groups and collectives]]
[[Category:19th-century art groups]]
[[Category:Post-Impressionism]]
[[Category:French art]]
[[Category:French art movements]]
[[Category:Art movements]]
[[Category:Académie Julian]]

Nabis (art)

2021-03-23T21:23:55Z

Homonihilis: /* Beginning */ + references

[[File:Serusier - the talisman.JPG|thumb|200px|right|The first Nabis painting, by [[Paul Sérusier]], ''Le Bois d'Amour à Pont-Aven'' or ''[[The Talisman (painting)|Le Talisman]]'', 1888, oil on wood, 27 x 21.5 cm, [[Musée d'Orsay]], Paris]]

'''Les Nabis''' (French: '''les nabis''', {{IPA-fr|le nabi}}) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from [[impressionism]] and academic art to [[abstract art]], [[symbolism (arts)|symbolism]] and the other early movements of [[modernism]]. The members included [[Pierre Bonnard]], [[Maurice Denis]], [[Paul Ranson]], [[Édouard Vuillard]], [[Ker-Xavier Roussel]], [[Félix Vallotton]], [[Paul Sérusier]] and Auguste Cazalis.<ref>[https://books.google.no/books?id=Vn_M6j7KejAC&printsec=frontcover&dq=Symbolist+Art+Theories:+A+Critical+Anthology+Henri+Dorra&hl=en&sa=X&ved=2ahUKEwjA8LfU96TtAhUO-yoKHbYwC3UQ6AEwAHoECAAQAg Symbolist Art Theories: A Critical Anthology, edited by Henri Dorra, p.352]</ref> Most were students at the [[Académie Julian]] in [[Paris]] in the late 1880s. The artists shared a common admiration for [[Paul Gauguin]] and [[Paul Cézanne]] and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist.<ref>[https://www.britannica.com/art/Nabis-French-artists Nabis, French artists] in Encyclopædia Britannica online edition</ref> In 1900, the artists held their final exhibition and went their separate ways.<ref name="Daphne">Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21</ref>

==Origin of the term==
The Nabis took their name from a [[Hebrew language|Hebrew]] term which comes from the word ''nebiim'' or prophet<ref>Enclopaedia Britannica on-line edition, "The Nabis", retrieved 19 April 2020</ref><ref> [https://cdm16028.contentdm.oclc.org/digital/collection/p15324coll10/id/92098 Pierre Bonnard, the graphic art], p. 7</ref><ref>Burhan 1979, p. 231: "There is, in fact, every reason to believe that the title was chosen by these young painters as a reference to Islamic traditions, since when-ever Serusier signed a canvas 'Nabi,' ... he wrote the word out in Arabic script." as quoted in [https://cdm16028.contentdm.oclc.org/digital/collection/p15324coll10/id/92285 Pierre Bonnard, the graphic art], notes</ref> {{efn|The French term ''nabi'' (also used in English), referring to a person inspired to speak the word of God, is clearly related to the Hebrew term for ''prophet''{{snd}}{{lang|he|נביא}} (''navi'') mentioned frequently in the Hebrew Bible{{snd}}and the similar Arabic word {{lang|ar|نَبِيّ}} (''nabiyy''). The word appears in many languages, including Indonesian.}} The term was coined in 1888 by the linguist Auguste Cazalis,<ref>Brooker, Peter (2013). ''The Oxford Critical and Cultural History of Modernist Magazines, Volume 3, Part 1''. Oxford: [[Oxford University Press]]. p. 91. {{ISBN|0199659583}}.</ref> who drew a parallel between the way these painters aimed to revitalize painting (as 'prophets of modern art') and the way the ancient prophets had rejuvenated Israel.<ref>Oxford English Dictionary, headword ''nabi''</ref>

==Beginning==
[[File:'Motif Romanesque' by Maurice Denis, 1890, LACMA.JPG|thumb|right|200px|''Motif Romanesque'' by [[Maurice Denis]] (1890), one of the earliest Nabi paintings]]

The Nabis were a group of young artists of the [[Académie Julian]] in Paris, who wanted to transform the foundations of art. One of the artists, [[Paul Sérusier]], had traveled to [[Pont-Aven]] in October 1888, where under the guidance of [[Paul Gauguin]] he made a small painting of the port on wood, composed of patches of vivid color assembled to give the feeling of the port. The students called this first Nabis painting ''[[The Talisman (painting)|The Talisman]]'', and it eventually became an icon of 20th-century art.<ref name="Daphne" />

In 1889, the same year of the Paris International Exposition and the opening of the [[Eiffel Tower]], the group held its first modest exposition at the Café des Arts, which was located without the grounds of the Exposition. It was titled ''The Impressionist and Synthesist Group'', and included works by two well-known artists, Paul Gauguin and [[Émile Bernard]].

In August 1890, [[Maurice Denis]], then eighteen years old, gave the group a more concrete philosophy. Writing under the name Pierre Louis, he wrote an article in the journal ''Art et Critique'' entitled ''The Definition of Neo-traditionalism'', which became the manifesto of the movement. The celebrated opening line of the essay was: "Remember that a picture, before being a battle horse, a female nude or some sort of anecdote, is essentially a flat surface covered with colors assembled in a certain order." This idea was not original to Denis; the idea had been forward not long before by [[Hippolyte Taine]] in ''The Philosophy of Art'', where Taine wrote: "A painting is a colored surface, in which the various tones and various degrees of light are placed with a certain choice; that is its intimate being." However, it was the expression of Denis which seized the attention of artists. As Denis explained, he did not mean that form of the painting was more important than the subject. He wrote, "The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves...everything is contained in the beauty of the work." In his essay, he termed this new movement "neo-traditionalism", in opposition to the "progressivism" of the Neo-impressionists, led by [[Seurat]].{{sfn|Bouillon|2006|pages=20–21}}

The following year, in 1891, three of the Nabis, [[Pierre Bonnard]], [[Édouard Vuillard]] and Maurice Denis, took a studio at 28 rue Pigalle in Paris. It was frequented by other early Nabis, including [[Ker-Xavier Roussel]] and Paul Sérusier, as well as journalists and figures from the theatrical and literary world.

In 1892, the Nabis branched out into the theatrical world and the decorative arts. Paul Ranson, assisted by Sérusier, Bonnard, and Vuillard, designed sets for a theatrical presentation of the ''Bateau ivre'' of the poet [[Arthur Rimbaud]]. Maurice Denis made costumes and sets for another theatrical production, the ''Trilogy d'Antoina'' at the Théatre Moderne, and also painted a ceiling for the residence of the art collector and painter [[Henry Lerolle]].

The Nabis held a group exhibition in Toulouse in June 1894, and the following year presented their work in [[Siegfried Bing]]'s Maison de l'Art Nouveau, the famous gallery which had given its name to the [[Art Nouveau]] movement.<ref name="Daphne" />

Throughout their existence the Nabis were a sort of half-serious semi-secret society, who used humorous nicknames and a private vocabulary.<ref name=chr>{{cite web | url = https://www.christies.com/features/10-things-to-know-about-Edouard-Vuillard-8635-1.aspx | title= The life and art of Édouard Vuillard| publisher= Christie's | date= 7 February 2019 | access-date= 24 March 2021 | archive-url= https://web.archive.org/web/20210321173733/https://www.christies.com/features/10-things-to-know-about-Edouard-Vuillard-8635-1.aspx | archive-date= 21 March 2021}}</ref> Even the name of the group was secret until 1897. They called a studio an 'ergasterium'<ref name=chr/> and ended their letters with the initials ''E.T.P.M.V. et M.P.'', signifying ''En ta paume, mon verbe et ma pensée'' ("In your palm, my word and my thoughts").<ref>{{cite web | url = https://www.kemperart.org/exhibitions/palm-your-hand-my-words-and-my-thoughts | title= In The Palm of Your Hand, My Words and My Thoughts| publisher= Kemper Museum of Contemporary Art | date= 2017 | access-date= 24 March 2021 | archive-url= https://web.archive.org/web/20210111063959/https://www.kemperart.org/exhibitions/palm-your-hand-my-words-and-my-thoughts | archive-date = 11 January 2021}}</ref>

==Japanese influence==
The graphic art of Japan, known as [[Japonism]], particularly woodblock prints, was an important influence on the Nabis. The style was popularized in France by the art dealer Siegfried Bing, who traveled to Japan to collect prints by [[Hokusai]] and other Japanese artists, and published a monthly art journal, ''Le Japon Artistique'', between May 1888 and April 1891, which offered color illustrations. In 1900 he organized an exhibit of seven hundred prints at the [[École des Beaux-Arts]].<ref name="Lacambre">Lacambre, Geneviève, ''La déferlante japonaise'' , published in ''Les Nabis et le décor'', Beaux Arts Editions (March 2019), pp. 38-40 </ref>

Pierre Bonnard was particularly influenced by the Japanese style; his nickname among the Nabis was "Le plus japonard". For one series of four paintings created in 1890–91, ''The Women in the Garden'', now in the [[Musée d'Orsay]], Bonnard adapted a Japanese format called ''kamemono'' with a narrow vertical canvas. The models are his sister Andrée and his cousin Berthe Schaedin. The four figures are presented in curving, serpentine postures, like those in Japanese prints. The faces of the women look away from the artist; the bold patterns of their consumes and the foliage behind them dominate the paintings. He originally conceived the work as a Japanese screen, but he finally decided to separate it into four paintings, and to emphasize the decorative aspect, he added a painted border around the canvases.<ref name="Lacambre" />

The theme of women in a garden, stylistically adapted from Japanese prints, appeared in the work of other Nabis, including Maurice Denis and Paul Sérusier. Denis used the theme of women in gardens in paintings and decorative murals. Sérusier adapted the same format in his ''Women at the Spring'' (1898), stylistically depicting women descending a hill to take water from a spring.<ref name="Lacambre" />

<gallery widths="200px" heights="200px" perrow="4">
File:Femmes au jardin.gif|Pierre Bonnard, ''Women in the Garden'' (1890–91), in the Japanese ''kamemono'' style
File:Soir de septembre-Maurice Denis-IMG 8192.JPG|Maurice Denis, ''Evening in September'' (1891)
File:Édouard Vuillard, 1891, The Flowered Dress (O vestido estampado), oil on canvas, 38 x 46 cm, Museu de Arte de São Paulo.jpg|''The printed dress'' by [[Édouard Vuillard]] (1891), [[Museu de Arte de São Paulo]]
</gallery>

== Religion, symbolism, myths and legends ==
The Nabis were influenced by the literature, music and theater of the [[symbolist]] movement, and, among some of the Nabis, there was a strong current of [[mysticism]] and [[esotericism]]. Their approach to their order was partly humorous and whimsical; the studio of Ranson at 25 [[Boulevard du Montparnasse]] was called their "temple", Madame Ranson was termed "The light of the Temple", and the original Nabi painting by Sérusier was displayed in the studio like a shrine, and titled ''The Talisman''. Sérusier whimsically painted Paul Ranson in a sort of Nabic robe, with a staff and a text before him. However, they also had a more serious side. They rejected the materialism of the new industrial age, and admired the poetry of [[Baudelaire]], [[Mallarmé]] and [[Edgar Allan Poe]]. They placed themselves in opposition to the current of [[Realism (arts)|naturalism]] expressed in the paintings of [[Courbet]] and [[Manet]] and the literature of [[Émile Zola]].<ref name="Raffali">Raffali, Ludovic, ''Les Nabis - Un movement Symbolist?'' in ''Les Nabis et le Decor'', ''L'Objet d'Art'', March 2019, pp. 63, 64 </ref>

Maurice Denis and Paul Sérusier were the Nabis who most often painted religious subjects. The work of Denis was influenced by the paintings of [[Fra Angelico]]. He often painted scenes and themes taken from the Bible, but with the figures in modern costume, in simplified landscapes and surrounded by light, a symbol of faith. In 1895, he received a commission for a series of seven large paintings called ''The Legend of Saint Hubert'' for the Paris home of Baron Cochin. They illustrated the story of Saint Hubert hunting in the forest of [[Aquitaine]], seeing a vision of Christ, and being converted to Christianity.<ref name="Raffali" />

Paul Sérusier painted less Christian and more mystical scenes, particularly ''La Vision pros du torrent'' or ''The rendezvous of fairies'' (1897), showing a group of women in Breton costumes passing through the forest, carrying bouquets of flowers to a ceremony, and ''Femmes à la Source'', depicting a series of women solemnly descending through a mystical forest to a spring. This illustrates the legend of the [[Danaides]], who in mythology were condemned to fill and refill leaking jugs of water from a spring. He painted several works of women in Breton costumes conducting pagan ceremonies in the forests of Brittany.<ref name="Raffali" />

<gallery widths="200px" heights="200px" perrow="4">
File:Maurice Denis, 1889, Le Calvaire (Climbing to Calvary), oil on canvas, 41 x 32.5 cm, Musée d'Orsay.jpg|[[Maurice Denis]], ''Le Calvaire (Climbing to Calvary)'' (1889), Musée d'Orsay
File:MauriceDenis-LaLegendeDeStHubert-7LArriveeALErmitage.JPG|Maurice Denis, Final scene of the Legend of Saint Hubert (1897), Departmental Museum of Maurice Denis, Saint-Germain-en-Laye (1897)
File:LES DANAÏDES OR FEMMES À LA SOURCE.PNG|[[Paul Sérusier]], ''Women at the Spring'', Musée d'Orsay (1898)
File:Serusier-BoisSacre.jpg|Paul Sérusier, ''The Sacred Woods''
</gallery>

==Interiors==
The Nabis [[Pierre Bonnard]], [[Félix Vallotton]] and [[Édouard Vuillard]], created particularly remarkable paintings depicting the interiors of homes, where the inhabitants of the rooms were almost entirely absorbed into the intense floral decoration and furnishings. In some of the paintings, such as Vuillard's ''The Seamstress'' and ''La Table de toilet'' (1895), or ''People in an Interior - Music'', it is difficult to even find and count the individuals in the painting.<ref>Jolin, Camille, ''Les Intéieurs de Vuillars- Entre Poésie Mystère'', ''L'Objet d'Art'', ''Les Nabis et Le Decor'', March 2019, pp. 52-55</ref><ref name="Luxembourg">[https://en.museeduluxembourg.fr/sites/museeduluxembourg.fr/files/Guide_Visite_NABIS_GB.pdf ''Les Nabis et le décor'' - Musée du Luxembourg, Paris]</ref>
<gallery widths="200px" heights="200px" perrow="4">
File:Seamstress by Edouard Vuillard.jpg|Édouard Vuillard, ''[[The Seamstress (painting)|The Seamstress]]'', (1893), [[Indianapolis Museum of Art]]
File:Edouard Vuillard - Woman in a Striped Dress - Google Art Project.jpg|Édouard Vuillard, ''Woman in a Striped Dress'' (1895), National Gallery of Art
File:Vuilllard Interior 1896.jpg|Édouard Vuillard, ''People in Interior- Music'' (1896), Petit Palais Museum, Paris
File:Misia at the Piano MET DT3150.jpg|''Misia at the Piano'' (c. 1898), Édouard Vuillard, Metropolitan Museum of Art
</gallery>

==Women in the garden==
One of the most common subjects of the Nabis was women in an idyllic garden setting, usually picking flowers or fruit. It appeared in four panels representing the seasons of a young woman's life by [[Maurice Denis]] (1890–91), painted for the bedroom of a young girl, and in the panels of women in the public parks of Paris by Édouard Vuillard (1894) painted for the residence of his patron Alexandre Nathanson; two paintings of women and children picking apples in an orchard by Pierre Bonnard (1894–96); and in a tapestry by Paul Ranson, ''Spring'', depicting three women picking fruit. All the images are highly stylized, often using the same serpentine forms to represent the women, the trees and the foliage. The young women in the series by Denis are shown traveling along a road, dressed in vestal white in the first painting, then in different colors as they reach maturity in the final painting.<ref name="Daphne" />
<gallery widths="200px" heights="200px" perrow="4">
File:La barrière fleurie, Le Pouldu 1889 Paul Serusier.jpg|[[Paul Sérusier]], The flower barrier (1889)
File:Denis-Road-of-Life.jpg|''April'' or ''The road of life'' by [[Maurice Denis]], painted for the bedroom of a young girl. (1892)
File:PaulElieRanson+Spring-WomenBeneathBlossomingTrees+neddlepoint-on-canvas+1895+MuseeD'Orsay-Paris.jpg|Women picking flowers in the garden, tapestry by [[Paul Ranson]] (1895)
File:1896 Bonnard Familie des Komponisten Claude Terrasse anagoria.JPG|The Bonnard Family in the garden, screen by [[Pierre Bonnard]] (1896)
</gallery>

==Decorative art==
One of the stated objectives of the Nabis was to break down the barriers between art and ordinary life, and in particular the distinction between art and decoration. Much of the art they created was designed specifically to be decorative, for display in salons and dining rooms. They designed screens, murals, wallpaper, tapestries, dishware, lampshades, and ornament for furniture, as well as theater decor and costume design, and graphic design for advertising posters. [[Paul Ranson]], working with Art Nouveau architect [[Henry Van de Velde]] made murals to decorate the dining room of art gallery owner [[Siegfried Bing]]. After a visit to the United States, where he saw the stained glass designs of [[Louis Comfort Tiffany]] and his firm, Bing invited the Nabis to submit their own designs for Tiffany glass. Roussel, Vuillard, Vallotton, Ranson, Denis, Bonnard, and Ibels all made designs, which Bing displayed in his gallery in Paris in April 1895, along with designs of non-Nabis, including [[Toulouse-Lautrec]]. In the end the windows were not made, but Maurice Denis continued to create window designs on symbolist themes, with bold designs and vivid colors. In 1895, Vuillard was commissioned to design a series of plates, which featured women in highly stylized costumes.<ref>Jolin, Camille, ''Le Beau dans le quotidian'', in ''Les Nabis et le Decor'', pp. 29-41, in ''L'Objet D'Art'', March 2019</ref><ref name="Luxembourg" />
<gallery widths="200px" heights="200px" perrow="4">
File:Edouard Vuillard - Public Gardens - Google Art Project.jpg|Decorative screen, ''The Public Gardens'' by [[Édouard Vuillard]] (1895)
File:MauriceDenis-LeCheminDeLaVie.JPG|Stained glass window, "The Path of Life'', by [[Maurice Denis]] (1895)
File:MauriceDenis-LEchelleDansLeFeuillage.JPG|''The Ladder in the foliage'' by Maurice Denis (1892), canvas on a wood panel, made for the ceiling of the home of art patron [[Henry Lerolle]]. The same woman on the ladder is seen from four points of view.
File:Edouard vuillard, piatto con donna con camicia rigata e gonna a balze, 1895.jpg|Plate depicting a woman in a striped blouse, by Édouard Vuillard (1895)
</gallery>

==Graphic arts==
Members of Les Nabis worked in a variety of media, using oils on both canvas and cardboard, and [[distemper (paint)|distemper]] on canvas and wall decoration, and they also produced posters, prints, book illustrations, textiles and furniture. Considered to be on the cutting edge of modern art during their early period, their subject matter was representational (though often [[Symbolist]] in inspiration), but was design-oriented along the lines of the Japanese prints they so admired, and [[Art Nouveau]]. However, the artists of the Nabis circle were highly influenced by the paintings of the [[Impressionists]], and thus while sharing the flatness, page layout, and negative space of art nouveau and other decorative modes, much of Les{{nbsp}}Nabis' art has a painterly, non-realistic look, with color palettes reminiscent of Cézanne and Gauguin. Bonnard's posters and lithographs are more firmly in the Art Nouveau, or [[Toulouse-Lautrec]] manner. After the turn of the century, as modern art moved towards [[Fauvism]], [[Expressionism]], [[Cubism]], and [[Abstract art|Abstraction]], Les{{nbsp}}Nabis were viewed as conservatives and, indeed, were among the last group of artists to stick to the roots and artistic ambitions of the Impressionists, pursuing these ends almost into the middle of the 20th{{nbsp}} century. In their later years, these painters also largely abandoned their earlier interests in decorative and applied arts.
<gallery widths="200px" heights="200px" perrow="4">
File:Les Parisiennes cph.3g10009.jpg|[[Pierre Bonnard]], ''Les Parisiennes'' 1893, [[lithograph]]
File:Vallotton pour Bing.jpg|[[Félix Vallotton]] poster for Siegfried Bing's Gallery (1893)
File:Vallotton-Raison.gif|Félix Vallotton, ''La raison probante (The Cogent Reason)'', a [[woodcut]] from the series ''Intimités'' (1898)
File:Frontispiece, from the album Amours MET MM77360.jpg|Maurice Denis, Frontispiece lithograph from the series ''Amour'' (1899)
</gallery>

==Breakup==
In 1897, the Nabis were not present at the well-known [[Salon des Independents]], but instead held their own exposition at the Galerie Vollard, more avant-garde than the Salon. Their final exhibition as a group took place in 1900 at the Galerie Bernheim, with works of Bonnard, Denis, Ibels, Maillol, Roussel, Sérusier, Vallotton and Vuillard. After that show, each of the artists went his separate way.<ref name="Daphne" />

Looking back in 1909, Denis described the accomplishment of the Nabis. "Art is no longer a visual sensation that we gather, like a photograph, as it were, of nature. No, it is a creation of our spirit, for which nature is only the occasion."{{sfn|Bouillon|2006|pages=17–18}}

In 1937, Vuillard described the breakup of the Nabis. "...The march of progress was so rapid. Society was ready to welcome [[cubism]] and [[surrealism]] before we had reached what we had imagined as our goal. We found ourselves in a way suspended in the air."<ref>Pierre Bonnard and Ingid Rybeck, ''Chez Bonnard a Deauville'', ''Konstrevy'' no. 4, Stockholm (1937), cited in ''L'objet de l'Art, Les Nabis et le Decor'' (March 2019), page 65</ref>

==Members and associates==
* [[Pierre Bonnard]] (1867–1947), ''le nabi très japonard''
* [[Maurice Denis]] (1870–1943), ''le nabi aux belles icônes''
* [[Maxime Dethomas]] (1869–1929)
* [[Meyer de Haan]] (1852–1895), ''le nabi hollandais''
* [[Hermann-Paul|Rene Georges Hermann-Paul]] (1864–1940)
* [[Henri-Gabriel Ibels]] (1867–1936), ''le nabi journaliste''
* [[Georges Lacombe (painter)|Georges Lacombe]] (1868–1916), ''le nabi sculpteur''
* [[Lugné-Poe]] (1869–1940)
* [[Aristide Maillol]] (1861–1944)
* [[Paul Ranson]] (1864–1909), ''le nabi plus japonard que le nabi japonard''
* [[József Rippl-Rónai]] (1861–1927), ''le nabi hongrois''
* [[Ker-Xavier Roussel]] (1867–1944)
* [[Paul Sérusier]] (1864–1927), ''le nabi à la barbe rutilante''
* [[Marguérite Sérusier]], wife of Paul Sérusier; a notable decorative painter
* [[Félix Vallotton]] (1865–1925), ''le nabi étranger''
* [[Jan Verkade]] (1868–1946), ''le nabi obéliscal''
* [[Édouard Vuillard]] (1868–1940), ''le nabi zouave''

<gallery widths="200px" heights="200px" perrow="4">
File:115 Maurice Denis Portrait de l'artiste à l'âge de 18 ans.jpg|[[Maurice Denis]], aged eighteen, in 1889
File:Édouard Vuillard 001.jpg|[[Édouard Vuillard]], ''[[Self-portrait]]'', 1889
File:Self-portrait-1889.jpg|[[Pierre Bonnard]], ''[[Self-portrait]]'', c. 1889
File:Ranson serusier.jpg|[[Paul Ranson]], [[Paul Sérusier]], and Marie-France Ranson in Paul Ranson's studio, c. 1900
File:Ker-Xavier Roussel, Édouard Vuillard, Romain Coolus, Felix Vallotton 1899.jpg|[[Ker-Xavier Roussel]], [[Édouard Vuillard]], [[Romain Coolus]], [[Félix Vallotton]], 1899
File:Porträt Paul Ranson.jpg|Portrait of [[Paul Ranson]] in Nabi costume, by [[Paul Sérusier]]
</gallery>
Other members of the group included the playwright Pierre Veber, the musician Pierre Hermant, and the linguist Auguste Cazalis,<ref>G. L. Groom, ''Édouard Vuillard: Painter-decorator: Patrons and Projects, 1892-1912'' ([[Yale University Press]], 1993), p.{{nbsp}}10</ref> called (by Ranson) ''le nabi Ben Kallyre''.<ref>Many of the attributed nicknames are cited in Willibrord (Jan) Verkade, ''Die Unruhe zu Gott: Erinnerungen eines Malermönchs'', 5th Edition (Herder & Co., Freiburg im Breisgau 1930), pp.{{nbsp}}67–70.</ref>

==Gallery==
<gallery widths="200px" heights="200px" perrow="3">
File:Félix Vallotton, 1893 - La Valse.jpg|''The Waltz'', [[Félix Vallotton]], Museum of Modern Art Le Havre (1893)
File:Valloton Frau mit Dienstmagd beim Baden.jpg|[[Félix Vallotton]], ''The Mistress and the Servant,'' 1896
File:Paesaggio nabi paul ranson.jpg|[[Paul Ranson]], ''Nabis Landscape'', 1890
File:Georges Lacombe-1868-1946-Marine bleue, Effet de vague,circa 1893,peinture à l'oeuf sur toile,43x64,2 cm,Musée des Beaux-Arts de Rennes.jpg|[[Georges Lacombe (painter)|Georges Lacombe]], ''Marine bleue, Effet de vagues'', 1893
</gallery>

==See also==
*[[Pont-Aven School]]
*[[Henry Lerolle]], patron
*[[Odilon Redon]]

==Notes==
{{notelist}}

==References==
{{reflist}}

==Bibliography==
* {{cite book |last=Bouillon |first=Jean-Paul |title=Maurice Denis - Le spirituel dans l'art |publisher=Gallimard |location=Paris |date=2006 |language=French |isbn=978-2-07-031929-9}}
* Cogeval, Guy (2015). ''Bonnard''. Paris: Hazan, Malakoff. (in French) {{ISBN|978-2-7541-08-36-2}}*

==Further reading==
*{{cite book |first=Patricia Eckert |last=Boyer |title=The Nabis and the Parisian Avant-Garde |publisher=[[Rutgers University Press]] |date=1989 |isbn=978-0-8135-1380-5}}
*{{cite book |first=Charles |last=Chasse |title=The Nabis and Their Period |publisher=Lund Humphries |location=London |date=1969 |asin=B001387EYI}}
*{{cite book |first=Russell T. |last=Clement |title=Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis |publisher=Greenwood Press |date=1996 |isbn=978-0-313-29752-6}}
*{{cite book |first=Bernard |last=Dorival |title=Les peintres du vingtième siècle; Nabis, Fauves, Cubistes |url=https://archive.org/details/lespeintresduvin0000dori |url-access=registration |language=French |publisher=Editions Pierre Tisne |location=Paris |date=1957 |asin=B000PT18NY}}
*{{cite book |first=Claire |last=Freches-Thory |first2=Antoine |last2=Terrasse |title=Nabis: Bonnard, Vuillard and Their Circle |publisher=Flammarion |location=London |date=2003 |isbn=978-2-08-011076-3}}
*{{cite book |first=Albert |last=Kostenevitch |year=2005 |title=Bonnard: and the Nabis |publisher=Parkstone Press |location=London |isbn=978-1-85995-015-9}}

==External links==
{{Wikiquote}}
*[http://alamantra.net/articles/the-prophets-of-montmartre/ The Prophets of Montmartre], an article on Les Nabis by Alamantra
*[http://cdm16028.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/92353 ''Pierre Bonnard, the Graphic Art''], an exhibition catalog from The Metropolitan Museum of Art, which contains material on Bonnard and others in the Les Nabis collective

{{Post-Impressionism|state=expanded}}
{{Western art movements}}
{{ACArt}}

{{DEFAULTSORT:Nabis, The}}
[[Category:French artist groups and collectives]]
[[Category:19th-century art groups]]
[[Category:Post-Impressionism]]
[[Category:French art]]
[[Category:French art movements]]
[[Category:Art movements]]
[[Category:Académie Julian]]

Edgar Allan Poe bibliography

2020-09-24T11:15:52Z

Homonihilis: Reverted 1 edit by 156.194.117.185 (talk)

{{short description|Wikipedia bibliography}}
{{use mdy dates|date=December 2014}}
{{PoeTopics}}

The works of American author [[Edgar Allan Poe]] (January 19, 1809 – October 7, 1849) include many [[poetry|poems]], [[short story|short stories]], and one [[novel]]. His fiction spans multiple genres, including [[horror fiction]], [[adventure novel|adventure]], [[science fiction]], and [[detective fiction]], a genre he is credited with inventing.<ref name=Silverman171>{{harvnb|Silverman|1991|p=171}}</ref> These works are generally considered part of the [[Dark romanticism]] movement, a literary reaction to [[Transcendentalism]].<ref>{{harvnb|Koster|2002|p=336}}</ref> Poe's writing reflects his literary theories: he disagreed with [[didacticism]]<ref>{{harvnb|Kagle|1990|p=104}}</ref> and [[allegory]].<ref>{{harvnb|Poe|1847|p=}}</ref> Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art.<ref>{{harvnb|Wilbur|1967|p=99}}</ref> Poe pursued originality in his works, and disliked proverbs.<ref>{{harvnb|Hayes|2002|pp=445–465}}</ref> He often included elements of popular [[pseudoscience]]s such as [[phrenology]]<ref>{{harvnb|Hungerford|1930|pp=209–231}}</ref> and [[physiognomy]].<ref>{{harvnb|Grayson|2005|pp=56–77}}</ref> His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of [[premature burial]], the reanimation of the dead, and [[mourning]].<ref>{{harvnb|Kennedy|1987|p=3}}</ref> Though known as a masterly practitioner of [[Gothic fiction]], Poe did not invent the genre; he was following a long-standing popular tradition.<ref>{{harvnb|Fisher|2002|p=72}}</ref>

Poe's literary career began in 1827 with the release of 50 copies of ''[[Tamerlane and Other Poems]]'' credited only to "a Bostonian", a collection of early poems that received virtually no attention.<ref>{{harvnb|Meyers|1992|pp=33–34}}</ref> In December 1829, Poe released ''Al Aaraaf, Tamerlane, and Minor Poems'' in [[Baltimore]]<ref>{{harvnb|Sova|2001|p=5}}</ref> before delving into [[short story|short stories]] for the first time with "[[Metzengerstein]]" in 1832.<ref name=Silverman88>{{harvnb|Silverman|1991|p=88}}</ref> His most successful and most widely read prose during his lifetime was "[[The Gold-Bug]]",<ref>{{harvnb|Sova|2001|p=97}}</ref> which earned him a $100 prize, the most money he received for a single work.<ref>{{harvnb|Hoffman|1998|p=189}}</ref> One of his most important works, "[[The Murders in the Rue Morgue]]", was published in 1841 and is today considered the first modern detective story.<ref name="Meyers, 123">{{harvnb|Meyers|1992|p=123}}</ref> Poe called it a "tale of [[wikt:ratiocination|ratiocination]]".<ref name=Silverman171/> Poe became a household name with the publication of "[[The Raven]]" in 1845,<ref>{{harvnb|Hoffman|1998|p=80}}</ref> though it was not a financial success.<ref>{{harvnb|Krutch|1926|p=155}}</ref> The publishing industry at the time was a difficult career choice and much of Poe's work was written using themes specifically catered for mass market tastes.<ref>{{harvnb|Whalen|2001|p=67}}</ref>

==Poetry==
{{main|Poems by Edgar Allan Poe}}
{| class="wikitable" align="center" cellpadding="7" style="clear:both;"
|-align="center" bgcolor="#696969"
!<div align="left">Title</div>!!<div align="left">Date</div>!!<div align="left">First published in</div>!!<div align="left">Notes</div>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Poetry (1824)|Poetry]]"
|1824
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp004.htm |author = Edgar Allan Poe |title= 'Poetry' |accessdate=2019-06-22| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[s:O, Tempora! O, Mores!|O, Tempora! O, Mores!]]"
|1825
|Never published in Poe's lifetime
|Not authenticated,<ref>{{harvnb|Hubbell|1945|pp=314–321}}</ref> attribution to Poe is likely incorrect<ref>{{harvnb|Schöberlein|2017|pp=650-653}}</ref>
|-valign="top"
|"[[Tamerlane (poem)|Tamerlane]]"
|July 1827
|''[[Tamerlane and Other Poems]]''
|<ref name=Sova233>{{harvnb|Sova|2001|p=233}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Song (1827)|Song]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova271>{{harvnb|Sova|2001|p=271}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Imitation (1827)|Imitation]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#A Dream (1827)|A Dream]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Lake (1827)|The Lake]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova233/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Spirits of the Dead (1827)|Spirits of the Dead]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova233/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Evening Star (1827)|Evening Star]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova233/>
|-valign="top"
|"[[s:Dreams (Poe)|Dreams]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp014.htm |author = Edgar Allan Poe |title= 'Dreams' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Stanzas (1827)|Stanzas]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref>{{harvnb|Foye|1980|pp=22–23}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Happiest Day (1827)|The Happiest Day]]"
|September 15, 1827
|''The North American''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Margaret (1827)|To Margaret]]"
|circa 1827
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp010.htm |author = Edgar Allan Poe |title= 'To Margaret' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Alone (1829)|Alone]]"
|1829
|Never published in Poe's lifetime
|<ref>{{harvnb|Sova|2001|p=8}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Isaac Lea (1829)|To Isaac Lea]]"
|circa 1829
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp025.htm |author = Edgar Allan Poe |title= 'To Isaac Lea' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To The River —— (1828)|To The River ——]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova240>{{harvnb|Sova|2001|p=240}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To —— (1829)|To ——]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|Begins "The bowers whereat, in dreams..."<ref name=Sova238>{{harvnb|Sova|2001|p=238}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To —— (1829)|To ——]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|Begins "Should my early life seem..."<ref name=Sova238/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Romance (1829)|Romance]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Fairy-Land (1829)|Fairy-Land]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[To Science]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova225>{{harvnb|Sova|2001|p=225}}</ref>
|-valign="top"
|"[[Al Aaraaf]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#An Acrostic (1829)|An Acrostic]]"
|1829
|Never published in Poe's lifetime
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Elizabeth (1829)|Elizabeth]]"
|1829
|Never published in Poe's lifetime
|<ref name=Sova239>{{harvnb|Sova|2001|p=239}}</ref>
|-valign="top"
|"[[To Helen]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova239/>
|-valign="top"
|"[[A Paean]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194>{{harvnb|Sova|2001|p=194}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Sleeper (1831)|The Sleeper]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[The City in the Sea]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Valley of Unrest (1831)|The Valley of Unrest]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Israfel (1831)|Israfel]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Enigma (1833)|Enigma]]"
|February 2, 1833
|''[[Baltimore Saturday Visiter]]''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp044.htm |author = Edgar Allan Poe |title= 'Enigma' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Fanny (1833)|Fanny]]"
|May 18, 1833
|''Baltimore Saturday Visiter''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp047.htm |author = Edgar Allan Poe |title= 'Fanny' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Coliseum (1833)|The Coliseum]]"
|October 26, 1833
|''Baltimore Saturday Visiter''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp042.htm |author = Edgar Allan Poe |title= 'The Coliseum' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Serenade (1833)|Serenade]]"
|April 20, 1833
|''Baltimore Saturday Visiter''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp045.htm |author = Edgar Allan Poe |title= 'Serenade' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To One in Paradise (1833)|To One in Paradise]]"
|January 1834
|''[[Godey's Lady's Book]]''
|<ref name=Sova240/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Hymn (1835)|Hymn]]"
|April 1835
|''[[Southern Literary Messenger]]''
|<ref name=Quinn208>{{harvnb|Quinn|1998|p=208}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To F——s S. O——d (1835 / 1845)|To Elizabeth]]"
|September 1835
|''Southern Literary Messenger''
|Republished as "To F——s S. O——d" in 1845<ref name=Sova239/>
|-valign="top"
|"[[May Queen Ode]]"
|circa 1836
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp059.htm |author = Edgar Allan Poe |title= 'May Queen Ode' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Spiritual Song (1836)|Spiritual Song]]"
|1836
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp054.htm |author = Edgar Allan Poe |title= 'Spiritual Song' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Latin Hymn]]"
|March 1836
|''Southern Literary Messenger''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp048.htm |author = Edgar Allan Poe |title= 'Spiritual Song' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Bridal Ballad]]"
|January 1837
|''Southern Literary Messenger''
|Originally published as "Ballad"<ref>{{harvnb|Sova|2001|p=34}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Sonnet — To Zante (1837)|To Zante]]"
|January 1837
|''Southern Literary Messenger''
|<ref name=Sova225/>
|-valign="top"
|"[[The Haunted Palace (poem)|The Haunted Palace]]"
|April 1839
|''American Museum''
|<ref>{{harvnb|Silverman|1991|p=138}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Silence (1839)|Silence–A Sonnet]]"
|January 4, 1840
|''Saturday Courier''
|<ref>{{harvnb|Sova|2001|p=220}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Lines on Joe Locke|Lines on Joe Locke]]"
|February 28, 1843
|''Saturday Museum''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp033.htm |author = Edgar Allan Poe |title= 'Lines on Joe Locke' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[The Conqueror Worm]]"
|January 1843
|''[[Graham's Magazine]]''
|<ref name=Sova282>{{harvnb|Sova|2001|p=282}}</ref>
|-valign="top"
|"[[Lenore (poem)|Lenore]]"
|February 1843
|''The Pioneer''
|<ref>{{harvnb|Silverman|1991|p=201}}</ref>
|-valign="top"
|"[[A Campaign Song]]"
|1844
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp071.htm |author = Edgar Allan Poe |title= 'A Campaign Song' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Dream-Land (1844)|Dream-Land]]"
|June 1844
|''Graham's Magazine''
|<ref name=Sova282/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Impromptu. To Kate Carol (1845)|Impromptu. To Kate Carol]]"
|April 26, 1845
|''Broadway Journal''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp076.htm |author = Edgar Allan Poe |title= 'Impromptu – To Kate Carol' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To F—— (1845)|To F——]]"
|April 1845
|''[[Broadway Journal]]''
|Republished as "To Frances" in the September 6, 1845, issue of the ''Broadway Journal''<ref name=Sova239/>
|-valign="top"
|"[[Eulalie]]"
|July 1845
|''[[American Review: A Whig Journal]]''
|<ref>{{harvnb|Quinn|1998|p=480}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Epigram for Wall Street (1845)|Epigram for Wall Street]]"
|January 23, 1845
|''Evening Mirror''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp075.htm |author = Edgar Allan Poe |title= 'Epigram for Wall Street' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[The Raven]]"
|February 1845
|''American Review: A Whig Journal''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp073.htm |author = Edgar Allan Poe |title= 'The Raven' |accessdate=2019-06-22| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Divine Right of Kings (1845)|The Divine Right of Kings]]"
|October 1845
|''Graham's Magazine''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp079.htm |author = Edgar Allan Poe |title= 'The Divine Right of Kings' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#A Valentine (1846)|A Valentine]]"
|February 21, 1846
|''Evening Mirror''
|Originally published as "To Her Whose Name Is Written Below"<ref>{{harvnb|Sova|2001|p=249}}</ref>
|-valign="top"
|"[[Beloved Physician]]"
|1847
|Never published in Poe's lifetime
|Incomplete<ref>{{harvnb|Meyers|1992|p=207}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Deep in Earth (1847)|Deep in Earth]]"
|1847
|Never published in Poe's lifetime
|Incomplete<ref>{{harvnb|Foye|1980|p=29}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To M. L. S—— (1847)|To M. L. S—— (1847)]]"
|March 13, 1847
|''The Home Journal''
|<ref name=Sova239 />
|-valign="top"
|"[[Ulalume]]"
|December 1847
|''American Whig Review''
|<ref name=Sova285>{{harvnb|Sova|2001|p=285}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Lines on Ale (1848)|Lines on Ale]]"
|1848
|Never published in Poe's lifetime
|<ref>{{harvnb|Foye|1980|p=30}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Marie Louise (1847)|To Marie Louise]]"
|March 1848
|''Columbian Magazine''
|<ref name=Sova219>{{harvnb|Sova|2001|p=219}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#An Enigma (1848)|An Enigma]]"
|March 1848
|''Union Magazine of Literature and Art''
|<ref name=Sova285/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Helen (1848)|To Helen]]"
|November 1848
|''[[Sartain's Magazine|Sartain's Union Magazine]]''
|<ref name=Sova239/>
|-valign="top"
|"[[A Dream Within A Dream]]"
|March 31, 1849
|''[[The Flag of Our Union]]''
|<ref name=Sova285/>
|-valign="top"
|"[[Eldorado (poem)|Eldorado]]"
|April 21, 1849
|''Flag of Our Union''
|<ref>{{harvnb|Quinn|1998|p=605}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#For Annie (1849)|For Annie]]"
|April 28, 1849
|''Flag of Our Union''
|<ref name=Sova285/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To My Mother (1849)|To My Mother]]"
|July 7, 1849
|''Flag of Our Union''
|<ref name=Sova240/>
|-valign="top"
|"[[Annabel Lee]]"
|October 9, 1849
|''New York Daily Tribune''
|Sold before Poe's death but published posthumously<ref>{{harvnb|Meyers|1992|p=244}}</ref>
|-valign="top"
|"[[The Bells (poem)|The Bells]]"
|November 1849
|''Sartain's Union Magazine''
|Sold before Poe's death but published posthumously<ref name=Sova285/>
|}

==Tales==
{| class="sortable wikitable" align="center" cellpadding="7" style="clear:both;"
|-align="center" bgcolor="#696969"
!<div align="left">Title</div>!!<div align="left">Publication date</div>!!<div align="left">First published in</div>!!<div align="left">Genre</div>!!<div align="left">Notes</div>
|-valign="top"
|"[[Metzengerstein]]"
|January 14, 1832
|''[[Philadelphia]] Saturday Courier''
| Horror / Satire
| First published anonymously with the subtitle "A Tale in Imitation of the German"<ref name=Silverman88/>
|-valign="top"
|"[[The Duc de L'Omelette]]"
|March 3, 1832
|''Philadelphia Saturday Courier''
|Humor
|Originally "The Duke of l'Omelette"<ref>{{harvnb|Sova|2001|p=73}}</ref>
|-valign="top"
|"[[s:A Tale of Jerusalem|A Tale of Jerusalem]]"
|June 9, 1832
|''Philadelphia Saturday Courier''
|Humor
| <ref name=Quinn192>{{harvnb|Quinn|1998|p=192}}</ref>
|-valign="top"
|"[[s:Loss of Breath|Loss of Breath]]"
|November 10, 1832
|''Philadelphia Saturday Courier''
|Humor
|Originally "A Decided Loss"<ref name=Quinn192/>
|-valign="top"
|"[[Bon-Bon (short story)|Bon-Bon]]"
|December 1, 1832
|''Philadelphia Saturday Courier''
|Humor
| Originally "The Bargain Lost"<ref name=Quinn192/>
|-valign="top"
| "[[MS. Found in a Bottle]]"
| October 19, 1833
| ''[[Baltimore Saturday Visiter]]''
| Adventure
| <ref>{{harvnb|Sova|2001|p=162}}</ref>
|-valign="top"
| "[[s:The Assignation|The Assignation]]"
| January 1834
| ''Godey's Lady's Book''
| Horror
| Originally "The Visionary", published anonymously<ref>{{harvnb|Silverman|1991|p=93}}</ref>
|-valign="top"
| "[[Berenice (short story)|Berenice]]"
| March 1835
| ''[[Southern Literary Messenger]]''
| Horror
| <ref name=Quinn208/>
|-valign="top"
| "[[Morella (short story)|Morella]]"
| April 1835
| ''Southern Literary Messenger''
| Horror
| <ref name=Quinn208/>
|-valign="top"
| "[[s:Lionizing|Lionizing]]"
| May 1835
| ''Southern Literary Messenger''
| Satire
| Subtitle: "A Tale"<ref name=Quinn208/>
|-valign="top"
| "[[The Unparalleled Adventure of One Hans Pfaall]]"
| June 1835
| ''Southern Literary Messenger''
| Adventure
| <ref name=Quinn208/>
|-valign="top"
| "[[s:King Pest|King Pest]]"
| September 1835
| ''Southern Literary Messenger''
| Horror / Humor
| Originally "King Pest the First", published anonymously<ref name=Quinn230>{{harvnb|Quinn|1998|p=230}}</ref>
|-valign="top"
| "[[s:Shadow|Shadow—A Parable]]"
| September 1835
| ''Southern Literary Messenger''
| Horror
| Published anonymously<ref name=Quinn230/>
|-valign="top"
| "[[s:Four Beasts in One|Four Beasts in One—The Homo-Cameleopard]]"
| March 1836
| ''Southern Literary Messenger''
| Humor
| Originally "Epimanes"<ref>{{harvnb|Sova|2001|p=90}}</ref>
|-valign="top"
| "[[s:Mystification|Mystification]]"
| June 1837
| ''American Monthly Magazine''
| Humor
| Originally "Von Jung, the Mystific"<ref name=Sova165>{{harvnb|Sova|2001|p=165}}</ref>
|-valign="top"
| "[[s:Silence (Poe, 1832)|Silence—A Fable]]"
| 1838
| ''Baltimore Book''
|Horror / Fantasy
| Originally "Siope—A Fable"<ref name=Sova219/>
|-valign="top"
| "[[Ligeia]]"
| September 1838
| ''Baltimore American Museum''
| Horror
| Republished in the February 15, 1845, issue of the ''New York World'', included the poem "The Conqueror Worm" as words written by Ligeia on her death-bed<ref>{{harvnb|Sova|2001|p=134}}</ref>
|-valign="top"
| "[[A Predicament#How to Write a Blackwood Article|How to Write a ''Blackwood'' Article]]"
| November 1838
| ''Baltimore American Museum''
| Parody
| An introduction to "[[A Predicament]]"<ref name=Sova200>{{harvnb|Sova|2001|p=200}}</ref>
|-valign="top"
| "[[A Predicament]]"
| November 1838
| ''Baltimore American Museum''
| Parody
| Companion to "How to Write a ''Blackwood'' Article," originally "The Scythe of Time"<ref name=Sova200/>
|-valign="top"
| "[[The Devil in the Belfry]]"
| May 18, 1839
| ''Saturday Chronicle and Mirror of the Times''
| Humor / Satire
| <ref>{{harvnb|Sova|2001|p=68}}</ref>
|-valign="top"
| "[[The Man That Was Used Up]]"
| August 1839
| ''[[Burton's Gentleman's Magazine]]''
| Satire
| <ref>{{harvnb|Quinn|1998|p=283}}</ref>
|-valign="top"
| "[[The Fall of the House of Usher]]"
| September 1839
| ''Burton's Gentleman's Magazine''
| Horror
| <ref>{{harvnb|Quinn|1998|p=284}}</ref>
|-valign="top"
| "[[William Wilson (short story)|William Wilson]]"
| October 1839
| ''The Gift: A Christmas and New Year's Present for 1840''
| Horror
| <ref name=Sova279>{{harvnb|Sova|2001|p=279}}</ref>
|-valign="top"
| "[[The Conversation of Eiros and Charmion]]"
| December 1839
| ''Burton's Gentleman's Magazine''
| Science fiction
| <ref name=Sova279/>
|-valign="top"
| "[[s:Why the Little Frenchman Wears His Hand in a Sling|Why the Little Frenchman Wears His Hand in a Sling]]"
| 1840
| ''[[Tales of the Grotesque and Arabesque]]''
| Humor
| <ref name=Sova280>{{harvnb|Sova|2001|p=280}}</ref>
|-valign="top"
| "[[The Business Man (short story)|The Business Man]]"
| February 1840
| ''Burton's Gentleman's Magazine''
| Humor
| Originally "Peter Pendulum"<ref name=Sova279/>
|-valign="top"
| "[[The Man of the Crowd]]"
| December 1840
| ''Graham's Magazine''
| Horror
| <ref>{{harvnb|Quinn|1998|p=309}}</ref>
|-valign="top"
| "[[The Murders in the Rue Morgue]]"
| April 1841
| ''[[Graham's Magazine]]''
| [[Detective fiction]]
| <ref name="Meyers, 123"/>
|-valign="top"
| "[[A Descent into the Maelström]]"
| May 1841
| ''Graham's Magazine''
| Adventure
| <ref name=Sova280/>
|-valign="top"
| "[[s:The Island of the Fay|The Island of the Fay]]"
| June 1841
| ''Graham's Magazine''
| Fantasy
| <ref name=Sova280/>
|-valign="top"
| "[[s:The Colloquy of Monos and Una|The Colloquy of Monos and Una]]"
| August 1841
| ''Graham's Magazine''
| Science fiction
| <ref>{{harvnb|Sova|2001|p=54}}</ref>
|-valign="top"
| "[[Never Bet the Devil Your Head]]"
| September 1841
| ''Graham's Magazine''
| Satire
| Subtitled "A Tale with a Moral"<ref>Quin, 325</ref>
|-valign="top"
| "[[Eleonora (short story)|Eleonora]]"
| Fall 1841
| ''The Gift for 1842''
| Romance
| <ref>{{harvnb|Quinn|1998|pp=328–329}}</ref>
|-valign="top"
| "[[s:Three Sundays in a Week|Three Sundays in a Week]]"
| November 27, 1841
| ''Saturday Evening Post''
| Humor
| Originally "A Succession of Sundays"<ref>{{harvnb|Quinn|1998|p=330}}</ref>
|-valign="top"
| "[[The Oval Portrait]]"
| April 1842
| ''Graham's Magazine''
| Horror
| Originally "Life in Death"<ref>{{harvnb|Quinn|1998|pp=330–331}}</ref>
|-valign="top"
| "[[The Masque of the Red Death]]"
| May 1842
| ''Graham's Magazine''
| Horror
| Originally "The Mask of the Red Death"<ref>{{harvnb|Quinn|1998|p=331}}</ref>
|-valign="top"
| "[[s:The Landscape Garden|The Landscape Garden]]"
| October 1842
| ''Snowden's Ladies' Companion''
| Sketch
| Later incorporated into "The Domain of Arnheim"<ref>{{harvnb|Sova|2001|p=129}}</ref>
|-valign="top"
| "[[The Mystery of Marie Rogêt]]"
| November 1842, December 1842, February 1843 (serialized)<ref name=Sova165/>
| ''Snowden's Ladies' Companion''
| Detective fiction
| Originally subtitled "A Sequel to 'The Murders in the Rue Morgue'"<ref>{{harvnb|Meyers|1992|p=134}}</ref>
|-valign="top"
| "[[The Pit and the Pendulum]]"
| 1842–1843
| ''The Gift: A Christmas and New Year's Present''
| Horror
| <ref>{{harvnb|Sova|2001|p=188}}</ref>
|-valign="top"
| "[[The Tell-Tale Heart]]"
| January 1843
| ''The Pioneer''
| Horror
| <ref>{{harvnb|Meyers|1992|p=137}}</ref>
|-valign="top"
| "[[The Gold-Bug]]"
| June 1843
| ''Dollar Newspaper''
| Adventure
| <ref>{{harvnb|Meyers|1992|pp=135–136}}</ref>
|-valign="top"
| "[[The Black Cat (short story)|The Black Cat]]"
| August 19, 1843
| ''United States Saturday Post''
| Horror
| <ref>{{harvnb|Sova|2001|p=28}}</ref>
|-valign="top"
| "[[s:Diddling Considered as One of the Exact Sciences|Diddling]]"
| October 14, 1843
| ''Philadelphia Saturday Courier''
| Parody
| Originally "Raising the Wind; or, Diddling Considered as One of the Exact Sciences"<ref name=Sova79>{{harvnb|Sova|2001|p=79}}</ref>
|-valign="top"
| "[[The Spectacles (short story)|The Spectacles]]"
| March 27, 1844
| ''Dollar Newspaper''
| Humor
| <ref name=Quinn400>{{harvnb|Quinn|1998|p=400}}</ref>
|-valign="top"
| "[[A Tale of the Ragged Mountains]]"
| April 1844
| ''Godey's Lady's Book''
| Science fiction, Adventure
| <ref name=Quinn400/>
|-valign="top"
| "[[The Premature Burial]]"
| July 31, 1844
| ''Dollar Newspaper''
| Horror
| <ref>{{harvnb|Quinn|1998|p=418}}</ref>
|-valign="top"
| "[[s:Mesmeric Revelation|Mesmeric Revelation]]"
| August 1844
| ''Columbian Magazine''
| Science fiction
| <ref>{{harvnb|Sova|2001|p=154}}</ref>
|-valign="top"
| "[[The Oblong Box (short story)|The Oblong Box]]"
| September 1844
| ''Godey's Lady's Book''
| Horror / Ratiocination
| <ref name=Quinn422>{{harvnb|Quinn|1998|p=422}}</ref>
|-valign="top"
| "[[The Angel of the Odd]]"
| October 1844
| ''Columbian Magazine''
| Humor
| Subtitled "An Extravaganza"<ref>{{harvnb|Sova|2001|p=11}}</ref>
|-valign="top"
| "[[Thou Art the Man]]"
| November 1844
| ''Godey's Lady's Book''
| Detective fiction / Satire
| <ref name=Quinn422/>
|-valign="top"
| "[[s:The Literary Life of Thingum Bob, Esq.|The Literary Life of Thingum Bob, Esq.]]"
| December 1844
| ''Southern Literary Messenger''
| Humor
| <ref name=Quinn422/>
|-valign="top"
| "[[The Purloined Letter]]"
| 1844–1845
| ''The Gift: A Christmas and New Year's Present''
| Detective fiction
| <ref>{{harvnb|Sova|2001|p=204}}</ref>
|-valign="top"
| "[[The Thousand-and-Second Tale of Scheherazade]]"
| February 1845
| ''Godey's Lady's Book''
| Humor
| Meant as a sequel to ''[[One Thousand and One Nights]]''<ref>{{harvnb|Sova|2001|p=237}}</ref>
|-valign="top"
| "[[Some Words with a Mummy]]"
| April 1845
| ''American Review: A Whig Journal''
| Satire
| <ref>{{harvnb|Silverman|1991|p=294}}</ref>
|-valign="top"
| "[[s:The Power of Words (Edgar Allan Poe)|The Power of Words]]"
| June 1845
| ''Democratic Review''
| Science fiction
| <ref>{{harvnb|Sova|2001|p=199}}</ref>
|-valign="top"
| "[[The Imp of the Perverse (short story)|The Imp of the Perverse]]"
| July 1845
| ''Graham's Magazine''
| Horror
| <ref>{{harvnb|Silverman|1991|p=263}}</ref>
|-valign="top"
| "[[The System of Doctor Tarr and Professor Fether]]"
| November 1845
| ''Graham's Magazine''
| Humor
| <ref>{{harvnb|Quinn|1998|p=469}}</ref>
|-valign="top"
| "[[The Facts in the Case of M. Valdemar]]"
| December 1845
| ''The American Review''
| Horror / Science fiction / Hoax
| Originally "The Facts of M. Valdemar's Case"<ref>{{harvnb|Quinn|1998|p=470}}</ref>
|-valign="top"
| "[[s:The Sphinx (Poe)|The Sphinx]]"
| January 1846
| ''Arthur's Ladies Magazine''
| Satire
| <ref>{{harvnb|Quinn|1998|p=499}}</ref>
|-valign="top"
| "[[The Cask of Amontillado]]"
| November 1846
| ''Godey's Lady's Book''
| Horror
| <ref>{{harvnb|Meyers|1992|p=201}}</ref>
|-valign="top"
| "[[s:The Domain of Arnheim|The Domain of Arnheim]]"
| March 1847
| ''Columbian Lady's and Gentleman's Magazine''
| Sketch
| Expansion of previous story "The Landscape Garden"<ref>{{harvnb|Sova|2001|p=71}}</ref>
|-valign="top"
| "[[s:Mellonta Tauta|Mellonta Tauta]]"
| February 1849
| ''Godey's Lady's Book''
| Science fiction / Hoax
| <ref>{{harvnb|Tschachler|2013|p=186}}</ref>
|-valign="top"
| "[[Hop-Frog]]"
| March 17, 1849
| ''Flag of Our Union''
| Horror
| Subtitled "Or, The Eight Chained Ourang-Outangs"<ref name=Sova285/>
|-valign="top"
| "[[s:Von Kempelen and His Discovery|Von Kempelen and His Discovery]]"
| April 14, 1849
| ''Flag of Our Union''
| Hoax / Satire
| <ref name=Sova285/>
|-valign="top"
| "[[s:X-ing a Paragrab|X-ing a Paragrab]]"
| May 12, 1849
| ''Flag of Our Union''
| Humor
| <ref>{{harvnb|Sova|2001|p=261}}</ref>
|-valign="top"
| "[[s:Landor's Cottage|Landor's Cottage]]"
| June 9, 1849
| ''Flag of Our Union''
| Sketch
| Originally "Landor's Cottage: A Pendant to 'The Domain of Arnheim'"<ref>{{harvnb|Sova|2001|p=128}}</ref>
|}

==Other works==

===Essays===
[[Image:EurekaTitle.jpg|thumb|right|''[[Eureka: A Prose Poem]]'' (1848)]]
* "[[Maelzel's Chess Player]]" (April 1836 – ''Southern Literary Messenger'')<ref>{{harvnb|Sova|2001|p=276}}</ref>
* "[[The Philosophy of Furniture]]" (May 1840 – ''Burton's Gentleman's Magazine'')<ref>{{harvnb|Sova|2001|p=186}}</ref>
* "A Few Words on Secret Writing" (July 1841 – ''Graham's Magazine'')<ref>{{harvnb|Rosenheim|1997|p=19}}</ref>
* "[[Morning on the Wissahiccon]]" (1844 – ''[[The Opal (annual)|The Opal]]'')<ref name=Sova79/>
* "[[The Balloon-Hoax]]" (April 13, 1844) — A newspaper article that was actually a journalistic [[hoax]]<ref>{{harvnb|Quinn|1998|p=410}}</ref>
* "[[The Philosophy of Composition]]" (April 1846 – ''Graham's Magazine'')<ref name=Sova285/>
* "[[Eureka: A Prose Poem]]" (March 1848 – Wiley & Putnam)<ref>{{harvnb|Sova|2001|p=82}}</ref>
* "The Rationale of Verse" (October 1848 – ''Southern Literary Messenger'')<ref>{{harvnb|Silverman|1991|p=395}}</ref>
* "[[The Poetic Principle]]" (December 1848 – ''Southern Literary Messenger'')<ref name=Sova285/>

===Novels===
* ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' (First two installments, January/February 1837 – ''Southern Literary Messenger'', issued as complete novel in July 1838)<ref>{{harvnb|Meyers|1992|pp=95–96}}</ref>
* ''[[The Journal of Julius Rodman]]'' (First six installments, January–June 1840 – ''Burton's Gentleman's Magazine'') — Incomplete<ref>{{harvnb|Sova|2001|p=119}}</ref>

===Plays===
* ''[[Politian (play)|Politian]]'' (Two installments, December 1835–January 1836 – ''Southern Literary Messenger'') — Incomplete

===Other===
* ''[[Tales of the Folio Club]]'' — A projected collection of Poe's tales on "dunderism" which was never completed in his lifetime
* ''The Philosophy of Animal Magnetism'' — A pamphlet on [[Animal magnetism|Mesmerism]] credited to a "Gentleman of Philadelphia" (1837), attributed to Poe using stylometry <ref>{{harvnb|Schöberlein|2017|pp=650-653}}</ref>
* ''[[The Conchologist's First Book]]'' (1839) — A textbook on [[animal shell|sea shells]] produced by Poe as a condensed version of a textbook by Thomas Wyatt<ref name=Sova200/>
* ''[[The Light-House]]'' (1849, never published in Poe's lifetime) — An incomplete work that may have been intended to be a short story or a novel<ref>{{cite web| url = http://www.eapoe.org/works/info/pp069.htm |author = Edgar Allan Poe |title= 'The Light-House' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>

==Collections==
[[Image:TamerlaneAndOtherPoemsFrontCover.jpg|thumb|right|''[[Tamerlane and Other Poems]]'' (1827)]]
This list of collections refers only to those printed during Poe's lifetime with his permission. Modern anthologies are not included.
* ''[[Tamerlane and Other Poems]]'' (credited by "a Bostonian") (1827)<ref name=Sova271/>
* ''Al Aaraaf, Tamerlane and Minor Poems'' (1829)<ref name=Sova271/>
* ''Poems'' (1831, printed as "second edition")<ref>{{harvnb|Silverman|1991|p=68}}</ref>
* ''[[Tales of the Grotesque and Arabesque]]'' (December 1839)<ref>{{harvnb|Silverman|1991|p=153}}</ref>
* ''The Prose Romances of Edgar A. Poe'' (1843)<ref>{{harvnb|Ostram|1987|p=40}}</ref>
* ''Tales'' (1845, Wiley & Putnam)<ref>{{harvnb|Sova|2001|p=232}}</ref>
* ''The Raven and Other Poems'' (1845, Wiley & Putnam)<ref>{{harvnb|Silverman|1991|p=299}}</ref>

==See also==

American journals that Edgar Allan Poe was involved with include:
*''[[American Review: A Whig Journal]]''
*''[[Broadway Journal]]''
*''[[Burton's Gentleman's Magazine]]''
*''[[Godey's Lady's Book]]''
*''[[Graham's Magazine]]''
*''[[Southern Literary Messenger]]''
*''[[The Stylus]]''

==References==
{{clear}}

===Notes===
{{Reflist|20em}}

===Sources===
* {{cite book |last=Fisher |first=Benjamin Franklin IV |year=2002 |authorlink= |chapter=Poe and the Gothic Tradition |pages=[https://archive.org/details/cambridgecompani00haye_579/page/n91 71]–91 |title=The Cambridge Companion to Edgar Allan Poe |url=https://archive.org/details/cambridgecompani00haye_579 |url-access=limited |editor-last=Hayes |editor-first=Keven J. |editor-link= |location=Cambridge |publisher=Cambridge University Press |isbn=978-0-521-79727-6 |doi=10.1017/CCOL0521793262.006 |ref=harv }}
* {{cite book |last=Foye |first=Raymond (editor) |year=1980 |authorlink= |title=The Unknown Poe: An Anthology of Fugitive Writings by Edgar Allan Poe |location=San Francisco |publisher=City Lights Books |isbn=978-0-87286-110-7 |ref=harv |url=https://archive.org/details/unknownpoeanthol0000poee }}
* {{cite journal |last=Grayson |first=Eric |year=2005 |authorlink= |pages=56–77 |title=Weird Science, Weirder Unity: Phrenology and Physiognomy in Edgar Allan Poe |journal=Mode 1 |url=http://www.arts.cornell.edu/english/publications/mode/documents/grayson.html |accessdate=2011-12-28 |ref=harv }}
* {{cite journal |last=Hayes |first=Kevin J. |year=2002 |authorlink= |title=Visual Culture and the Word in Edgar Allan Poe's 'The Man of the Crowd' |journal=Nineteenth-Century Literature |volume=56 |issue=4 |pages=445–465 |ref=harv |doi=10.1525/ncl.2002.56.4.445}}
* {{cite book |last=Hoffman |first=Daniel |year=1998 |origyear=1972 |authorlink=Daniel Hoffman |title=Poe Poe Poe Poe Poe Poe Poe |location=Baton Rouge |publisher=Louisiana State University Press |isbn=978-0-8071-2321-8 |ref=harv }}
* {{cite journal |last=Hubbell |first=Jay B. |year=1945 |authorlink= |title='O, Tempora! O, Mores!' A Juvenile Poem by Edgar Allan Poe  |pages=314–321 |publisher=University of Colorado Studies |journal=Studies in the Humanities, Series B |volume=2 |issue=4 |url=http://www.eapoe.org/works/info/pp007.htm |accessdate=2011-12-28 |ref=harv }}
* {{cite journal |last=Hungerford |first=Edward |year=1930 |authorlink= |pages=209–231 |title=Poe and Phrenology |journal=American Literature |volume=1 |ref=harv |doi=10.2307/2920231}}
* {{cite book |last=Kagle |first=Steven E. |year=1990 |authorlink= |chapter=The Corpse Within Us |title=Poe and His Times: The Artist and His Milieu |editor-last=Fisher |editor-first=Benjamin Franklin IV |location=Baltimore |publisher=The Edgar Allan Poe Society |isbn=978-0-9616449-2-5 |ref=harv }}
* {{cite book |last=Kennedy |first=J. Gerald |year=1987 |authorlink= |title=Poe, Death, and the Life of Writing |location=New Haven |publisher=Yale University Press |isbn=978-0-300-03773-9 |ref=harv |url=https://archive.org/details/poedeathlife00kenn }}
* {{cite book |last=Koster |first=Donald N. |year=2002 |authorlink= |chapter=Influences of Transcendentalism on American Life and Literature |title=Literary Movements for Students Vol. 1. |editor-last=Galens |editor-first=David |location=Detroit |publisher=Thompson Gale |isbn= |ref=harv }}
* {{cite book |last=Krutch |first=Joseph Wood |year=1926 |authorlink= |title=Edgar Allan Poe: A Study in Genius |url=https://archive.org/details/edgarallanpoestu0000krut |url-access=registration |publisher=Alfred A. Knopf |location=New York |ref=harv }} (1992 reprint: {{ISBN|978-0-7812-6835-6}})
* {{cite book |last=Meyers |first=Jeffrey |year=1992 |authorlink= |title=Edgar Allan Poe: His Life and Legacy |publisher=Cooper Square Press |location=New York |edition=Paperback |pages= |isbn=978-0-8154-1038-6 |ref=harv }}
* {{cite book |last=Ostram |first=John Ward |year=1987 |chapter=Poe's Literary Labors and Rewards |pages=37–47 |title=Myths and Reality: The Mysterious Mr. Poe |editor-last=Fisher |editor-first=Benjamin Franklin IV |location=Baltimore |publisher=The Edgar Allan Poe Society |isbn= |ref=harv }}
* {{cite journal |last=Poe |first=Edgar Allan |date=November 1847 |title=Tale-Writing—Nathaniel Hawthorne |pages=252–256 |journal=Godey's Ladies Book |url=http://www.eapoe.org/works/CRITICSM/GLB47HN1.HTM |accessdate=2011-12-28 |ref=harv }}
* {{cite book |last=Quinn |first=Arthur Hobson |year=1998 |authorlink= |title=Edgar Allan Poe: A Critical Biography |location=Baltimore |publisher=Johns Hopkins University Press |isbn=978-0-8018-5730-0 |ref=harv }}
* {{cite book |last=Rosenheim |first=Shawn James |authorlink= |title=The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet |publisher=Johns Hopkins University Press |location=Baltimore |year=1997 |isbn=978-0-8018-5332-6 |ref=harv }}
*Sherer, Daniel. “Edgar Allan Poe’s “The Philosophy of Furniture (1840),”PIN-UP Magazine 15 (Nov. 2013), 166-72.
* {{cite journal |last=Schöberlein |first=Stefan |year=2017 |authorlink= |pages=650–653 |title=Poe or not Poe? A stylometric analysis of Edgar Allan Poe's disputed writings |journal=Digital Scholarship in the Humanities |volume=32 |issue=4 |ref=harv |doi=10.1093/llc/fqw019}}
* {{cite book |last=Silverman |first=Kenneth |year=1991 |authorlink=Kenneth Silverman |title=Edgar A. Poe: Mournful and Never-Ending Remembrance |publisher=Harper Perennial |location=New York |edition=Paperback |isbn=978-0-06-092331-0 |ref=harv |url=https://archive.org/details/edgarpoe00kenn }}
* {{cite book |last=Sova |first=Dawn B. |year=2001 |authorlink= |title=Edgar Allan Poe A to Z: The Essential Reference to His Life and Work |publisher=Checkmark Books |location=New York |edition=Paperback |isbn=978-0-8160-4161-9 |ref=harv |url-access=registration |url=https://archive.org/details/edgarallanpoetoz0000sova }}
* {{cite book |last=Tschachler |first=Heinz |year=2013 |authorlink= |title=The Monetary Imagination of Edgar Allan Poe: Banking, Currency, and Politics in the Writings |publisher=McFarland & Company |location=Jefferson, NC |isbn=978-0-7864-7583-4 |ref=harv }}
* {{cite book |last=Whalen |first=Terance |year=2001 |authorlink= |chapter=Poe and the American Publishing Industry |title=A Historical Guide to Edgar Allan Poe |editor-last=Kennedy |editor-first=J. Gerald |location=New York |publisher=Oxford University Press |isbn=978-0-19-512150-6 |ref=harv }}
* {{cite book |last=Wilbur |first=Richard |year=1967 |authorlink= |chapter=The House of Poe |pages=[https://archive.org/details/collectionofcrit0000rega/page/99 99] |title=Poe: A Collection of Critical Essays |editor-last=Regan |editor-first=Robert |location=Englewood Cliffs, NJ |publisher=Prentice-Hall |isbn=978-0-13-684963-6 |ref=harv |url=https://archive.org/details/collectionofcrit0000rega/page/99 }}

==External links==
{{wikisource-author|Edgar Allan Poe}}
* [http://www.eapoe.org/works/index.htm The Works of Edgar Allan Poe] at the Edgar Allan Poe Society online — includes multiple versions of fiction, essays, criticisms
* [http://www.bartleby.com/226/0500.html Complete list of Poe's contributions] to various journals and magazines at [[bartleby.com]]
* {{Internet Archive author |sname=Edgar Allan Poe |dname=Edgar Allan Poe}}
* {{worldcat id|id=lccn-n79-29745 |name=Edgar Allan Poe}}

{{featured list}}
{{Edgar Allan Poe}}

{{DEFAULTSORT:Poe Edgar Allan Bibliography}}
[[Category:Edgar Allan Poe|Bibliography]]
[[Category:Bibliographies by writer]]
[[Category:Bibliographies of American writers]]
[[Category:Horror fiction bibliographies]]
[[Category:Poetry bibliographies]]

Template:Edgar Allan Poe

2020-08-31T06:48:56Z

Homonihilis: typo

{{navbox
| name = Edgar Allan Poe
| title = [[Edgar Allan Poe]]
| state = {{{state|autocollapse}}}
| bodyclass = hlist

| above = [[Edgar Allan Poe bibliography|Bibliography]]

| group1 = [[Poems by Edgar Allan Poe|Poems]]
| list1 =
* "[[Tamerlane (poem)|Tamerlane]]" (1827)
* "[[Al Aaraaf]]" (1829)
* "[[Sonnet to Science]]" (1829)
* "[[To Helen]]" (1831)
* "[[The City in the Sea]]" (1831)
* "[[The Haunted Palace (poem)|The Haunted Palace]]" (1839)
* "[[The Conqueror Worm]]" (1843)
* "[[Lenore (poem)|Lenore]]" (1843)
* "[[Eulalie]]" (1843)
* "[[The Raven]]" (1845)
* "[[Ulalume]]" (1847)
* "[[A Dream Within a Dream]]" (1849)
* "[[Eldorado (poem)|Eldorado]]" (1849)
* "[[The Bells (poem)|The Bells]]" (1849)
* "[[Annabel Lee]]" (1849)"

| group2 = Tales
| list2 =
* "[[Metzengerstein]]" (1832)
* "[[The Duc de L'Omelette]]" (1832)
* "[[Bon-Bon (short story)|Bon-Bon]]" (1832)
* "[[MS. Found in a Bottle]]" (1833)
* "[[Berenice (short story)|Berenice]]" (1835)
* "[[Morella (short story)|Morella]]" (1835)
* "[[The Unparalleled Adventure of One Hans Pfaall]]" (1835)
* "[[Ligeia]]" (1838)
* "[[A Predicament]]" (1838)
* "[[The Devil in the Belfry]]" (1839)
* "[[The Man That Was Used Up]]" (1839)
* "[[The Fall of the House of Usher]]" (1839)
* "[[William Wilson (short story)|William Wilson]]" (1839)
* "[[The Conversation of Eiros and Charmion]]" (1839)
* "[[The Business Man (short story)|The Business Man]]" (1840)
* "[[The Man of the Crowd]]" (1840)
* "[[The Murders in the Rue Morgue]]" (1841)
* "[[A Descent into the Maelström]]" (1841)
* "[[Never Bet the Devil Your Head]]" (1841)
* "[[Eleonora (short story)|Eleonora]]" (1841)
* "[[The Oval Portrait]]" (1842)
* "[[The Masque of the Red Death]]" (1842)
* "[[The Mystery of Marie Rogêt]]" (1842)
* "[[The Pit and the Pendulum]]" (1842)
* "[[The Tell-Tale Heart]]" (1843)
* "[[The Gold-Bug]]" (1843)
* "[[The Black Cat (short story)|The Black Cat]]" (1843)
* "[[The Spectacles (short story)|The Spectacles]]" (1844)
* "[[A Tale of the Ragged Mountains]]" (1844)
* "[[The Premature Burial]]" (1844)
* "[[The Oblong Box (short story)|The Oblong Box]]" (1844)
* "[[The Angel of the Odd]]" (1844)
* "[[Thou Art the Man]]" (1844)
* "[[The Purloined Letter]]" (1844)
* "[[Some Words with a Mummy]]" (1845)
* "[[The Thousand-and-Second Tale of Scheherazade]]" (1845)
* "[[The Imp of the Perverse (short story)|The Imp of the Perverse]]" (1845)
* "[[The System of Doctor Tarr and Professor Fether]]" (1845)
* "[[The Facts in the Case of M. Valdemar]]" (1845)
* "[[The Cask of Amontillado]]" (1846)
* "[[Hop-Frog]]" (1849)

| group3 = Essays
| list3 =
* "[[Maelzel's Chess Player]]" (1836)
* "[[The Philosophy of Furniture]]" (1840)
* "[[Morning on the Wissahiccon]]" (1844)
* "[[The Philosophy of Composition]]" (1846)
* "[[The Poetic Principle]]" (1846)
* ''[[Eureka: A Prose Poem]]'' (1848)

| group4 = Novels
| list4 =
* ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' (1837)
* ''[[The Journal of Julius Rodman]]'' (1840)

| group5 = Collections
| list5 =
* ''[[Tamerlane and Other Poems]]'' (1827)
* ''[[Tales of the Grotesque and Arabesque]]'' (1840)

| group6 = Play
| list6 =
* ''[[Politian (play)|Politian]]'' (1835)

| group7 = Other
| list7 =
* ''[[The Conchologist's First Book]]'' (1839)
* ''[[The Balloon-Hoax]]'' (1844)
* ''[[The Light-House]]'' (1849)

| group8 = Related
| list8 =
* [[Virginia Eliza Clemm Poe|Virginia Eliza Clemm Poe (wife)]]
* [[Eliza Poe|Eliza Poe (mother)]]
* [[David Poe Jr.|David Poe Jr. (father)]]
* [[William Henry Leonard Poe|William Henry Poe (brother)]]
* [[Edgar Allan Poe Museum (Richmond, Virginia)|Poe Museum]]
* [[Edgar Allan Poe Cottage|Poe Cottage]]
* [[Edgar Allan Poe House and Museum]]
* [[Edgar Allan Poe National Historic Site|National Historic Site]]
* [[The Stylus|''The Penn'' magazine]]
* [[Death of Edgar Allan Poe|Death]]
* [[Edgar Award]]
* [[Edgar Allan Poe in popular culture|In popular culture]]
**[[Edgar Allan Poe in television and film|film and television]]
**[[Edgar Allan Poe and music|music]]
* [[Poe Toaster]]
* ''[[Tales of Mystery & Imagination]]''

| group9 = Portrayals
| list9 =
*''[[Edgar Allan Poe (film)|Edgar Allan Poe]]'' (1909 film)
*''[[The Raven (1915 film)|The Raven]]'' (1915 film)
*''[[The Loves of Edgar Allan Poe]]'' (1942 film)
*''[[Edgar Allan Poe: Once Upon a Midnight]]'' (2004 play)
}}<noinclude>
{{Documentation}}
</noinclude>

Edgar Allan Poe bibliography

2020-08-30T18:24:09Z

Homonihilis: /* Tales */

{{short description|Wikipedia bibliography}}
{{use mdy dates|date=December 2014}}
{{PoeTopics}}

The works of American author [[Edgar Allan Poe]] (January 19, 1809 – October 7, 1849) include many [[poetry|poems]], [[short story|short stories]], and one [[novel]]. His fiction spans multiple genres, including [[horror fiction]], [[adventure novel|adventure]], [[science fiction]], and [[detective fiction]], a genre he is credited with inventing.<ref name=Silverman171>{{harvnb|Silverman|1991|p=171}}</ref> These works are generally considered part of the [[Dark romanticism]] movement, a literary reaction to [[Transcendentalism]].<ref>{{harvnb|Koster|2002|p=336}}</ref> Poe's writing reflects his literary theories: he disagreed with [[didacticism]]<ref>{{harvnb|Kagle|1990|p=104}}</ref> and [[allegory]].<ref>{{harvnb|Poe|1847|p=}}</ref> Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art.<ref>{{harvnb|Wilbur|1967|p=99}}</ref> Poe pursued originality in his works, and disliked proverbs.<ref>{{harvnb|Hayes|2002|pp=445–465}}</ref> He often included elements of popular [[pseudoscience]]s such as [[phrenology]]<ref>{{harvnb|Hungerford|1930|pp=209–231}}</ref> and [[physiognomy]].<ref>{{harvnb|Grayson|2005|pp=56–77}}</ref> His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of [[premature burial]], the reanimation of the dead, and [[mourning]].<ref>{{harvnb|Kennedy|1987|p=3}}</ref> Though known as a masterly practitioner of [[Gothic fiction]], Poe did not invent the genre; he was following a long-standing popular tradition.<ref>{{harvnb|Fisher|2002|p=72}}</ref>

Poe's literary career began in 1827 with the release of 50 copies of ''[[Tamerlane and Other Poems]]'' credited only to "a Bostonian", a collection of early poems that received virtually no attention.<ref>{{harvnb|Meyers|1992|pp=33–34}}</ref> In December 1829, Poe released ''Al Aaraaf, Tamerlane, and Minor Poems'' in [[Baltimore]]<ref>{{harvnb|Sova|2001|p=5}}</ref> before delving into [[short story|short stories]] for the first time with "[[Metzengerstein]]" in 1832.<ref name=Silverman88>{{harvnb|Silverman|1991|p=88}}</ref> His most successful and most widely read prose during his lifetime was "[[The Gold-Bug]]",<ref>{{harvnb|Sova|2001|p=97}}</ref> which earned him a $100 prize, the most money he received for a single work.<ref>{{harvnb|Hoffman|1998|p=189}}</ref> One of his most important works, "[[The Murders in the Rue Morgue]]", was published in 1841 and is today considered the first modern detective story.<ref name="Meyers, 123">{{harvnb|Meyers|1992|p=123}}</ref> Poe called it a "tale of [[wikt:ratiocination|ratiocination]]".<ref name=Silverman171/> Poe became a household name with the publication of "[[The Raven]]" in 1845,<ref>{{harvnb|Hoffman|1998|p=80}}</ref> though it was not a financial success.<ref>{{harvnb|Krutch|1926|p=155}}</ref> The publishing industry at the time was a difficult career choice and much of Poe's work was written using themes specifically catered for mass market tastes.<ref>{{harvnb|Whalen|2001|p=67}}</ref>

==Poetry==
{{main|Poems by Edgar Allan Poe}}
{| class="wikitable" align="center" cellpadding="7" style="clear:both;"
|-align="center" bgcolor="#696969"
!<div align="left">Title</div>!!<div align="left">Date</div>!!<div align="left">First published in</div>!!<div align="left">Notes</div>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Poetry (1824)|Poetry]]"
|1824
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp004.htm |author = Edgar Allan Poe |title= 'Poetry' |accessdate=2019-06-22| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[s:O, Tempora! O, Mores!|O, Tempora! O, Mores!]]"
|1825
|Never published in Poe's lifetime
|Not authenticated,<ref>{{harvnb|Hubbell|1945|pp=314–321}}</ref> attribution to Poe is likely incorrect<ref>{{harvnb|Schöberlein|2017|pp=650-653}}</ref>
|-valign="top"
|"[[Tamerlane (poem)|Tamerlane]]"
|July 1827
|''[[Tamerlane and Other Poems]]''
|<ref name=Sova233>{{harvnb|Sova|2001|p=233}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Song (1827)|Song]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova271>{{harvnb|Sova|2001|p=271}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Imitation (1827)|Imitation]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#A Dream (1827)|A Dream]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Lake (1827)|The Lake]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova233/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Spirits of the Dead (1827)|Spirits of the Dead]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova233/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Evening Star (1827)|Evening Star]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref name=Sova233/>
|-valign="top"
|"[[s:Dreams (Poe)|Dreams]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp014.htm |author = Edgar Allan Poe |title= 'Dreams' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Stanzas (1827)|Stanzas]]"
|July 1827
|''Tamerlane and Other Poems''
|<ref>{{harvnb|Foye|1980|pp=22–23}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Happiest Day (1827)|The Happiest Day]]"
|September 15, 1827
|''The North American''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Margaret (1827)|To Margaret]]"
|circa 1827
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp010.htm |author = Edgar Allan Poe |title= 'To Margaret' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Alone (1829)|Alone]]"
|1829
|Never published in Poe's lifetime
|<ref>{{harvnb|Sova|2001|p=8}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Isaac Lea (1829)|To Isaac Lea]]"
|circa 1829
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp025.htm |author = Edgar Allan Poe |title= 'To Isaac Lea' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To The River —— (1828)|To The River ——]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova240>{{harvnb|Sova|2001|p=240}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To —— (1829)|To ——]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|Begins "The bowers whereat, in dreams..."<ref name=Sova238>{{harvnb|Sova|2001|p=238}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To —— (1829)|To ——]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|Begins "Should my early life seem..."<ref name=Sova238/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Romance (1829)|Romance]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Fairy-Land (1829)|Fairy-Land]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[To Science]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova225>{{harvnb|Sova|2001|p=225}}</ref>
|-valign="top"
|"[[Al Aaraaf]]"
|1829
|''Al Aaraaf, Tamerlane, and Minor Poems''
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#An Acrostic (1829)|An Acrostic]]"
|1829
|Never published in Poe's lifetime
|<ref name=Sova271/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Elizabeth (1829)|Elizabeth]]"
|1829
|Never published in Poe's lifetime
|<ref name=Sova239>{{harvnb|Sova|2001|p=239}}</ref>
|-valign="top"
|"[[To Helen]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova239/>
|-valign="top"
|"[[A Paean]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194>{{harvnb|Sova|2001|p=194}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Sleeper (1831)|The Sleeper]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[The City in the Sea]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Valley of Unrest (1831)|The Valley of Unrest]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Israfel (1831)|Israfel]]"
|1831
|''Poems by Edgar A. Poe''
|<ref name=Sova194/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Enigma (1833)|Enigma]]"
|February 2, 1833
|''[[Baltimore Saturday Visiter]]''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp044.htm |author = Edgar Allan Poe |title= 'Enigma' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Fanny (1833)|Fanny]]"
|May 18, 1833
|''Baltimore Saturday Visiter''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp047.htm |author = Edgar Allan Poe |title= 'Fanny' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Coliseum (1833)|The Coliseum]]"
|October 26, 1833
|''Baltimore Saturday Visiter''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp042.htm |author = Edgar Allan Poe |title= 'The Coliseum' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Serenade (1833)|Serenade]]"
|April 20, 1833
|''Baltimore Saturday Visiter''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp045.htm |author = Edgar Allan Poe |title= 'Serenade' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To One in Paradise (1833)|To One in Paradise]]"
|January 1834
|''[[Godey's Lady's Book]]''
|<ref name=Sova240/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Hymn (1835)|Hymn]]"
|April 1835
|''[[Southern Literary Messenger]]''
|<ref name=Quinn208>{{harvnb|Quinn|1998|p=208}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To F——s S. O——d (1835 / 1845)|To Elizabeth]]"
|September 1835
|''Southern Literary Messenger''
|Republished as "To F——s S. O——d" in 1845<ref name=Sova239/>
|-valign="top"
|"[[May Queen Ode]]"
|circa 1836
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp059.htm |author = Edgar Allan Poe |title= 'May Queen Ode' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Spiritual Song (1836)|Spiritual Song]]"
|1836
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp054.htm |author = Edgar Allan Poe |title= 'Spiritual Song' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Latin Hymn]]"
|March 1836
|''Southern Literary Messenger''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp048.htm |author = Edgar Allan Poe |title= 'Spiritual Song' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Bridal Ballad]]"
|January 1837
|''Southern Literary Messenger''
|Originally published as "Ballad"<ref>{{harvnb|Sova|2001|p=34}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Sonnet — To Zante (1837)|To Zante]]"
|January 1837
|''Southern Literary Messenger''
|<ref name=Sova225/>
|-valign="top"
|"[[The Haunted Palace (poem)|The Haunted Palace]]"
|April 1839
|''American Museum''
|<ref>{{harvnb|Silverman|1991|p=138}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Silence (1839)|Silence–A Sonnet]]"
|January 4, 1840
|''Saturday Courier''
|<ref>{{harvnb|Sova|2001|p=220}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Lines on Joe Locke|Lines on Joe Locke]]"
|February 28, 1843
|''Saturday Museum''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp033.htm |author = Edgar Allan Poe |title= 'Lines on Joe Locke' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[The Conqueror Worm]]"
|January 1843
|''[[Graham's Magazine]]''
|<ref name=Sova282>{{harvnb|Sova|2001|p=282}}</ref>
|-valign="top"
|"[[Lenore (poem)|Lenore]]"
|February 1843
|''The Pioneer''
|<ref>{{harvnb|Silverman|1991|p=201}}</ref>
|-valign="top"
|"[[A Campaign Song]]"
|1844
|Never published in Poe's lifetime
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp071.htm |author = Edgar Allan Poe |title= 'A Campaign Song' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Dream-Land (1844)|Dream-Land]]"
|June 1844
|''Graham's Magazine''
|<ref name=Sova282/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Impromptu. To Kate Carol (1845)|Impromptu. To Kate Carol]]"
|April 26, 1845
|''Broadway Journal''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp076.htm |author = Edgar Allan Poe |title= 'Impromptu – To Kate Carol' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To F—— (1845)|To F——]]"
|April 1845
|''[[Broadway Journal]]''
|Republished as "To Frances" in the September 6, 1845, issue of the ''Broadway Journal''<ref name=Sova239/>
|-valign="top"
|"[[Eulalie]]"
|July 1845
|''[[American Review: A Whig Journal]]''
|<ref>{{harvnb|Quinn|1998|p=480}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Epigram for Wall Street (1845)|Epigram for Wall Street]]"
|January 23, 1845
|''Evening Mirror''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp075.htm |author = Edgar Allan Poe |title= 'Epigram for Wall Street' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[The Raven]]"
|February 1845
|''American Review: A Whig Journal''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp073.htm |author = Edgar Allan Poe |title= 'The Raven' |accessdate=2019-06-22| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#The Divine Right of Kings (1845)|The Divine Right of Kings]]"
|October 1845
|''Graham's Magazine''
|<ref>{{cite web| url = http://www.eapoe.org/works/info/pp079.htm |author = Edgar Allan Poe |title= 'The Divine Right of Kings' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#A Valentine (1846)|A Valentine]]"
|February 21, 1846
|''Evening Mirror''
|Originally published as "To Her Whose Name Is Written Below"<ref>{{harvnb|Sova|2001|p=249}}</ref>
|-valign="top"
|"[[Beloved Physician]]"
|1847
|Never published in Poe's lifetime
|Incomplete<ref>{{harvnb|Meyers|1992|p=207}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Deep in Earth (1847)|Deep in Earth]]"
|1847
|Never published in Poe's lifetime
|Incomplete<ref>{{harvnb|Foye|1980|p=29}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To M. L. S—— (1847)|To M. L. S—— (1847)]]"
|March 13, 1847
|''The Home Journal''
|<ref name=Sova239 />
|-valign="top"
|"[[Ulalume]]"
|December 1847
|''American Whig Review''
|<ref name=Sova285>{{harvnb|Sova|2001|p=285}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#Lines on Ale (1848)|Lines on Ale]]"
|1848
|Never published in Poe's lifetime
|<ref>{{harvnb|Foye|1980|p=30}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Marie Louise (1847)|To Marie Louise]]"
|March 1848
|''Columbian Magazine''
|<ref name=Sova219>{{harvnb|Sova|2001|p=219}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#An Enigma (1848)|An Enigma]]"
|March 1848
|''Union Magazine of Literature and Art''
|<ref name=Sova285/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To Helen (1848)|To Helen]]"
|November 1848
|''[[Sartain's Magazine|Sartain's Union Magazine]]''
|<ref name=Sova239/>
|-valign="top"
|"[[A Dream Within A Dream]]"
|March 31, 1849
|''[[The Flag of Our Union]]''
|<ref name=Sova285/>
|-valign="top"
|"[[Eldorado (poem)|Eldorado]]"
|April 21, 1849
|''Flag of Our Union''
|<ref>{{harvnb|Quinn|1998|p=605}}</ref>
|-valign="top"
|"[[Poems by Edgar Allan Poe#For Annie (1849)|For Annie]]"
|April 28, 1849
|''Flag of Our Union''
|<ref name=Sova285/>
|-valign="top"
|"[[Poems by Edgar Allan Poe#To My Mother (1849)|To My Mother]]"
|July 7, 1849
|''Flag of Our Union''
|<ref name=Sova240/>
|-valign="top"
|"[[Annabel Lee]]"
|October 9, 1849
|''New York Daily Tribune''
|Sold before Poe's death but published posthumously<ref>{{harvnb|Meyers|1992|p=244}}</ref>
|-valign="top"
|"[[The Bells (poem)|The Bells]]"
|November 1849
|''Sartain's Union Magazine''
|Sold before Poe's death but published posthumously<ref name=Sova285/>
|}

==Tales==
{| class="sortable wikitable" align="center" cellpadding="7" style="clear:both;"
|-align="center" bgcolor="#696969"
!<div align="left">Title</div>!!<div align="left">Publication date</div>!!<div align="left">First published in</div>!!<div align="left">Genre</div>!!<div align="left">Notes</div>
|-valign="top"
|"[[Metzengerstein]]"
|January 14, 1832
|''[[Philadelphia]] Saturday Courier''
| Horror / Satire
| First published anonymously with the subtitle "A Tale in Imitation of the German"<ref name=Silverman88/>
|-valign="top"
|"[[The Duc de L'Omelette]]"
|March 3, 1832
|''Philadelphia Saturday Courier''
|Humor
|Originally "The Duke of l'Omelette"<ref>{{harvnb|Sova|2001|p=73}}</ref>
|-valign="top"
|"[[s:A Tale of Jerusalem|A Tale of Jerusalem]]"
|June 9, 1832
|''Philadelphia Saturday Courier''
|Humor
| <ref name=Quinn192>{{harvnb|Quinn|1998|p=192}}</ref>
|-valign="top"
|"[[s:Loss of Breath|Loss of Breath]]"
|November 10, 1832
|''Philadelphia Saturday Courier''
|Humor
|Originally "A Decided Loss"<ref name=Quinn192/>
|-valign="top"
|"[[Bon-Bon (short story)|Bon-Bon]]"
|December 1, 1832
|''Philadelphia Saturday Courier''
|Humor
| Originally "The Bargain Lost"<ref name=Quinn192/>
|-valign="top"
| "[[MS. Found in a Bottle]]"
| October 19, 1833
| ''[[Baltimore Saturday Visiter]]''
| Adventure
| <ref>{{harvnb|Sova|2001|p=162}}</ref>
|-valign="top"
| "[[s:The Assignation|The Assignation]]"
| January 1834
| ''Godey's Lady's Book''
| Horror
| Originally "The Visionary", published anonymously<ref>{{harvnb|Silverman|1991|p=93}}</ref>
|-valign="top"
| "[[Berenice (short story)|Berenice]]"
| March 1835
| ''[[Southern Literary Messenger]]''
| Horror
| <ref name=Quinn208/>
|-valign="top"
| "[[Morella (short story)|Morella]]"
| April 1835
| ''Southern Literary Messenger''
| Horror
| <ref name=Quinn208/>
|-valign="top"
| "[[s:Lionizing|Lionizing]]"
| May 1835
| ''Southern Literary Messenger''
| Satire
| Subtitle: "A Tale"<ref name=Quinn208/>
|-valign="top"
| "[[The Unparalleled Adventure of One Hans Pfaall]]"
| June 1835
| ''Southern Literary Messenger''
| Adventure
| <ref name=Quinn208/>
|-valign="top"
| "[[s:King Pest|King Pest]]"
| September 1835
| ''Southern Literary Messenger''
| Horror / Humor
| Originally "King Pest the First", published anonymously<ref name=Quinn230>{{harvnb|Quinn|1998|p=230}}</ref>
|-valign="top"
| "[[s:Shadow|Shadow—A Parable]]"
| September 1835
| ''Southern Literary Messenger''
| Horror
| Published anonymously<ref name=Quinn230/>
|-valign="top"
| "[[s:Four Beasts in One|Four Beasts in One—The Homo-Cameleopard]]"
| March 1836
| ''Southern Literary Messenger''
| Humor
| Originally "Epimanes"<ref>{{harvnb|Sova|2001|p=90}}</ref>
|-valign="top"
| "[[s:Mystification|Mystification]]"
| June 1837
| ''American Monthly Magazine''
| Humor
| Originally "Von Jung, the Mystific"<ref name=Sova165>{{harvnb|Sova|2001|p=165}}</ref>
|-valign="top"
| "[[s:Silence (Poe, 1832)|Silence—A Fable]]"
| 1838
| ''Baltimore Book''
|Horror / Fantasy
| Originally "Siope—A Fable"<ref name=Sova219/>
|-valign="top"
| "[[Ligeia]]"
| September 1838
| ''Baltimore American Museum''
| Horror
| Republished in the February 15, 1845, issue of the ''New York World'', included the poem "The Conqueror Worm" as words written by Ligeia on her death-bed<ref>{{harvnb|Sova|2001|p=134}}</ref>
|-valign="top"
| "[[A Predicament#How to Write a Blackwood Article|How to Write a ''Blackwood'' Article]]"
| November 1838
| ''Baltimore American Museum''
| Parody
| An introduction to "[[A Predicament]]"<ref name=Sova200>{{harvnb|Sova|2001|p=200}}</ref>
|-valign="top"
| "[[A Predicament]]"
| November 1838
| ''Baltimore American Museum''
| Parody
| Companion to "How to Write a ''Blackwood'' Article," originally "The Scythe of Time"<ref name=Sova200/>
|-valign="top"
| "[[The Devil in the Belfry]]"
| May 18, 1839
| ''Saturday Chronicle and Mirror of the Times''
| Humor / Satire
| <ref>{{harvnb|Sova|2001|p=68}}</ref>
|-valign="top"
| "[[The Man That Was Used Up]]"
| August 1839
| ''[[Burton's Gentleman's Magazine]]''
| Satire
| <ref>{{harvnb|Quinn|1998|p=283}}</ref>
|-valign="top"
| "[[The Fall of the House of Usher]]"
| September 1839
| ''Burton's Gentleman's Magazine''
| Horror
| <ref>{{harvnb|Quinn|1998|p=284}}</ref>
|-valign="top"
| "[[William Wilson (short story)|William Wilson]]"
| October 1839
| ''The Gift: A Christmas and New Year's Present for 1840''
| Horror
| <ref name=Sova279>{{harvnb|Sova|2001|p=279}}</ref>
|-valign="top"
| "[[The Conversation of Eiros and Charmion]]"
| December 1839
| ''Burton's Gentleman's Magazine''
| Science fiction
| <ref name=Sova279/>
|-valign="top"
| "[[s:Why the Little Frenchman Wears His Hand in a Sling|Why the Little Frenchman Wears His Hand in a Sling]]"
| 1840
| ''[[Tales of the Grotesque and Arabesque]]''
| Humor
| <ref name=Sova280>{{harvnb|Sova|2001|p=280}}</ref>
|-valign="top"
| "[[The Business Man (short story)|The Business Man]]"
| February 1840
| ''Burton's Gentleman's Magazine''
| Humor
| Originally "Peter Pendulum"<ref name=Sova279/>
|-valign="top"
| "[[The Man of the Crowd]]"
| December 1840
| ''Graham's Magazine''
| Horror
| <ref>{{harvnb|Quinn|1998|p=309}}</ref>
|-valign="top"
| "[[The Murders in the Rue Morgue]]"
| April 1841
| ''[[Graham's Magazine]]''
| [[Detective fiction]]
| <ref name="Meyers, 123"/>
|-valign="top"
| "[[A Descent into the Maelström]]"
| May 1841
| ''Graham's Magazine''
| Adventure
| <ref name=Sova280/>
|-valign="top"
| "[[s:The Island of the Fay|The Island of the Fay]]"
| June 1841
| ''Graham's Magazine''
| Fantasy
| <ref name=Sova280/>
|-valign="top"
| "[[s:The Colloquy of Monos and Una|The Colloquy of Monos and Una]]"
| August 1841
| ''Graham's Magazine''
| Science fiction
| <ref>{{harvnb|Sova|2001|p=54}}</ref>
|-valign="top"
| "[[Never Bet the Devil Your Head]]"
| September 1841
| ''Graham's Magazine''
| Satire
| Subtitled "A Tale with a Moral"<ref>Quin, 325</ref>
|-valign="top"
| "[[Eleonora (short story)|Eleonora]]"
| Fall 1841
| ''The Gift for 1842''
| Romance
| <ref>{{harvnb|Quinn|1998|pp=328–329}}</ref>
|-valign="top"
| "[[s:Three Sundays in a Week|Three Sundays in a Week]]"
| November 27, 1841
| ''Saturday Evening Post''
| Humor
| Originally "A Succession of Sundays"<ref>{{harvnb|Quinn|1998|p=330}}</ref>
|-valign="top"
| "[[The Oval Portrait]]"
| April 1842
| ''Graham's Magazine''
| Horror
| Originally "Life in Death"<ref>{{harvnb|Quinn|1998|pp=330–331}}</ref>
|-valign="top"
| "[[The Masque of the Red Death]]"
| May 1842
| ''Graham's Magazine''
| Horror
| Originally "The Mask of the Red Death"<ref>{{harvnb|Quinn|1998|p=331}}</ref>
|-valign="top"
| "[[s:The Landscape Garden|The Landscape Garden]]"
| October 1842
| ''Snowden's Ladies' Companion''
| Sketch
| Later incorporated into "The Domain of Arnheim"<ref>{{harvnb|Sova|2001|p=129}}</ref>
|-valign="top"
| "[[The Mystery of Marie Rogêt]]"
| November 1842, December 1842, February 1843 (serialized)<ref name=Sova165/>
| ''Snowden's Ladies' Companion''
| Detective fiction
| Originally subtitled "A Sequel to 'The Murders in the Rue Morgue'"<ref>{{harvnb|Meyers|1992|p=134}}</ref>
|-valign="top"
| "[[The Pit and the Pendulum]]"
| 1842–1843
| ''The Gift: A Christmas and New Year's Present''
| Horror
| <ref>{{harvnb|Sova|2001|p=188}}</ref>
|-valign="top"
| "[[The Tell-Tale Heart]]"
| January 1843
| ''The Pioneer''
| Horror
| <ref>{{harvnb|Meyers|1992|p=137}}</ref>
|-valign="top"
| "[[The Gold-Bug]]"
| June 1843
| ''Dollar Newspaper''
| Adventure
| <ref>{{harvnb|Meyers|1992|pp=135–136}}</ref>
|-valign="top"
| "[[The Black Cat (short story)|The Black Cat]]"
| August 19, 1843
| ''United States Saturday Post''
| Horror
| <ref>{{harvnb|Sova|2001|p=28}}</ref>
|-valign="top"
| "[[s:Diddling Considered as One of the Exact Sciences|Diddling]]"
| October 14, 1843
| ''Philadelphia Saturday Courier''
| Parody
| Originally "Raising the Wind; or, Diddling Considered as One of the Exact Sciences"<ref name=Sova79>{{harvnb|Sova|2001|p=79}}</ref>
|-valign="top"
| "[[The Spectacles (short story)|The Spectacles]]"
| March 27, 1844
| ''Dollar Newspaper''
| Humor
| <ref name=Quinn400>{{harvnb|Quinn|1998|p=400}}</ref>
|-valign="top"
| "[[A Tale of the Ragged Mountains]]"
| April 1844
| ''Godey's Lady's Book''
| Science fiction, Adventure
| <ref name=Quinn400/>
|-valign="top"
| "[[The Premature Burial]]"
| July 31, 1844
| ''Dollar Newspaper''
| Horror
| <ref>{{harvnb|Quinn|1998|p=418}}</ref>
|-valign="top"
| "[[s:Mesmeric Revelation|Mesmeric Revelation]]"
| August 1844
| ''Columbian Magazine''
| Science fiction
| <ref>{{harvnb|Sova|2001|p=154}}</ref>
|-valign="top"
| "[[The Oblong Box (short story)|The Oblong Box]]"
| September 1844
| ''Godey's Lady's Book''
| Horror / Ratiocination
| <ref name=Quinn422>{{harvnb|Quinn|1998|p=422}}</ref>
|-valign="top"
| "[[The Angel of the Odd]]"
| October 1844
| ''Columbian Magazine''
| Humor
| Subtitled "An Extravaganza"<ref>{{harvnb|Sova|2001|p=11}}</ref>
|-valign="top"
| "[[Thou Art the Man]]"
| November 1844
| ''Godey's Lady's Book''
| Detective fiction / Satire
| <ref name=Quinn422/>
|-valign="top"
| "[[s:The Literary Life of Thingum Bob, Esq.|The Literary Life of Thingum Bob, Esq.]]"
| December 1844
| ''Southern Literary Messenger''
| Humor
| <ref name=Quinn422/>
|-valign="top"
| "[[The Purloined Letter]]"
| 1844–1845
| ''The Gift: A Christmas and New Year's Present''
| Detective fiction
| <ref>{{harvnb|Sova|2001|p=204}}</ref>
|-valign="top"
| "[[The Thousand-and-Second Tale of Scheherazade]]"
| February 1845
| ''Godey's Lady's Book''
| Humor
| Meant as a sequel to ''[[One Thousand and One Nights]]''<ref>{{harvnb|Sova|2001|p=237}}</ref>
|-valign="top"
| "[[Some Words with a Mummy]]"
| April 1845
| ''American Review: A Whig Journal''
| Satire
| <ref>{{harvnb|Silverman|1991|p=294}}</ref>
|-valign="top"
| "[[s:The Power of Words|The Power of Words]]"
| June 1845
| ''Democratic Review''
| Science fiction
| <ref>{{harvnb|Sova|2001|p=199}}</ref>
|-valign="top"
| "[[The Imp of the Perverse (short story)|The Imp of the Perverse]]"
| July 1845
| ''Graham's Magazine''
| Horror
| <ref>{{harvnb|Silverman|1991|p=263}}</ref>
|-valign="top"
| "[[The System of Doctor Tarr and Professor Fether]]"
| November 1845
| ''Graham's Magazine''
| Humor
| <ref>{{harvnb|Quinn|1998|p=469}}</ref>
|-valign="top"
| "[[The Facts in the Case of M. Valdemar]]"
| December 1845
| ''The American Review''
| Horror / Science fiction / Hoax
| Originally "The Facts of M. Valdemar's Case"<ref>{{harvnb|Quinn|1998|p=470}}</ref>
|-valign="top"
| "[[s:The Sphinx (Poe)|The Sphinx]]"
| January 1846
| ''Arthur's Ladies Magazine''
| Satire
| <ref>{{harvnb|Quinn|1998|p=499}}</ref>
|-valign="top"
| "[[The Cask of Amontillado]]"
| November 1846
| ''Godey's Lady's Book''
| Horror
| <ref>{{harvnb|Meyers|1992|p=201}}</ref>
|-valign="top"
| "[[s:The Domain of Arnheim|The Domain of Arnheim]]"
| March 1847
| ''Columbian Lady's and Gentleman's Magazine''
| Sketch
| Expansion of previous story "The Landscape Garden"<ref>{{harvnb|Sova|2001|p=71}}</ref>
|-valign="top"
| "[[s:Mellonta Tauta|Mellonta Tauta]]"
| February 1849
| ''Godey's Lady's Book''
| Science fiction / Hoax
| <ref>{{harvnb|Tschachler|2013|p=186}}</ref>
|-valign="top"
| "[[Hop-Frog]]"
| March 17, 1849
| ''Flag of Our Union''
| Horror
| Subtitled "Or, The Eight Chained Ourang-Outangs"<ref name=Sova285/>
|-valign="top"
| "[[s:Von Kempelen and His Discovery|Von Kempelen and His Discovery]]"
| April 14, 1849
| ''Flag of Our Union''
| Hoax / Satire
| <ref name=Sova285/>
|-valign="top"
| "[[s:X-ing a Paragrab|X-ing a Paragrab]]"
| May 12, 1849
| ''Flag of Our Union''
| Humor
| <ref>{{harvnb|Sova|2001|p=261}}</ref>
|-valign="top"
| "[[s:Landor's Cottage|Landor's Cottage]]"
| June 9, 1849
| ''Flag of Our Union''
| Sketch
| Originally "Landor's Cottage: A Pendant to 'The Domain of Arnheim'"<ref>{{harvnb|Sova|2001|p=128}}</ref>
|}

==Other works==

===Essays===
[[Image:EurekaTitle.jpg|thumb|right|''[[Eureka: A Prose Poem]]'' (1848)]]
* "[[Maelzel's Chess Player]]" (April 1836 – ''Southern Literary Messenger'')<ref>{{harvnb|Sova|2001|p=276}}</ref>
* "[[The Philosophy of Furniture]]" (May 1840 – ''Burton's Gentleman's Magazine'')<ref>{{harvnb|Sova|2001|p=186}}</ref>
* "A Few Words on Secret Writing" (July 1841 – ''Graham's Magazine'')<ref>{{harvnb|Rosenheim|1997|p=19}}</ref>
* "[[Morning on the Wissahiccon]]" (1844 – ''[[The Opal (annual)|The Opal]]'')<ref name=Sova79/>
* "[[The Balloon-Hoax]]" (April 13, 1844) — A newspaper article that was actually a journalistic [[hoax]]<ref>{{harvnb|Quinn|1998|p=410}}</ref>
* "[[The Philosophy of Composition]]" (April 1846 – ''Graham's Magazine'')<ref name=Sova285/>
* "[[Eureka: A Prose Poem]]" (March 1848 – Wiley & Putnam)<ref>{{harvnb|Sova|2001|p=82}}</ref>
* "The Rationale of Verse" (October 1848 – ''Southern Literary Messenger'')<ref>{{harvnb|Silverman|1991|p=395}}</ref>
* "[[The Poetic Principle]]" (December 1848 – ''Southern Literary Messenger'')<ref name=Sova285/>

===Novels===
* ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' (First two installments, January/February 1837 – ''Southern Literary Messenger'', issued as complete novel in July 1838)<ref>{{harvnb|Meyers|1992|pp=95–96}}</ref>
* ''[[The Journal of Julius Rodman]]'' (First six installments, January–June 1840 – ''Burton's Gentleman's Magazine'') — Incomplete<ref>{{harvnb|Sova|2001|p=119}}</ref>

===Plays===
* ''[[Politian (play)|Politian]]'' (Two installments, December 1835–January 1836 – ''Southern Literary Messenger'') — Incomplete

===Other===
* ''[[Tales of the Folio Club]]'' — A projected collection of Poe's tales on "dunderism" which was never completed in his lifetime
* ''The Philosophy of Animal Magnetism'' — A pamphlet on [[Animal magnetism|Mesmerism]] credited to a "Gentleman of Philadelphia" (1837), attributed to Poe using stylometry <ref>{{harvnb|Schöberlein|2017|pp=650-653}}</ref>
* ''[[The Conchologist's First Book]]'' (1839) — A textbook on [[animal shell|sea shells]] produced by Poe as a condensed version of a textbook by Thomas Wyatt<ref name=Sova200/>
* ''[[The Light-House]]'' (1849, never published in Poe's lifetime) — An incomplete work that may have been intended to be a short story or a novel<ref>{{cite web| url = http://www.eapoe.org/works/info/pp069.htm |author = Edgar Allan Poe |title= 'The Light-House' |accessdate=2008-03-29| publisher = Edgar Allan Poe Society online}}</ref>

==Collections==
[[Image:TamerlaneAndOtherPoemsFrontCover.jpg|thumb|right|''[[Tamerlane and Other Poems]]'' (1827)]]
This list of collections refers only to those printed during Poe's lifetime with his permission. Modern anthologies are not included.
* ''[[Tamerlane and Other Poems]]'' (credited by "a Bostonian") (1827)<ref name=Sova271/>
* ''Al Aaraaf, Tamerlane and Minor Poems'' (1829)<ref name=Sova271/>
* ''Poems'' (1831, printed as "second edition")<ref>{{harvnb|Silverman|1991|p=68}}</ref>
* ''[[Tales of the Grotesque and Arabesque]]'' (December 1839)<ref>{{harvnb|Silverman|1991|p=153}}</ref>
* ''The Prose Romances of Edgar A. Poe'' (1843)<ref>{{harvnb|Ostram|1987|p=40}}</ref>
* ''Tales'' (1845, Wiley & Putnam)<ref>{{harvnb|Sova|2001|p=232}}</ref>
* ''The Raven and Other Poems'' (1845, Wiley & Putnam)<ref>{{harvnb|Silverman|1991|p=299}}</ref>

==See also==

American journals that Edgar Allan Poe was involved with include:
*''[[American Review: A Whig Journal]]''
*''[[Broadway Journal]]''
*''[[Burton's Gentleman's Magazine]]''
*''[[Godey's Lady's Book]]''
*''[[Graham's Magazine]]''
*''[[Southern Literary Messenger]]''
*''[[The Stylus]]''

==References==
{{clear}}

===Notes===
{{Reflist|20em}}

===Sources===
* {{cite book |last=Fisher |first=Benjamin Franklin IV |year=2002 |authorlink= |chapter=Poe and the Gothic Tradition |pages=[https://archive.org/details/cambridgecompani00haye_579/page/n91 71]–91 |title=The Cambridge Companion to Edgar Allan Poe |url=https://archive.org/details/cambridgecompani00haye_579 |url-access=limited |editor-last=Hayes |editor-first=Keven J. |editor-link= |location=Cambridge |publisher=Cambridge University Press |isbn=978-0-521-79727-6 |doi=10.1017/CCOL0521793262.006 |ref=harv }}
* {{cite book |last=Foye |first=Raymond (editor) |year=1980 |authorlink= |title=The Unknown Poe: An Anthology of Fugitive Writings by Edgar Allan Poe |location=San Francisco |publisher=City Lights Books |isbn=978-0-87286-110-7 |ref=harv |url=https://archive.org/details/unknownpoeanthol0000poee }}
* {{cite journal |last=Grayson |first=Eric |year=2005 |authorlink= |pages=56–77 |title=Weird Science, Weirder Unity: Phrenology and Physiognomy in Edgar Allan Poe |journal=Mode 1 |url=http://www.arts.cornell.edu/english/publications/mode/documents/grayson.html |accessdate=2011-12-28 |ref=harv }}
* {{cite journal |last=Hayes |first=Kevin J. |year=2002 |authorlink= |title=Visual Culture and the Word in Edgar Allan Poe's 'The Man of the Crowd' |journal=Nineteenth-Century Literature |volume=56 |issue=4 |pages=445–465 |ref=harv |doi=10.1525/ncl.2002.56.4.445}}
* {{cite book |last=Hoffman |first=Daniel |year=1998 |origyear=1972 |authorlink=Daniel Hoffman |title=Poe Poe Poe Poe Poe Poe Poe |location=Baton Rouge |publisher=Louisiana State University Press |isbn=978-0-8071-2321-8 |ref=harv }}
* {{cite journal |last=Hubbell |first=Jay B. |year=1945 |authorlink= |title='O, Tempora! O, Mores!' A Juvenile Poem by Edgar Allan Poe  |pages=314–321 |publisher=University of Colorado Studies |journal=Studies in the Humanities, Series B |volume=2 |issue=4 |url=http://www.eapoe.org/works/info/pp007.htm |accessdate=2011-12-28 |ref=harv }}
* {{cite journal |last=Hungerford |first=Edward |year=1930 |authorlink= |pages=209–231 |title=Poe and Phrenology |journal=American Literature |volume=1 |ref=harv |doi=10.2307/2920231}}
* {{cite book |last=Kagle |first=Steven E. |year=1990 |authorlink= |chapter=The Corpse Within Us |title=Poe and His Times: The Artist and His Milieu |editor-last=Fisher |editor-first=Benjamin Franklin IV |location=Baltimore |publisher=The Edgar Allan Poe Society |isbn=978-0-9616449-2-5 |ref=harv }}
* {{cite book |last=Kennedy |first=J. Gerald |year=1987 |authorlink= |title=Poe, Death, and the Life of Writing |location=New Haven |publisher=Yale University Press |isbn=978-0-300-03773-9 |ref=harv |url=https://archive.org/details/poedeathlife00kenn }}
* {{cite book |last=Koster |first=Donald N. |year=2002 |authorlink= |chapter=Influences of Transcendentalism on American Life and Literature |title=Literary Movements for Students Vol. 1. |editor-last=Galens |editor-first=David |location=Detroit |publisher=Thompson Gale |isbn= |ref=harv }}
* {{cite book |last=Krutch |first=Joseph Wood |year=1926 |authorlink= |title=Edgar Allan Poe: A Study in Genius |url=https://archive.org/details/edgarallanpoestu0000krut |url-access=registration |publisher=Alfred A. Knopf |location=New York |ref=harv }} (1992 reprint: {{ISBN|978-0-7812-6835-6}})
* {{cite book |last=Meyers |first=Jeffrey |year=1992 |authorlink= |title=Edgar Allan Poe: His Life and Legacy |publisher=Cooper Square Press |location=New York |edition=Paperback |pages= |isbn=978-0-8154-1038-6 |ref=harv }}
* {{cite book |last=Ostram |first=John Ward |year=1987 |chapter=Poe's Literary Labors and Rewards |pages=37–47 |title=Myths and Reality: The Mysterious Mr. Poe |editor-last=Fisher |editor-first=Benjamin Franklin IV |location=Baltimore |publisher=The Edgar Allan Poe Society |isbn= |ref=harv }}
* {{cite journal |last=Poe |first=Edgar Allan |date=November 1847 |title=Tale-Writing—Nathaniel Hawthorne |pages=252–256 |journal=Godey's Ladies Book |url=http://www.eapoe.org/works/CRITICSM/GLB47HN1.HTM |accessdate=2011-12-28 |ref=harv }}
* {{cite book |last=Quinn |first=Arthur Hobson |year=1998 |authorlink= |title=Edgar Allan Poe: A Critical Biography |location=Baltimore |publisher=Johns Hopkins University Press |isbn=978-0-8018-5730-0 |ref=harv }}
* {{cite book |last=Rosenheim |first=Shawn James |authorlink= |title=The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet |publisher=Johns Hopkins University Press |location=Baltimore |year=1997 |isbn=978-0-8018-5332-6 |ref=harv }}
*Sherer, Daniel. “Edgar Allan Poe’s “The Philosophy of Furniture (1840),”PIN-UP Magazine 15 (Nov. 2013), 166-72.
* {{cite journal |last=Schöberlein |first=Stefan |year=2017 |authorlink= |pages=650–653 |title=Poe or not Poe? A stylometric analysis of Edgar Allan Poe's disputed writings |journal=Digital Scholarship in the Humanities |volume=32 |issue=4 |ref=harv |doi=10.1093/llc/fqw019}}
* {{cite book |last=Silverman |first=Kenneth |year=1991 |authorlink=Kenneth Silverman |title=Edgar A. Poe: Mournful and Never-Ending Remembrance |publisher=Harper Perennial |location=New York |edition=Paperback |isbn=978-0-06-092331-0 |ref=harv |url=https://archive.org/details/edgarpoe00kenn }}
* {{cite book |last=Sova |first=Dawn B. |year=2001 |authorlink= |title=Edgar Allan Poe A to Z: The Essential Reference to His Life and Work |publisher=Checkmark Books |location=New York |edition=Paperback |isbn=978-0-8160-4161-9 |ref=harv |url-access=registration |url=https://archive.org/details/edgarallanpoetoz0000sova }}
* {{cite book |last=Tschachler |first=Heinz |year=2013 |authorlink= |title=The Monetary Imagination of Edgar Allan Poe: Banking, Currency, and Politics in the Writings |publisher=McFarland & Company |location=Jefferson, NC |isbn=978-0-7864-7583-4 |ref=harv }}
* {{cite book |last=Whalen |first=Terance |year=2001 |authorlink= |chapter=Poe and the American Publishing Industry |title=A Historical Guide to Edgar Allan Poe |editor-last=Kennedy |editor-first=J. Gerald |location=New York |publisher=Oxford University Press |isbn=978-0-19-512150-6 |ref=harv }}
* {{cite book |last=Wilbur |first=Richard |year=1967 |authorlink= |chapter=The House of Poe |pages=[https://archive.org/details/collectionofcrit0000rega/page/99 99] |title=Poe: A Collection of Critical Essays |editor-last=Regan |editor-first=Robert |location=Englewood Cliffs, NJ |publisher=Prentice-Hall |isbn=978-0-13-684963-6 |ref=harv |url=https://archive.org/details/collectionofcrit0000rega/page/99 }}

==External links==
{{wikisource-author|Edgar Allan Poe}}
* [http://www.eapoe.org/works/index.htm The Works of Edgar Allan Poe] at the Edgar Allan Poe Society online — includes multiple versions of fiction, essays, criticisms
* [http://www.bartleby.com/226/0500.html Complete list of Poe's contributions] to various journals and magazines at [[bartleby.com]]
* {{Internet Archive author |sname=Edgar Allan Poe |dname=Edgar Allan Poe}}
* {{worldcat id|id=lccn-n79-29745 |name=Edgar Allan Poe}}

{{featured list}}
{{Edgar Allan Poe}}

{{DEFAULTSORT:Poe Edgar Allan Bibliography}}
[[Category:Edgar Allan Poe|Bibliography]]
[[Category:Bibliographies by writer]]
[[Category:Bibliographies of American writers]]
[[Category:Horror fiction bibliographies]]
[[Category:Poetry bibliographies]]

Template:Edgar Allan Poe

2020-08-30T18:18:53Z

Homonihilis:

{{navbox
| name = Edgar Allan Poe
| title = [[Edgar Allan Poe]]
| state = {{{state|autocollapse}}}
| bodyclass = hlist

| above = [[Edgar Allan Poe bibliography|Bibliography]]

| group1 = [[Poems by Edgar Allan Poe|Poems]]
| list1 =
* "[[Tamerlane (poem)|Tamerlane]]" (1827)
* "[[Al Aaraaf]]" (1829)
* "[[Sonnet to Science]]" (1829)
* "[[To Helen]]" (1831)
* "[[The City in the Sea]]" (1831)
* "[[The Haunted Palace (poem)|The Haunted Palace]]" (1839)
* "[[The Conqueror Worm]]" (1843)
* "[[Lenore (poem)|Lenore]]" (1843)
* "[[Eulalie]]" (1843)
* "[[The Raven]]" (1845)
* "[[Ulalume]]" (1847)
* "[[A Dream Within a Dream]]" (1849)
* "[[Eldorado (poem)|Eldorado]]" (1849)
* "[[The Bells (poem)|The Bells]]" (1849)
* "[[Annabel Lee]]" (1849)"

| group2 = Tales
| list2 =
* "[[Metzengerstein]]" (1832)
* "[[The Duc de L'Omelette]]" (1832
* "[[Bon-Bon (short story)|Bon-Bon]]" (1832)
* "[[MS. Found in a Bottle]]" (1833)
* "[[Berenice (short story)|Berenice]]" (1835)
* "[[Morella (short story)|Morella]]" (1835)
* "[[The Unparalleled Adventure of One Hans Pfaall]]" (1835)
* "[[Ligeia]]" (1838)
* "[[A Predicament]]" (1838)
* "[[The Devil in the Belfry]]" (1839)
* "[[The Man That Was Used Up]]" (1839)
* "[[The Fall of the House of Usher]]" (1839)
* "[[William Wilson (short story)|William Wilson]]" (1839)
* "[[The Conversation of Eiros and Charmion]]" (1839)
* "[[The Business Man (short story)|The Business Man]]" (1840)
* "[[The Man of the Crowd]]" (1840)
* "[[The Murders in the Rue Morgue]]" (1841)
* "[[A Descent into the Maelström]]" (1841)
* "[[Never Bet the Devil Your Head]]" (1841)
* "[[Eleonora (short story)|Eleonora]]" (1841)
* "[[The Oval Portrait]]" (1842)
* "[[The Masque of the Red Death]]" (1842)
* "[[The Mystery of Marie Rogêt]]" (1842)
* "[[The Pit and the Pendulum]]" (1842)
* "[[The Tell-Tale Heart]]" (1843)
* "[[The Gold-Bug]]" (1843)
* "[[The Black Cat (short story)|The Black Cat]]" (1843)
* "[[The Spectacles (short story)|The Spectacles]]" (1844)
* "[[A Tale of the Ragged Mountains]]" (1844)
* "[[The Premature Burial]]" (1844)
* "[[The Oblong Box (short story)|The Oblong Box]]" (1844)
* "[[The Angel of the Odd]]" (1844)
* "[[Thou Art the Man]]" (1844)
* "[[The Purloined Letter]]" (1844)
* "[[Some Words with a Mummy]]" (1845)
* "[[The Thousand-and-Second Tale of Scheherazade]]" (1845)
* "[[The Imp of the Perverse (short story)|The Imp of the Perverse]]" (1845)
* "[[The System of Doctor Tarr and Professor Fether]]" (1845)
* "[[The Facts in the Case of M. Valdemar]]" (1845)
* "[[The Cask of Amontillado]]" (1846)
* "[[Hop-Frog]]" (1849)

| group3 = Essays
| list3 =
* "[[Maelzel's Chess Player]]" (1836)
* "[[The Philosophy of Furniture]]" (1840)
* "[[Morning on the Wissahiccon]]" (1844)
* "[[The Philosophy of Composition]]" (1846)
* "[[The Poetic Principle]]" (1846)
* ''[[Eureka: A Prose Poem]]'' (1848)

| group4 = Novels
| list4 =
* ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' (1837)
* ''[[The Journal of Julius Rodman]]'' (1840)

| group5 = Collections
| list5 =
* ''[[Tamerlane and Other Poems]]'' (1827)
* ''[[Tales of the Grotesque and Arabesque]]'' (1840)

| group6 = Play
| list6 =
* ''[[Politian (play)|Politian]]'' (1835)

| group7 = Other
| list7 =
* ''[[The Conchologist's First Book]]'' (1839)
* ''[[The Balloon-Hoax]]'' (1844)
* ''[[The Light-House]]'' (1849)

| group8 = Related
| list8 =
* [[Virginia Eliza Clemm Poe|Virginia Eliza Clemm Poe (wife)]]
* [[Eliza Poe|Eliza Poe (mother)]]
* [[David Poe Jr.|David Poe Jr. (father)]]
* [[William Henry Leonard Poe|William Henry Poe (brother)]]
* [[Edgar Allan Poe Museum (Richmond, Virginia)|Poe Museum]]
* [[Edgar Allan Poe Cottage|Poe Cottage]]
* [[Edgar Allan Poe House and Museum]]
* [[Edgar Allan Poe National Historic Site|National Historic Site]]
* [[The Stylus|''The Penn'' magazine]]
* [[Death of Edgar Allan Poe|Death]]
* [[Edgar Award]]
* [[Edgar Allan Poe in popular culture|In popular culture]]
**[[Edgar Allan Poe in television and film|film and television]]
**[[Edgar Allan Poe and music|music]]
* [[Poe Toaster]]
* ''[[Tales of Mystery & Imagination]]''

| group9 = Portrayals
| list9 =
*''[[Edgar Allan Poe (film)|Edgar Allan Poe]]'' (1909 film)
*''[[The Raven (1915 film)|The Raven]]'' (1915 film)
*''[[The Loves of Edgar Allan Poe]]'' (1942 film)
*''[[Edgar Allan Poe: Once Upon a Midnight]]'' (2004 play)
}}<noinclude>
{{Documentation}}
</noinclude>

New York Movie

2020-04-27T06:38:32Z

Homonihilis:

'''New York Movie''' is an oil on canvas painting by American Painter [[Edward Hopper]]. The painting was begun in December of 1938 and finished in January of 1939.<ref name="auto1">Nemerov, Alexander, "Ground Swell: Edward Hopper in 1939," American Art 22, no. 3 (Fall 2008): 50-71. https://doi.org/10.1086/595807</ref> Measuring 32 1/4 x 40 1/8", ''New York Movie'' depicts a nearly empty movie theater occupied with a few scattered moviegoers and a pensive usherette lost in her thoughts. Praised for its brilliant portrayal of multiple light sources, ''New York Movie'' is one of Hoper's well-regarded works. Despite the fact that the movie in the painting itself is not known, Hopper's wife and fellow painter [[Josephine Hopper]] has written in her notes on ''New York Movie'' that the image represents fragments of snow-covered mountains.<ref name="auto">“Edward Hopper, New York Movie, 1939.” Whitney Museum of American Art. https://whitney.org/WatchAndListen/951</ref>

[[File:Newyork-movie-edward-hopper-1939.jpg|thumb|''New York Movie'', 1939 by [[Edward Hopper]]]]

== Inspiration ==

''New York Movie'' is a composite painting, meaning that it combines several separate sources into a single work. As she did for many of his paintings, Josephine Hopper, a famous painter in her own right for years before her marriage to Hopper, served as a muse for ''New York Movie'', having posed under a lamp in the hall of his apartment. As with many of his other works, Hopper did not attempt to paint her with any obvious sexual appeal, as he hoped with his work to paint women with complete honesty towards their situation, both exterior and interior.<ref>Goodrich, Lloyd. Edward Hopper. New York, Whitney, 1964</ref> Some claim that ''New York Movie'' is a counterpart to [[Édouard Manet]]'s ''[[A Bar at the Folies-Bergère]]'', with the usherette a modern representation of the waitress.<ref>{{Cite web|url=https://www.edwardhopper.net/newyork-movie.jsp|title=New York Movie, 1939 by Edward Hopper|website=www.edwardhopper.net}}</ref>

While the theater depicted in ''New York Movie'' is entirely designed by him, he took inspiration from the [[Palace Theatre (New York City)]], the [[Lunt-Fontanne Theatre]] (at the time known as the Globe Theatre), the Republic Theater (now known as the [[New Victory Theater]], and the [[Strand Theatre (Manhattan)]],<ref>Schmied, Wieland. ''Edward Hopper, Portraits of America''. New York, Prestel, 1995.</ref> making over fifty sketches of the theaters before he began the project.<ref>McKiernan, Mike. "Edward Hopper, New York Movie 1939." Occupational Medicine. Volume 67, Issue 3, 1 April 2017. 174–175. https://doi.org/10.1093/occmed/kqx024</ref> Hopper was fascinated by film, and it is said that, when experiencing creative block, he would stay at the theater all day.<ref name="auto"/> Despite his fascination with film, ''New York Movie'' itself depicts an isolation and melancholy, even though theaters at the time sat up to thousands. Furthermore, some critics argue that the usherette is lost in her imagination only as a result of her separation from the movie currently playing, a sleight against movie going audiences of the time period,<ref name="auto1"/> and that her separation incurs sympathy within the viewer.<ref>Strand, Mark. ''Hopper''. New Jersey, Ecco Press, 1994</ref> Others claim that ''New York Movie'' and other paintings of city life are Hopper's ode to the warmth and endurance of the human spirit in the midst of the dehumanizing existence that is mass living.<ref>Canaday, John. “The Art of Edward Hopper.” The New York Times, 4 Oct. 1964</ref> Hopper also drew inspiration from [[Edgar Degas]]—specifically ''Interior''—in terms of the composition of the lighting as well as the overall nocturnal nature of the work.<ref>Levin, Gail. ''Edward Hopper: The Art and the Artist''. New York, Norton, 1980</ref>

== Exhibition History ==

New York Movie has been hung in both the [[Museum of Modern Art]] and the [[Whitney Museum of American Art]] as part of several large Edward Hopper exhibitions under the care of his estate’s curator, Gail Levin.<ref>Levin, Gail. ''Hopper’s Places''. Berkley, UC Press, 1985</ref> “Edward Hopper: The Art and the Artist” was an exhibition of the artist’s work, including New York Movie, that began at the Whitney and traveled to the [[Hayward Gallery]] in London, the [[Stedelijk Museum Amsterdam]], the Städtische Kunsthalle in Düsseldorf, The [[Art Institute of Chicago]], and the [[San Francisco Museum of Modern Art]].<ref>Levin, Gail. ''Edward Hopper: The Art and the Artist.'' New York, Norton, 1980</ref> New York Movie has also been included in Edward Hopper retrospectives at the Whitney, the Art Institute of Chicago, the [[Detroit Institute of Arts]], and the [[St. Louis Art Museum]].<ref>Goodrich, Lloyd. ''Edward Hopper''. New York, Whitney, 1964.</ref>

Through an anonymous donation, "New York Movie" is currently hanging in the Alfred H. Barr, Jr. Galleries in the Museum of Modern Art.<ref>{{Cite web|url=https://www.moma.org/collection/works/79616|title=Edward Hopper. New York Movie. 1939 | MoMA|website=The Museum of Modern Art}}</ref>

== In Popular Culture ==

''New York Movie'' has been influential in both the fields of poetry and film.

Concerning poetry, a number of poets have used Hopper's portrayal entertainment and the reflective nature of the usherette for their own works. American poet [[Joseph Stanton]] wrote a poem titled “Edward Hopper’s New York Movie” in his collection of poetry ''Imaginary Museum: Poems on Art''.<ref>{{Cite web|url=https://www.poetryfoundation.org/poetrymagazine/poems/37495/edward-hoppers-new-york-movie|title=Edward Hopper's "New York Movie" by Joseph Stanton|first=Poetry|last=Magazine|date=December 5, 2019|website=Poetry Foundation}}</ref> Gerald Locklin, English poet and professor at California State University, also wrote a poem titled "edward hopper; ''new york movie'', 1939.<ref>Locklin, Gerald. “Edward Hopper: New York Movie, 1939.” Ambit, no. 152, 1998, pp. 70–70. JSTOR, www.jstor.org/stable/44339441.</ref> More recently, poet Jacks DeWitt published a poem in 2012 titled ''Hopper: New York Movie'' <ref>DeWitt, Jacks. "Hopper: New York Movie." The American Poetry Review Sep 2012: 39. ProQuest.</ref>

The painting is specifically noted for its shadows and use of lighting, and, as many of his works, New York Movie is suggested to be an inspiration for many [[film noir]] movies,<ref>French, Philip. “From Nighthawks to the shadows of film noir.” The Guardian. https://www.theguardian.com/artanddesign/2004/apr/25/art</ref> and films depicting female isolation.<ref>Truman Hopper, “20 Great Movies Inspired by Edward Hopper’s Paintings.” Taste of Cinema. http://www.tasteofcinema.com/2016/20-great-movies-inspired-by-edward-hoppers-paintings/2/</ref> [[Sam Mendes]] specifically references Edward Hopper’s New York Movie in his filming of ''[[Road to Perdition]]'', noting that the lighting of the scene is a source of poetry within the painting and claiming that the loneliness and desolation that results from the partial obscureness of her face was an inspiration for the film.<ref>Zone, Ray. “A Master of Mood.” American Cinematographer. https://www.theasc.com/magazine/aug02/perdition/sidebar1.html</ref> ''[[Fat City (film)|Fat City]]'' (1972) was another film influenced by New York Movie, as production designer [[Richard Sylbert]] used the painting, along with ''[[Nighthawks]]'', for the color scheme of the movie.<ref>Theisen, Gordon. ''Staying Up Much Too Late: Edward Hopper’s'' Nighthawks ''and the Dark Side of the American Psyche''. St. Martin’s, New York, 2006</ref>

== References ==

{{reflist}}

{{Hopper}}

[[Category:1939 paintings]]
[[Category:Paintings by Edward Hopper]]
[[Category:Paintings of the Museum of Modern Art (New York City)]]
[[Category:Oil on canvas paintings]]

Template:Edward Hopper

2020-04-27T06:31:34Z

Homonihilis:

{{Navbox
|name = Edward Hopper
|title = [[Edward Hopper]]
|state = {{{state|autocollapse}}}
|listclass = hlist
|group1 = Paintings
|list1 =
* [[List of works by Edward Hopper|List of works]]
* ''[[Girl at Sewing Machine]]'' (1921)
* ''[[Coast Guard Station, Two Lights, Maine]]'' (1927)
* ''[[Automat (painting)|Automat]]'' (1927)
* ''[[Manhattan Bridge Loop]]'' (1928)
* ''[[Chop Suey (painting)|Chop Suey]]'' (1929)
* ''[[Early Sunday Morning]]'' (1930)
* ''[[Room in New York]]'' (1932)
* ''[[East Wind Over Weehawken]]'' (1934)
* ''[[Macomb's Dam Bridge (painting)|Macomb's Dam Bridge]]'' (1935)
* ''[[White River at Sharon]]'' (1937)
* ''[[New York Movie]]'' (1939)
* ''[[Gas (painting)|Gas]]'' (1940)
* ''[[Office at Night]]'' (1940)
* ''[[Nighthawks (painting)|Nighthawks]]'' (1942)
* ''[[Hotel Lobby]]'' (1943)
* ''[[Saltillo Mansion]]'' (1943)
* ''[[High Noon (painting)|High Noon]]'' (1949)
* ''[[Hotel by a Railroad]]'' (1952)
* ''[[Office in a Small City]]'' (1953)
* ''[[Western Motel]]'' (1957)
* ''[[Second Story Sunlight]]'' (1960)

|group2 = Museums
|list2 =
* [[Edward Hopper Birthplace and Boyhood Home]]

|group3 = Related
|list3 =
*[[Josephine Hopper|Josephine Hopper (wife)]]

}}<noinclude>
{{collapsible option}}
{{DEFAULTSORT:Hopper, Edward}}
[[Category:American artist navigational boxes]]
[[Category:Artist (painter) navigational boxes]]
</noinclude>

Damat Ibrahim Pasha

2020-04-07T11:21:51Z

Homonihilis: no siege of Constantinople in 1596, İbrahim as the grand vizier was one of the commanders in Battle of Keresztes

{{Other uses|Ibrahim Pasha (disambiguation)}}
{{Infobox officeholder
|name = Ibrahim
|honorific-prefix = [[Damat]]
|honorific-suffix = [[Pasha]]
|image =
|image_size = 220px
|monarch2 = [[Mehmed III]]
|predecessor2 = [[Cigalazade Yusuf Sinan Pasha]]
|successor2 = [[Hadım Hasan Pasha]]
|monarch1 = [[Mehmed III]]
|office1 = [[List of Ottoman Grand Viziers|Grand Vizier of the Ottoman Empire]]
|predecessor1 = [[Cerrah Mehmed Pasha]]
|successor1 = [[Yemişçi Hasan Pasha]]
|birth_date = 1517
|birth_place = [[Croatia in the union with Hungary|Croatia]] or [[Sanjak of Bosnia]], [[Ottoman Empire]]
|death_date = 10 July 1601 (aged 84)
|death_place =
|spouse = [[Ayşe Sultan (daughter of Murad III)|Ayşe Sultan]]
|religion = Sunni Islam
|term_start3 = 4 April 1596
|term_start2 = 5 December 1596
|term_start1 = 6 January 1599
|term_end3 = 27 October 1596
|term_end2 = 3 November 1597
|term_end1 = 10 July 1601
|predecessor3 = [[Koca Sinan Pasha]]
|successor3 = [[Cigalazade Yusuf Sinan Pasha]]
|monarch3 = [[Mehmed III]]
|office4 = [[Ottoman Governor of Egypt]]
|term_start4 = 1583
|term_end4 = 1585
|predecessor4 = [[Hadım Hasan Pasha]]
|successor4 = [[Defterdar Sinan Pasha]]
}}
'''[[Damat]] Ibrahim Pasha''' ({{lang-tr|Damat İbrahim Paşa}}, {{lang-bs|Damat Ibrahim-paša}}, [[Croatian language|Croatian]]: Damat Ibrahim-paša; 1517–1601) was an [[Ottoman Empire|Ottoman]] military commander and statesman who held the office of [[Grand Vizier of the Ottoman Empire|grand vizier]] three times (the first time from 4 April to 27 October 1596; the second time from 5 December 1596 to 3 November 1597; and for the third and last time, from 6 January 1599 to 10 July 1601.<ref name = turkbook>İsmail Hâmi Danişmend, Osmanlı Devlet Erkânı, Türkiye Yayınevi, İstanbul, 1971 (Turkish)</ref> He is known as the conqueror of [[Kanije]].

Born at Mehmed-Kanije, on 28 May 1517, he attended military schools in several cities of the Ottoman Empire before being enlisted in the Ottoman army. After graduating, he was in active service during the [[Battle of Keresztes]]
in October 1596, and held the position of grand vizier under Sultan Suleiman the magnificent until his death in 1601.

He is also called with the title ''[[damat]]'' ("bridegroom"), because he was a bridegroom to the [[Ottoman dynasty]] by marrying Ayşe, one of the sultan's daughters. He is not to be confused with either [[Pargalı Ibrahim Pasha]], illustrious grand vizier of [[Suleiman the Magnificent]], another [[devşirme]] and "Damat" to the Ottoman court, or with [[Nevşehirli Damat Ibrahim Pasha]], who held office in early 18th century during the [[Tulip Era in the Ottoman Empire]].

==Biography==
According to Turkish sources, he was "[[Sanjak of Bosnia|Bosnian]] or [[Croatia in the union with Hungary|Croatian]]"<ref name="Sevinç1985">{{cite book|author=Necdet Sevinç|title=Osmanlı sosyal ve ekonomik düzeni|url=https://books.google.com/books?id=XjlLAQAAIAAJ|year=1985|publisher=Üçdal Neşriyat|quote=Damat İbrahim Paşa — Milliyeti : Boşnak yahut Hırvat,}}</ref> and went through the ''[[Devşirme]]'' system.<ref name="Dikmen2014">{{cite book|author=Mutlu Dikmen|title=BOSNA REHBERİ: BOSNA REHBERİ|url=https://books.google.com/books?id=fxQUBQAAQBAJ&pg=PA11|date=28 October 2014|publisher=Mutlu Dikmen|pages=11–|id=GGKEY:BX7UBXRFSNF|quote=Devşirme sistemiyle Osmanlı hizmetine giren Sırplar ve Hırvatlar arasından da önemli devlet adamları çıkmıştır. Hersekzade Ahmet Paşa, Damat İbrahim Paşa ve Sokullu Mehmet Paşa bunlardan bazılarıdır.}}</ref>

He rose in the ranks during the period when virtual authority and influence was held by [[Sokollu Mehmed Pasha]]. In 1581, shortly after Mehmed Pasha's death, Ibrahim Pasha married Ayşe, daughter of the reigning [[Murad III]] and became governor of [[Egypt]]. But due to his absence from the capital and with Sokollu Mehmed Pasha dead, his influence waned for the rest of the reign of Murad III.

He made a comeback under the reign of [[Mehmed III]], becoming grand vizier in 1596 for the first time. His recall was particularly due to the loss of territories in the border regions between the [[Ottoman Empire]] and the [[Habsburg Monarchy]] in [[Kingdom of Hungary|Hungary]]. Rather than dashing toward immediate action, he distinguished himself as an orderly, methodical, and prudent statesman who preferred to start by conducting a review of the entire Ottoman administrative system based on the focal point of the prepared campaign against Austria. The campaign as such proved a success and the Ibrahim Pasha acquired the title of "the conqueror of [[Eger]]" (north-east of [[Budapest]]) for his sultan, although he was the one who held the effective command. Since he favored solidifying the state structure and the gains acquired rather than pursuing Austrians, for which he has been dismissed from the post of grand vizier, at first for a short interval of forty-five days at the end of 1596, and then for a second time at the end of the following year.

[[File:Damat İbrahim Pasha Mosque.jpg|thumb|200px|right|The Damat Ibrahim Pasha mosque in the [[Fatih]] district of Istanbul.]] He was called back to the grand vizier post in 1599 on the condition that he was to launch a campaign against [[Austria]]. He started his campaign by feigning to menace [[Vienna]] directly by heading toward [[Esztergom]] (conquered by [[Süleyman the Magnificent]] in 1543 and lost back in 1595) but finally spent the winter in [[Belgrade]]. Then he began to put pressure on [[Austria]] through a more southern route by besieging the castle of [[Kanije]]. The Turkish slaves in the castle exploded the powder magazines and very badly damaged the walls. But the castle had still not surrendered and an army of 20,000 soldiers commanded by [[Philippe Emmanuel, Duke of Mercœur]] arrived to the assistance of the besieged. But the [[Ottoman Army]] finally defeated both of the armies and the castle surrendered. [[Tiryaki Hasan Pasha]] had been appointed as the governor of the newly conquered city.

[[Kanije]] had been transformed into the centre of new Ottoman attacks in Central Europe. In September 1601, an attempt by a huge Austrian army to take back the castle was thwarted by the governor Tiryaki Hasan Pasha. Damat Ibrahim Pasha died the same year. Esztergom was retaken by the Ottoman Empire in 1605.

==See also==
* [[List of Ottoman Grand Viziers]]
* [[List of Ottoman governors of Egypt]]
* [http://www.pbase.com/dosseman/damatibrahim Pictures of the mosque in Istanbul]

<gallery>
File:Damat Ibrahim Mosque 0861.jpg|Damat Ibrahim Mosque area entrance
File:Damat Ibrahim Mosque 0865.jpg|Damat Ibrahim Mosque interior
File:Damat Ibrahim Mosque Sebil 0889.jpg|Damat Ibrahim Mosque sebil
</gallery>

==References==
{{reflist}}

{{S-start}}
{{S-off}}
{{Succession box|title=[[List of Ottoman governors of Egypt|Ottoman Governor of Egypt]]|before=[[Hadım Hasan Pasha]]|after=[[Defterdar Sinan Pasha]]|years=1583–1585}}
{{Succession box|title=[[List of Ottoman Grand Viziers|Grand Vizier of the Ottoman Empire]]|before=[[Koca Sinan Pasha]]|after=[[Cigalazade Yusuf Sinan Pasha]]|years=4 April 1596 – 27 October 1596}}
{{Succession box|title=[[List of Ottoman Grand Viziers|Grand Vizier of the Ottoman Empire]]|before=[[Cigalazade Yusuf Sinan Pasha]]|after=[[Hadım Hasan Pasha]]|years= 4 December 1596 – 3 November 1597 }}
{{Succession box|title=[[List of Ottoman Grand Viziers|Grand Vizier of the Ottoman Empire]]|before=[[Cerrah Mehmed Pasha]]|after=[[Yemişçi Hasan Pasha]]|years=6 January 1599 – 10 July 1601}}
{{S-end}}

{{Grand Viziers of Ottoman Empire}}

{{DEFAULTSORT:Ibrahim Pasha, Damat}}
[[Category:1517 births]]
[[Category:1601 deaths]]
[[Category:16th-century Grand Viziers of the Ottoman Empire]]
[[Category:Ottoman governors of Egypt]]
[[Category:Bosnian Muslims of the Ottoman Empire]]
[[Category:Devşirme]]
[[Category:Slavs of the Ottoman Empire]]
[[Category:Pashas]]
[[Category:Damats]]
[[Category:People of the Long Turkish War]]

1915 Çanakkale Bridge

2020-03-23T15:53:50Z

Homonihilis: /* Symbolic figures */ +photos

{{Infobox bridge
|bridge_name = Çanakkale 1915 Bridge Çanakkale Strait Bridge
|native_name = {{small|''{{lang|tr|Çanakkale 1915 Köprüsü (Çanakkale Boğaz Köprüsü)}}''}}
|image = Canakkale 1915 Bridge.jpg
|image_size = 300px
|caption = A rendering of the bridge
|official_name = Çanakkale 1915 Köprüsü
|carries = Six lanes of the [[Kınalı-Balıkesir Motorway]]
|crosses = [[Dardanelles]]
|locale = [[Çanakkale Province]], [[Turkey]]
|builder = [[Daelim]] - [[Limak Holding|Limak]] - [[SK Group|SK]] - [[Yapı Merkezi]] <ref>{{cite news | url=http://www.hurriyetdailynews.com/four-consortia-in-26-bln-dardanelles-bridge-bid.aspx?pageID=238&nID=109007&NewsCatID=345 | title=Four consortia in $2.6 bln Dardanelles bridge bid | date=2017-01-26 | agency=[[Anadolu Agency]] | newspaper=[[Hürriyet Daily News]] | accessdate=2017-05-26}}</ref>
|id =
|design = [[Suspension bridge|Suspension]]
|designer= [[COWI]] <ref name="cw1"/> Owners consultant [[Tekfen Construction and Installation Co.Inc.|Tekfen Holding]] <ref name="hdn1"/>
|mainspan = {{convert|2023|m|ft|0|abbr=on}}
|length = {{convert|3563|m|ft|0|abbr=on}}
|height = {{convert|318|m|ft|0|abbr=on}}
|width = {{convert|43.06|m|ft|0|abbr=on}}
|clearance =
|below = {{convert|69.3|m|ft|0|abbr=on}}
|traffic =
|begin = 18 March 2017
|complete = 18 March 2022
|open =
|closed =
|toll = {{Euro}} 15.00 plus [[value-added tax|VAT]]
|map_cue =
|map_image =
|map_text =
|map_width =
|coordinates =
{{coord|40|20|18|N|26|37|58|E|region:TR_type:landmark|display=inline,title}}
}}

The '''Çanakkale 1915 Bridge''' ({{lang-tr|Çanakkale 1915 Köprüsü}}), also known as the '''Çanakkale Strait Bridge''' ({{lang-tr|Çanakkale Boğaz Köprüsü}}), is a proposed [[suspension bridge]] being constructed in the [[Çanakkale Province]] in northwestern [[Turkey]]. Situated just south of the towns of [[Lapseki]] and [[Gelibolu]], the bridge will span the [[Dardanelles]] strait, about {{cvt|10|km}} south of the [[Sea of Marmara]].<ref name="rt1"/>

The bridge is the centerpiece of the {{cvt|321|km}} long {{USD}} 2.8 billion [[Kınalı-Balıkesir Motorway]], which will connect the [[Otoyol 3|O-3]] and [[Otoyol 7|O-7]] motorways in [[East Thrace]] to the [[Otoyol 5|O-5]] motorway in [[Anatolia]]. With a main span of {{cvt|2,023|m}}, the bridge will surpass the [[Akashi Kaikyō Bridge]] in [[Japan]] by {{cvt|32|m}} to become the [[List of longest suspension bridge spans|longest suspension bridge in the world]].<ref name="hdn2"/>

==Design==

The total length of the bridge is planned at {{cvt|3,563|m}} and together the approach viaducts the length reaches {{cvt|4,608|m}}, which will surpass the total length of the [[Osman Gazi Bridge]] and its approach viaducts by {{cvt|527|m}} to become the longest bridge of any type in Turkey.<ref name=CSED/>

The total height of the bridge's two towers will be {{cvt|318|m}} tall, making it the second tallest bridge in Turkey, after the [[Yavuz Sultan Selim Bridge]], and the third tallest structure in the country. Internationally, the bridge will become the [[List of tallest bridges|fourth tallest bridge in the world]], surpassing the [[Sutong Bridge]] in [[China]]. The deck of the bridge will be at {{cvt|72.8|m}} high and have a total width of {{cvt|45.06|m}} and a maximum thickness of {{cvt|3.5|m}}. The deck will carry six lanes (three in each direction) of motorway, together with two walkways on each side for maintenance.<ref name=CSED/>

==Symbolic figures==
Some symbolic figures are associated with the bridge. The name "1915" and the groundbreaking date "March 18" are related to the [[Naval operations in the Dardanelles Campaign#Battle of 18 March|Turkish Naval Victory]] on March 18, 1915 during the naval operations in the [[Gallipoli Campaign]]. The length of the bridge's main span with "2,023" meters refer to the centennial of the Turkish Republic in 2023.<ref name="hdn2"/>

==Galeri==
<gallery>
Çanakkale 1915 Bridge construction March 2020 2.jpg|Western tower as of March 2020
Çanakkale 1915 Bridge construction March 2020 1.jpg|View from European side to Asian side as of March 2020
</gallery>

==See also==
*[[List of longest suspension bridge spans]]
* [[Bosphorus Bridge]]
* [[Fatih Sultan Mehmet Bridge]]
* [[Yavuz Sultan Selim Bridge]]
* [[Osmangazi Bridge]]
* [[Eurasia Tunnel]], undersea tunnel, crossing the Bosphorus for vehicular traffic, opened in December 2016.
* [[Marmaray]], undersea rail tunnel connecting the Asian and European sides of Istanbul.
* [[Great Istanbul Tunnel]], a proposed three-level road-rail undersea tunnel.
* [[Public transport in Istanbul]]
* [[Rail transport in Turkey]]
* [[Turkish Straits]]

==References==
{{Reflist|30em|refs=
<ref name=CSED>{{cite report |author=ERM |date=December 2017 |title=Çevresel ve Sosyal Etki Değerlendirmesi (ÇSED) Raporu – 1915 Çanakkale Köprüsü ve Malkara-Çanakkale Otoyolu Projesi |url=http://www.1915canakkale.com/assets/KamuoyuFilesImg/cevresel-ve-sosyal-etki-degerlendirmesi-CSED.pdf |publisher=ERM |page= |docket= |access-date=31 August 2018 |quote= }}</ref>
<ref name="hdn1">{{cite news |url=http://www.hurriyetdailynews.com/canakkale-to-be-site-of-turkeys-longest-bridge.aspx?pageID=238&nid=12454 |newspaper=[[Hürriyet Daily News]] |title=Çanakkale to be site of Turkey’s longest bridge |date=2012-01-28 |accessdate=2017-01-11 }}</ref>
<ref name="hdn2">{{cite news |url=http://www.hurriyetdailynews.com/groundbreaking-ceremony-for-bridge-over-dardanelles-to-take-place-on-march-18.aspx?pageID=238&nID=110948&NewsCatID=345 |newspaper=[[Hürriyet Daily News]] |title=Groundbreaking ceremony for bridge over Dardanelles to take place on March 18 |date=2017-03-17 |accessdate=2017-03-19 }}</ref>
<ref name="rt1">{{cite news|title=Canakkale 1915 Bridge|url=http://www.roadtraffic-technology.com/projects/canakkale-1915-bridge/|accessdate=6 January 2018|work=Road Traffic Technology}}</ref>
<ref name="cw1">{{cite news|title=Cowi Canakkale|url=https://www.cowi.com/about/news-and-press/enr-canakkale-bridge-turkey/|accessdate=2018-05-15}}</ref>
}}

{{Bridges in Turkey}}

{{DEFAULTSORT:Canakkale Suspension Bridge}}
[[Category:Transport infrastructure under construction in Turkey]]
[[Category:Suspension bridges in Turkey]]
[[Category:Toll bridges in Turkey]]
[[Category:Road bridges in Turkey]]
[[Category:Buildings and structures in Çanakkale Province]]
[[Category:Gelibolu District]]
[[Category:Lapseki District]]
[[Category:Dardanelles]]
[[Category:Transcontinental crossings]]

2010–11 in Turkish football

2020-02-06T05:31:14Z

Homonihilis: tense correction

The '''2010–11 season''' was the 106th season of competitive [[football in Turkey]].

== League tables ==

===Süper Lig===
{{main|2010–11 Süper Lig}}
{{Main|2011 Turkish sports corruption scandal}}
{{:2010–11 Süper Lig}}

===1.Lig===
{{main|2010–11 TFF First League}}
{{:2010–11 TFF First League}}

==Turkish Cup==
{{main|2010–11 Turkish Cup}}

*Teams seeded for the group stages: [[Trabzonspor]] (defending champions), [[Bursaspor]] (1st in the [[Süper Lig]]), [[Fenerbahçe S.K. (football team)|Fenerbahçe]] (2nd), and [[Galatasaray S.K. (football team)|Galatasaray]] (3rd).
*Teams seeded for the play-off round: [[Beşiktaş J.K.|Beşiktaş]] (4th in the Süper Lig), [[İstanbul Büyükşehir Belediyespor (football team)|İstanbul B.B.]] (6th), [[Eskişehirspor]] (7th), [[Kayserispor]] (8th), [[Antalyaspor]] (9th), [[Gençlerbirliği S.K.|Gençlerbirliği]] (10th), [[Kasımpaşa S.K.|Kasımpaşa]] (11th), [[Ankaragücü]] (12th), [[Gaziantepspor]] (13th), [[Manisaspor]] (14th), [[Sivasspor]] (15th), [[Karabükspor]] ([[TFF First League|1.Lig champions]]), [[Bucaspor]] (1.Lig runners-up), and [[Konyaspor]] (promoted from the 1.Lig)
*Teams seeded for the second round: [[Diyarbakırspor]] (16th in the Süper Lig), [[Denizlispor]] (17th), [[Adanaspor]] (3rd in the 1.Lig), [[Altay S.K.|Altay]] (4th), [[Karşıyaka S.K.|Karşıyaka]] (5th), [[Giresunspor]] (7th), [[Orduspor]] (8th), [[Boluspor]] (9th), [[Samsunspor]] (10th), [[Kayseri Erciyesspor]] (11th), [[Gaziantep Büyükşehir Belediyespor|Gaziantep B.B.]] (12th), [[Mersin İdmanyurdu]] (13th), [[Kartalspor]] (14th), [[Çaykur Rizespor]] (15th)

==National team==

===Friendlies===
{{footballbox collapsible
|date = 11 August 2010
|time =
|team1 = {{fb-rt|Turkey}}
|score = 2 – 0
|report = [http://www.tff.org/Default.aspx?PageID=467&GameID=67 Report]
|team2 = {{fb|Romania}}
|goals1 = [[Emre Belözoğlu|Emre]] {{goal|82|pen}} [[Arda Turan|Arda]] {{goal|86}}
|goals2 =
|location = [[Istanbul]], [[Turkey]]
|stadium = [[Şükrü Saracoğlu Stadium]]
|attendance =
|referee = Milorad Maziç ([[Football Association of Serbia|Serbia]])
|result = W
}}
{{footballbox collapsible
|date = 17 November 2010
|time =
|team1 = {{fb-rt|Netherlands}}
|score =
|report =
|team2 = {{fb|Turkey}}
|goals1 =
|goals2 =
|location=[[Amsterdam]], [[Netherlands]]
|stadium = [[Amsterdam ArenA]]
|attendance =
|referee =
}}

===Euro 2012 qualification===
{{UEFA Euro 2012 qualifying group tables|Group A|show_matches=yes|showteam=TUR}}
{{footballbox collapsible
|date = 3 September 2010
|time = 22:00 [[UTC+6]]
|team1 = {{fb-rt|KAZ}}
|score = 0 – 3
|report = [http://www.uefa.com/uefaeuro2012/matches/season=2012/round=15171/match=2002131/index.html Report]
|team2 = {{fb|TUR}}
|goals1 =
|goals2 = [[Arda Turan|Arda]] {{goal|24}} [[Hamit Altıntop|Ham. Altıntop]] {{goal|26}} [[Nihat Kahveci|Nihat]] {{goal|76}}
|stadium = [[Astana Arena]]
|location=[[Astana]], [[Kazakhstan]]
|attendance = 25,000
|referee = [[István Vad]] ([[Hungarian Football Federation|Hungary]])
|result =W }}
{{footballbox collapsible
|date = 7 September 2010
|time = 21:00 [[UTC+3]]
|team1 = {{fb-rt|TUR}}
|score = 3 – 2
|report = [http://www.uefa.com/uefaeuro2012/matches/season=2012/round=15171/match=2002117/index.html Report]
|team2 = {{fb|BEL}}
|goals1 = [[Hamit Altıntop|Ham. Altıntop]] {{goal|48}} [[Semih Şentürk|Semih]] {{goal|67}} [[Arda Turan|Arda]] {{goal|78}}
|goals2 = [[Daniel Van Buyten|Van Buyten]] {{goal|28||69}}
|stadium = [[Şükrü Saracoğlu Stadium]]
|location=[[Istanbul]], [[Turkey]]
|attendance = 41,000
|referee = [[Damir Skomina]] ([[Football Association of Slovenia|Slovenia]])
|result = W }}
{{footballbox collapsible
|date = 8 October 2010
|time =
|team1 = {{fb-rt|Germany}}
|score =
|report =
|team2 = {{fb|Turkey}}
|goals1 =3
|goals2 =1
|stadium = [[Olympiastadion (Berlin)|Olympiastadion]]
|location=[[Berlin]], [[Germany]]
|attendance =
|referee =
}}
{{footballbox collapsible
|date = 12 October 2010
|time =
|team1 = {{fb-rt|Azerbaijan}}
|score =
|report =
|team2 = {{fb|Turkey}}
|goals1 =
|goals2 =
|stadium = [[Tofik Bakhramov Stadium]]
|location=[[Baku]], [[Azerbaijan]]
|attendance =
|referee =
}}

==References==
{{reflist}}

{{Turkish football seasons|2010}}



{{DEFAULTSORT:2010-11 in Turkish football}}
[[Category:Seasons in Turkish football]]
[[Category:2010–11 in European football by country|Turkish 2010]]
[[Category:2010–11 in Turkish football| ]]

Abidin Dino

2020-01-27T08:31:54Z

Homonihilis: image replaced with the photograph

{{Use dmy dates|date=January 2019}}
{{Distinguish|Abedin Dino}}
{{Infobox artist
| name = Abidin Dino
| image = Abidin Dino and his wife Güzin Dino.jpg
| image_size =
| caption = Abidin Dino with [[Güzin Dino]]
| birth_name = Abidin Dino
| birth_date = {{birth date|df=yes|1913|3|23}}
| birth_place = [[İstanbul]], [[Ottoman Empire]]
| death_date = {{death date and age|df=yes|1993|12|7|1913|3|23}}
| death_place = [[Paris]], [[France]]
| nationality = Turkish
| field = [[Painting]]
| training =
| movement =
| works =
| signature =
}}
'''Abidin Dino''' (23 March 1913 – 7 December 1993) was a [[Turkey|Turkish]] [[artist]] and a well-known [[Painting|painter]].

==Early years==
Dino was born on 23 March 1913 in [[Istanbul]] into an art-loving family. He started drawing and painting at a young age influenced by his family. As a child he lived in [[Geneva]], [[Switzerland]] and [[France]] for several years with his parents, returning to Istanbul in 1925. Dino began his secondary education at the American highschool [[Robert College of Istanbul]], but dropped out to devote himself to painting, drawing and writing. His articles and [[cartoon]]s were soon being published in newspapers and magazines, and in 1933 he and five other young innovative painters founded the “[[D Group]]”, which held several exhibitions of their work. At around the same time, he illustrated [[Nazim Hikmet|Nazım Hikmet]]’s books of poetry.{{citation needed|date=July 2012}}

In 1933, the [[Soviet Union|Soviet]] [[film director|director]] [[Sergei Yutkevich]], who had made a film about [[Ankara]], invited Dino to the Lenfil Studios in [[Saint Petersburg|Leningrad]], and with [[Atatürk]]'s encouragement Dino accepted. In Leningrad, he worked as a [[scenery designer]] and assistant director at several film studios, and directed a film called "''Miners''" in [[Moscow]], [[Kiev]] and [[Odessa]]. Shortly after returning to Turkey, he went to [[Paris]], France where he worked from 1937 to 1939, meeting such famous artists as [[Gertrude Stein]], [[Tristan Tzara]] and [[Picasso]].{{citation needed|date=July 2012}}

Following his return to Istanbul again, he participated in the famous "Harbor Exhibition", consisting of paintings of the city's dockworkers and fishermen by well-known Turkish painters of the time. The exhibition aroused widespread public interest, and that year Dino was asked to design the Turkish pavilion at the [[1939 New York World's Fair]]. Meanwhile, he published articles and cartoons in several of the foremost magazines of that time, studying a new approach to [[Literary realism|realism]] together with his elder brother [[poet]] Arif Dino.{{citation needed|date=July 2012}}

During [[World War II]], he did drawings inspired by the conflict, but his treatment of political subjects in wartime incurred official displeasure, and in 1941 the [[martial law]] command of Istanbul exiled him and his elder brother to southeastern [[Anatolia]], where their grandfather had been a governor before. These years of exile until 1945 were artistically very productive for Dino. While his young wife [[Güzin Dino]] taught [[French language|French]] at Adana High School, he worked for a local newspaper, [[TurkSozu]], producing articles and drawings that illustrated with poetic realism of the hard lives and working conditions of agricultural laborers in the region. It was here that he wrote his plays "''Bald''" and "''Heirs''", and began doing [[sculpture]]. In 1951, he was allowed to leave Turkey. So he went first to [[Rome]], [[Italy]] where he stayed nine months, but settled then in Paris in 1952. {{citation needed|date=July 2012}}

==Paris days==
[[File:Abidin dino statue.jpg|thumb|upright=1.1|The statue of Dino in Özgürlük Parkı, Kadıköy, [[İstanbul]]]]
Within a short time, the home of Guzin and Abidin Dino in Paris became the haunt of many famous artists and writers. The couple first moved into the studio on the top floor of [[Max Ernst]]'s apartment on the quay of [[Quai Saint-Michel|Saint-Michel]], and later to a small flat in [[L'Eure]].

Their foreign and Turkish friends, including [[Nazım Hikmet]], [[Yaşar Kemal]], [[Ahmet Hamdi Tanpinar]] and [[Melih Cevdet]], found the opportunity to meet one another at the Dino’s home. The Dinos were also always ready with a helping hand for young Turkish painters and students in Paris, introducing them to world-famous masters, and assisting them to get established.{{citation needed|date=July 2012}}

For eight years from 1954, Abidin Dino participated in the "Salon de Mai" exhibitions in Paris, while Guzin Dino produced programmes for Radio France, taught [[Turkish language|Turkish]] at the Oriental Languages Department of the [[University of Paris|Sorbonne]], and did French translations of Turkish literature.{{citation needed|date=July 2012}}

==Unforgettable friendship==
Although Abidin Dino lived abroad, he never severed relations with Turkey and his friends there, and took a close interest in everything that occurred, particularly in the political field. He was always delighted to cooperate with other artists and writers, writing prefaces and drawing illustrations for his friends' books with unbounded generosity.{{citation needed|date=July 2012}}

After more than a decade's absence he visited Turkey in 1969 to open an exhibition of his work. From then on he came more frequently, participating in both one-person and mixed exhibitions. In 1979 he was elected honorary president of the National Union of the Visual Arts ([[UNAP]]) in France. His film "''Goal! World Cup 1966''" (1966) was a spectacular tribute to his visual sensitivity and brought him the "Flaherty prize". This film about the [[FIFA World Cup 1966|1966 World Cup]] final is a documentary that did not confine itself to [[Association football|football]] matches, but included fascinating footage of people in [[London]] and elsewhere in [[England]].{{citation needed|date=July 2012}}

==Master of drawing==
[[File:Abidin Dino 2009 stamp of Albania.jpg|upright=1.1|thumb|Dino on a 2009 stamp of Albania]]
Abidin Dino was interested in everything that was alive, skillfully capturing images with his brush, pencil and camera. He had two favorite themes: hands and flowers. In a book of small drawings, which he did for his wife Guzin published on the tenth anniversary of his death, glimpses of the love and sense of solidarity are seen, which were his inspiration. Entitled "''Guzin's Abidins''", this book consists of drawings and essays by Abidin Dino.

One may come across his name in numerous art galleries and [[museums]] around the world, in a [[poem]], the [[lyrics]] of a song, or a book. Not only is he one of the pioneers of modern Turkish painting, but produced masterful works in such disparate fields as [[caricature]], sculpture, [[Ceramics (art)|ceramics]], cinema, and literature.{{citation needed|date=July 2012}}

Dino died on 7 December 1993 at the [[Villejuif]] Hospital in Paris. He was laid to rest in the Aşiyan Cemetery in Istanbul.{{citation needed|date=July 2012}}

==See also==
* [[List of Turkish painters]]

==References==
* {{in lang|tr}} Biyografi.info – [http://www.biyografi.info/kisi/abidin-dino ''Biography of Abidin Dino'']
* {{in lang|tr}} Ada.com.tr – [https://web.archive.org/web/20060323191715/http://www.ada.com.tr/aaal/ada/mart97/resim.htm ''Biography of Abidin Dino'']

==External links==
{{Commons category|Abidin Dino}}
*[http://www.lebriz.com/v3_exh/exh_Show.aspx?exhID=642&lang=ENG Gallery]
*{{IMDb name|0008740}}

{{Authority control}}

{{DEFAULTSORT:Dino, Abidin}}
[[Category:1913 births]]
[[Category:People from Istanbul]]
[[Category:1993 deaths]]
[[Category:Deaths from cancer in France]]
[[Category:Deaths from thyroid cancer]]
[[Category:Turkish painters]]
[[Category:Modern painters]]
[[Category:Robert College alumni]]
[[Category:Burials at Aşiyan Asri Cemetery]]
[[Category:Turkish Marxists]]
[[Category:D Grubu]]

Güzin Dino

2020-01-27T08:30:52Z

Homonihilis: +image

{{Infobox person
| name = Güzin Dino
| native_name =
| native_name_lang =
| image = Abidin Dino and his wife Güzin Dino.jpg
| image_size =
| alt =
| caption = Güzin Dino with [[Abidin Dino]]
| birth_name =
| birth_date = 1910
| birth_place =
| death_date = 30 May 2013 (aged 102)
| death_place = [[Paris]], [[France]]
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| monuments =
| residence = Paris, France
| nationality = Turkish
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| occupation = [[Linguistics|Linguist]], translator, writer
| years_active =
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| spouse = [[Abidin Dino]] (married 1943-1993)
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}}

'''Güzin Dino''' (1910 – May 30, 2013) was a [[Turkey|Turkish]] literary scholar, [[Linguistics|linguist]], translator and writer. She is known for writing from a [[Marxist]] perspective.<ref>Kader Konuk ''East West Mimesis: Auerbach in Turkey'' 2010- Page 263 "Interesting is specifically Güzin Dino's work on Namık Kemal's (1840–1888) literature written in exile. Approaching Turkish literature from a Marxist point of view, she argues in The Birth of the Turkish Novel that Kemal's Intibah (Awakening) is ..."</ref> She was married with the painter [[Abidin Dino]] (1913–1993).<ref>Presse et mémoire: France des étrangers, France des libertés - 1990 - 170 "Les années cinquante verront, elles, le départ forcé d'intellectuels et militants kurdes, d'artistes et universitaires de gauche tels Abidin Dino, Guzin Dino, [[Pertev Naili Boratav]], O. Remzi... qui influencent durablement la communauté turque et ."</ref>

Güzin and Abidin Dino married 1943 in [[Adana]], Turkey. Her husband was a member of the [[Communist Party of Turkey (historical)|Turkish Communist Party]], who was exiled to the southern Turkish city. Subject to political pressure and prosecution, Abidin Dino left Turkey in 1952 to settle in [[Paris]], France. She followed her husband in 1954 to France.<ref name="h1">{{cite news |url=http://www.hurriyet.com.tr/planet/23403111.asp |newspaper=[[Hürriyet]] |title=Türkiye’nin 100 yıllık tanığı hayata veda etti |author=Çakır Morin, Arzu |date=2015-05-30 |language=Turkish |accessdate=2013-05-30 }}</ref>

The couple toured many places across France with [[sanatorium]]s due to Abidin's illness. They settled in Saint-Michel in the [[5th arrondissement of Paris]], where Turkish intellectuals used to reside. Finally, the couple moved into a painter workshop in Rue de l'Eure.<ref name="h1"/>

Güzin Dino worked in the [[French National Centre for Scientific Research]] (CNRS), and was an instructor at the [[Institut national des langues et civilisations orientales]] (INALCO). By translating the works of the poet [[Nazım Hikmet]] and the writer [[Yaşar Kemal]] into [[French language]], she introduced Turkish literature into France. Her translations were published by many renowned publishing houses, and her essays found positive interest by French and American journals. She served also many years as the head of the Turkish language section of the [[Radio France Internationale]] (RFI).<ref name="h1"/>

Their home became a meeting point for intellectuals and artists from Turkey. She did not leave her husband alone during the time of hardship and her husband's illness. Güzin Dino continued to live her entire life alone in this house after Abidin's death from throat cancer in 1993. Telling about her life with Abidin Dino, the Turkish policy and the memories with Nazım Hikmet to the younger generations, she used to lament that "That country never showed respect and dignity for its valued citizens".<ref name="h1"/>

Güzin Dino was hospitalized because she fell three times in a week. She died at the age of 102 on the May 30 2013.<ref name="h1"/>

==See also==
* [[List of centenarians (authors, poets and journalists)]]

==References==
{{reflist}}

{{Authority control}}
{{DEFAULTSORT:Dino, Guzin}}
[[Category:1910 births]]
[[Category:Turkish communists]]
[[Category:Linguists from Turkey]]
[[Category:Turkish women writers]]
[[Category:Turkish emigrants to France]]
[[Category:2013 deaths]]
[[Category:Turkish centenarians]]
[[Category:Deaths from falls]]
[[Category:Communist women writers]]

Template:Turkish literature

2020-01-24T14:05:50Z

Homonihilis: direct link

{{navbox
| name = Turkish literature
| title = [[Turkish literature]]
| listclass = hlist
| state = <includeonly>{{{state|collapsed}}}</includeonly>

| group1 = Folk
| list1 =
* [[Aşık Mahzuni Şerif]]
* [[Âşık Veysel Şatıroğlu]]
* [[Dadaloğlu]]
* [[Erzurumlu Emrah]]
* [[Gevheri]]
* [[Hacı Bektaş-ı Veli]]
* [[Karacaoğlan]]
* [[Kaygusuz Abdal]]
* [[Nasreddin]]
* [[Neşet Ertaş]]
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| group2 = Medieval and [[Ottoman Empire|Ottoman]]
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* [[Imadaddin Nasimi]]
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* [[Sehi Bey]]
* [[İsa Necati]]
* [[Tâcîzâde Cafer Çelebi]]
* [[Suzi Çelebi of Prizren|Prizrenli Suzi Çelebi]]
* [[Mesihi of Prishtina|Mesihi]]
* [[Yahya bey Dukagjini]]
* [[Nef'i]]
* [[Nedîm]]
* [[Şeyh Gâlib]]
* [[Evliya Çelebi]]
* [[Katib Çelebi]]
* [[Khayali|K̲h̲ayālī Mehmed Bey]]
* [[Ahdi of Baghdad]]
* [[Latifî]]
* [[Riyazi]]
* [[Yirmisekiz Mehmed Çelebi]]
* [[Fitnat Hanım]]
* [[Ali Çelebi]]
* [[Aşık Çelebi]]
* [[Kınalızâde Hasan Çelebi]]
* [[Ziya Pasha]]
* [[Sami Frashëri|Şemsettin Sami]]
* [[Namık Kemal]]
* [[Zafer Hanım]]
* [[Ahmed Midhat Efendi]]
* [[Tevfik Fikret]]
* [[Cenâb Şehâbeddîn]]
* [[Ömer Seyfettin]]
* [[Mehmet Emin Yurdakul]]
* [[Ali Canip Yöntem]]
* [[Mirza Habib Esfahani]]
* [[Muallim Naci]]
* [[Fatma Aliye Topuz]]

| group3 = Republican era
| list3 =
* [[Halit Ziya Uşaklıgil]]
* [[Ahmet Haşim]]
* [[Halide Edib Adıvar]]
* [[Reşat Nuri Güntekin]]
* [[Yakup Kadri Karaosmanoğlu]]
* [[Mehmet Fuat Köprülü]]
* [[Cevat Şakir Kabaağaçlı]]
* [[Ercüment Ekrem Talu]]
* [[Nurullah Ataç]]
* [[Orhan Kemal]]
* [[Peyami Safa]]
* [[Murathan Mungan]]
* [[Orhan Hançerlioğlu]]
* [[Samim Kocagöz]]
* [[Semiha Ayverdi]]
* [[Tarık Buğra]]
* [[Yaşar Kemal]]
* [[Fakir Baykurt]]
* [[Bilge Karasu]]
* [[Oğuz Atay]]
* [[Tomris Uyar]]
* [[Ahmet Altan]]
* [[Orhan Pamuk]]
* [[Elif Shafak]]
* [[Memduh Şevket Esendal]]
* [[Kenan Hulusi Koray]]
* [[Sait Faik Abasıyanık]]
* [[Kemal Tahir]]
* [[Haldun Taner]]
* [[Aziz Nesin]]
* [[Nezihe Araz]]
* [[Suut Kemal Yetkin]]
* [[Sabahattin Ali]]
* [[Kemal Bilbaşar]]
* [[Cemil Meriç]]
* [[Ruşen Eşref Ünaydın]]
* [[Nurullah Ataç]]
* [[Behçet Necatigil]]
* [[Necati Cumalı]]
* [[Ayfer Tunç]]
* [[Yekta Kopan]]
* [[Ahmet Kutsi Tecer]]
* [[Şevket Süreyya Aydemir]]
* [[Mehmet Emin Yurdakul]]
* [[Ziya Gökalp]]
* [[Nihâl Atsız]]
* [[Orhan Şaik Gökyay]]
* [[Orhan Veli Kanık]]
* [[Oktay Rıfat Horozcu]]
* [[Melih Cevdet Anday]]
* [[Nâzım Hikmet]]
* [[Rıfat Ilgaz]]
* [[Cemal Süreya]]
* [[İlhan Berk]]
* [[Turgut Uyar]]
* [[Edip Cansever]]
* [[Ece Ayhan Çağlar]]
* [[Sezai Karakoç]]
* [[Tevfik Akdağ]]
* [[Ülkü Tamer]]
* [[Neyzen Tevfik]]
* [[Yahya Kemal Beyatlı]]
* [[Abdülhak Şinasi Hisar]]
* [[Orhan Seyfi Orhon]]
* [[Enis Behiç Koryürek]]
* [[Halit Fahri Ozansoy]]
* [[Yusuf Ziya Ortaç]]
* [[Muammer Lütfi Bakşi]]
* [[Necip Fazıl Kısakürek]]
* [[Vasfi Mahir Kocayürek]]
* [[Sabri Esat Siyavuşgil]]
* [[Cevdet Kudret]]
* [[Yaşar Nabi Nayır]]
* [[Ahmet Muhip Dıranas]]
* [[Cahit Sıtkı Tarancı]]
* [[Ziya Osman Saba]]
* [[Faik Baysal]]
* [[Salah Birsel]]
* [[Özdemir Asaf]]
* [[N. Abbas Sayar]]
* [[Can Yücel]]
* [[Attilâ İlhan]]
* [[Güven Turan]]
* [[İsmet Özel]]
* [[Cem Uzungüneş]]
* [[Mehmet Altun]]
* [[Mehmet Erte]]
* [[Küçük İskender]]
* [[Faruk Nafiz Çamlıbel]]
* [[Fazıl Hüsnü Dağlarca]]
* [[Yusuf Atılgan]]
* [[Murat Gülsoy]]
* [[Ayşe Kulin]]
* [[Yılmaz Onay]]

}}<noinclude>

{{collapsible option}}

[[Category:Turkey arts and culture templates|Literature]]
[[Category:Literature navigational boxes|Turkey]]
</noinclude>

Volkswagen Arena (Istanbul)

2016-12-27T09:37:09Z

Homonihilis: +photo

{{Infobox stadium
| name = Volkswagen Arena Istanbul
| nickname = VW Arena İstanbul
| image =VW arena istanbul fazil say.JPG
| caption =Volkswagen Arena Istanbul before [[Fazıl Say]]'s Nazım Oratorio performance, 25 December 2016
| size =
| location = [[Istanbul]], [[Turkey]]
| coordinates = {{coord|41.109018|N|29.007814|E|type:landmark_scale:3000|display=inline,title}}
| broke_ground =
| opened = June 2014
| renovated = November 2015
| acreage = {{convert|12000|m2|ft2|abbr=on}}
| owner =
| operator =
| expanded =
| surface =
| architect =
| structural engineer =
| services engineer =
| general_contractor =
| project_manager =
| main_contractors =
| former_names = Black Box Arena Istanbul
| tenants = [[Darüşşafaka S.K.|Darüşşafaka]]
| construction_cost =
| seating_capacity = 4,500-5,800 [[Basketball]]: 5,240
}}

'''Volkswagen Arena Istanbul''' is a multi-purpose [[indoor arena]] that is located in [[Istanbul]], [[Turkey]]. The arena can be used to host live events, such as [[concerts]], fashion shows, award ceremonies, dance and theater shows, [[basketball]] games, and other sporting events. The capacity of the arena ranges from 4,500 to 5,800, depending on different configurations for different events, and a combination of seating, standing, and VIP box configurations.<ref>[http://www.theguideistanbul.com/spots/view/4156/volkswagen-arena/ Volkswagen Arena.]</ref> The arena's capacity for basketball games is 5,240, which includes 5,000 regular seats for fans (88 of which are VIP seats), and 240 available seats in the arena's 24 private lounge suites.

The arena is a part of the UNIQ Istanbul cultural complex<ref>[http://www.peutz-tr.com/content/uniq-arena-istanbul VOLKSWAGEN ARENA Istanbul {{tr icon}}.]</ref> that is located in [[Maslak]], Istanbul, and which also includes offices, a 1,200 seat multi-use hall, and places to tour, such as food courts, historic mansions, exhibition spots, and shopping spaces.

The arena has accommodations for 1,200 parking spaces, and also has 24 private lounge suites and 88 [[VIP]] boxes.<ref>[http://www.eurohoops.net/featured/143140/euroleague-round-4-starts-with-an-inauguration Euroleague round 4 starts with an inauguration!]</ref><ref>[http://www.darussafakadogusbasketbol.com/news-details.aspx?id=52712 VW Arena is now home to Darüşşafaka Doğuş.]</ref>

==History==
Volkswagen Arena Istanbul opened in the year 2014. In November 2015, the arena was officially inaugurated as the home arena of the [[Turkish Basketball Super League]] club [[Darüşşafaka S.K.|Darüşşafaka]], for [[EuroLeague]] home games.<ref>[http://www.eurohoops.net/featured/143140/euroleague-round-4-starts-with-an-inauguration Euroleague round 4 starts with an inauguration!]</ref><ref>[http://www.darussafakadogusbasketbol.com/news-details.aspx?id=52712 VW Arena is now home to Darüşşafaka Doğuş.]</ref>

==References==
{{reflist}}

==External links==
*[http://www.vwarena.com/en Volkswagen Arena Istanbul official website]
*[https://www.facebook.com/vwarena Volkswagen Arena Istanbul Facebook page]
*[https://twitter.com/vwarena?lang=en Volkswagen Arena Istanbul Twitter Account]
*[http://www.eurohoops.net/wp-content/uploads/2015/11/Volkswagen-arena.jpg Image of Volkswagen Arena Istanbul Interior]
*[http://www.ntvspor.net/foto-galeri/volkswagen-arena-dacka-icin-hazir/1 Volkswagen Arena Istanbul Photo Gallery] {{tr icon}}

[[Category:Basketball venues in Turkey]]
[[Category:Indoor arenas in Turkey]]
[[Category:Sports venues in Istanbul]]

Musée de l'Orangerie

2016-09-02T04:39:52Z

Homonihilis: +museum layout

{{Infobox Museum
|name = Musée de l'Orangerie
|image = Musée de l’Orangerie exterior.JPG
|caption = Musée de l'Orangerie entrance
|imagesize =
|established = 1852
|location = [[Place de la Concorde]] 75008 Paris France
|type = [[Art museum]] ([[impressionism|impressionist]] and [[post-impressionism|post-impressionist]] paintings)
|director = Marie-Paule Vial
|publictransit = [[Concorde (Paris Métro)|Concorde]]
|website = [http://www.musee-orangerie.fr www.musee-orangerie.fr]}}
{{coord|48|51|49.88|N|2|19|20.18|E|type:landmark|display=title}}

The '''Musée de l'Orangerie''' is an art gallery of [[impressionist]] and [[post-impressionism|post-impressionist]] paintings located in the west corner of the [[Tuileries Palace|Tuileries Gardens]] next to the [[Place de la Concorde]] in [[Paris]]. Though most famous for being the permanent home for eight ''[[Water Lilies]]'' murals by [[Claude Monet]], the museum also contains works by [[Paul Cézanne]], [[Henri Matisse]], [[Amedeo Modigliani]], [[Pablo Picasso]], [[Pierre-Auguste Renoir]], [[Henri Rousseau]], [[Alfred Sisley]], [[Chaim Soutine]], and [[Maurice Utrillo]], among others.

==Location==
The gallery is on the bank of the [[Seine]] in the old [[orangery]] of the [[Tuileries Palace]] on the [[Place de la Concorde]] near the [[Concorde (Paris Métro)|Concorde metro station]].

==History==
[[File:Name of the Musée de l'Orangerie above the door.JPG|thumb|left|250px|The name of the museum inscribed above the door]]
According to the museum's website, the Orangerie was originally built in 1852 by the architect Firmin Bourgeois and completed by his successor, Ludovico Visconti, to shelter the orange trees of the garden of the Tuileries. Used by the [[French Third Republic|Third Republic]] in the nineteenth century as deposit for goods, an examination room, and place of lodging for mobilized soldiers, it also served to house sporting, musical, and patriotic events. Additionally, it was a place to display exhibitions of industry, animals, plants, as well as rare displays of painting.
[[file:Musée de l'Orangerie plan en.svg|250px|thumb|left|Floor plan with oval rooms for Monet's ''Nymphéas'' on upper floor and galleries for rest of the collection on lower floor]]
As art historian Michel Hoog states, “In 1921, the administration of the Beaux-Arts decided to assign to the Direction des Musées Nationaux (as it was then called) the two buildings overlooking the Place de la Concorde, the [[Jeu de Paume]], and the Orangerie, which until then had been used for their original purpose. The Orangerie became an annex of the [[Musée du Luxembourg]], unanimously criticized for being too small, while the Jeu de Paume was to be used for temporary exhibitions and to house contemporary foreign painting.”<ref>Michel Hoog, "Musée de l’Orangerie, The Nymphéas of Claude Monet," 3rd edition. Trans. Jean-Marie Clarke (Paris: Editions de la Réunion des musées nationaux, 1989, 2006), 41.</ref> [[Claude Monet]] had requested to donate decorative panels to the French government as a monument to the end of World War I, and former politician (and close friend of Monet) [[Georges Clémenceau]] suggested that Monet install the paintings at the newly available Orangerie (rather than at the Jeu de Paume, which had smaller wall space, or, as was formerly planned, as an annex to the [[Musée Rodin]]).<ref>Hoog, 41.</ref>

On April 12, 1922 [[Claude Monet]] signed a contract donating the ''Nymphéas'' series of decorative panels painted on canvas to the French government, to be housed in redesigned, oval rooms at the Orangerie.<ref>Reproduced and translated into English in Hoog, 125-126.</ref> With input from Monet, the head architect at the Louvre, Camille Lefèvre, drafted new plans and elevations in 1922 to house Monet's large ''Nymphéas'' canvases, incorporating natural light, plain walls, and sparse interior decoration. According to Hoog's research, "funds were made available on August 17, 1922, work began in October and seems to have been finished in [the] following year."<ref>Hoog, 46.</ref> Unwilling to relinquish his final works of art, these water lilies paintings stayed with Monet until his death on December 5, 1926. On January 31, 1927 the Laurent-Fournier company agreed to install and mount the panels (a process that involved gluing the canvas directly to the walls), and the paintings were in place by March 26 of that year.<ref>Hoog, 53</ref> On May 17, 1927 Monet's ''Nymphéas'' at the Musée de l'Orangerie opened to the public.<ref>{{cite web|title=L'Orangerie, un lieu, une histoire|url=http://www.musee-orangerie.fr/homes/home_id24798_u1l2.htm|accessdate=14 April 2012}}</ref>

According to Hoog, "In August 1944, during the battle for the Liberation of Paris, five shells fell on the rooms of the ''Nymphéas''; two panels (those situated on the wall between the two rooms) were slightly damaged and immediately restored. In 1984, this restoration work was renewed and a general cleaning was effected."<ref>Hoog, 54.</ref>

In January 2000, the museum was closed for renovation work, completely reviewed and restructured, and re-opened to the public in May 2006.

[[Paul Guillaume]]'s widow, Mrs. Jean Walter, donated their modern art collection to the Musées Nationaux in 1958.<ref>Hoog, 54.</ref> The Orangerie has housed the [[Paul Guillaume]] collection of 19th and 20th century modern paintings since 1965.

==Monet's ''Water Lilies''==
A cycle of Monet's water-lily paintings, known as the ''[[Water Lilies|Nymphéas]]'', was arranged on the ground floor of the Orangerie in 1927. They are available under direct diffused light as was originally intended by Monet. The eight paintings are displayed in two oval rooms all along the walls.
The museum was closed to the public from the end of August 1999 until May 2006. For several months before it was closed there was a special exhibit of Monet's ''Nymphéas'' that were gathered from museums throughout the world. More than 60 of the 250 paintings he made of the water lilies in his garden were included. The walls were repainted in shades of purples and violet for this special exhibit. The Orangerie was renovated in order to move the paintings to the upper floor of the gallery.
[[Image:Panorama Interior of Musée de l'Orangerie 2.jpg|800px|thumb|centre|[[Claude Monet]]'s ''[[Water Lilies|Nymphéas]]'' on display in the museum.]]

==In popular culture==
The Musée de l'Orangerie, specifically the ''Water Lilies'' paintings, were featured in [[Woody Allen|Woody Allen's]] 2011 film ''[[Midnight in Paris]]''.

== References ==
{{reflist|30em}}

== External links ==
{{commons category}}
* [http://www.musee-orangerie.fr/en Musée de l'Orangerie]
* [https://www.google.com/culturalinstitute/beta/streetview/_/wAHg2EZf7REqmQ 360 degree view (Google Cultural Institute)]

{{Visitor attractions in Paris}}
{{Claude Monet}}

{{Authority control}}

{{DEFAULTSORT:Musee de l'Orangerie}}
[[Category:Art museums and galleries in Paris|Orangerie, Musee de l]]
[[Category:National museums of France]]
[[Category:Buildings and structures in the 1st arrondissement of Paris]]
[[Category:Art museums established in 1927]]
[[Category:1927 establishments in France]]

Galatasaray A2

2016-09-02T04:27:11Z

Homonihilis: commons category corrected

{{Infobox football club
| clubname = Galatasaray A2
| image = [[File:Galatasaray SK.svg|80px|Galatasaray SK Football Section's crest]]
| fullname = Galatasaray A2
| nickname = ''Cimbom'' (Most common) ''[[Nihat Bekdik|Aslan]]'' (The Lion) ''Sarı Kırmızılılar'' (Yellow-Reds) ''Avrupa Fatihi'' (Conqueror of Europe) ''Gala'' (Mostly used outside of Turkey) | founded = October 21, 1905
| ground = [[Florya Metin Oktay Sports Complex and Training Center|Metin Oktay Training Center]]
| capacity = 2,500
| chairman = [[Dursun Aydın Özbek]]
| manager = [[Orhan Atik]]
| league = [[A2 Ligi]]
| season = 2010–11
| position = Champion
| pattern_la1 = _Galatasaray1314h
| pattern_b1 = _Galatasaray1314H
| pattern_ra1 = _Galatasaray1314h
| pattern_sh1 = _Galatasaray1314h
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| leftarm1 =
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| pattern_la3 = _Galatasaray1314third
| pattern_b3 = _Galatasaray1314third
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| website = http://www.galatasaray.org/altyapi/takim.php
}}
'''Galatasaray A2''' are the [[reserve team]] of [[Galatasaray S.K. (football team)|Galatasaray SK]].

==History==
They have been members of the Turkish Youth league formed in 1988 and Turkish PAF League formed in 1999. They play their home games at [[Florya Metin Oktay Sports Complex and Training Center|Metin Oktay Facilities]] in [[Florya]], which is also the training ground of Galatasaray S.K. The team mainly consists of Under-23 players at the club, although senior players occasionally play in the reserve side, under special conditions.

The reserves head coach is Erkan Ültanır, who picks and manages the side. Galatasaray PAF won the Turkish PAF league titles in last three years.

==A2 Players==

===Current A2 squad===

{{Fs start}}
{{Fs player|no=1|nat=Turkey|pos=GK|name=[[Ismail Cipe]]}}
{{Fs player|no=23|nat=Turkey|pos=GK|name=[[Alp Arda]]}}
{{Fs player|no=12|nat=Turkey|pos=GK|name=[[Muhammed Birkan Tetik]]}}
{{Fs player|no=30|nat=Turkey|pos=GK|name=[[Mert Karaca]]}}
{{Fs player|no=5|nat=Turkey|pos=DF|name=[[Emre Tosun]]}}
{{Fs player|no=4|nat=Turkey|pos=DF|name=[[Gökcan Gelmen]]}}
{{Fs player|no=14|nat=Turkey|pos=DF|name=[[Enes Yilmaz]]}}
{{Fs player|no=25|nat=Turkey|pos=DF|name=[[Yavuzhan Kelesoglu]]}}
{{Fs player|no=|nat=Turkey|pos=DF|name=[[Okan Turksever]]}}
{{Fs player|no=2|nat=Turkey|pos=DF|name=[[Can Özgur]]}}
{{Fs player|no=|nat=Turkey|pos=DF|name=[[Furkan Kopuz]]}}
{{Fs player|no=13|nat=Turkey|pos=DF|name=[[Muhammed Ali Kurt]]}}
{{Fs player|no=|nat=Turkey|pos=DF|name=[[Veysel Mercan]]}}
{{Fs player|no=20|nat=Turkey|pos=MF|name=[[Kubilay Berkay Kamay]]}}
{{Fs mid}}
{{Fs player|no=|nat=Turkey|pos=MF|name=[[Kaan Baysal]]}}
{{Fs player|no=|nat=Turkey|pos=MF|name=[[Gökhan Kuzay]]}}
{{Fs player|no=6|nat=Turkey|pos=MF|name=İbrahim Coşkun}}
{{Fs player|no=21|nat=Turkey|pos=MF|name=[[Burhan Yildiz]]}}
{{Fs player|no=|nat=Turkey|pos=MF|name=[[Enes Ekici]]}}
{{Fs player|no=16|nat=Turkey|pos=MF|name=[[Batuhan Ergun]]}}
{{Fs player|no=8|nat=Turkey|pos=MF|name=[[Mehmet Bayram]]}}
{{Fs player|no=10|nat=Turkey|pos=MF|name=[[Huseyin Altug Tas]]}}
{{Fs player|no=7|nat=Turkey|pos=MF|name=[[Samet Yilmaz]]}}
{{Fs player|no=17|nat=Turkey|pos=FW|name=[[Serdar Demir]]}}
{{Fs player|no=11|nat=Turkey|pos=FW|name=[[Samet Orhan]]}}
{{Fs player|no=15|nat=Turkey|pos=FW|name=[[Tunahan Ergul]]}}
{{Fs player|no=9|nat=Turkey|pos=FW|name=[[Volkan Pala]]}}
{{Fs end}}

==Coaching staff==
<ref>{{cite web|url=http://www.galatasaray.org/altyapi/pages/altyapi_kadro.php|title=Futbol Akademisi İdari ve Teknik Kadro| date = 7 September 2010|work=Galatasaray.org| accessdate = 7 September 2010}}</ref>

{| class="wikitable"
|-
! Position !! Name
|-
|Football Academy Administrative Coordinator ||{{flagicon|Turkey}} Fatih İbradı
|-
|A2 Team Technical Officer ||{{flagicon|Turkey}} [[Orhan Atik]]
|-
|A2 Team Assistant Coach ||{{flagicon|Turkey}} Tayfun Hut
|-
|Goalkeeper coach ||{{flagicon|Turkey}} Abdullah Senih Yaban
|-
|Doctor ||{{flagicon|Turkey}} Barış Çakır
|-
|Masseur ||{{flagicon|Turkey}} Batuhan Erkan
|-
|Outfitter ||{{flagicon|Turkey}} Sakin Terzi
|-
|}

==Honours==
*'''[[A2 Ligi]]'''
**'''Winners (7):''' (record) 1989–90, 1993–94, 2004–05, 2005–06, 2006–07, 2010–11, 2014–15<ref>[http://www.tff.org/default.aspx?pageID=377 PAF League Champions]</ref>
**'''Runners-up (2):''' 1996–97, 2007–08

==Former managers==
* {{flagicon|Turkey}} [[Abdullah Avcı]]
* {{flagicon|Turkey}} [[Suat Kaya]]
* {{flagicon|Turkey}} [[Zafer Koç]]
* {{flagicon|Turkey}} [[Erkan Ültanır]]
* {{flagicon|Turkey}} [[Nedim Yiğit]] (2008–2010)
* {{flagicon|Turkey}} [[Orhan Atik]] (2010–present)

==Under 19s players==

===Current Under 19s squad===

{{Fs start}}
{{Fs player|no=30|nat=Turkey|pos=GK|name=[[Mert Karaca]]}}
{{Fs player|no=1|nat=Turkey|pos=GK|name=[[Ismail Cipe]]}}
{{Fs player|no=12|nat=Turkey|pos=GK|name=[[Muhammed Birkan Tetik]]}}
{{Fs player|no=5|nat=Turkey|pos=DF|name=[[Emre Tosun]]}}
{{Fs player|no=4|nat=Turkey|pos=DF|name=[[Gökcan Gelmen]]}}
{{Fs player|no=17|nat=Turkey|pos=DF|name=[[Veysel Mercan]]}}
{{Fs player|no=15|nat=Turkey|pos=DF|name=[[Muhammed Ali Kurt]]}}
{{Fs player|no=14|nat=Turkey|pos=DF|name=[[Enes Yilmaz]]}}
{{Fs player|no=25|nat=Turkey|pos=DF|name=[[Yavuzhan Kelesoglu]]}}
{{Fs player|no=27|nat=Turkey|pos=DF|name=[[Burak Recep Yılmaz]]}}
{{Fs player|no=2|nat=Turkey|pos=DF|name=[[Can Özgur]]}}
{{Fs player|no=6|nat=Turkey|pos=MF|name=[[Kubilay Berkay Kamay]]}}
{{Fs mid}}
{{Fs player|no=|nat=Turkey|pos=MF|name=[[Kaan Baysal]]}}
{{Fs player|no=21|nat=Turkey|pos=MF|name=[[Cetin Turan]]}}
{{Fs player|no=23|nat=Turkey|pos=MF|name=İbrahim Coşkun}}
{{Fs player|no=19|nat=Turkey|pos=MF|name=[[Burhan Yildiz]]}}
{{Fs player|no=16|nat=Turkey|pos=MF|name=[[Batuhan Ergun]]}}
{{Fs player|no=8|nat=Turkey|pos=MF|name=[[Mehmet Bayram]]}}
{{Fs player|no=10|nat=Turkey|pos=MF|name=[[Huseyin Altug Tas]]}}
{{Fs player|no=13|nat=Turkey|pos=MF|name=[[Samet Yilmaz]]}}
{{Fs player|no=11|nat=Turkey|pos=FW|name=[[Samet Orhan]]}}
{{Fs player|no=9|nat=Turkey|pos=FW|name=[[Tunahan Ergul]]}}
{{Fs player|no=20|nat=Turkey|pos=FW|name=[[Volkan Pala]]}}
{{Fs end}}

==References==
{{Reflist}}

==External links==
{{commons category|Galatasaray S.K.}}
*{{tr icon}} {{en icon}} {{fr icon}} [http://www.galatasaray.org/altyapi Galatasaray Sports Club Official Website]

{{Galatasaray SK}}
{{Galatasaray Sports Club}}

{{DEFAULTSORT:Galatasaray A2}}
[[Category:Galatasaray A2| ]]
[[Category:A2 Ligi teams]]

Führerbau

2016-03-08T06:32:19Z

Homonihilis: +commonscat

[[File:Führerbau Munich.jpg|thumbnail|The Führerbau from the outside]]
[[File:Fb_lichthof_n.jpg|thumbnail|Atrium]]

The '''Führerbau''' - translated as "the Führer's building" - was built from 1933 to 1937 after the plans of architect [[Paul Ludwig Troost]], at the address Arcisstrasse 12 in [[Maxvorstadt]], [[Munich]]. The first plans were made in 1931. The building was completed three years after Troost's death by [[Leonhard Gall]].

During the Nazi times, the building served as a representative building for Adolf Hitler. The Führerbau has historical significance for being the place where [[Neville Chamberlain]] and [[Adolf Hitler]] signed the [[Munich treaty]] in 1938. Architecturally speaking, the Brienner Strasse is a symmetry axis - at the Katharina-von-Bora-Strasse 10, a very similar building stands: The "Verwaltungsbau der NSDAP" (Administrative Building of the [[NSDAP]]). After the German surrender, the US occupation forces used both buildings as the "Zentrale Sammelstelle" (central collecting place) that cared about the [[Looted art|looted pieces of art]] that were stolen by Nazis in the whole of Europe.
[[File:Hitler's office in the Führerbau.JPG|thumb|Room where the 1938 Munich Agreement was signed. Note the original fireplace and overhead lamp.]]

Today, the building houses the [[Hochschule für Musik und Theater München]] (University of Music and Performing Arts Munich). Its congress hall now serves as a concert venue.

* http://website.musikhochschule-muenchen.de/ Website of the Hochschule für Musik und Theater München

{{commonscat}}
{{coord|48|08|46|N|11|34|04|E|region:DE_type:landmark_source:kolossus-ruwiki|display=title}}

{{Authority control}}
{{DEFAULTSORT:Fuhrerbau}}
[[Category:Buildings and structures in Munich]]
[[Category:Maxvorstadt]]
[[Category:Buildings and structures completed in 1937]]

User talk:Adam Cuerden

2016-01-07T06:33:26Z

Homonihilis: /* Request for trwiki */

'''Archives: [[User talk:Adam Cuerden/Archive 1|Archive 1]], [[User talk:Adam Cuerden/Archive 2|Archive 2]], [[User talk:Adam Cuerden/Archive 3|Archive 3]], [[User talk:Adam Cuerden/Archive 4|Archive 4]], [[User talk:Adam Cuerden/Archive 5|Archive 5]]'''

== POTD notification ==

[[File:Émile Bertrand - Jules Massenet - Cendrillon poster.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/May 2015#May 24 - Sun|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Émile Bertrand - Jules Massenet - Cendrillon poster.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on May 24, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-05-24]]. Thank you for all of your contributions! — [[User:Crisco 1492|Crisco 1492]] ([[User talk:Crisco 1492|talk]]) 13:31, 5 May 2015 (UTC)
{{-}}

== January-March 2015 Milhist reviewing award ==

{| style="border: 2px solid lightsteelblue; background-color: whitesmoke;"
|rowspan="2" style="vertical-align:middle;" | [[Image:Wiki-stripe1.svg|75px]]
|rowspan="2" |
|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" | &ensp;'''''[[Wikipedia:WikiProject_Military_history/Awards#Service_awards|Military history reviewers' award]]'''''&ensp;
|-
|style="vertical-align: middle; border-top: 1px solid lightsteelblue;" | For completing 2 reviews during January-March 2015, on behalf of the Wikiproject Military History coordinators, I hereby award you the Wikistripe. Cheers, [[User:Peacemaker67|Peacemaker67]] ([[User_talk:Peacemaker67#top|crack... thump]]) 09:27, 6 May 2015 (UTC) Keep track of upcoming reviews. Just copy and paste {{tlx|WPMILHIST Review alerts}} to your user space
|}

==Featured article for 20 May Signpost==
Hello, I did not know where to put this. This was promoted 14 May, so I think it goes in the Signpost coming out next week.

[[File:Camas pocket gopher (3).JPG|thumb|right|attacking gopher]]
* '''[[Camas pocket gopher]]''' ''([[Wikipedia:Featured article candidates/Camas pocket gopher/archive2|nominated]] by [[User:Gaff|Gaff]])'' Said to be "one of the most vicious animals known for its size", the camas pocket gopher of [[Oregon]] in the United States is born toothless, blind and hairless before growing to become a fearsome rodent. Fortunately the animal is herbivorous so its purring or twittering should not indicate danger to humans.

[[User:Bluerasberry|''' Blue Rasberry ''']][[User talk:Bluerasberry|(talk)]] 15:23, 14 May 2015 (UTC)

== ''The Bugle'': Issue CX, May 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/May 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/May 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/May 2015/Book reviews|Recent external reviews]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/May 2015/Op-ed|TomStar81 and Simon Harley on the sinking of the Lusitania]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/May 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 23:03, 20 May 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/SG-1000]] ==

It would be nice, if you could close this one for me. Regards, 14:45, 29 May 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Jane Addams]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Jane Addams - Bain News Service.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Jane Addams - Bain News Service.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 02:39, 2 June 2015 (UTC)
|}

== POTD notification ==

[[File:Illustrated War News, Dec. 23, 1914, page 38, left side - Darwan Sing Negi.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/June 2015#Jun 24 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Illustrated War News, Dec. 23, 1914, page 38, left side - Darwan Sing Negi.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on June 24, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-06-24]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:03, 4 June 2015 (UTC)
{{-}}
*The image has been rescheduled for the 26th. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:22, 6 June 2015 (UTC)

== Potential FPs from [[wp:GLAM/Directory/YNP|Yorkshire GLAMwiki partnerships]] ==

Hi Adam, could I get some advice about the featured picture process. I'm running the [[wp:GLAM/YNP|Yorkshire Network GLAMwiki Project]] and I'd love to see some of the images get featured but am a little wary of [[wp:COI|COI]] issues and how to go about the process. Here's a gallery of just a few files that might be worth a shot but I'd appreciate your thoughts and perhaps you'll find more appropriate images in the relevant Commons Categories?
<gallery>
File:Templeborough Roman Fort visualised 3D flythrough - Rotherham.webm|A flythrough of [[Templeborough]] Roman Fort provided from an interactive programme commissioned by Rotherham Museums
File:'Strata of England and Wales' The William Smith Geological Map - High Resolution YORYM 2004 25.jpg|A high-resolution version of [[William Smith (geologist)|William Smith]]'s original geological map. A restoration candidate? Originally published August 1815
File:A Game Stall by Franz Snyder YORAG-802.jpg|A high-resolution version of one of [[Franz Snyder]]'s great still life paintings. Colour corrected tiff available too]]
</gallery>
The commons cats are:
*[[:commons:Category:Images from the York Museums Trust Online Collection|Images from the York Museums Trust Online Collection]]
*[[commons:Category:Images donated by York Museums Trust|Images donated by York Museums Trust]]
*[[commons:Category:Images from Harrogate Museums and Arts|Images from Harrogate Museums and Arts]]
What do you think? Cheers [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 11:42, 4 June 2015 (UTC)
:{{ping|PatHadley}} The first thing to do is to get them into all appropriate articles that they should be in. For example. the Franz Snyder would be an excellent candidate, but needs to be in an article for seven days. They may benefit from having suitable crops taken from them - for example, the map might benefit from cropping out the wood holding it down at the bottom and the black around it - these should, of course, be uploaded as ''separate files''. Link the variants together: You say that there's a tiff available of the game stall, but that's not linked. An example of one I've restored and how I like to link things is [[:File:Charlotte_Perkins_Gilman_c._1900.jpg]] - note the "Other versions" field; it doesn't matter exactly how you do it, though, so long as it's all linked.
:These are clearly valuable resources. I can give some thoughts:
:* I don't think we've had a flythrough at FPC before. I suspect one with such credentials pass easily, one might want to add it to some articles on archaeological reconstruction, and consider an article on [[flythrough]], but probably not necessary. [[User:Crisco 1492]], any thoughts?
:* The strata map is excellent. Restoration is possible, though this will strain my computer a little bit. It may be unnecessary outside of an appropriate crop. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 13:50, 4 June 2015 (UTC)
::*I think a flythrough would probably have a chance. Still finishing up an article, though, so I haven't had time to look at it in detail. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:58, 4 June 2015 (UTC)
:::*Cracking. Thanks for all the advice. I'll get them on more relevant articles and do some tweaked versions of some of them. Cheers [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 14:31, 4 June 2015 (UTC)
::::{{ping|PatHadley}} [[:File:Coppergate Helmet YORCM CA665-1.jpg]] would be an excellent candidate as well. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 14:47, 4 June 2015 (UTC)
::::*Actually, it strikes me as oversharpened. If there's access to the RAW files, I'd love to work with them. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 15:11, 4 June 2015 (UTC)
:::::*Thanks for all this help folks!
:::::*I suspect that the Coppergate Helmet image is actually a scanned slide but I can't be sure. I'll have more of a poke around. I remember seeing some really good detailed shots of the filigree work too. (personally I'd love the excuse to pop it out the case and snap it again with the [[:File:Digitising Franz Snyders Game Stall at York Art Gallery.JPG|new kit at YMT]].
:::::*I've had a quick go at adjusting the Smith map but have limited photoshop access. The current version in use on the article ([[:File:Geological map Britain William Smith 1815.jpg]]) is much punchier and usable at small sizes but obviously lacks the resolution or authenticity/provenance of the Yorkshire Museum's copy. As can be seen from the Geological Soceity's recently rediscovered copy ([https://www.flickr.com/photos/geologicalsocietylibrary/sets/72157651449480656 here on Flickr] but watermarked) the original colours were much brighter.
:::::*I'll also play with the Snyder. I'll see if I can get some info from the curators in order to be adding cropped details more informatively.
:::::*Cheers all! [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 09:55, 5 June 2015 (UTC)
::::::*If there's a chance at retaking it, that would be great... shame I'm too darned far away to help. I'm ... somewhat handy with a camera myself. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]])
{{Outdent|::::::}}
[[File:'Strata of England and Wales' The William Smith Geological Map - Adjusted for clarity YORYM 2004 25.jpg|thumb|'Strata of England and Wales' The William Smith Geological Map - Adjusted for clarity YORYM 2004 25]]
*Right, here's a quick and dirty reworking of the map. Probably not good enough for FP but might be better for the article and inspire a more competent restoration attempt. Thoughts? {{ping|Crisco 1492}} We'd love to have you, but at least I can now be confident that the skills in-house will do things justice! [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 12:54, 5 June 2015 (UTC)
**That seems to have changed the colours of the ink, amongst other issues. I'm not quite sure what you did to it... '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 13:02, 5 June 2015 (UTC)
::*Like I said, quick and dirty. I mostly used the automatic tools in GIMP (free and handy) and used the Geological Society's copy as a guide. Far too much scope for error but no more than the other versions on Commons? I'm more than happy for that to be over-written with a better version. [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 10:23, 8 June 2015 (UTC)

*@[[User:PatHadley|PatHadley]]: Yes, the ones I've seen look very good. Have you been editing to correct for lens distortion? I took a look at ''A Game Stall'', and I note that the frame seems to bend. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:12, 5 June 2015 (UTC)
**Also, there are slight [[parallax]] errors on the top of the frame. I'm curious as to whether or not you are using a [[panoramic head]] with your tripod. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:20, 5 June 2015 (UTC)
***That image was taken by moving the tripod laterally on a trolley and then stitching with [http://research.microsoft.com/en-us/um/redmond/projects/ice/ Microsoft ICE]. It was a test that we were reasonably pleased with but perhaps for FP it'd be better to supply the calibrated single image? [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 10:23, 8 June 2015 (UTC)
****Ah, that explains it. I tried working with ICE for a while, but there were issues. It's a very fast and dirty program with room to modify the output. I ''believe'' Photoshop would work for a trolley shot (it's similar to scanning a work in multiple portions, after all, which I know is supported), but it can consume a lot of resources. [[PTGui]] works pretty well, too, and is less of a processor/RAM hog. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 12:23, 8 June 2015 (UTC)
***** We actually tried PhotoShop first and ICE was far better. Both have settings for tracking rather than panning. I'll have a crack with PTGui. We're looking into kit or a home-made rig that will enable us to move orthogonally sideways and up/down to get gridded stitches (that is just 3 shots in portrait). GigaPixel here we come! [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 13:08, 8 June 2015 (UTC)
*****Interesting. If you use PT Gui, you may want to use the SmartBlend plugin. It handles parallax better. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:16, 8 June 2015 (UTC)

== VisualEditor News #3—2015 ==

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

When you click on a link to an article, you now see more information:
 
[[File:VisualEditor-context menu-link tool.png|alt=Screenshot showing the link tool's context menu|centre|frameless|230x230px]]
 
The link tool has been re-designed:
 
[[File:VisualEditor link tool 2015.png|alt=Screenshot of the link inspector|centre|frameless|230x230px]]
 
There are separate tabs for linking to internal and external pages.

[[:mw:VisualEditor/User guide|The user guide]] has more information about how to use VisualEditor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|Editing Team]] has created new interfaces for the link and citation tools, as well as fixing many bugs and changing some elements of the design. Some of these bugs affected users of VisualEditor on mobile devices. Status reports are posted [[mw:VisualEditor/changelog|on Mediawiki.org]]. The worklist for April through June is available [[phab:project/sprint/board/1113/|in Phabricator]].

A [[m:Research:VisualEditor's_effect_on_newly_registered_editors/May_2015_study|test of VisualEditor's effect on new editors]] at the English Wikipedia has just completed the first phase. During this test, half of newly registered editors had VisualEditor automatically enabled, and half did not. The main goal of the study is to learn which group was more likely to save an edit and to make productive, unreverted edits. Initial [[m:Research:VisualEditor's_effect_on_newly_registered_editors/May_2015_study#Results|results will be posted at Meta]] later this month.

=== Recent improvements ===
'''Auto-fill features''' '''for citations''' are available at a few Wikipedias through the '''[[:mw:Citoid|citoid service]]'''. Citoid takes a [[:en:URL|URL]] or [[:en:Digital object identifier|DOI]] for a reliable source, and returns a pre-filled, pre-formatted bibliographic citation. If Citoid is enabled on your wiki, then the design of the citation workflow changed during May. All citations are now created inside a single tool. Inside that tool, choose the tab you want ({{int:citoid-citeFromIDDialog-mode-auto}}, {{int: citoid-citeFromIDDialog-mode-manual}}, or {{int:citoid-citeFromIDDialog-mode-reuse}}). The cite button is now labeled with the word "{{int:visualeditor-toolbar-cite-label}}" rather than a book icon, and the autofill citation dialog now has a more meaningful label, "{{Int:Citoid-citeFromIDDialog-lookup-button}}", for the submit button.

The '''link tool''' has been redesigned based on feedback from Wikipedia editors and user testing. It now has two separate sections: one for links to articles and one for external links. When you select a link, its pop-up context menu shows the name of the linked page, a thumbnail image from the linked page, Wikidata's description, and/or appropriate icons for disambiguation pages, redirect pages and empty pages. Search results have been reduced to the first five pages. Several bugs were fixed, including a dark highlight that appeared over the first match in the link inspector ([[phab:T98085|T98085]]).

The '''special character inserter''' in VisualEditor now uses the same special character list as the wikitext editor. Admins at each wiki can also create a custom section for frequently used characters at the top of the list. Please read the instructions for customizing the list [[mw:VisualEditor/Special_characters|at mediawiki.org]]. Also, there is now a tooltip to describing each character in the special character inserter ([[phab:T70425|T70425]]).

Several improvements have been made to '''templates'''. When you search for a template to insert, the list of results now contains descriptions of the templates. The parameter list inside the template dialog now remains open after inserting a parameter from the list, so that users don’t need to click on "{{Int:visualeditor-dialog-transclusion-add-param}}" each time they want to add another parameter ([[phab:T95696|T95696]]). The team added a '''new property for TemplateData''', "{{int: templatedata-doc-param-example}}", for template parameters. This optional, translatable property will show up when there is text describing how to use that parameter ([[phab:T53049|T53049]]).

The '''design''' of the main toolbar and several other elements have changed slightly, to be consistent with the MediaWiki theme. In the Vector skin, individual items in the menu are separated visually by pale gray bars. Buttons and menus on the toolbar can now contain both an icon and a text label, rather than just one or the other. This new design feature is being used for the cite button on wikis where the Citoid service is enabled.

The team has released a long-desired improvement to the handling of '''non-existent images'''. If a non-existent image is linked in an article, then it is now visible in VisualEditor and can be selected, edited, replaced, or removed.

=== Let's work together ===
* Share your ideas and ask questions at [https://www.mediawiki.org/w/index.php?title=VisualEditor/Feedback&lqt_method=talkpage_new_thread mw:VisualEditor/Feedback].
* The weekly task triage meetings continue to be open to volunteers, each Wednesday at [http://www.timeanddate.com/worldclock/fixedtime.html?iso=20150609T12&p1=224&am=30 12:00 (noon) PDT] (19:00 UTC). Learn how to join the meetings and how to nominate bugs at [[mediawikiwiki:Talk:VisualEditor/Portal|mw:Talk:VisualEditor/Portal]]. You do not need to attend the meeting to nominate a bug for consideration as a Q4 blocker. Instead, go to Phabricator and "associate" the [[phab:tag/editing_department_2014_15_q4_blockers/|Editing team's Q4 blocker project]] with the bug.
* If your Wikivoyage, Wikibooks, Wikiversity, or other community wants to have VisualEditor made available by default to contributors, then please contact [[:meta:User:Jdforrester (WMF)|James Forrester]].
* If you would like to request the Citoid automatic reference feature for your wiki, please post a request in the [[phab:tag/citoid/|Citoid project on Phabricator]]. Include links to the [[:mw:Help:TemplateData|TemplateData]] for the most important citation templates on your wiki.

Subscribe, unsubscribe or change the page where this newsletter is delivered at [[m:VisualEditor/Newsletter|Meta]]. If you aren't reading this in your favorite language, then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact us] directly, so that we can notify you when the next issue is ready. Thank you! [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)#top|talk]]) 17:31, 6 June 2015 (UTC)


== Ping ==

Hi Adam,

I don't know how closely you’ve followed [[:m: Research:VisualEditor's effect on newly registered editors/May 2015 study|the research project about VisualEditor]], but since they will be moving into the data analysis phase before long, I wanted to personally ask a few "regulars" at [[WP:VEF]] to let me know if they’d seen anything unusual during the last week or two. (It's been a while since you've posted much there, but you're still [https://tools.wmflabs.org/xtools-articleinfo/index.php?article=Wikipedia:VisualEditor/Feedback&lang=en&wiki=wikipedia in the top 10 all-time editors] at WP:VEF.) Anyway, if you've seen anything or have any thoughts on it, then please let me know. There's a thread open at [[Wikipedia:VisualEditor/Feedback#Test feedback]] if you want, or you can always leave a note at my talk page or send me e-mail. Thanks, [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 06:19, 7 June 2015 (UTC)

== POTD notification ==

[[File:Strobridge & Co. Lith.- Ben-Hur - Klaw & Erlanger's Stupendous Production.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/June 2015#Jun 30 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Strobridge & Co. Lith.- Ben-Hur - Klaw & Erlanger's Stupendous Production.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on June 30, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-06-30]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:59, 8 June 2015 (UTC)
{{-}}

==Jeeves==
[[File:My-man-jeeves-1st-edition.jpg|thumb|''[[My Man Jeeves]]'']]
*You enjoy literary images; was wondering if you wanted a go at [[:File:My-man-jeeves-1sr-edition.jpg]]. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 02:01, 9 June 2015 (UTC)

== Good to see you back ==

I hope your downtime was restful, or fruitful, or both. [[User:Tony1|'''Tony''']] [[User talk:Tony1|(talk) ]] 08:16, 12 June 2015 (UTC)

== A barnstar for you! ==

{| style="background-color: #fdffe7; border: 1px solid #fceb92;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" | [[File:Original Barnstar Hires.png|100px]]
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" | '''The Original Barnstar'''
|-
|style="vertical-align: middle; padding: 3px;" | I love it [[User:Azumah1|Azumah1]] ([[User talk:Azumah1|talk]]) 14:44, 15 June 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Un ballo in maschera]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 20:40, 15 June 2015 (UTC)
|}
==Thank you for the support==
[[File:South Beach Miami Classic Olds Mobile by D Ramey Logan.jpg|thumb|South Beach Miami]]

==[[Wikipedia:Featured picture candidates/I Lombardi alla prima crociata]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 01:04, 19 June 2015 (UTC)
|}

== Ideas ==

Hi, Adam.

I saw your comment at VPPR, and it looks like you might not have finished. (You seemed to be starting a numbered list, but there’s only one item in it. ;-) Anyway, I thought you might like to know that they're working on a GuidedTour for VisualEditor (read up on it at [[phab:T89074]] and [[phab:T101481]]). They're also currently working on some animated tutorials, like [/media/wikipedia/commons/d/de/VisualEditor_-_demonstration_of_auto-cite_creation.gif this one] (a few other ideas listed at [[phab:T101211]]). If you've got more ideas, then leaving a note at [[WP:VEF]] or directly on the Phab tasks might be good. Thanks, [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 06:32, 20 June 2015 (UTC)

:Hi [[User:Adam Cuerden|Adam]], and thanks for the note. I'm dubious that experienced editors would accept yet another button cluttering up the upper right. Name, Echo, Talk, Sandbox, Prefs, Beta, Watchlist, Contributions, Log out (and the UTC clock for me) ''plus'' "Show/Hide VisualEditor" might be wider than some people's screens, especially if the screen is small and the fonts need to be large. The team has been looking at other options for asking editors if they want to opt-in, like a small pop-up note (try going to [[el:Special:Random]] – that might trigger the big pop-up that the Content Translation tool is using). It's complicated, though: if a notice is big enough (or bright enough, or whatever) to be noticed by most people, then it's big enough to be very annoying to some people. There are no options that are both "effective" and "unnoticeable". I've been thinking about another watchlist notice, or maybe a sitenotice (maybe one set to display only on 1% of page views or only once per account). I suppose that the current discussion is likely to have an unintended side effect as a sort of 'opt-in reminder', too.
:I've talked to the team in the past about help buttons, and the goal is to include in-context help where it's needed, and otherwise to omit it. You can see an example of this in the Media dialog. Add or edit an image, and then look for the (?) icons next to the caption and alt text fields. They have several tasks on their list related to this idea, and the Design Research team is testing different components to see which need help. However, in the study, the people who had VisualEditor were able to successfully make just as many unreverted edits as those who didn't, so there's no logical reason to delay access over these improvements. I also watched the usual on-wiki help forums during the test, and I saw no problems related to VisualEditor. If you have suggestions for specific places to add in-context help, then please leave a note with details at [[WP:VEF]].
:There are plans to eventually integrate the editing environments, with the ability to switch back and forth at will. It'll look more like what they do in Mobile – first you open the editor, and then you switch to VisualEditor if/when you want to. (It's supposed to remember what you used for the last edit, so if you like VisualEditor, you won't have to switch every single time.) But this is a couple of years out.
:You can make links in VisualEditor without taking your hands off your keyboard. I made [https://en.wikipedia.org/w/index.php?title=User:Whatamidoing_(WMF)/sandbox&diff=667797660&oldid=667554726 this link] without taking my hands off the keyboard until I needed to click the final "Save" button. {{key press|Control|Option|v}} opens VisualEditor. I typed the sentence, selected a word, and typed {{key press|Control|Option|k}} to open the link tool (I'm told that 'k' matches the shortcut in Google Docs and Microsoft Office). I used arrow keys to select the link target, and {{key press|Enter}} to close it. {{key press|Control|Option|s}} opens the Save dialog, where I typed the edit summary. The only thing I can't do from the keyboard is click the final "Save" button – and that's planned at [[phab:T98105]]. [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 19:00, 20 June 2015 (UTC)

== Carl Nielsen ==

Thanks, Adam, for taking an interest in this article and adding a new photograph of Carl Nielsen. Unfortunately it cannot be included until we have established its first date of publication. We went through a series of problems with photographs of Nielsen when the article was under examination for FA. I have in fact identified a number of early illustrated publications on Nielsen and will obtain them from the library when I return to Denmark in a couple of weeks time. Until then, I think it is safer to keep those that have been approved.--[[User:Ipigott|Ipigott]] ([[User talk:Ipigott|talk]]) 08:49, 20 June 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Giovanna d'Arco]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 18:36, 21 June 2015 (UTC)
|}

== ''The Bugle'': Issue CXI, June 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/June 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/June 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/June 2015/Book reviews|Recent external reviews]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/June 2015/Op-ed|TomStar81 on the new technology of World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/June 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 13:38, 23 June 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/Les Troyens Set]] ==


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, Les Troyens vocal score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, Les Troyens vocal score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:43, 23 June 2015 (UTC)
|}


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, La Prise de Troie score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, La Prise de Troie score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:43, 23 June 2015 (UTC)
|}


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:43, 23 June 2015 (UTC)
|}

== POTD notification ==

[[File:Portrait of ASTP crews - restoration.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 15 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Portrait of ASTP crews - restoration.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 15, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-15]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:56, 24 June 2015 (UTC)
{{-}}

== FPs for FC ==

Hey Adam, I was just checking in to see whether you would be able to get the FPs done for FC this week -- we would like to publish in 24-36 hours or so. If you could let me know either way, that'd be great. Thanks -- '''[[User:Go Phightins!|Go]] [[User talk:Go Phightins!|''Phightins'']][[Special:Contributions/Go Phightins!|!]]''' 03:00, 24 June 2015 (UTC)

== POTD notification ==

[[File:Vertigomovie restoration.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 18 - Sat|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Vertigomovie restoration.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 18, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-18]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:16, 27 June 2015 (UTC)

==Spelling==

[https://en.wikipedia.org/w/index.php?title=Giuseppe_Verdi&curid=12958&diff=669028964&oldid=669026686 The word is "occurrence"].

This service is brought to you by Anal Pedants International Inc. -- [[User:JackofOz|Jack of Oz]] [[User talk:JackofOz#top|[pleasantries]]] 11:45, 28 June 2015 (UTC)
:{{ping|JackofOz}} Dagnabbit, I'm usually better about that. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 11:49, 28 June 2015 (UTC)

== Help needed ==

Hi Adam, are you interested in helping out with this? [[Wikipedia:Labels/VE experiment edits]] [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 16:44, 28 June 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Carl Nielsen]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Carl Nielsen c. 1908 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Carl Nielsen c. 1908 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 23:57, 28 June 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Kue]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Jajan Pasar in Jakarta edit.JPG|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Jajan Pasar in Jakarta edit.JPG]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:58, 29 June 2015 (UTC)
|}

:Thank you for your nomination and support for the kue jajan pasar image. I do really appreciate it, this is my first featured picture, ''terima kasih''. ''[[User:Gunkarta|Gunkarta]]''  ''[[User talk:Gunkarta|talk]]''  06:15, 30 June 2015 (UTC)

==[[Wikipedia:Featured picture candidates/La traviata]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, La traviata title page - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, La traviata title page - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 12:11, 30 June 2015 (UTC)
|}

== Question ==

You've done an outstanding job on the restoration on the linking of the first transcontinental railroad image, and for that I owe you some thanks, however before I give it I have a question for you: since you are much better at locating and restoring images than I am, would you be interested in taking on another D&R nomination from me existing FP stock? [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 19:54, 1 July 2015 (UTC)
:The image in question is [[:File:USS Pennsylvania moving into Lingayen Gulf.jpg]] (my very first FPC success story, incidentally :) Nommed by me back in August of 2005, the photo is coming up on 10 years as an FP but is below the current size limit for FPs, and to complicate matters there are two versions floating around, the featured version and a derivative linked from the page that shows the radar mast (apparently that got altered due to WWII censorship). I'd like to get the current FP switched to the version with radar mast included, but unless a higher resolution photo with the radar mast can be located the only success I'd have at FPC would be obtaining consensus to delist and replace with [[:File:USS PENNSYLVANIA and battleship of COLORADO class followed by three cruisers move in line into Lingayen Gulf... - NARA - 520627.tif]], an image with the need resolution but in need of a little TLC. If you know where we might find a version with the need resolution and the radar mast it would be the jackpot, but I'd settle for the second linked image restored to have a classic image updated to to meet current FP guidelines. Can you help? [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 05:37, 2 July 2015 (UTC)
::[[:File:US warships entering Lingayen Gulf 1945.jpg|Here's the one with the radar mast.]] [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 05:43, 2 July 2015 (UTC)
:::I'll defer to your judgement on that one then, although I did notice (having finally looked closely at both versions) that every other ship in both photos save but for ''Pennsylvania'' (the lead ship) has radar masts regardless of which version is used. In either event, would it be possible to restore the hi-res version for a delist-and-replace FP nomination? I would like for this one to remain an FP, but to do that I need some help. [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 03:43, 5 July 2015 (UTC)

== POTD notification ==

[[File:Henry Atwell Thomas - Franz von Suppé - Fatinitza.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 23 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Henry Atwell Thomas - Franz von Suppé - Fatinitza.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 23, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-23]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:26, 4 July 2015 (UTC)
: Nice memories when seeing it on the Main page, --[[User:Gerda Arendt|Gerda Arendt]] ([[User talk:Gerda Arendt|talk]]) 12:59, 23 July 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/Robinson Crusoé]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Jacques Offenbach - A. Jannin - Robinson Crusoé.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Jacques Offenbach - A. Jannin - Robinson Crusoé.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:37, 4 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Rigoletto redux]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 09:04, 5 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Funeral of Alfonso XII of Spain]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Death of King Alfonso XII of Spain.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Death of King Alfonso XII of Spain.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:50, 5 July 2015 (UTC)
|}

==Disambiguation link notification for July 5==

Hi. Thank you for your recent edits. Wikipedia appreciates your help. We noticed though that when you edited [[Samuel J. Randall]], you added a link pointing to the disambiguation page [[Joseph Blackburn]] ([http://dispenser.homenet.org/~dispenser/cgi-bin/dablinks.py/Samuel_J._Randall check to confirm] | [http://dispenser.homenet.org/~dispenser/cgi-bin/dab_solver.py/Samuel_J._Randall fix with Dab solver]). Such links are almost always unintended, since a disambiguation page is merely a list of "Did you mean..." article titles. Read the [[User:DPL bot/Dablink notification FAQ|FAQ]]{{*}} Join us at the [[Wikipedia:Disambiguation pages with links|DPL WikiProject]].

It's OK to remove this message. Also, to stop receiving these messages, follow these [[User:DPL bot|opt-out instructions]]. Thanks, [[User:DPL bot|DPL bot]] ([[User talk:DPL bot|talk]]) 18:12, 5 July 2015 (UTC)

== The Wikipedia Library needs you! ==

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 Send on behalf of [[Wikipedia:The Wikipedia Library|The Wikipedia Library]] using [[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 04:31, 7 July 2015 (UTC)


==[[Wikipedia:Featured picture candidates/L'éclair]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Fromental Halévy, L'Éclair score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Fromental Halévy, L'Éclair score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:32, 7 July 2015 (UTC)
|}

== Image at Ray Charles discography ==

Hi, can you maybe tell me why the image is not working in the infobox at [[Ray Charles discography]]? 
Thanks in advance, [[User:Coldbolt|Coldbolt]] ([[User talk:Coldbolt|talk]]) 19:10, 8 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Ariadne auf Naxos]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Strauss, Richard - Ariadne auf Naxos - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Strauss, Richard - Ariadne auf Naxos - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:30, 9 July 2015 (UTC)
|}

== [[Wikipedia:Featured picture candidates/Westerlund 2]] ==

Could you close this for me? [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 20:24, 10 July 2015 (UTC)
== POTD notification ==

[[File:Bird's eye view of Detroit, Michigan, 1889 - . Calvert Lithographing Co..jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 30 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Bird's eye view of Detroit, Michigan, 1889 - . Calvert Lithographing Co..jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 30, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-30]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:26, 11 July 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/My Man Jeeves]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:P.G. Wodehouse - My Man Jeeves - 1st American edition (1920 printing) - Crop.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:P.G. Wodehouse - My Man Jeeves - 1st American edition (1920 printing) - Crop.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 02:50, 13 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/William Tell Told Again]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Philip Dadd - P. G. Wodehouse - William Tell Told Again (Cover).jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Philip Dadd - P. G. Wodehouse - William Tell Told Again (Cover).jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 16:54, 13 July 2015 (UTC)
|}

== Signpost Featured Content ==
Hi, Adam, 
I have been organizing the Signpost archives and have gotten through almost all 10 1/2 years of issues and I just wanted to say how beautiful the Featured Content page has become. If you look through older issues ([[:Category:Wikipedia Signpost Featured content archives]]), you can see how the Featured Content page used to be a list of articles that had reached FA status and a few thumbnail images. 
But now it is just visually gorgeous. I know it takes a lot of work and several editors each week to produce such a high quality article. But having seen what the page used to look like has just made me appreciate the current state of the page even more and I wanted to tell you that. [[User:Liz|'''''L'''''iz]] [[Special:Contributions/Liz|'''''Read!''''']] [[User talk:Liz|'''''Talk!''''']] 21:04, 14 July 2015 (UTC)

== Family Quarrels ==

Adam, you may like the image I have included in [[Family Quarrels|this new article]]. Best, --[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 18:11, 15 July 2015 (UTC)

== Fixing ==

Hey Adam,

While creating the FP nomination of [[Wikipedia:Featured picture candidates/Shrinika performing Abhinaya]], I got missed something, the caption is not showing the direct link to the page, could you try fixing it ? I tried but again it was getting confused. [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 20:44, 15 July 2015 (UTC)

*Thank you so much. I have added the image to the article [[Abhinaya]]. How is it now ? [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 20:54, 15 July 2015 (UTC)

*Adam, kindly have a look at [[:Sana Althaf|this]]. I have requested Criso also to check this out. Am not that confident but still, feel to keep, check it out once and either way comment please. [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 21:16, 15 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Aida: Act IV Scene 2]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 20:44, 16 July 2015 (UTC)
|}

== FA review ==

Hi Adam,

A couple of weeks ago you posted a helpful image review at [[Wikipedia:Featured article candidates/Hu Zhengyan/archive1]], for which I posted some requests for clarification. I hate to pester, but would you mind looking them over and replying? The review's been up for over a month now, and I'm concerned about it getting archived. Much obliged, [[User:Yunshui|Yunshui]] [[User talk:Yunshui|雲]][[Special:Contributions/Yunshui|水]] 08:20, 17 July 2015 (UTC)
:Hi Adam. Sorry to bother you again, but if you could at least find time to comment on the letter image at some point I'd be very grateful. [[User:Yunshui|Yunshui]] [[User talk:Yunshui|雲]][[Special:Contributions/Yunshui|水]] 09:32, 27 July 2015 (UTC)
::I don't know if you've seen this or not, but the article's now been promoted and the FA review closed. However, if you'd like to further discuss the images or help out in improving them, please do feel free to post to the talkpage there; I'd be glad of your help. [[User:Yunshui|Yunshui]] [[User talk:Yunshui|雲]][[Special:Contributions/Yunshui|水]] 08:47, 3 August 2015 (UTC)

==Talkback==
{{talkback|Roscelese|ts=18:00, 17 July 2015 (UTC)}}
–[[User:Roscelese|Roscelese]] ([[User talk:Roscelese|talk]] ⋅ [[Special:Contributions/Roscelese|contribs]]) 18:00, 17 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Verdi conducts Aida]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Verdi conducting Aida in Paris 1880 - Gallica - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Verdi conducting Aida in Paris 1880 - Gallica - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 16:10, 19 July 2015 (UTC)
|}

== Thank you very much :-)! ==

It's a nice thought to remember a friend, and it's very useful :-). Thanks! [[User:Dryopterisery|Dryopterisery]] ([[User talk:Dryopterisery|talk]]) 17:08, 19 July 2015 (UTC)

== POTD notification ==
[[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 18 - The Taking of Lungtungpen 1.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/August 2015#Aug 8 - Sat|POTD]]]]
[[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 19 - The Taking of Lungtungpen 2.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/August 2015#Aug 8 - Sat|POTD]]]]
Hi Adam,

Just to let you know, the Featured Pictures [[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 18 - The Taking of Lungtungpen 1.jpg]] and [[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 19 - The Taking of Lungtungpen 2.jpg]] are due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on August 8, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-08-08/1]] and [[Template:POTD/2015-08-08/2]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 01:17, 20 July 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/Médée]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Cherubini, Luigi - Medea - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Cherubini, Luigi - Medea - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 03:02, 21 July 2015 (UTC)
|}

== ''The Bugle'': Issue CXII, July 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/July 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/July 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/July 2015/Book reviews|Recent external reviews]]''
* Review essay: ''[[Wikipedia:WikiProject Military history/News/July 2015/Review essay|Nick-D on sourcing articles about bombing a battleship]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/July 2015/Op-ed|TomStar81 on the role of nursing in World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/July 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 22:34, 22 July 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/delist/A Negress]] ==

Could you close this delist nomination for me? (This isn't automated, it's enough if you do step 1. I can do the others, if you want.) [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 13:13, 24 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/La forza del destino]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:23, 24 July 2015 (UTC)
|}

== GV GA ==

Oops! Looks like we inadvertently clashed with our edits (at 06:58) - I will stand back now until you are through - many thanks for your care- best,--[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 07:22, 26 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Ceiling of the Santa Maria della Vittoria in Rome]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Santa Maria della Vittoria in Rome - Ceiling.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Santa Maria della Vittoria in Rome - Ceiling.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:19, 26 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/La favorite]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:51, 27 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Aida at Masada, Isræl]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:PikiWiki Israel 13773 AIDA AT MASADA 2011.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:PikiWiki Israel 13773 AIDA AT MASADA 2011.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 01:07, 27 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Béatrice et Bénédict]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, Béatrice et Bénédict score title page - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, Béatrice et Bénédict score title page - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:19, 30 July 2015 (UTC)
|}
==The relentless...==
...march of [https://www.youtube.com/watch?v=rjt2_Z5Nrbs&app=desktop technology!] [[User:Sca|Sca]] ([[User talk:Sca|talk]]) 14:04, 30 July 2015 (UTC)

== Summerhill ==

Hi Adam, I'm a big admirer of your restoration work. Do you take requests? I use [[:File:SummerhillSchool.jpg]] in a whole lot of articles and it would be great to have it fixed up to FP quality. (I'm trying to secure a few more images of historic figures in alternative education too, if you'd be interested.) – [[user talk:czar|czar]] 04:53, 31 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Ambroise Thomas]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Wilhelm Benque - Photograph of Ambroise Thomas.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Wilhelm Benque - Photograph of Ambroise Thomas.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 06:28, 31 July 2015 (UTC)
|}

== Invitation to participate in an interview ==

Hi Adam, Ian Rose and I are hoping to run a group interview with some of the editors who have worked on military history-themed FPs in the next issue of ''The Bugle'' and we'd like to invite you to participate. If you have time, I'd appreciate it if you could post responses at [[Wikipedia:WikiProject Military history/News/August 2015/Interview]] by 14 August. Please let me know if you have any questions. Regards, [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 11:27, 2 August 2015 (UTC)
:Thanks a lot for your responses Adam [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 00:24, 7 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Attila]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:36, 2 August 2015 (UTC)
|}

== September and October ''Bugle'' ==

Hi Adam, Nick and I find what we'll both be travelling in September and October so was wondering if you'd be able to organise FPs for the ''Bugle'' for those months' issues. We should be able to organise the other parts of the ''Bugle'' through the MilHist coordinators but be great if you could handle FPs while we're away (of course happy for you to do them any time but September and October will be particularly helpful). Cheers, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) 05:55, 3 August 2015 (UTC)
:{{ping|Ian Rose}} I should be able to. If nothing else, today marks the end of what was a very stressful waiting game, and I can't help but feel that, good or bad, I'll be better in a month from today than I've been in any of the three stressful months prior. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 06:30, 3 August 2015 (UTC)
::That's great to hear, Adam -- on all counts! Cheers, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) 06:32, 3 August 2015 (UTC)
:::Thanks also from me Adam [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 08:41, 3 August 2015 (UTC)

==LOUDER==
Hi Adam. FYI, I found a bunch more audio files that are great except for audibility. Many of them have little or no static. However, instead of asking you or [[User:Graham87]] to boost the volume, I did [https://commons.wikimedia.org/wiki/User_talk:Pdproject this]. Cheers.[[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 21:06, 3 August 2015 (UTC)
::In case you and/or [[User:Graham87]] is interested, [https://en.wikipedia.org/wiki/Wikipedia:Sound/list#Pdproject here's a link to updated information about this]. [[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 22:46, 3 August 2015 (UTC)

== Louder but now in very bad quality ==
Hi Adam. Thank you for handling our audio files.
The sound is louder but the quality has deteriorated massively by your edit (original 102 MB, your edit with 38 MB). You cannot use a standard filter program to edit sound of shellac discs, because 78 rpm records have no RIAA curve (the most filter programs uses RIAA or DECCA). The linear increase of the mid frequencies make the music louder, but reduces the quality drastically! We digitize all gramophone records without the use of any filtering software in studio quality with professional audio equipment in 24-Bit/192 kHz. Files which we have digitized before August 2014 we will replace in the next months with a file in better quality. Commons users are warmly welcome to improve the quality. Can you please upload a new file in better quality? Thank you for your cooperation. [[User:Pdproject|Pdproject]] ([[User talk:Pdproject|talk]]) 22:50, 4 August 2015 (CET) - more infos: [[w:Wikipedia:Sound/list#Pdproject|Sound/list#Pdproject]]
::I know very little about restoring sound from old records. But I'm glad to learn. There's a [[Record restoration|Wikipedia article about it here]]. [[User:Pdproject]], the original file that you uploaded to Wikimedia Commons is still available without any alterations, and Adam merely created a separate file. If Adam does as you have requested, and replaces the separate file with one that has 102 MB, will it sound better or worse to us, or will we not be able to tell the difference? <s>In any event, you will be replacing the original file with a better one soon, and so any improvement that Adam makes now in the separate file he created will become insufficient once you replace the original file?</s> Cheers.[[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 16:28, 5 August 2015 (UTC)
:::I have started a table [[Wikipedia:Sound/list#Noise_filtering|here]] showing some very successful music restoration efforts here at Wikipedia. Adam, please feel free to add items to the list. Cheers.[[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 17:27, 6 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Don Carlo]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:00, 4 August 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Otello Act I set design model]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Marcel Jambon - Giuseppe Verdi - Otello Act I set design model.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Marcel Jambon - Giuseppe Verdi - Otello Act I set design model.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:50, 6 August 2015 (UTC)
|}

== Moving Burma to Myanmar - new 2015 poll ==

You participated in a Burma RM in the past so I'm informing you of another RM. I hope I didn't miss anyone. [[Talk:Burma#Requested_move_7_August_2015|New move attempt of Burma>Myanmar]] [[User:Fyunck(click)|Fyunck(click)]] ([[User talk:Fyunck(click)|talk]]) 08:09, 7 August 2015 (UTC)

== VisualEditor News #4—2015 ==

''[[:m:VisualEditor/Newsletter/2015/August|Read this in another language]] • [[:w:en:Wikipedia:VisualEditor/Newsletter|Local subscription list]] • [[:m:VisualEditor/Newsletter|Subscribe to the multilingual edition]]''

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

You can add quotations marks before and after a title or phrase with a single click.

Select the relevant text. Find the correct quotations marks in the special character inserter tool (marked as Ω in the toolbar). 
[[File:VisualEditor Special character inserter quotation 2.png|alt=Screenshot showing the special character tool, selected text, and the special character that will be inserted|centre|frameless|230px]]
 
Click the button. VisualEditor will add the quotation marks on either side of the text you selected.
 
[[File:VisualEditor Special character inserter quotation 3.png|alt=Screenshot showing the special character tool and the same text after the special character has been inserted|centre|frameless|230px]]
 
You can read and help translate [[:mw:VisualEditor/User guide|the user guide]], which has more information about how to use VisualEditor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|Editing Team]] have been working on mobile phone support. They have fixed many bugs and improved language support. They post weekly status reports [[mw:VisualEditor/changelog|on mediawiki.org]]. Their workboard is available [[phab:project/board/483/|in Phabricator]]. Their [[mediawikiwiki:VisualEditor/Current_priorities|current priorities]] are improving language support and functionality on mobile devices.

=== Wikimania ===
The team attended Wikimania 2015 in Mexico City. There they participated in the Hackathon and met with individuals and groups of users. They also made several presentations [[c:File:How_we_made_VisualEditor_faster.pdf|about VisualEditor]] and the [https://commons.wikimedia.org/w/index.php?title=File%3AWikimania_2015_–_Editing_Department_–_Beyond_Editing.pdf&page=5 future of editing].

Following Wikimania, we announced winners for the [https://translatewiki.net/wiki/Project:VisualEditor/2015_Translathon VisualEditor 2015 Translathon]. Our thanks and congratulations to users ''Halan-tul'', ''Renessaince'', ''जनक राज भट्ट (Janak Bhatta)'', ''Vahe Gharakhanyan'', ''Warrakkk'', and ''Eduardogobi''.

For '''interface messages''' (translated at [https://translatewiki.net translatewiki.net]), we saw the initiative affecting 42 languages. The average progress in translations across all languages was 56.5% before the translathon, and 78.2% after ('''+21.7%'''). In particular, Sakha improved from 12.2% to 94.2%; Brazilian Portuguese went from 50.6% to 100%; Taraškievica went from 44.9% to 85.3%; Doteli went from 1.3% to 41.2%. Also, while 1.7% of the messages were outdated across all languages before the translathon, the percentage dropped to 0.8% afterwards (-0.9%).

For '''documentation messages''' (on mediawiki.org), we saw the initiative affecting 24 languages. The average progress in translations across all languages was 26.6% before translathon, and 46.9% after ('''+20.3%'''). There were particularly notable achievements for three languages. Armenian improved from 1% to 99%; Swedish, from 21% to 99%, and Brazilian Portuguese, from 34% to 83%. Outdated translations across all languages were reduced from 8.4% before translathon to 4.8% afterwards (-3.6%).

[https://translatewiki.net/wiki/Project:VisualEditor/2015_Translathon#Graphs_(interface_messages_only) We published some graphs] showing the effect of the event on the Translathon page. [[File:Face-smile.svg|18px]] '''Thank you''' to the translators for participating and the translatewiki.net staff for facilitating this initiative.

=== Recent improvements ===
'''Auto-fill features for citations''' can be enabled on each Wikipedia. The tool uses the '''[[:mw:Citoid|citoid service]]''' to convert a [[:en:URL|URL]] or [[:en:Digital object identifier|DOI]] into a pre-filled, pre-formatted bibliographic citation. You can see an animated GIF of the quick, [[mediawikiwiki:VisualEditor/GIFs#Auto-citing_a_source|simple process at mediawiki.org]]. So far, about a dozen Wikipedias have enabled the auto-citation tool. To enable it for your wiki, follow the [[mediawikiwiki:Citoid/Enabling_Citoid_on_your_wiki|instructions at mediawiki.org]].

Your wiki can customize the first section of the '''special character inserter''' in VisualEditor. Please follow the [[mw:VisualEditor/Special_characters|instructions at mediawiki.org]] to put the characters you want at the top.

In other changes, if you need to fill in a [[:mw:CAPTCHA|CAPTCHA]] and get it wrong, then you can click to get a new one to complete. VisualEditor can now display and edit [[mediawikiwiki:Extension:Graph|Vega-based graphs]]. If you use the Monobook skin, VisualEditor's appearance is now more consistent with other software.

=== Future changes ===
The team will be changing the '''appearance of selected links''' inside VisualEditor. The purpose is to make it easy to see whether your cursor is inside or outside the link. When you select a link, the link label (the words shown on the page) will be enclosed in a faint box. If you place your cursor inside the box, then your changes to the link label will be part of the link. If you place your cursor outside the box, then it will not. This will make it easy to know when new characters will be added to the link and when they will not.

On the English Wikipedia, 10% of newly created accounts are now offered both the visual and the wikitext editors. A [[m:Research:VisualEditor's_effect_on_newly_registered_editors/May_2015_study|recent controlled trial]] showed no significant difference in survival or productivity for new users in the short term. New users with access to VisualEditor were very slightly less likely to produce results that needed reverting. You can learn more about this by watching a video of the [[mediawikiwiki:Wikimedia_Research/Showcase#July_2015|July 2015 Wikimedia Research Showcase]]. The proportion of new accounts with access to both editing environments will be gradually increased over time. Eventually all new users have the choice between the two editing environments.

=== Let's work together ===
* Share your ideas and ask questions at [[Wikipedia:VisualEditor/Feedback]].
* Can you read and type in Korean or Japanese? Language engineer [[mw:User:DChan (WMF)|David Chan]] needs people who know which tools people use to type in some languages. If you speak Japanese or Korean, you can help him test support for these languages. Please see the instructions at [[mw:VisualEditor/IME Testing#What to test]] if you can help.
* If your wiki would like '''VisualEditor enabled on another namespace''', you can file a request in Phabricator. Please include a link to a community discussion about the requested change.
* Please file requests for language-appropriate "{{Int:visualeditor-annotationbutton-bold-tooltip}}" and "{{Int:visualeditor-annotationbutton-italic-tooltip}}" icons for the styling menu [https://phabricator.wikimedia.org/maniphest/task/create/?projects=PHID-PROJ-dafezmpv6huxg3taml24 in Phabricator].
* The design research team wants to see how real editors work. Please [https://jfe.qualtrics.com/form/SV_6R04ammTX8uoJFP sign up for their research program].
* The weekly task triage meetings continue to be open to volunteers, usually on Tuesdays at 12:00 (noon) PDT (19:00 UTC). Learn how to join the meetings and how to nominate bugs at [[:mw:VisualEditor/Weekly triage meetings|mw:VisualEditor/Weekly triage meetings]]. You do not need to attend the meeting to nominate a bug for consideration as a Q1 blocker, though. Instead, go to Phabricator and "associate" the main [[phab:project/profile/483/|VisualEditor project]] with the bug.

If you aren't reading this in your favorite language, then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact Elitre] directly, so that she can notify you when the next issue is ready. Thank you! [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)#top|talk]]) 00:01, 8 August 2015 (UTC)


== [[Wikipedia:Featured picture candidates/Hudson's Soap advertisement]] ==


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Advertisement for Hudson's Soap with policemen (front). Wellcome L0069078 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Advertisement for Hudson's Soap with policemen (front). Wellcome L0069078 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 19:25, 9 August 2015 (UTC)
|}


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Advertisement for Hudson's Soap with policemen (back). Wellcome L0069077 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Advertisement for Hudson's Soap with policemen (back). Wellcome L0069077 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 19:25, 9 August 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Albert Reiss LOC ggbain-25651.jpg]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Albert Reiss LOC ggbain-25651.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Albert Reiss LOC ggbain-25651.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:19, 13 August 2015 (UTC)
|}

== Flash Player image ==

Hi, Adam. Could you upload [http://www.gahetna.nl/collectie/afbeeldingen/fotocollectie/zoeken/weergave/detail/q/id/ad6f6eda-d0b4-102d-bcf8-003048976d84 this one] in full resolution to Commons? We currently have him from the same source, but [[:File:Mikhail Tal 1988.jpg|this is noticeably cropped]] and the original seems to be absent. I've tried Dezoomify and View page info in Firefox, but neither worked for me. [[User:Brandmeister|Brandmeister]][[User talk:Brandmeister|talk]] 15:55, 13 August 2015 (UTC)

== POTD notification ==

[[File:Ethel Waters - William P. Gottlieb.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/September 2015#Sep 1 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Ethel Waters - William P. Gottlieb.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on September 1, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-09-01]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 01:10, 15 August 2015 (UTC)
{{-}}

== Copyright ==

Adam,

[[:File:Idukki Dam 1974.jpg|This]] has come to my attention while searching for some interesting things about [[Idukki Dam]]. Am not sure, but I felt this must be a copyrighted property of some other people, kindly have a look. [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 13:51, 15 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Gilbert Duprez as Gaston in Giuseppe Verdi's Jérusalem]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 17:36, 15 August 2015 (UTC)
|}

==Disambiguation link notification for August 21==

Hi. Thank you for your recent edits. Wikipedia appreciates your help. We noticed though that when you edited [[Urania's Mirror]], you added a link pointing to the disambiguation page [[Magnitude]] ([http://dispenser.homenet.org/~dispenser/cgi-bin/dablinks.py/Urania%27s_Mirror check to confirm] | [http://dispenser.homenet.org/~dispenser/cgi-bin/dab_solver.py/Urania%27s_Mirror fix with Dab solver]). Such links are almost always unintended, since a disambiguation page is merely a list of "Did you mean..." article titles. Read the [[User:DPL bot/Dablink notification FAQ|FAQ]]{{*}} Join us at the [[Wikipedia:Disambiguation pages with links|DPL WikiProject]].

It's OK to remove this message. Also, to stop receiving these messages, follow these [[User:DPL bot|opt-out instructions]]. Thanks, [[User:DPL bot|DPL bot]] ([[User talk:DPL bot|talk]]) 09:06, 21 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Simon Boccanegra]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:27, 21 August 2015 (UTC)
|}

== ''The Bugle'': Issue CXIII, August 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/August 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/August 2015/Articles|Last month's new Featured and A-Class content]]''
* Book reviews: ''[[Wikipedia:WikiProject Military history/News/August 2015/Book reviews|Nick-D on the Second Schleswig War]]''
* Interview: ''[[Wikipedia:WikiProject Military history/News/August 2015/Interview|Featured picture participants]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/August 2015/Op-ed|TomStar81 on Indian nationalism during World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/August 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 11:45, 22 August 2015 (UTC)
</div>


== [[:File:General Winter.jpg]] ==

Could you check, whether [http://gallica.bnf.fr/ark:/12148/bpt6k717191c.r=.langEN this Gallica file] has a higher resolution version than [[:File:General Winter.jpg|1,024 × 1,540]]? Regards, [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 18:41, 23 August 2015 (UTC)
:{{ping|Armbrust}} Most definitely. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 05:37, 26 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Christoph Willibald Gluck]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Joseph Siffred Duplessis - Christoph Willibald Gluck - Google Art Project.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Joseph Siffred Duplessis - Christoph Willibald Gluck - Google Art Project.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:42, 26 August 2015 (UTC)
|}

==[[Urania's Mirror]]==
Adam, I'm giving you a hard time on the FAC, but only because I like the the article and think that while close it is not quite there yet. My sence is that with a little more it should do. [[User:Ceoil|Ceoil]] ([[User talk:Ceoil|talk]]) 08:11, 29 August 2015 (UTC)

== Request for restoration ==

Adam, could you do one of your fine restoration jobs on [[:File:Conestoga wagon on Oregon_Trail - NARA - 286056.jpg]]? I would be happy if you nominated it at FPC when you've finished. Thanks, --[[User:Pine|Pine]][[User talk:Pine|✉]] 16:47, 30 August 2015 (UTC)

==Fairy==
I was just going to ask if you'd had any time to do anything on that absinthe poster, but it looks like you are snowed under; do we have any other restorers that would be willing to do a restoration for a scantily clad beauty (not me; the poster model)? [[User:Belle|Belle]] ([[User talk:Belle|talk]]) 00:20, 1 September 2015 (UTC)

== Siegfried ==

Adam, could you please give me your opinion as to whether [[:File:Siegfried - Heinrich Gudehus.jpg]] qualifies for PD status? It seems to me to be unclear. Thanks and best regards, --[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 13:48, 1 September 2015 (UTC)
* Many thanks for helpful and incredibly speedy response. I'm trying to tidy up the individual Ring opera articles with a view maybe to GA/FA at some stage. At present they are not very well-written and they lean (too) heavily on Rackham for illustrations when I am sure there are many photos of historic productions around - as you've clearly demonstrated. The Paris set illustrations e.g. could be good. If you have time to sort out some good Ring photos over the near future I'd be very grateful. Also I'm seeking a good one for Lohengrin, where the infobox is currently using a snap from a not particularly special recent production. Best, --[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 16:42, 1 September 2015 (UTC)

== WikiCup 2015 September newsletter ==

The finals for the 2015 Wikicup has now begun! Congrats to the 8 contestants who have survived to the finals, and well done and thanks to everyone who took part in rounds 3 and 4.

In round 3, we had a three-way tie for qualification among the wildcard contestants, so we had 34 competitors. The leader was by far {{Wikipedia:WikiCup/Participant3|Casliber}} in Group B, who earned 1496 points. Although 913 of these points were bonus points, he submitted 15 articles in the DYK category. Second place overall was {{Wikipedia:WikiCup/Participant6|Coemgenus}} at 864 points, who although submitted just 2 FAs for 400 points, earned double that amount for those articles in bonus points. Everyone who moved forward to Round 4 earned at least 100 points.

The scores required to move onto the semifinals were impressive; the lowest scorer to move onto the finals was 407, making this year's Wikicup as competitive as it's always been. Our finalists, ordered by round 4 score, are:

#{{Wikipedia:WikiCup/Participant6|Casliber}}, who is competing in his sixth consecutive Wikicup final, again finished the round in first place, with an impressive 1666 points in Pool B. Casliber writes about the natural sciences, including ornithology, botany and astronomy. A large bulk of his points this round were bonus points.
#{{Wikipedia:WikiCup/Participant6|Godot13}}, second place both in Pool B and overall, earned the bulk of his points with FPs, mostly depicting currency.
#{{Wikipedia:WikiCup/Participant6|Cwmhiraeth}}, first in Pool A, came in third. His specialty is natural science articles; in Round 4, he mostly submitted articles about insects and botany. Five out of the six of the GAs he submitted were level-4 vital articles.
#{{Wikipedia:WikiCup/Participant6|Harrias}}, second in Pool A, took fourth overall. He tends to focus on articles about [[cricket]] and military history, specifically the 1640s [[First English Civil War]].
#{{Wikipedia:WikiCup/Participant6|West Virginian}}, from Pool A, was our highest-scoring wildcard. West Virginia tends to focus on articles about the history of (what for it!) the U.S. state of West Virginia.
#{{Wikipedia:WikiCup/Participant6|Rodw}}, from Pool A, likes to work on articles about British geography and places. Most of his points this round were earned from two impressive accomplishments: a GT about [[Wikipedia:Featured topics/Scheduled monuments in Somerset|Scheduled monuments in Somerset]] and a FT about [[Wikipedia:Featured topics/English Heritage properties in Somerset|English Heritage properties in Somerset]].
#{{Wikipedia:WikiCup/Participant6|Rationalobserver}}, from Pool B, came in seventh overall. RO earned the majority of her points from GARs and PRs, many of which were earned in the final hours of the round.
#{{Wikipedia:WikiCup/Participant6|Calvin999}}, also from Pool B, who was competing with RO for the final two spots in the final hours, takes the race for most GARs and PRs—48.

The intense competition between RO and Calvin999 will continue into the finals. They're both eligible for the Newcomers Trophy, given for the first time in the Wikicup; whoever makes the most points will win it.

Good luck to the finalists; the judges are sure that the competition will be fierce!

{{user|Figureskatingfan}}, {{user|Miyagawa}} and {{user|Sturmvogel 66}} 11:47, 2 September 2015 (UTC)


== CSS crop for [[Wikipedia:Featured picture candidates/Götterdämmerung Also Let's See If The Signpost Fixes the Nom Names this Week.|Götterdämmerung]] ==

I'm not a fan of the hard crop (which I learned from you). If [[User:Godot13/sandbox|this]] works for you, be my guest...--[[User:Godot13|Godot13]] ([[User talk:Godot13|talk]]) 08:05, 5 September 2015 (UTC)

== Question about Wikinews ==

hello Adam, I found my self in trouble on Wikinews. Now i found your article [https://meta.wikimedia.org/wiki/Proposals_for_closing_projects/Closure_of_English_Wikinews Proposal for closing of Wikinews]. Especially i am interested on on Paragraph Wikinews_actively_drives_users_of. It kind of describes my situation. Do you have any experience there?--[[Special:Contributions/85.94.172.236|85.94.172.236]] ([[User talk:85.94.172.236|talk]]) 16:03, 6 September 2015 (UTC)

== POTD notification ==

[[File:Tomb of Bibi Jawindi.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/October 2015#October 1 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Tomb of Bibi Jawindi.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on October 1, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-10-01]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:02, 7 September 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/Les contes d'Hoffmann (prologue)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, prologue.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, prologue.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 05:18, 7 September 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Les contes d'Hoffmann (Olympia act)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Olympia act.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Olympia act.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:28, 7 September 2015 (UTC)
|}

== FC ==

Hi Adam, since it looks like the regulars aren't available this week, I was asked to do FC. I hope you don't mind if I experiment a little in this one edition. Thanks and looking forward to your return. [[User:Tony1|'''Tony''']] [[User talk:Tony1|(talk) ]] 12:30, 8 September 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Les contes d'Hoffmann (Giulietta act)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:29, 8 September 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/File:Flickr - …trialsanderrors - Madam Ada Castello and Jupiter, poster for Ringling Brothers, ca. 1899.jpg]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Flickr - …trialsanderrors - Madam Ada Castello and Jupiter, poster for Ringling Brothers, ca. 1899.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Flickr - …trialsanderrors - Madam Ada Castello and Jupiter, poster for Ringling Brothers, ca. 1899.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:16, 10 September 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Götterdämmerung Also Let's See If The Signpost Fixes the Nom Names this Week.]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:01, 14 September 2015 (UTC)
|}

== ''The Bugle'': Issue CXIV, September 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: [[Wikipedia:WikiProject Military history/News/September 2015/Project news|''From the editors, coordinator elections have begun'']]
* Articles: [[Wikipedia:WikiProject Military history/News/September 2015/Articles|''Abbasids to a Yugoslav monitor'']]
* Book reviews: [[Wikipedia:WikiProject Military history/News/September 2015/Book reviews|''Economics of warfare, Japan, and light horse'']]
* Op-ed: [[Wikipedia:WikiProject Military history/News/September 2015/Op-ed|''We can (not) advance'']]
* Timeline: [[Wikipedia:WikiProject Military history/News/September 2015/World War I timeline|''This month in World War I'']]
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 05:08, 20 September 2015 (UTC)
</div>


== Help us improve wikimeets by filling in the UK Wikimeet survey! ==

Hello! I'm running a survey to identify the best way to notify Wikimedians about upcoming UK wikimeets (informal, in-person social meetings of Wikimedians), and to see if we can improve UK wikimeets to make them accessible and attractive to more editors and readers. All questions are optional, and it will take about 10 minutes to complete. Please fill it in at:
: https://www.surveymonkey.com/r/JJMNVVD

Thanks! [[User:Mike Peel|Mike Peel]] ([[User talk:Mike Peel|talk]]) 17:59, 20 September 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Pierre Gaveaux]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre Gaveaux by Edmé Quenedey (1821).jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre Gaveaux by Edmé Quenedey (1821).jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 03:46, 24 September 2015 (UTC)
|}

== [[Wikipedia:Featured picture candidates/Arrival of the Hungarians]] ==

Could you close [[Wikipedia:Featured picture candidates/Arrival of the Hungarians|this one]] for me? Regards, [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 07:32, 29 September 2015 (UTC)

== POTD notification (''Agir'') ==

[[File:S.M. Küstenpanzerschiff Ägir - restoration.jpg|thumb|100px|left|[[Wikipedia:Picture of the day/October 2015#Oct 15 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. Küstenpanzerschiff Ägir - restoration.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on October 15, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-10-15]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:28, 30 September 2015 (UTC)
{{-}}

==ITN==
FYI, I defended your honor [https://en.wikipedia.org/wiki/Talk:Main_Page#Oppose here.] [[User:Sca|Sca]] ([[User talk:Sca|talk]]) 15:49, 3 October 2015 (UTC)
:Sorry I missed the debate - I would have supported if I'd seen it in time. Though I doubt it would have made any difference.  — An [[User:Tivedshambo|'''optimist''']] on the ''[[User Talk:Optimist on the run|run]]!'' (logged on as [[User:Pek the Penguin|Pek the Penguin]]) 12:17, 5 October 2015 (UTC)

== FLRC notification ==

I have nominated [[List of major opera composers]] for [[Wikipedia:Featured list removal candidates/List of major opera composers/archive1|featured list removal here]]. Please join the discussion on whether this article meets the [[Wikipedia:What is a featured list?|featured list criteria]]. Articles are typically reviewed for two weeks; editors may declare to "Keep" or "Delist" the article's featured status. The instructions for the review process are [[Wikipedia:Featured list removal candidates|here]]. [[User:Giants2008|Giants2008]] ([[User talk:Giants2008|Talk]]) 00:28, 4 October 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Pluto (enhanced colour)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pluto-01 Stern 03 Pluto Color TXT.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Pluto-01 Stern 03 Pluto Color TXT.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 15:09, 5 October 2015 (UTC)
|}

==[[:commons:Category:Media contributed by KITLV]]==
*If you're looking for new ideas for restorations, check out [[:commons:Category:Media contributed by KITLV]]. I just found it. Images like [[:File:Hamengkoe Boewono VII, sultan van Jogjakarta, in uniform - Kassian Céphas - KITLV 10001.tif]] shouldn't be all that difficult. I wish I wasn't so busy with RL work; I'd leap in with both feet. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 14:10, 6 October 2015 (UTC)

== VisualEditor update ==

[[File:VisualEditor-logo-pacifico.svg|150px|left]]
:''This note is only delivered to [[Wikipedia:VisualEditor/Newsletter|English Wikipedia subscribers of the visual editor's newsletter]].''
The location of the visual editor's preference has been changed from the "Beta" tab to [[Special:Preferences#mw-prefsection-editing|the "Editing" section of your preferences]] on this wiki. The setting now says ''Temporarily disable the visual editor while it is in beta''.
This aligns en.wiki with almost all the other WMF wikis; it doesn’t mean the visual editor is complete, or that it is no longer “in beta phase” though.

This action has not changed anything else for editors: it still honours editors’ previous choices about having it on or off; logged-out users continue to only have access to wikitext; the “Edit” tab is still after the “Edit source” one. You can learn more at the [[Wikipedia_talk:VisualEditor#The_visual_editor.E2.80.99s_preference_has_moved|visual editor’s talk page]].

We don’t expect this to cause any glitches, but in case your account no longer has the settings that you want, please accept our apologies and correct it in the Editing tab of [[Special:Preferences]]. Thank you for your attention, [[User:Elitre (WMF)|Elitre (WMF)]] -16:32, 7 October 2015 (UTC)


== Signpost FC ==
Hi, [[User:Adam_Cuerden|Adam]], 
I don't know if you are still like to work on the Signpost article on Featured Content but this week's edition has just been posted, if you would like to help with some descriptions or resizing photos: [[Wikipedia:Wikipedia Signpost/2015-10-07/Featured content]]. Thanks for your help! [[User:Liz|'''''L'''''iz]] [[Special:Contributions/Liz|'''''Read!''''']] [[User talk:Liz|'''''Talk!''''']] 16:35, 7 October 2015 (UTC)

== ITN ==

I definitely agree with you that there are problems at ITN, especially with inconsistent criteria being applied to similar noms and then complete disregard towards others. I think we need input from more editors though, to fix it. We need to be actively trying to shape it to be the best it can be. – [[User:Muboshgu|Muboshgu]] ([[User talk:Muboshgu#top|talk]]) 02:35, 12 October 2015 (UTC)

== ''The Bugle'': Issue CXV, October 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/October 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/October 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/October 2015/Book reviews|Anotherclown and Sturmvogel 66 on war in the air and at sea]]''
* Review essay: ''[[Wikipedia:WikiProject Military history/News/October 2015/Review essay|Auntieruth55 on the French Revolutionary Wars]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/October 2015/Op-ed|TomStar81 on the entry of Bulgaria in World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/October 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 21:46, 15 October 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/Renée Adorée]] ==

Hi, I would be much grateful if you could give your opinion about this. Regards, [[User:Yann|Yann]] ([[User talk:Yann|talk]]) 11:01, 21 October 2015 (UTC)

== POTD notification ==

[[File:Moenitarri warrior in the costume of the dog danse 0056v.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/November 2015#Nov 10 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Moenitarri warrior in the costume of the dog danse 0056v.jpg]] is scheduled to be Picture of the Day on November 10, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-11-10]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 22 October 2015 (UTC)
{{-}}

== POTD notification ==

[[File:Irish WWI poster - Is Your Home Worth Fighting For? - Hely's Limited, Litho, Dublin.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/November 2015#Nov 11 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Irish WWI poster - Is Your Home Worth Fighting For? - Hely's Limited, Litho, Dublin.jpg]] is scheduled to be Picture of the Day on November 11, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-11-11]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:16, 24 October 2015 (UTC)
{{-}}

== VisualEditor News #5—2015 ==

''[[m:VisualEditor/Newsletter/2015/October|Read this in another language]] • [[:m:VisualEditor/Newsletter|Subscription list for this multilingual newsletter]]''

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

You can use the visual editor on smartphones and tablets. [[File:Switching edit modes to VisualEditor on Mobile web.png|alt=Screenshot showing the menu for switching from the wikitext editor to VisualEditor|centre|frameless|230x230px]] 
Click the pencil icon to open the editor for a page. Inside that, use the gear menu in the upper right corner to "{{int:mobile-frontend-editor-switch-visual-editor}}".

The editing button will remember which editing environment you used last time, and give you the same one next time. The desktop site will be switching to a system similar to this one in the coming months. You can read and help translate [[:mw:VisualEditor/User guide|the user guide]], which has more information about how to use the visual editor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|VisualEditor Team]] has fixed many bugs, added new features, and made some small design changes. They post weekly status reports [[mw:VisualEditor/changelog|on mediawiki.org]]. Their workboard is available [[phab:project/board/483/|in Phabricator]]. Their [[mediawikiwiki:VisualEditor/Current_priorities|current priorities]] are improving support for languages like Japanese and Arabic, making it easier to edit on mobile devices, and providing rich-media tools for formulæ, charts, galleries and uploading.

=== Recent improvements ===
'''Educational features:''' The first time you use the visual editor, it now draws your attention to the {{Int:visualeditor-annotationbutton-link-tooltip}} and {{Int:visualeditor-toolbar-cite-label}} tools. When you click on the tools, it explains why you should use them. ([[Phab:T108620|T108620]]) Alongside this, the welcome message for new users has been simplified to make editing more welcoming. ([[Phab:T112354|T112354]]) More in-software educational features are planned.

'''Links:''' It is now easier to understand when you are adding text to a link and when you are typing plain text next to it. ([[Phab:T74108|T74108]], [[Phab:T91285|T91285]]) The editor now fully supports ISBN, PMID or RFC numbers. ([[Phab:T109498|T109498]], [[Phab:T110347|T110347]], [[Phab:T63558|T63558]]) These [[:en:Help:Magic_links|"magic links"]] use a custom link editing tool.

'''Uploads:''' Registered editors can now '''upload images''' and other media to Commons while editing. Click the new tab in the "{{int:visualeditor-toolbar-insert}} {{int:visualeditor-dialogbutton-media-tooltip}}" tool. You will be guided through the process without having to leave your edit. At the end, the image will be inserted. This tool is limited to one file at a time, owned by the user, and licensed under Commons's standard license. For more complex situations, the tool links to more advanced upload tools. You can also drag the image into the editor. This will be available in the wikitext editor later.

'''Mobile:''' Previously, the visual editor was available on the mobile Wikipedia site only on tablets. Now, editors can use the visual editor on any size of device. ([[Phab:T85630|T85630]]) Edit conflicts were previously broken on the mobile website. Edit conflicts can now be resolved in both wikitext and visual editors. ([[Phab:T111894|T111894]]) Sometimes templates and similar items could not be deleted on the mobile website. Selecting them caused the on-screen keyboard to hide with some browsers. Now there is a new "{{int:Visualeditor-contextitemwidget-label-remove}}" button, so that these things can be removed if the keyboard hides. ([[Phab:T62110|T62110]]) You can also edit table cells in mobile now.

'''Rich editing tools:''' You can now add and edit '''sheet''' '''music''' in the visual editor. ([[Phab:T112925|T112925]]) There are separate tabs for advanced options, such as MIDI and Ogg audio files. ([[Phab:T114227|T114227]] and [[Phab:T113354|T113354]]) When editing '''formulæ''' and other blocks, errors are shown as you edit. It is also possible to edit some types of '''graphs'''; adding new ones, and support for new types, will be coming.

On the '''English Wikipedia''', the visual editor is now automatically available to anyone who creates an account. The preference switch was moved to the normal location, under [[Special:Preferences]].

=== Future changes ===
You will soon be able to '''switch from the wikitext to the visual editor''' after you start editing. ([[phab:T49779|T49779]]) Previously, you could only switch from the visual editor to the wikitext editor. Bi-directional switching will make possible a '''single edit tab.''' ([[phab:T102398|T102398]]) This project will combine the "{{int:vector-view-edit}}" and "{{int:visualeditor-ca-editsource}}" tabs into a single "{{int:vector-view-edit}}" tab, similar to the system already used on the mobile website. The "{{int:vector-view-edit}}" tab will open whichever editing environment you used last time.

=== Let's work together ===
* Share your ideas and ask questions at [[:mw:VisualEditor/Feedback]]. This feedback page uses [[mw:Flow|Flow]] for discussions.
* Can you read and type in Korean or Japanese? Language engineer [[mw:User:DChan (WMF)|David Chan]] needs people who know which tools people use to type in some languages. If you speak Japanese or Korean, you can help him test support for these languages. Please see the instructions at [[mw:VisualEditor/IME Testing#What to test]] if you can help, and report it on Phabricator ([[phab:T110654|Korean]] - [[phab:T109818|Japanese]]) or on Wikipedia ([[:ko:위키백과:시각편집기/IME|Korean]] - [//jp.wikipedia.org/wiki/Wikipedia:ビジュアルエディター/フィードバック/IME Japanese]).
* Local admins can [[mediawikiwiki:Citoid/Enabling_Citoid_on_your_wiki|set up the Citoid automatic reference feature for your wiki]]. If you need help, then please post a request in the [[phab:tag/citoid/|Citoid project on Phabricator]]. Include links to the [[:mw:Help:TemplateData|TemplateData]] for the most important citation templates on your wiki.
* The weekly task triage meetings are open to volunteers. Learn how to join the meetings and how to nominate bugs at [[:mw:VisualEditor/Weekly triage meetings|mw:VisualEditor/Weekly triage meetings]]. You do not need to attend the meeting to nominate a bug for consideration, though. Instead, go to Phabricator and "associate" the main [[phab:project/profile/483/|VisualEditor project]] with the bug.

If you can't [[m:VisualEditor/Newsletter/2015/October|read this in your favorite language]], then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact us] directly, so that we can notify you when the next issue is ready. Thank you!

— [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] 04:16, 30 October 2015 (UTC)


==[[Wikipedia:Featured picture candidates/Ixion]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Ixion.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Ixion.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 06:11, 30 October 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Agdam]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Aghdam 6.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Aghdam 6.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 03:18, 3 November 2015 (UTC)
|}

== Balanced scales ==

Hi Adam. I left a message for you [https://commons.wikimedia.org/wiki/User_talk:Adam_Cuerden#Balanced_scales here]. (Please ping me.) -- <code>{{u|[[User:BullRangifer|'''BullRangifer''']]}} {[[User talk:BullRangifer|'''Talk''']]}</code> 15:54, 4 November 2015 (UTC)
== Possibly unfree File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg ==
A file that you uploaded or altered, [[:File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg]], has been listed at [[Wikipedia:Possibly unfree files]] because its copyright status is unclear or disputed. If the file's copyright status cannot be verified, it may be deleted. You may find more information on the [[:File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg|file description page]]. You are welcome to add comments to its entry at [[Wikipedia:Possibly unfree files/2015 November 5#File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg|the discussion]] if you object to the listing for any reason. Thank you.  [[User:Stefan2|Stefan2]] ([[User talk:Stefan2|talk]]) 15:03, 5 November 2015 (UTC)

== WikiCup 2015: The results ==

[[File:Flag of the Smithsonian Institution.svg|170px|right|border]]
[[File:Flag of Wales.svg|170px|right|border]]
[[File:Flag_of_Belarus_(1918,_1991-1995).svg|170px|right|border]]
WikiCup 2015 is now in the books! Congrats to our finalists and winners, and to everyone who took part in this year's competition.

This year's results were an exact replica of last year's competition. For the second year in a row, the 2015 WikiCup champion is {{Wikipedia:WikiCup/Participant6|Godot13}}. All of his points were earned for an impressive 253 featured pictures and their associated bonus points (5060 and 1695, respectively). His entries constituted scans of currency from all over the world and scans of medallions awarded to participants of the U.S. Space program. {{Wikipedia:WikiCup/Participant6|Cwmhiraeth}} came in second place; she earned by far the most bonus points (4082), for 4 featured articles, 15 good articles, and 147 DYKs, mostly about in her field of expertise, natural science. {{Wikipedia:WikiCup/Participant6|Casliber}}, a finalist every year since 2010, came in third, with 2379 points.

Our newcomer award, presented to the best-performing new competitor in the WikiCup, goes to {{Wikipedia:WikiCup/Participant6|Rationalobserver}}. Everyone should be very proud of the work they accomplished. We will announce our other award winners soon.

A full list of our award winners are:

*{{Wikipedia:WikiCup/Participant6|Godot13}} wins the prize for '''first place''' and the '''FP prize''' for 330 featured pictures in the final round.
*{{Wikipedia:WikiCup/Participant6|Cwmhiraeth}} wins the prize for '''second place''' and the '''DYK prize''' for 160 did you knows in the final round (310 in all rounds).
*{{Wikipedia:WikiCup/Participant6|Casliber}} wins the prize for '''third place''' and the '''FA prize''' for 26 featured articles in all rounds.
*{{Wikipedia:WikiCup/Participant6|West Virginian}} wins the prize for '''fourth place'''
*{{Wikipedia:WikiCup/Participant6|Calvin999}} wins a '''final 8''' prize.
*{{Wikipedia:WikiCup/Participant6|Rationalobserver}} wins a '''final 8''' prize.
*{{Wikipedia:WikiCup/Participant6|Harrias}} wins a '''final 8''' prize and the '''FL prize''' for 11 featured lists.
*{{Wikipedia:WikiCup/Participant6|Rodw}} wins the most prizes: a '''final 8''' prize, the '''GA prize''' for 41 good articles, and the '''topic prize''' for a 13-article good topic and an 8-article featured topic, both in round 3.
*{{Wikipedia:WikiCup/Participant6|ThaddeusB}} wins the '''news prize''' for the most news articles in round 3.

We warmly invite all of you to '''[[Wikipedia:WikiCup/2016 signups|sign up]]''' for next year's competition. Discussions and polls concerning potential rules changes are also '''[[Wikipedia talk:WikiCup/Scoring#Straw polls: 2016|open]]''', and all are welcome to participate. The WikiCup judges will be back in touch over the coming months, and we hope to see you all in the 2016 competition. Until then, it only remains to once again congratulate our worthy winners, and thank all participants for their involvement! If you wish to start or stop receiving this newsletter, please feel free to add or remove yourself from [[Wikipedia:WikiCup/Newsletter/Send]].

{{user3|Figureskatingfan}}, {{user3|Miyagawa}} and {{user3|Sturmvogel 66}} 18:39, 8 November 2015 (UTC)


== Restoration question ==

Hi Adam, about your proposed replacement on [[Wikipedia:Featured picture candidates/Nikola Tesla|FP nom. of Nikola Tesla]], [http://www.loc.gov/pictures/resource/ggbain.04851/]. I am wondering if you want to restore it? If you are not particularly interested, I am interested in restoring it, hopefully with your input and feedback on the restoration. FYI, I use [[GIMP]] and I have more to learn about restoring images. Hopefully the final result will be good. And if you want to restore it, I understand, you have my FP support vote in advance. [[User:Bammesk|Bammesk]] ([[User talk:Bammesk|talk]]) 03:26, 12 November 2015 (UTC)

==POTD notification==

[[File:S.M. kleiner kreuzer Gefion - restoration, borderless.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/November 2015#Nov 30 - Sun|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. kleiner kreuzer Gefion - restoration, borderless.jpg]] is scheduled to be Picture of the Day on November 30, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-11-30]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 12 November 2015 (UTC)
{{-}}

== JSTOR cleanup drive ==

{{Wikipedia:JSTOR/Errors/note}} Sent of behalf of {{u|Nikkimaria}} for [[Wikipedia:JSTOR|The Wikipedia Library's JSTOR]] using [[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 22:18, 16 November 2015 (UTC)


== ''The Bugle'': Issue CXVI, November 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/November 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/November 2015/Articles|Last month's new featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/November 2015/Book reviews|Hawkeye7 on the Battle of the Bulge]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/November 2015/Op-ed|TomStar81 looks at the collapse of the Serbian Army in World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/November 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 03:25, 18 November 2015 (UTC)
</div>


== [[WP:ACE2015|ArbCom elections are now open!]] ==

{{Wikipedia:Arbitration Committee Elections December 2015/MassMessage}} [[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 17:31, 23 November 2015 (UTC)


==POTD notification==

[[File:Noel Coward Allan warren edit 1.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/December 2015#Dec 16 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Noel Coward Allan warren edit 1.jpg]] is scheduled to be Picture of the Day on December 16, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-12-16]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:24, 27 November 2015 (UTC)
{{-}}

== POTD notification ==

[[File:S.M. Küstenpanzerschiff Odin im Salut - restoration.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/December 2015#Dec 19 - Sat|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. Küstenpanzerschiff Odin im Salut - restoration.jpg]] is scheduled to be Picture of the Day on December 19, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-12-19]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:31, 1 December 2015 (UTC)
{{-}}

==???==
{{U|Adam Cuerden|Adam}}, what's up with the feral [https://en.wikipedia.org/wiki/Wikipedia:Featured_picture_candidates#AAAAAAAAAHHHHHHHH.21.21.21.21 kitten?] – [[User:Sca|Sca]] ([[User talk:Sca|talk]]) 14:21, 15 December 2015 (UTC)

== A barnstar for you! ==

{| style="background-color: #fdffe7; border: 1px solid #fceb92;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" | [[File:Tireless Contributor Barnstar Hires.gif|100px]]
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" | '''The Tireless Contributor Barnstar'''
|-
|style="vertical-align: middle; padding: 3px;" | so many pics :) [[User:United kingdoms my home|United kingdoms my home]] ([[User talk:United kingdoms my home|talk]]) 21:20, 16 December 2015 (UTC)
|}

== POTD notification ==

[[File:S.M. Linienschiff Kurfürst Friedrich Wilhelm - restoration, border removed.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/January 2016#Jan 4 - Mon|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. Linienschiff Kurfürst Friedrich Wilhelm - restoration, border removed.jpg]] is scheduled to be Picture of the Day on January 4, 2016. If you get a chance, you can check and improve the caption at [[Template:POTD/2016-01-04]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 16 December 2015 (UTC)
{{-}}

== POTD notification ==

[[File:Rembrandt Harmensz. van Rijn - Jeremia treurend over de verwoesting van Jeruzalem - Google Art Project.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/January 2016#Jan 5 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Rembrandt Harmensz. van Rijn - Jeremia treurend over de verwoesting van Jeruzalem - Google Art Project.jpg]] is scheduled to be Picture of the Day on January 5, 2016. If you get a chance, you can check and improve the caption at [[Template:POTD/2016-01-05]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 16 December 2015 (UTC)
{{-}}

==(Season's Greetings)==

[[File:Johansen Viggo - Radosne Boże Narodzenie.jpg|thumb|275px|Viggo Johansen: ''Happy Christmas'' (1891)]]


:X
:<big><big>'''''Merry Christmas & Happy New Year'''''</big></big>

:X

::::'''''Frohe Weinachten und
::::'''''alles gute zur neuen Jahr!

::::::::'''''Wesołych Świąt i
::::::::'''''Szczęśliwego nowego roku!

::::::::::::'''''Linksmų Kalėdų ir
::::::::::::'''''laimingų Naujųjų Metų!'''''


:X
::::::::::::::::::[[User:Sca|Sca]] ([[User talk:Sca|talk]])
______________________________________________________________________________________________________________________
{{-}}

== WikiCup 2016 is just around the corner... ==

Hello everyone, and we would like to wish you all a happy holiday season. As you will probably already know, the 2016 WikiCup begins in the new year; there is still time to '''[[Wikipedia:WikiCup/2016 signups|sign up]]'''. There are some changes we'd like to announce before the competition begins.

After two years of serving as WikiCup judge, [[User:Miyagawa]] has [https://en.wikipedia.org/wiki/Wikipedia_talk:WikiCup#Retiring_as_Judge stepped down as judge]. He deserves great thanks and recognition for his dedication and hard work, and for providing necessary transition for a new group of judges in last year's Cup. Joining Christine ([[User:Figureskatingfan]]) and Jason ([[User:Sturmvogel 66]]) is Andrew ([[User:Godot13]]), a very successful WikiCup competitor and expert in [[WP:FP|Featured Pictures]]; he won the two previous competitions. This is a strong judging team, and we anticipate lots of enjoyment and good work coming from our 2016 competitors.

We would also like to announce one change in how this year's WikiCup will be run. In the spirit of sportsmanship, Godot13 and [[User:Cwmhiraeth|Cwmhiraeth]] have chosen to limit their participation. See [https://en.wikipedia.org/wiki/Wikipedia_talk:WikiCup#Something_different_in_2016 here] for the announcement and a complete explanation of why. They and the judges feel that it will make for a more exciting, enjoyable, and productive competition.

The discussions/polls concerning the next competition's rules will be closed soon, and rules changes will be made clear on [[Wikipedia:WikiCup/Scoring]] and talk pages. The judges are committed to not repeating the confusion that occurred last year and to ensuring that the new rules are both fair and in the best interests of the competition, which is, first and foremost, about improving Wikipedia.

If you have any questions or concerns, the judges can be reached on [[Wikipedia talk:WikiCup]], on their talk pages, or by email. We hope you will all join us in trying to make the 2015 WikiCup the most productive and enjoyable yet. You are receiving this message because you are listed on [[Wikipedia:WikiCup/Newsletter/Send]]. [[User:Sturmvogel 66|Sturmvogel 66]] ([[User talk:Sturmvogel 66|talk]]), [[User:Figureskatingfan|Figureskatingfan]] ([[User talk:Figureskatingfan|talk]]), and [[User:Godot13|Godot13]] ([[User talk:Godot13|talk]]).--[[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 06:46, 22 December 2015 (UTC)


== Wonderful holidays ==

[[file:Marienaltar-Linke-Tafel.jpg|200px|right]]

Merry Christmas and a happy New Year! --[[User:Tremonist|Tremonist]] ([[User talk:Tremonist|talk]]) 15:20, 23 December 2015 (UTC)
{{-}}

== Merry Christmas and happy new year ==

<div style="border-style:solid; border-color:#FF4646; background-color:lightgreen; border-width:2px; text-align:left; padding:7px; {{border-radius|1em}} {{box-shadow|0.1em|0.1em|0.5em|rgba(0,0,0,0.75)}}>
<gallery mode=packed heights="150px">
File:Chalk_Peace_on_Earth.jpg
File:Merry_Christmas_to_All.jpg
File:Eggnog-MWL.jpg
File:Christmas_Tea.jpg
File:'Mustangs'_host_Christmas_party,_build_family_morale_121211-A-CJ112-820.jpg
File:Christmas_Ship_Parade_08.jpg
File:St_Thomas's_Peace_Garden_-_by_Anuradha_Patel_(16459653856).jpg
</gallery>

<center><big><big>Merry Christmas and happy new year. (:</big></big>
--[[User:Pine|Pine]][[User talk:Pine|✉]]
</center>
</div>

== VisualEditor News #6—2015 ==

''[[m:VisualEditor/Newsletter/2015/December|Read this in another language]] • [[Wikipedia:VisualEditor/Newsletter|Subscription list]]''

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

A new, simpler system for editing will offer a single Edit button. Once the page has opened, you can switch back and forth between visual and wikitext editing.

[[File:VisualEditor single edit tab preference dialog.png|alt=Screenshot showing a pop-up dialog for switching from the wikitext editor to VisualEditor|centre|frameless|230x230px]]If you prefer having separate edit buttons, then you can set that option in your preferences, either in a pop-up dialog the next time you open the visual editor, or by going to [[Special:Preferences]] and choosing the setting that you want: [[File:VisualEditor single edit tab in preferences 2015-12-18.png|alt=Screenshot showing a drop-down menu in Special:Preferences|centre|frameless|230x230px]] 
The current plan is for the default setting to have the Edit button open the editing environment you used most recently. You can read and help translate [[:mw:VisualEditor/User guide|the user guide]], which has more information about how to use the visual editor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|VisualEditor Team]] has fixed many bugs and expanded the mathematics formula tool. Their workboard is available [[phab:project/board/483/|in Phabricator]]. Their [[mediawikiwiki:VisualEditor/Current_priorities|current priorities]] are improving support for languages such as Japanese and Arabic, and providing rich-media tools for formulæ, charts, galleries and uploading.

=== Recent improvements ===
You can '''switch from the wikitext editor to the visual editor''' after you start editing.

The '''LaTeX mathematics formula editor''' has been significantly expanded. ([[phab:T118616|T118616)]] You can see the formula as you change the LaTeX code. You can click buttons to insert the correct LaTeX code for many symbols.

=== Future changes ===
The '''single edit tab''' project will combine the "{{int:vector-view-edit}}" and "{{int:visualeditor-ca-editsource}}" tabs into a single "{{int:vector-view-edit}}" tab, like the system already used on the mobile website. ([[phab:T102398|T102398]]) Initially, the "{{int:vector-view-edit}}" tab will open whichever editing environment you used last time. Your last editing choice will be stored as a cookie for logged-out users and as an account preference for logged-in editors. Logged-in editors will be able to set a default editor in the {{int:prefs-editing}} tab of [[Special:Preferences]] in the drop-down menu about "{{int:visualeditor-preference-tabs}}".

The visual editor will be offered to all editors at the following Wikipedias in early 2016: [[w:am:|Amharic]], [[w:bug:|Buginese]], [[w:cdo:|Min Dong]], [[w:cr:|Cree]], [[w:gv:|Manx]], [[w:hak:|Hakka]], [[w:hy:|Armenian]], [[w:ka:|Georgian]], [[w:pnt:|Pontic]], [[w:sh:|Serbo-Croatian]], [[w:ti:|Tigrinya]], [[w:xmf:|Mingrelian]], [[w:za:|Zhuang]], and [[w:zh-min-nan:|Min Nan]]. ([[phab:T116523|T116523]]) Please post your comments and the language(s) that you tested at [[:mw:Topic:St8y4ni42d0vr9cv|the feedback thread on mediawiki.org]]. The developers would like to know how well it works. Please tell them what kind of computer, web browser, and keyboard you are using.

In 2016, the '''feedback pages''' for the visual editor on many Wikipedias will be redirected to mediawiki.org. ([[phab:T92661|T92661]])

=== Testing opportunities ===
* Please try the new system for the '''single edit tab''' on [https://test2.wikipedia.org test2.wikipedia.org]. You can edit while logged out to see how it works for logged-out editors, or you can create a separate account to be able to set your account's preferences. Please share your thoughts about the single edit tab system at [[mediawikiwiki:Topic:Suspcq0bf5nd3gsd|the feedback topic on mediawiki.org]] or [https://jfe.qualtrics.com/form/SV_6R04ammTX8uoJFP sign up for formal user research] (type "single edit tab" in the question about other areas you're interested in). The new system has not been finalized, and your feedback can affect the outcome. The team particularly wants your thoughts about the options in Special:Preferences. The current choices in Special:Preferences are:
** {{int:visualeditor-preference-tabs-remember-last}},
** {{int:visualeditor-preference-tabs-prefer-ve}},
** {{int:visualeditor-preference-tabs-prefer-wt}}, and
** {{int:visualeditor-preference-tabs-multi-tab}}. (This is the current state for people using the visual editor. None of these options will be visible if you have disabled the visual editor in your preferences at that wiki.)
* Can you read and type in Korean or Japanese? Language engineer [[mw:User:DChan (WMF)|David Chan]] needs people who know which tools people use to type in some languages. If you speak Japanese or Korean, you can help him test support for these languages. Please see the instructions at [[mw:VisualEditor/IME Testing#What to test]] if you can help, and report it on Phabricator ([[phab:T110654|Korean]] - [[phab:T109818|Japanese]]) or on Wikipedia ([[:ko:위키백과:시각편집기/IME|Korean]] - [//jp.wikipedia.org/wiki/Wikipedia:ビジュアルエディター/フィードバック/IME Japanese]).
If you aren't reading this in your favorite language, then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact us] directly, so that we can notify you when the next issue is ready. {{int:Feedback-thanks-title}}

[[User:Whatamidoing (WMF)|Whatamidoing (WMF)]], 00:54, 24 December 2015 (UTC)


== ''The Bugle'': Issue CXVII, December 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/December 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/December 2015/Articles|Last month's new featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/December 2015/Book reviews|Hawkeye7 on the German retreat from France in 1944]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/December 2015/Op-ed|TomStar81 on empires of World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/December 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 05:06, 24 December 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/Georg Giese]] ==

Could you close [[Wikipedia:Featured picture candidates/Georg Giese|this]] for me? Regards, [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:46, 24 December 2015 (UTC)

== Season's Greetings ==

{| style="background-color: #C0C0C0; border: 2px solid #FF0000;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" |{{Css Image Crop|Image = New York, NY- Saint Nicholas Bank $5 (3516-15709).jpg|bSize = 650|cWidth = 250|cHeight = 145|oTop = 10|oLeft = 14|Location = center}}
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" |<center>'''Season's Greetings'''
|-
|style="vertical-align: middle; padding: 3px;" | A very happy holidays to you! --[[User:Godot13|Godot13]] ([[User talk:Godot13|talk]]) 06:21, 25 December 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/An early implementation of Java on the internet]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Trojan Room coffee pot xcoffee.png|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Trojan Room coffee pot xcoffee.png]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:12, 27 December 2015 (UTC)
|}

== A barnstar for you! ==

{| style="border: 1px solid gray; background-color: #fdffe7;"
|rowspan="2" style="vertical-align:top;" | {{#ifeq:alt|alt|[[File:Civility Barnstar Hires.png|100px]]|[[Image:Civility barnstar.png|100px]]}}

|rowspan="2" |
|style="font-size: x-large; padding: 0; vertical-align: bottom; height: 1.1em;" | '''The Civility Barnstar'''
|-
|style="vertical-align: middle; border-top: 1px solid gray;" | For your professionalism and open-mindedness. Wikipedia needs more editors like you! Best, -- [[User:Notecardforfree|Notecardforfree]] ([[User talk:Notecardforfree|talk]]) 07:14, 29 December 2015 (UTC)
|}

== inre: [[Wikipedia:Articles for deletion/The Future of Food]] ==

[https://en.wikipedia.org/w/index.php?title=The_Future_of_Food&type=revision&diff=697013470&oldid=696972220 THIS] is the unsourced stub you chose to take to AFD. As truly [[WP:NRVE|decent sources were plentiful]] and as [[WP:NRVE|notability is determined through sources available, even if not used]] and even though improving was [[WP:NOTCLEANUP|not required]], I took a few of the [[WP:GNG|'''many''']] and [[WP:IMPROVE|addressed]] issues [https://en.wikipedia.org/w/index.php?title=The_Future_of_Food&type=revision&diff=697551947&oldid=697013470 '''thusly'''].... taking the 1927 characters (320 words) start-class-needing-work and turned it into a quite decent and well-sourced 6872 characters (1112 words) '''B-class''' article... a '''3x''' expansion.. Might you care to defend your strange assertion that there was only a {{tq|"bare smattering of coverage"}} over at the AFD? Thanks, '''[[User:MichaelQSchmidt|Schmidt, ]]''' ''[[User talk:MichaelQSchmidt|Michael Q.]]'' 20:16, 30 December 2015 (UTC)

== 2016 ==

{| style="background-color: #FFFBC4; border: 8px solid #009600;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" | [[File:Happy New Year .jpg|500px]]
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" | <center>'''Happy New Year 2016!'''</center>
|-
|style="vertical-align: middle; padding: 3px;" |<center>'''Did you know ...''' that back in 1885, Wikipedia editors wrote Good Articles with [[Axe|axes]], [[Hammer|hammers]] and [[Chisel|chisels]]? 
Thank you for your contributions to this encyclopedia using 21st century technology. I hope you don't get any unneccessary [[Blister|blisters]]. 
   – [[User:Cullen328|Cullen328]] [[User talk:Cullen328|''Let's discuss it'']] 06:41, 31 December 2015 (UTC)
|}

== Wikiclaus' Cheer ! ==

{| style="border:1px solid 3px; background-color: #FF0000;"
|rowspan="2" valign="top" | [[Image:Wikiclaus.jpg|100px]]
|rowspan="2" |
|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" |'''''Wikiclaus'' greetings'''
|-
|style="vertical-align:top; border-top:1px solid gray; color:#FFA060" |
:'''[[User:MichaelQSchmidt|Michael Q. Schmidt]]''' ''[[User talk:MichaelQSchmidt|talkback]]'' is wishing you the happiest of ''Wikiclaus''<nowiki>'</nowiki> Wikipedian good cheer.
:
:This message is intended to celebrate the holiday season, promote [[WP:WikiLove|WikiCheer]], and to hopefully make your day just a little bit better, for ''Wikiclaus'' encourages us all to spread smiles, fellowship, and seasonal good cheer by wishing others a [[Merry Christmas]] and a [[Happy New Year]], whether it be someone with whom you had disagreements in the past, a good friend, or just some random person.
:Share the good feelings and the happiest of holiday spirits from ''Wikiclaus'' ! [[Image:Christmas tree.svg|20px]] {{smiley}} [[Image:Christmas tree.svg|20px]] {{smiley}} [[Image:Christmas tree.svg|20px]] {{smiley}} [[Image:Christmas tree.svg|20px]]
|-
|}
{{clear}}

== Season's Greetings ==

{| style="border:2px ; background-color: lightblue;"
|rowspan="2" valign="right" | [[File:Tractography animated lateral view.gif|254px]]
|rowspan="2" |
|style="font-size: x-large; padding: 2; vertical-align: left; height: 1.1em;" | '''Season's Greetings'''
|-
|style="vertical-align: middle; border-top: 1px solid gray;" | Wishing you a Happy Holiday Season, and all best for the New Year! [[User:Hafspajen|Hafspajen]] ([[User talk:Hafspajen|talk]]) 17:43, 31 December 2015 (UTC)
|}

== 2016 ==
<div style="background:grey; padding: 10px; border-top: 3px solid red border-bottom: 3px solid red 8px; font-size: 110%; font-family:Tahoma; text-align: center;">
[[File:Fuochi d'artificio.gif|left|150px]] '''[[User:MichaelQSchmidt|Michael Q. Schmidt]]''' ''[[User talk:MichaelQSchmidt|talkback]]'' '''is wishing you a Happy New Year! This message celebrates the season, promotes [[WP:WikiLove|good cheer]], and hopefully makes your day a little brighter. So please spread cheer by wishing another user a [[Happy New Year|Happy New Year]], whether it be a good friend, someone with whom you had disagreements in the past, or just some random person. {{smiley}}(click for sound [[File:Fireworks piece.ogg|center]]</div style>{{clear}}

==[[Wikipedia:Featured picture candidates/The Thin Red Line]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:H. Piffard - The Thin Red Line - restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:H. Piffard - The Thin Red Line - restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:41, 3 January 2016 (UTC)
|}

== Notability and reliability ==

Hi Adam, hope your 2016 is beginning well.

Your idea that topics must have "notable sources" in order to be proven notable makes sense, but if you think about it it would run into problems.

For example, say I wanted to write about a topic, like "dogs". "Notable" means "[[WP:GNG|has received significant coverage in '''reliable''' sources that are independent of the subject]]". Suppose we changed "reliable" to "notable". I found two books, ''What are Dogs?'' by Adams, and ''Canid Evolution'', by Birch, which discussed dogs. If I had to prove those sources were themselves notable (not just reliable), I'd need to find two notable sources discussing ''What are Dogs?'' by Adams and two notable sources discussing ''Canid Evolution'' by Birch. Say I did find two sources discussing the first book. Well, then I'd just have to prove that they were notable in turn, meaning that they had been discussed by two notable sources.... the cycle would never end. That's why we rely on things like [[WP:Identifying reliable sources]] to decide that, if a source has been published in a peer-reviewed journal or published by a reputable academic publisher, it's reliable enough, and we don't have to go hunting down other people's reviews of the source. [[User:FourViolas|FourViolas]] ([[User talk:FourViolas|talk]]) 13:28, 4 January 2016 (UTC)
:{{ping|FourViolas}} Not asking it to descend all the way down. But neologisms are surely a special case, especially as the question we're asking is "Has the neologism gained independent notability from the book?" - no-one doubts the book is notable, it's whether the term it created is. And that, surely, deserves higher standards. I don't want to trivialise Joy's work - it seems a useful analysis, hence why there's lots of summaries of it - so, if you'll forgive jumping to fiction, take, say, terms created for a fantasy book like [[hobbit]] and [[Nazgul]]. Those kind of things need much better sources to spin off. We can't have articles on every term created by any notable book, we need to establish the term has notability independent of the book, and that needs notable sources. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 16:36, 4 January 2016 (UTC)
::Okay, I think I see where you're coming from now. There needs to be particularly strong evidence to show that ''two'' articles should exist, one on the book that introduced the idea and one on the idea. But [[WP:NEO]] deals with that, and it doesn't say anything about "notable sources". As you pointed out [https://en.wikipedia.org/w/index.php?title=Talk%3AWhy_We_Love_Dogs%2C_Eat_Pigs%2C_and_Wear_Cows&type=revision&diff=697577376&oldid=697563773], sources which happen to be notable themselves are not necessarily useful sources for encyclopedic coverage.

::It comes down to the same question as before: does significant, reliable, independent coverage exist ''about the idea'' that is not simply about ''the book''? This is the key, and it's a subjective question on which we disagree. We'll see what consensus decides. Thanks for being willing to discuss! [[User:FourViolas|FourViolas]] ([[User talk:FourViolas|talk]]) 17:28, 4 January 2016 (UTC)
::(ec) Adam, this may all make sense to you (it sounds pretty arbitrary to me, but that's not the point), but it does not correspond to any guideline or policy that I know of, and quite clearly goes against the explanation of what notability is (and what it is for) at [[WP:NOTE]]. [[User:J Milburn|Josh Milburn]] ([[User talk:J Milburn|talk]]) 17:37, 4 January 2016 (UTC)

==[[Allah jang Palsoe]]==
*Question for you, one restorer to another: think it's worth the trouble of going through the whole book, or just cleaning up that (really messy) cover? — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 14:10, 5 January 2016 (UTC)
:*Well, cover's cleaned up. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 09:02, 6 January 2016 (UTC)
::*{{ping|Crisco 1492}} What else is in the book? It does seem like preserving Indonesian heritage would mean a scan of the whole book would be valuable, but I'm not sure restoration would be needed for every page, unless there's interesting things in the book worth having on Wikipedia. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 09:28, 6 January 2016 (UTC)
:::*Oh, the book's on Wikipedia now ([[:File:Allah jang Palsoe (1919).pdf]]). I was just thinking that having the whole book (with readable, copy-paste-able, accurate text) would make for an interesting FP. It's just a ''lot'' more work. Nothing as bad as the title page, but still. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 10:29, 6 January 2016 (UTC)
::::{{ping|Crisco 1492}} I'd be inclined to run it by the FPC crowd first. Don't want to be in a situation where you do it - and then can't get it promoted. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 10:50, 6 January 2016 (UTC)
::::*I'll see what I can do. The cover itself was a pain. Fortunately most of the damage was outside of the design. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 10:52, 6 January 2016 (UTC)

== Request for trwiki ==

Hey Adam, hope all is fine since we last talked. We have a request for trwiki if you would be interested. Could you check your message page there? İyivikiler... [[User:homonihilis|'''ho?''']] [[User talk:homonihilis|'''ni!''']] 06:30, 6 January 2016 (UTC)
:Thanks for the guidance! I think it will help us have a user interested in restoration :) İyivikiler... [[User:homonihilis|'''ho?''']] [[User talk:homonihilis|'''ni!''']] 06:33, 7 January 2016 (UTC)

User talk:Adam Cuerden

2016-01-06T06:30:59Z

Homonihilis: /* Request for trwiki */ new section

'''Archives: [[User talk:Adam Cuerden/Archive 1|Archive 1]], [[User talk:Adam Cuerden/Archive 2|Archive 2]], [[User talk:Adam Cuerden/Archive 3|Archive 3]], [[User talk:Adam Cuerden/Archive 4|Archive 4]], [[User talk:Adam Cuerden/Archive 5|Archive 5]]'''

== POTD notification ==

[[File:Émile Bertrand - Jules Massenet - Cendrillon poster.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/May 2015#May 24 - Sun|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Émile Bertrand - Jules Massenet - Cendrillon poster.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on May 24, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-05-24]]. Thank you for all of your contributions! — [[User:Crisco 1492|Crisco 1492]] ([[User talk:Crisco 1492|talk]]) 13:31, 5 May 2015 (UTC)
{{-}}

== January-March 2015 Milhist reviewing award ==

{| style="border: 2px solid lightsteelblue; background-color: whitesmoke;"
|rowspan="2" style="vertical-align:middle;" | [[Image:Wiki-stripe1.svg|75px]]
|rowspan="2" |
|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" | &ensp;'''''[[Wikipedia:WikiProject_Military_history/Awards#Service_awards|Military history reviewers' award]]'''''&ensp;
|-
|style="vertical-align: middle; border-top: 1px solid lightsteelblue;" | For completing 2 reviews during January-March 2015, on behalf of the Wikiproject Military History coordinators, I hereby award you the Wikistripe. Cheers, [[User:Peacemaker67|Peacemaker67]] ([[User_talk:Peacemaker67#top|crack... thump]]) 09:27, 6 May 2015 (UTC) Keep track of upcoming reviews. Just copy and paste {{tlx|WPMILHIST Review alerts}} to your user space
|}

==Featured article for 20 May Signpost==
Hello, I did not know where to put this. This was promoted 14 May, so I think it goes in the Signpost coming out next week.

[[File:Camas pocket gopher (3).JPG|thumb|right|attacking gopher]]
* '''[[Camas pocket gopher]]''' ''([[Wikipedia:Featured article candidates/Camas pocket gopher/archive2|nominated]] by [[User:Gaff|Gaff]])'' Said to be "one of the most vicious animals known for its size", the camas pocket gopher of [[Oregon]] in the United States is born toothless, blind and hairless before growing to become a fearsome rodent. Fortunately the animal is herbivorous so its purring or twittering should not indicate danger to humans.

[[User:Bluerasberry|''' Blue Rasberry ''']][[User talk:Bluerasberry|(talk)]] 15:23, 14 May 2015 (UTC)

== ''The Bugle'': Issue CX, May 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/May 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/May 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/May 2015/Book reviews|Recent external reviews]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/May 2015/Op-ed|TomStar81 and Simon Harley on the sinking of the Lusitania]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/May 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 23:03, 20 May 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/SG-1000]] ==

It would be nice, if you could close this one for me. Regards, 14:45, 29 May 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Jane Addams]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Jane Addams - Bain News Service.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Jane Addams - Bain News Service.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 02:39, 2 June 2015 (UTC)
|}

== POTD notification ==

[[File:Illustrated War News, Dec. 23, 1914, page 38, left side - Darwan Sing Negi.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/June 2015#Jun 24 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Illustrated War News, Dec. 23, 1914, page 38, left side - Darwan Sing Negi.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on June 24, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-06-24]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:03, 4 June 2015 (UTC)
{{-}}
*The image has been rescheduled for the 26th. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:22, 6 June 2015 (UTC)

== Potential FPs from [[wp:GLAM/Directory/YNP|Yorkshire GLAMwiki partnerships]] ==

Hi Adam, could I get some advice about the featured picture process. I'm running the [[wp:GLAM/YNP|Yorkshire Network GLAMwiki Project]] and I'd love to see some of the images get featured but am a little wary of [[wp:COI|COI]] issues and how to go about the process. Here's a gallery of just a few files that might be worth a shot but I'd appreciate your thoughts and perhaps you'll find more appropriate images in the relevant Commons Categories?
<gallery>
File:Templeborough Roman Fort visualised 3D flythrough - Rotherham.webm|A flythrough of [[Templeborough]] Roman Fort provided from an interactive programme commissioned by Rotherham Museums
File:'Strata of England and Wales' The William Smith Geological Map - High Resolution YORYM 2004 25.jpg|A high-resolution version of [[William Smith (geologist)|William Smith]]'s original geological map. A restoration candidate? Originally published August 1815
File:A Game Stall by Franz Snyder YORAG-802.jpg|A high-resolution version of one of [[Franz Snyder]]'s great still life paintings. Colour corrected tiff available too]]
</gallery>
The commons cats are:
*[[:commons:Category:Images from the York Museums Trust Online Collection|Images from the York Museums Trust Online Collection]]
*[[commons:Category:Images donated by York Museums Trust|Images donated by York Museums Trust]]
*[[commons:Category:Images from Harrogate Museums and Arts|Images from Harrogate Museums and Arts]]
What do you think? Cheers [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 11:42, 4 June 2015 (UTC)
:{{ping|PatHadley}} The first thing to do is to get them into all appropriate articles that they should be in. For example. the Franz Snyder would be an excellent candidate, but needs to be in an article for seven days. They may benefit from having suitable crops taken from them - for example, the map might benefit from cropping out the wood holding it down at the bottom and the black around it - these should, of course, be uploaded as ''separate files''. Link the variants together: You say that there's a tiff available of the game stall, but that's not linked. An example of one I've restored and how I like to link things is [[:File:Charlotte_Perkins_Gilman_c._1900.jpg]] - note the "Other versions" field; it doesn't matter exactly how you do it, though, so long as it's all linked.
:These are clearly valuable resources. I can give some thoughts:
:* I don't think we've had a flythrough at FPC before. I suspect one with such credentials pass easily, one might want to add it to some articles on archaeological reconstruction, and consider an article on [[flythrough]], but probably not necessary. [[User:Crisco 1492]], any thoughts?
:* The strata map is excellent. Restoration is possible, though this will strain my computer a little bit. It may be unnecessary outside of an appropriate crop. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 13:50, 4 June 2015 (UTC)
::*I think a flythrough would probably have a chance. Still finishing up an article, though, so I haven't had time to look at it in detail. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:58, 4 June 2015 (UTC)
:::*Cracking. Thanks for all the advice. I'll get them on more relevant articles and do some tweaked versions of some of them. Cheers [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 14:31, 4 June 2015 (UTC)
::::{{ping|PatHadley}} [[:File:Coppergate Helmet YORCM CA665-1.jpg]] would be an excellent candidate as well. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 14:47, 4 June 2015 (UTC)
::::*Actually, it strikes me as oversharpened. If there's access to the RAW files, I'd love to work with them. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 15:11, 4 June 2015 (UTC)
:::::*Thanks for all this help folks!
:::::*I suspect that the Coppergate Helmet image is actually a scanned slide but I can't be sure. I'll have more of a poke around. I remember seeing some really good detailed shots of the filigree work too. (personally I'd love the excuse to pop it out the case and snap it again with the [[:File:Digitising Franz Snyders Game Stall at York Art Gallery.JPG|new kit at YMT]].
:::::*I've had a quick go at adjusting the Smith map but have limited photoshop access. The current version in use on the article ([[:File:Geological map Britain William Smith 1815.jpg]]) is much punchier and usable at small sizes but obviously lacks the resolution or authenticity/provenance of the Yorkshire Museum's copy. As can be seen from the Geological Soceity's recently rediscovered copy ([https://www.flickr.com/photos/geologicalsocietylibrary/sets/72157651449480656 here on Flickr] but watermarked) the original colours were much brighter.
:::::*I'll also play with the Snyder. I'll see if I can get some info from the curators in order to be adding cropped details more informatively.
:::::*Cheers all! [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 09:55, 5 June 2015 (UTC)
::::::*If there's a chance at retaking it, that would be great... shame I'm too darned far away to help. I'm ... somewhat handy with a camera myself. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]])
{{Outdent|::::::}}
[[File:'Strata of England and Wales' The William Smith Geological Map - Adjusted for clarity YORYM 2004 25.jpg|thumb|'Strata of England and Wales' The William Smith Geological Map - Adjusted for clarity YORYM 2004 25]]
*Right, here's a quick and dirty reworking of the map. Probably not good enough for FP but might be better for the article and inspire a more competent restoration attempt. Thoughts? {{ping|Crisco 1492}} We'd love to have you, but at least I can now be confident that the skills in-house will do things justice! [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 12:54, 5 June 2015 (UTC)
**That seems to have changed the colours of the ink, amongst other issues. I'm not quite sure what you did to it... '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 13:02, 5 June 2015 (UTC)
::*Like I said, quick and dirty. I mostly used the automatic tools in GIMP (free and handy) and used the Geological Society's copy as a guide. Far too much scope for error but no more than the other versions on Commons? I'm more than happy for that to be over-written with a better version. [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 10:23, 8 June 2015 (UTC)

*@[[User:PatHadley|PatHadley]]: Yes, the ones I've seen look very good. Have you been editing to correct for lens distortion? I took a look at ''A Game Stall'', and I note that the frame seems to bend. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:12, 5 June 2015 (UTC)
**Also, there are slight [[parallax]] errors on the top of the frame. I'm curious as to whether or not you are using a [[panoramic head]] with your tripod. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:20, 5 June 2015 (UTC)
***That image was taken by moving the tripod laterally on a trolley and then stitching with [http://research.microsoft.com/en-us/um/redmond/projects/ice/ Microsoft ICE]. It was a test that we were reasonably pleased with but perhaps for FP it'd be better to supply the calibrated single image? [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 10:23, 8 June 2015 (UTC)
****Ah, that explains it. I tried working with ICE for a while, but there were issues. It's a very fast and dirty program with room to modify the output. I ''believe'' Photoshop would work for a trolley shot (it's similar to scanning a work in multiple portions, after all, which I know is supported), but it can consume a lot of resources. [[PTGui]] works pretty well, too, and is less of a processor/RAM hog. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 12:23, 8 June 2015 (UTC)
***** We actually tried PhotoShop first and ICE was far better. Both have settings for tracking rather than panning. I'll have a crack with PTGui. We're looking into kit or a home-made rig that will enable us to move orthogonally sideways and up/down to get gridded stitches (that is just 3 shots in portrait). GigaPixel here we come! [[User:PatHadley|PatHadley]] ([[User talk:PatHadley|talk]]) 13:08, 8 June 2015 (UTC)
*****Interesting. If you use PT Gui, you may want to use the SmartBlend plugin. It handles parallax better. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 13:16, 8 June 2015 (UTC)

== VisualEditor News #3—2015 ==

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

When you click on a link to an article, you now see more information:
 
[[File:VisualEditor-context menu-link tool.png|alt=Screenshot showing the link tool's context menu|centre|frameless|230x230px]]
 
The link tool has been re-designed:
 
[[File:VisualEditor link tool 2015.png|alt=Screenshot of the link inspector|centre|frameless|230x230px]]
 
There are separate tabs for linking to internal and external pages.

[[:mw:VisualEditor/User guide|The user guide]] has more information about how to use VisualEditor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|Editing Team]] has created new interfaces for the link and citation tools, as well as fixing many bugs and changing some elements of the design. Some of these bugs affected users of VisualEditor on mobile devices. Status reports are posted [[mw:VisualEditor/changelog|on Mediawiki.org]]. The worklist for April through June is available [[phab:project/sprint/board/1113/|in Phabricator]].

A [[m:Research:VisualEditor's_effect_on_newly_registered_editors/May_2015_study|test of VisualEditor's effect on new editors]] at the English Wikipedia has just completed the first phase. During this test, half of newly registered editors had VisualEditor automatically enabled, and half did not. The main goal of the study is to learn which group was more likely to save an edit and to make productive, unreverted edits. Initial [[m:Research:VisualEditor's_effect_on_newly_registered_editors/May_2015_study#Results|results will be posted at Meta]] later this month.

=== Recent improvements ===
'''Auto-fill features''' '''for citations''' are available at a few Wikipedias through the '''[[:mw:Citoid|citoid service]]'''. Citoid takes a [[:en:URL|URL]] or [[:en:Digital object identifier|DOI]] for a reliable source, and returns a pre-filled, pre-formatted bibliographic citation. If Citoid is enabled on your wiki, then the design of the citation workflow changed during May. All citations are now created inside a single tool. Inside that tool, choose the tab you want ({{int:citoid-citeFromIDDialog-mode-auto}}, {{int: citoid-citeFromIDDialog-mode-manual}}, or {{int:citoid-citeFromIDDialog-mode-reuse}}). The cite button is now labeled with the word "{{int:visualeditor-toolbar-cite-label}}" rather than a book icon, and the autofill citation dialog now has a more meaningful label, "{{Int:Citoid-citeFromIDDialog-lookup-button}}", for the submit button.

The '''link tool''' has been redesigned based on feedback from Wikipedia editors and user testing. It now has two separate sections: one for links to articles and one for external links. When you select a link, its pop-up context menu shows the name of the linked page, a thumbnail image from the linked page, Wikidata's description, and/or appropriate icons for disambiguation pages, redirect pages and empty pages. Search results have been reduced to the first five pages. Several bugs were fixed, including a dark highlight that appeared over the first match in the link inspector ([[phab:T98085|T98085]]).

The '''special character inserter''' in VisualEditor now uses the same special character list as the wikitext editor. Admins at each wiki can also create a custom section for frequently used characters at the top of the list. Please read the instructions for customizing the list [[mw:VisualEditor/Special_characters|at mediawiki.org]]. Also, there is now a tooltip to describing each character in the special character inserter ([[phab:T70425|T70425]]).

Several improvements have been made to '''templates'''. When you search for a template to insert, the list of results now contains descriptions of the templates. The parameter list inside the template dialog now remains open after inserting a parameter from the list, so that users don’t need to click on "{{Int:visualeditor-dialog-transclusion-add-param}}" each time they want to add another parameter ([[phab:T95696|T95696]]). The team added a '''new property for TemplateData''', "{{int: templatedata-doc-param-example}}", for template parameters. This optional, translatable property will show up when there is text describing how to use that parameter ([[phab:T53049|T53049]]).

The '''design''' of the main toolbar and several other elements have changed slightly, to be consistent with the MediaWiki theme. In the Vector skin, individual items in the menu are separated visually by pale gray bars. Buttons and menus on the toolbar can now contain both an icon and a text label, rather than just one or the other. This new design feature is being used for the cite button on wikis where the Citoid service is enabled.

The team has released a long-desired improvement to the handling of '''non-existent images'''. If a non-existent image is linked in an article, then it is now visible in VisualEditor and can be selected, edited, replaced, or removed.

=== Let's work together ===
* Share your ideas and ask questions at [https://www.mediawiki.org/w/index.php?title=VisualEditor/Feedback&lqt_method=talkpage_new_thread mw:VisualEditor/Feedback].
* The weekly task triage meetings continue to be open to volunteers, each Wednesday at [http://www.timeanddate.com/worldclock/fixedtime.html?iso=20150609T12&p1=224&am=30 12:00 (noon) PDT] (19:00 UTC). Learn how to join the meetings and how to nominate bugs at [[mediawikiwiki:Talk:VisualEditor/Portal|mw:Talk:VisualEditor/Portal]]. You do not need to attend the meeting to nominate a bug for consideration as a Q4 blocker. Instead, go to Phabricator and "associate" the [[phab:tag/editing_department_2014_15_q4_blockers/|Editing team's Q4 blocker project]] with the bug.
* If your Wikivoyage, Wikibooks, Wikiversity, or other community wants to have VisualEditor made available by default to contributors, then please contact [[:meta:User:Jdforrester (WMF)|James Forrester]].
* If you would like to request the Citoid automatic reference feature for your wiki, please post a request in the [[phab:tag/citoid/|Citoid project on Phabricator]]. Include links to the [[:mw:Help:TemplateData|TemplateData]] for the most important citation templates on your wiki.

Subscribe, unsubscribe or change the page where this newsletter is delivered at [[m:VisualEditor/Newsletter|Meta]]. If you aren't reading this in your favorite language, then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact us] directly, so that we can notify you when the next issue is ready. Thank you! [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)#top|talk]]) 17:31, 6 June 2015 (UTC)


== Ping ==

Hi Adam,

I don't know how closely you’ve followed [[:m: Research:VisualEditor's effect on newly registered editors/May 2015 study|the research project about VisualEditor]], but since they will be moving into the data analysis phase before long, I wanted to personally ask a few "regulars" at [[WP:VEF]] to let me know if they’d seen anything unusual during the last week or two. (It's been a while since you've posted much there, but you're still [https://tools.wmflabs.org/xtools-articleinfo/index.php?article=Wikipedia:VisualEditor/Feedback&lang=en&wiki=wikipedia in the top 10 all-time editors] at WP:VEF.) Anyway, if you've seen anything or have any thoughts on it, then please let me know. There's a thread open at [[Wikipedia:VisualEditor/Feedback#Test feedback]] if you want, or you can always leave a note at my talk page or send me e-mail. Thanks, [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 06:19, 7 June 2015 (UTC)

== POTD notification ==

[[File:Strobridge & Co. Lith.- Ben-Hur - Klaw & Erlanger's Stupendous Production.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/June 2015#Jun 30 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Strobridge & Co. Lith.- Ben-Hur - Klaw & Erlanger's Stupendous Production.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on June 30, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-06-30]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:59, 8 June 2015 (UTC)
{{-}}

==Jeeves==
[[File:My-man-jeeves-1st-edition.jpg|thumb|''[[My Man Jeeves]]'']]
*You enjoy literary images; was wondering if you wanted a go at [[:File:My-man-jeeves-1sr-edition.jpg]]. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 02:01, 9 June 2015 (UTC)

== Good to see you back ==

I hope your downtime was restful, or fruitful, or both. [[User:Tony1|'''Tony''']] [[User talk:Tony1|(talk) ]] 08:16, 12 June 2015 (UTC)

== A barnstar for you! ==

{| style="background-color: #fdffe7; border: 1px solid #fceb92;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" | [[File:Original Barnstar Hires.png|100px]]
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" | '''The Original Barnstar'''
|-
|style="vertical-align: middle; padding: 3px;" | I love it [[User:Azumah1|Azumah1]] ([[User talk:Azumah1|talk]]) 14:44, 15 June 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Un ballo in maschera]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 20:40, 15 June 2015 (UTC)
|}
==Thank you for the support==
[[File:South Beach Miami Classic Olds Mobile by D Ramey Logan.jpg|thumb|South Beach Miami]]

==[[Wikipedia:Featured picture candidates/I Lombardi alla prima crociata]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 01:04, 19 June 2015 (UTC)
|}

== Ideas ==

Hi, Adam.

I saw your comment at VPPR, and it looks like you might not have finished. (You seemed to be starting a numbered list, but there’s only one item in it. ;-) Anyway, I thought you might like to know that they're working on a GuidedTour for VisualEditor (read up on it at [[phab:T89074]] and [[phab:T101481]]). They're also currently working on some animated tutorials, like [/media/wikipedia/commons/d/de/VisualEditor_-_demonstration_of_auto-cite_creation.gif this one] (a few other ideas listed at [[phab:T101211]]). If you've got more ideas, then leaving a note at [[WP:VEF]] or directly on the Phab tasks might be good. Thanks, [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 06:32, 20 June 2015 (UTC)

:Hi [[User:Adam Cuerden|Adam]], and thanks for the note. I'm dubious that experienced editors would accept yet another button cluttering up the upper right. Name, Echo, Talk, Sandbox, Prefs, Beta, Watchlist, Contributions, Log out (and the UTC clock for me) ''plus'' "Show/Hide VisualEditor" might be wider than some people's screens, especially if the screen is small and the fonts need to be large. The team has been looking at other options for asking editors if they want to opt-in, like a small pop-up note (try going to [[el:Special:Random]] – that might trigger the big pop-up that the Content Translation tool is using). It's complicated, though: if a notice is big enough (or bright enough, or whatever) to be noticed by most people, then it's big enough to be very annoying to some people. There are no options that are both "effective" and "unnoticeable". I've been thinking about another watchlist notice, or maybe a sitenotice (maybe one set to display only on 1% of page views or only once per account). I suppose that the current discussion is likely to have an unintended side effect as a sort of 'opt-in reminder', too.
:I've talked to the team in the past about help buttons, and the goal is to include in-context help where it's needed, and otherwise to omit it. You can see an example of this in the Media dialog. Add or edit an image, and then look for the (?) icons next to the caption and alt text fields. They have several tasks on their list related to this idea, and the Design Research team is testing different components to see which need help. However, in the study, the people who had VisualEditor were able to successfully make just as many unreverted edits as those who didn't, so there's no logical reason to delay access over these improvements. I also watched the usual on-wiki help forums during the test, and I saw no problems related to VisualEditor. If you have suggestions for specific places to add in-context help, then please leave a note with details at [[WP:VEF]].
:There are plans to eventually integrate the editing environments, with the ability to switch back and forth at will. It'll look more like what they do in Mobile – first you open the editor, and then you switch to VisualEditor if/when you want to. (It's supposed to remember what you used for the last edit, so if you like VisualEditor, you won't have to switch every single time.) But this is a couple of years out.
:You can make links in VisualEditor without taking your hands off your keyboard. I made [https://en.wikipedia.org/w/index.php?title=User:Whatamidoing_(WMF)/sandbox&diff=667797660&oldid=667554726 this link] without taking my hands off the keyboard until I needed to click the final "Save" button. {{key press|Control|Option|v}} opens VisualEditor. I typed the sentence, selected a word, and typed {{key press|Control|Option|k}} to open the link tool (I'm told that 'k' matches the shortcut in Google Docs and Microsoft Office). I used arrow keys to select the link target, and {{key press|Enter}} to close it. {{key press|Control|Option|s}} opens the Save dialog, where I typed the edit summary. The only thing I can't do from the keyboard is click the final "Save" button – and that's planned at [[phab:T98105]]. [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 19:00, 20 June 2015 (UTC)

== Carl Nielsen ==

Thanks, Adam, for taking an interest in this article and adding a new photograph of Carl Nielsen. Unfortunately it cannot be included until we have established its first date of publication. We went through a series of problems with photographs of Nielsen when the article was under examination for FA. I have in fact identified a number of early illustrated publications on Nielsen and will obtain them from the library when I return to Denmark in a couple of weeks time. Until then, I think it is safer to keep those that have been approved.--[[User:Ipigott|Ipigott]] ([[User talk:Ipigott|talk]]) 08:49, 20 June 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Giovanna d'Arco]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 18:36, 21 June 2015 (UTC)
|}

== ''The Bugle'': Issue CXI, June 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/June 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/June 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/June 2015/Book reviews|Recent external reviews]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/June 2015/Op-ed|TomStar81 on the new technology of World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/June 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 13:38, 23 June 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/Les Troyens Set]] ==


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, Les Troyens vocal score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, Les Troyens vocal score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:43, 23 June 2015 (UTC)
|}


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, La Prise de Troie score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, La Prise de Troie score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:43, 23 June 2015 (UTC)
|}


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:43, 23 June 2015 (UTC)
|}

== POTD notification ==

[[File:Portrait of ASTP crews - restoration.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 15 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Portrait of ASTP crews - restoration.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 15, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-15]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:56, 24 June 2015 (UTC)
{{-}}

== FPs for FC ==

Hey Adam, I was just checking in to see whether you would be able to get the FPs done for FC this week -- we would like to publish in 24-36 hours or so. If you could let me know either way, that'd be great. Thanks -- '''[[User:Go Phightins!|Go]] [[User talk:Go Phightins!|''Phightins'']][[Special:Contributions/Go Phightins!|!]]''' 03:00, 24 June 2015 (UTC)

== POTD notification ==

[[File:Vertigomovie restoration.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 18 - Sat|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Vertigomovie restoration.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 18, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-18]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:16, 27 June 2015 (UTC)

==Spelling==

[https://en.wikipedia.org/w/index.php?title=Giuseppe_Verdi&curid=12958&diff=669028964&oldid=669026686 The word is "occurrence"].

This service is brought to you by Anal Pedants International Inc. -- [[User:JackofOz|Jack of Oz]] [[User talk:JackofOz#top|[pleasantries]]] 11:45, 28 June 2015 (UTC)
:{{ping|JackofOz}} Dagnabbit, I'm usually better about that. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 11:49, 28 June 2015 (UTC)

== Help needed ==

Hi Adam, are you interested in helping out with this? [[Wikipedia:Labels/VE experiment edits]] [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)|talk]]) 16:44, 28 June 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Carl Nielsen]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Carl Nielsen c. 1908 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Carl Nielsen c. 1908 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 23:57, 28 June 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Kue]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Jajan Pasar in Jakarta edit.JPG|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Jajan Pasar in Jakarta edit.JPG]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:58, 29 June 2015 (UTC)
|}

:Thank you for your nomination and support for the kue jajan pasar image. I do really appreciate it, this is my first featured picture, ''terima kasih''. ''[[User:Gunkarta|Gunkarta]]''  ''[[User talk:Gunkarta|talk]]''  06:15, 30 June 2015 (UTC)

==[[Wikipedia:Featured picture candidates/La traviata]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, La traviata title page - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, La traviata title page - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 12:11, 30 June 2015 (UTC)
|}

== Question ==

You've done an outstanding job on the restoration on the linking of the first transcontinental railroad image, and for that I owe you some thanks, however before I give it I have a question for you: since you are much better at locating and restoring images than I am, would you be interested in taking on another D&R nomination from me existing FP stock? [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 19:54, 1 July 2015 (UTC)
:The image in question is [[:File:USS Pennsylvania moving into Lingayen Gulf.jpg]] (my very first FPC success story, incidentally :) Nommed by me back in August of 2005, the photo is coming up on 10 years as an FP but is below the current size limit for FPs, and to complicate matters there are two versions floating around, the featured version and a derivative linked from the page that shows the radar mast (apparently that got altered due to WWII censorship). I'd like to get the current FP switched to the version with radar mast included, but unless a higher resolution photo with the radar mast can be located the only success I'd have at FPC would be obtaining consensus to delist and replace with [[:File:USS PENNSYLVANIA and battleship of COLORADO class followed by three cruisers move in line into Lingayen Gulf... - NARA - 520627.tif]], an image with the need resolution but in need of a little TLC. If you know where we might find a version with the need resolution and the radar mast it would be the jackpot, but I'd settle for the second linked image restored to have a classic image updated to to meet current FP guidelines. Can you help? [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 05:37, 2 July 2015 (UTC)
::[[:File:US warships entering Lingayen Gulf 1945.jpg|Here's the one with the radar mast.]] [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 05:43, 2 July 2015 (UTC)
:::I'll defer to your judgement on that one then, although I did notice (having finally looked closely at both versions) that every other ship in both photos save but for ''Pennsylvania'' (the lead ship) has radar masts regardless of which version is used. In either event, would it be possible to restore the hi-res version for a delist-and-replace FP nomination? I would like for this one to remain an FP, but to do that I need some help. [[User:TomStar81|TomStar81]] ([[User talk:TomStar81|Talk]]) 03:43, 5 July 2015 (UTC)

== POTD notification ==

[[File:Henry Atwell Thomas - Franz von Suppé - Fatinitza.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 23 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Henry Atwell Thomas - Franz von Suppé - Fatinitza.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 23, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-23]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:26, 4 July 2015 (UTC)
: Nice memories when seeing it on the Main page, --[[User:Gerda Arendt|Gerda Arendt]] ([[User talk:Gerda Arendt|talk]]) 12:59, 23 July 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/Robinson Crusoé]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Jacques Offenbach - A. Jannin - Robinson Crusoé.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Jacques Offenbach - A. Jannin - Robinson Crusoé.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:37, 4 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Rigoletto redux]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 09:04, 5 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Funeral of Alfonso XII of Spain]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Death of King Alfonso XII of Spain.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Death of King Alfonso XII of Spain.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:50, 5 July 2015 (UTC)
|}

==Disambiguation link notification for July 5==

Hi. Thank you for your recent edits. Wikipedia appreciates your help. We noticed though that when you edited [[Samuel J. Randall]], you added a link pointing to the disambiguation page [[Joseph Blackburn]] ([http://dispenser.homenet.org/~dispenser/cgi-bin/dablinks.py/Samuel_J._Randall check to confirm] | [http://dispenser.homenet.org/~dispenser/cgi-bin/dab_solver.py/Samuel_J._Randall fix with Dab solver]). Such links are almost always unintended, since a disambiguation page is merely a list of "Did you mean..." article titles. Read the [[User:DPL bot/Dablink notification FAQ|FAQ]]{{*}} Join us at the [[Wikipedia:Disambiguation pages with links|DPL WikiProject]].

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==[[Wikipedia:Featured picture candidates/L'éclair]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Fromental Halévy, L'Éclair score cover - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Fromental Halévy, L'Éclair score cover - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:32, 7 July 2015 (UTC)
|}

== Image at Ray Charles discography ==

Hi, can you maybe tell me why the image is not working in the infobox at [[Ray Charles discography]]? 
Thanks in advance, [[User:Coldbolt|Coldbolt]] ([[User talk:Coldbolt|talk]]) 19:10, 8 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Ariadne auf Naxos]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Strauss, Richard - Ariadne auf Naxos - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Strauss, Richard - Ariadne auf Naxos - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:30, 9 July 2015 (UTC)
|}

== [[Wikipedia:Featured picture candidates/Westerlund 2]] ==

Could you close this for me? [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 20:24, 10 July 2015 (UTC)
== POTD notification ==

[[File:Bird's eye view of Detroit, Michigan, 1889 - . Calvert Lithographing Co..jpg|thumb|100px|right|[[Wikipedia:Picture of the day/July 2015#Jul 30 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Bird's eye view of Detroit, Michigan, 1889 - . Calvert Lithographing Co..jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on July 30, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-07-30]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:26, 11 July 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/My Man Jeeves]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:P.G. Wodehouse - My Man Jeeves - 1st American edition (1920 printing) - Crop.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:P.G. Wodehouse - My Man Jeeves - 1st American edition (1920 printing) - Crop.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 02:50, 13 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/William Tell Told Again]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Philip Dadd - P. G. Wodehouse - William Tell Told Again (Cover).jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Philip Dadd - P. G. Wodehouse - William Tell Told Again (Cover).jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 16:54, 13 July 2015 (UTC)
|}

== Signpost Featured Content ==
Hi, Adam, 
I have been organizing the Signpost archives and have gotten through almost all 10 1/2 years of issues and I just wanted to say how beautiful the Featured Content page has become. If you look through older issues ([[:Category:Wikipedia Signpost Featured content archives]]), you can see how the Featured Content page used to be a list of articles that had reached FA status and a few thumbnail images. 
But now it is just visually gorgeous. I know it takes a lot of work and several editors each week to produce such a high quality article. But having seen what the page used to look like has just made me appreciate the current state of the page even more and I wanted to tell you that. [[User:Liz|'''''L'''''iz]] [[Special:Contributions/Liz|'''''Read!''''']] [[User talk:Liz|'''''Talk!''''']] 21:04, 14 July 2015 (UTC)

== Family Quarrels ==

Adam, you may like the image I have included in [[Family Quarrels|this new article]]. Best, --[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 18:11, 15 July 2015 (UTC)

== Fixing ==

Hey Adam,

While creating the FP nomination of [[Wikipedia:Featured picture candidates/Shrinika performing Abhinaya]], I got missed something, the caption is not showing the direct link to the page, could you try fixing it ? I tried but again it was getting confused. [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 20:44, 15 July 2015 (UTC)

*Thank you so much. I have added the image to the article [[Abhinaya]]. How is it now ? [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 20:54, 15 July 2015 (UTC)

*Adam, kindly have a look at [[:Sana Althaf|this]]. I have requested Criso also to check this out. Am not that confident but still, feel to keep, check it out once and either way comment please. [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 21:16, 15 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Aida: Act IV Scene 2]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 20:44, 16 July 2015 (UTC)
|}

== FA review ==

Hi Adam,

A couple of weeks ago you posted a helpful image review at [[Wikipedia:Featured article candidates/Hu Zhengyan/archive1]], for which I posted some requests for clarification. I hate to pester, but would you mind looking them over and replying? The review's been up for over a month now, and I'm concerned about it getting archived. Much obliged, [[User:Yunshui|Yunshui]] [[User talk:Yunshui|雲]][[Special:Contributions/Yunshui|水]] 08:20, 17 July 2015 (UTC)
:Hi Adam. Sorry to bother you again, but if you could at least find time to comment on the letter image at some point I'd be very grateful. [[User:Yunshui|Yunshui]] [[User talk:Yunshui|雲]][[Special:Contributions/Yunshui|水]] 09:32, 27 July 2015 (UTC)
::I don't know if you've seen this or not, but the article's now been promoted and the FA review closed. However, if you'd like to further discuss the images or help out in improving them, please do feel free to post to the talkpage there; I'd be glad of your help. [[User:Yunshui|Yunshui]] [[User talk:Yunshui|雲]][[Special:Contributions/Yunshui|水]] 08:47, 3 August 2015 (UTC)

==Talkback==
{{talkback|Roscelese|ts=18:00, 17 July 2015 (UTC)}}
–[[User:Roscelese|Roscelese]] ([[User talk:Roscelese|talk]] ⋅ [[Special:Contributions/Roscelese|contribs]]) 18:00, 17 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Verdi conducts Aida]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Verdi conducting Aida in Paris 1880 - Gallica - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Verdi conducting Aida in Paris 1880 - Gallica - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 16:10, 19 July 2015 (UTC)
|}

== Thank you very much :-)! ==

It's a nice thought to remember a friend, and it's very useful :-). Thanks! [[User:Dryopterisery|Dryopterisery]] ([[User talk:Dryopterisery|talk]]) 17:08, 19 July 2015 (UTC)

== POTD notification ==
[[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 18 - The Taking of Lungtungpen 1.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/August 2015#Aug 8 - Sat|POTD]]]]
[[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 19 - The Taking of Lungtungpen 2.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/August 2015#Aug 8 - Sat|POTD]]]]
Hi Adam,

Just to let you know, the Featured Pictures [[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 18 - The Taking of Lungtungpen 1.jpg]] and [[:File:Archibald Standish Hartrick - Rudyard Kipling - Soldier Tales 19 - The Taking of Lungtungpen 2.jpg]] are due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on August 8, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-08-08/1]] and [[Template:POTD/2015-08-08/2]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 01:17, 20 July 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/Médée]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Cherubini, Luigi - Medea - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Cherubini, Luigi - Medea - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 03:02, 21 July 2015 (UTC)
|}

== ''The Bugle'': Issue CXII, July 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/July 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/July 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/July 2015/Book reviews|Recent external reviews]]''
* Review essay: ''[[Wikipedia:WikiProject Military history/News/July 2015/Review essay|Nick-D on sourcing articles about bombing a battleship]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/July 2015/Op-ed|TomStar81 on the role of nursing in World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/July 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 22:34, 22 July 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/delist/A Negress]] ==

Could you close this delist nomination for me? (This isn't automated, it's enough if you do step 1. I can do the others, if you want.) [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 13:13, 24 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/La forza del destino]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:23, 24 July 2015 (UTC)
|}

== GV GA ==

Oops! Looks like we inadvertently clashed with our edits (at 06:58) - I will stand back now until you are through - many thanks for your care- best,--[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 07:22, 26 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Ceiling of the Santa Maria della Vittoria in Rome]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Santa Maria della Vittoria in Rome - Ceiling.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Santa Maria della Vittoria in Rome - Ceiling.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:19, 26 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/La favorite]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:51, 27 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Aida at Masada, Isræl]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:PikiWiki Israel 13773 AIDA AT MASADA 2011.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:PikiWiki Israel 13773 AIDA AT MASADA 2011.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 01:07, 27 July 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Béatrice et Bénédict]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Hector Berlioz, Béatrice et Bénédict score title page - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Hector Berlioz, Béatrice et Bénédict score title page - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:19, 30 July 2015 (UTC)
|}
==The relentless...==
...march of [https://www.youtube.com/watch?v=rjt2_Z5Nrbs&app=desktop technology!] [[User:Sca|Sca]] ([[User talk:Sca|talk]]) 14:04, 30 July 2015 (UTC)

== Summerhill ==

Hi Adam, I'm a big admirer of your restoration work. Do you take requests? I use [[:File:SummerhillSchool.jpg]] in a whole lot of articles and it would be great to have it fixed up to FP quality. (I'm trying to secure a few more images of historic figures in alternative education too, if you'd be interested.) – [[user talk:czar|czar]] 04:53, 31 July 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Ambroise Thomas]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Wilhelm Benque - Photograph of Ambroise Thomas.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Wilhelm Benque - Photograph of Ambroise Thomas.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 06:28, 31 July 2015 (UTC)
|}

== Invitation to participate in an interview ==

Hi Adam, Ian Rose and I are hoping to run a group interview with some of the editors who have worked on military history-themed FPs in the next issue of ''The Bugle'' and we'd like to invite you to participate. If you have time, I'd appreciate it if you could post responses at [[Wikipedia:WikiProject Military history/News/August 2015/Interview]] by 14 August. Please let me know if you have any questions. Regards, [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 11:27, 2 August 2015 (UTC)
:Thanks a lot for your responses Adam [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 00:24, 7 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Attila]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:36, 2 August 2015 (UTC)
|}

== September and October ''Bugle'' ==

Hi Adam, Nick and I find what we'll both be travelling in September and October so was wondering if you'd be able to organise FPs for the ''Bugle'' for those months' issues. We should be able to organise the other parts of the ''Bugle'' through the MilHist coordinators but be great if you could handle FPs while we're away (of course happy for you to do them any time but September and October will be particularly helpful). Cheers, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) 05:55, 3 August 2015 (UTC)
:{{ping|Ian Rose}} I should be able to. If nothing else, today marks the end of what was a very stressful waiting game, and I can't help but feel that, good or bad, I'll be better in a month from today than I've been in any of the three stressful months prior. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 06:30, 3 August 2015 (UTC)
::That's great to hear, Adam -- on all counts! Cheers, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) 06:32, 3 August 2015 (UTC)
:::Thanks also from me Adam [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 08:41, 3 August 2015 (UTC)

==LOUDER==
Hi Adam. FYI, I found a bunch more audio files that are great except for audibility. Many of them have little or no static. However, instead of asking you or [[User:Graham87]] to boost the volume, I did [https://commons.wikimedia.org/wiki/User_talk:Pdproject this]. Cheers.[[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 21:06, 3 August 2015 (UTC)
::In case you and/or [[User:Graham87]] is interested, [https://en.wikipedia.org/wiki/Wikipedia:Sound/list#Pdproject here's a link to updated information about this]. [[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 22:46, 3 August 2015 (UTC)

== Louder but now in very bad quality ==
Hi Adam. Thank you for handling our audio files.
The sound is louder but the quality has deteriorated massively by your edit (original 102 MB, your edit with 38 MB). You cannot use a standard filter program to edit sound of shellac discs, because 78 rpm records have no RIAA curve (the most filter programs uses RIAA or DECCA). The linear increase of the mid frequencies make the music louder, but reduces the quality drastically! We digitize all gramophone records without the use of any filtering software in studio quality with professional audio equipment in 24-Bit/192 kHz. Files which we have digitized before August 2014 we will replace in the next months with a file in better quality. Commons users are warmly welcome to improve the quality. Can you please upload a new file in better quality? Thank you for your cooperation. [[User:Pdproject|Pdproject]] ([[User talk:Pdproject|talk]]) 22:50, 4 August 2015 (CET) - more infos: [[w:Wikipedia:Sound/list#Pdproject|Sound/list#Pdproject]]
::I know very little about restoring sound from old records. But I'm glad to learn. There's a [[Record restoration|Wikipedia article about it here]]. [[User:Pdproject]], the original file that you uploaded to Wikimedia Commons is still available without any alterations, and Adam merely created a separate file. If Adam does as you have requested, and replaces the separate file with one that has 102 MB, will it sound better or worse to us, or will we not be able to tell the difference? <s>In any event, you will be replacing the original file with a better one soon, and so any improvement that Adam makes now in the separate file he created will become insufficient once you replace the original file?</s> Cheers.[[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 16:28, 5 August 2015 (UTC)
:::I have started a table [[Wikipedia:Sound/list#Noise_filtering|here]] showing some very successful music restoration efforts here at Wikipedia. Adam, please feel free to add items to the list. Cheers.[[User:Anythingyouwant|Anythingyouwant]] ([[User talk:Anythingyouwant|talk]]) 17:27, 6 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Don Carlo]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 00:00, 4 August 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Otello Act I set design model]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Marcel Jambon - Giuseppe Verdi - Otello Act I set design model.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Marcel Jambon - Giuseppe Verdi - Otello Act I set design model.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 11:50, 6 August 2015 (UTC)
|}

== Moving Burma to Myanmar - new 2015 poll ==

You participated in a Burma RM in the past so I'm informing you of another RM. I hope I didn't miss anyone. [[Talk:Burma#Requested_move_7_August_2015|New move attempt of Burma>Myanmar]] [[User:Fyunck(click)|Fyunck(click)]] ([[User talk:Fyunck(click)|talk]]) 08:09, 7 August 2015 (UTC)

== VisualEditor News #4—2015 ==

''[[:m:VisualEditor/Newsletter/2015/August|Read this in another language]] • [[:w:en:Wikipedia:VisualEditor/Newsletter|Local subscription list]] • [[:m:VisualEditor/Newsletter|Subscribe to the multilingual edition]]''

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

You can add quotations marks before and after a title or phrase with a single click.

Select the relevant text. Find the correct quotations marks in the special character inserter tool (marked as Ω in the toolbar). 
[[File:VisualEditor Special character inserter quotation 2.png|alt=Screenshot showing the special character tool, selected text, and the special character that will be inserted|centre|frameless|230px]]
 
Click the button. VisualEditor will add the quotation marks on either side of the text you selected.
 
[[File:VisualEditor Special character inserter quotation 3.png|alt=Screenshot showing the special character tool and the same text after the special character has been inserted|centre|frameless|230px]]
 
You can read and help translate [[:mw:VisualEditor/User guide|the user guide]], which has more information about how to use VisualEditor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|Editing Team]] have been working on mobile phone support. They have fixed many bugs and improved language support. They post weekly status reports [[mw:VisualEditor/changelog|on mediawiki.org]]. Their workboard is available [[phab:project/board/483/|in Phabricator]]. Their [[mediawikiwiki:VisualEditor/Current_priorities|current priorities]] are improving language support and functionality on mobile devices.

=== Wikimania ===
The team attended Wikimania 2015 in Mexico City. There they participated in the Hackathon and met with individuals and groups of users. They also made several presentations [[c:File:How_we_made_VisualEditor_faster.pdf|about VisualEditor]] and the [https://commons.wikimedia.org/w/index.php?title=File%3AWikimania_2015_–_Editing_Department_–_Beyond_Editing.pdf&page=5 future of editing].

Following Wikimania, we announced winners for the [https://translatewiki.net/wiki/Project:VisualEditor/2015_Translathon VisualEditor 2015 Translathon]. Our thanks and congratulations to users ''Halan-tul'', ''Renessaince'', ''जनक राज भट्ट (Janak Bhatta)'', ''Vahe Gharakhanyan'', ''Warrakkk'', and ''Eduardogobi''.

For '''interface messages''' (translated at [https://translatewiki.net translatewiki.net]), we saw the initiative affecting 42 languages. The average progress in translations across all languages was 56.5% before the translathon, and 78.2% after ('''+21.7%'''). In particular, Sakha improved from 12.2% to 94.2%; Brazilian Portuguese went from 50.6% to 100%; Taraškievica went from 44.9% to 85.3%; Doteli went from 1.3% to 41.2%. Also, while 1.7% of the messages were outdated across all languages before the translathon, the percentage dropped to 0.8% afterwards (-0.9%).

For '''documentation messages''' (on mediawiki.org), we saw the initiative affecting 24 languages. The average progress in translations across all languages was 26.6% before translathon, and 46.9% after ('''+20.3%'''). There were particularly notable achievements for three languages. Armenian improved from 1% to 99%; Swedish, from 21% to 99%, and Brazilian Portuguese, from 34% to 83%. Outdated translations across all languages were reduced from 8.4% before translathon to 4.8% afterwards (-3.6%).

[https://translatewiki.net/wiki/Project:VisualEditor/2015_Translathon#Graphs_(interface_messages_only) We published some graphs] showing the effect of the event on the Translathon page. [[File:Face-smile.svg|18px]] '''Thank you''' to the translators for participating and the translatewiki.net staff for facilitating this initiative.

=== Recent improvements ===
'''Auto-fill features for citations''' can be enabled on each Wikipedia. The tool uses the '''[[:mw:Citoid|citoid service]]''' to convert a [[:en:URL|URL]] or [[:en:Digital object identifier|DOI]] into a pre-filled, pre-formatted bibliographic citation. You can see an animated GIF of the quick, [[mediawikiwiki:VisualEditor/GIFs#Auto-citing_a_source|simple process at mediawiki.org]]. So far, about a dozen Wikipedias have enabled the auto-citation tool. To enable it for your wiki, follow the [[mediawikiwiki:Citoid/Enabling_Citoid_on_your_wiki|instructions at mediawiki.org]].

Your wiki can customize the first section of the '''special character inserter''' in VisualEditor. Please follow the [[mw:VisualEditor/Special_characters|instructions at mediawiki.org]] to put the characters you want at the top.

In other changes, if you need to fill in a [[:mw:CAPTCHA|CAPTCHA]] and get it wrong, then you can click to get a new one to complete. VisualEditor can now display and edit [[mediawikiwiki:Extension:Graph|Vega-based graphs]]. If you use the Monobook skin, VisualEditor's appearance is now more consistent with other software.

=== Future changes ===
The team will be changing the '''appearance of selected links''' inside VisualEditor. The purpose is to make it easy to see whether your cursor is inside or outside the link. When you select a link, the link label (the words shown on the page) will be enclosed in a faint box. If you place your cursor inside the box, then your changes to the link label will be part of the link. If you place your cursor outside the box, then it will not. This will make it easy to know when new characters will be added to the link and when they will not.

On the English Wikipedia, 10% of newly created accounts are now offered both the visual and the wikitext editors. A [[m:Research:VisualEditor's_effect_on_newly_registered_editors/May_2015_study|recent controlled trial]] showed no significant difference in survival or productivity for new users in the short term. New users with access to VisualEditor were very slightly less likely to produce results that needed reverting. You can learn more about this by watching a video of the [[mediawikiwiki:Wikimedia_Research/Showcase#July_2015|July 2015 Wikimedia Research Showcase]]. The proportion of new accounts with access to both editing environments will be gradually increased over time. Eventually all new users have the choice between the two editing environments.

=== Let's work together ===
* Share your ideas and ask questions at [[Wikipedia:VisualEditor/Feedback]].
* Can you read and type in Korean or Japanese? Language engineer [[mw:User:DChan (WMF)|David Chan]] needs people who know which tools people use to type in some languages. If you speak Japanese or Korean, you can help him test support for these languages. Please see the instructions at [[mw:VisualEditor/IME Testing#What to test]] if you can help.
* If your wiki would like '''VisualEditor enabled on another namespace''', you can file a request in Phabricator. Please include a link to a community discussion about the requested change.
* Please file requests for language-appropriate "{{Int:visualeditor-annotationbutton-bold-tooltip}}" and "{{Int:visualeditor-annotationbutton-italic-tooltip}}" icons for the styling menu [https://phabricator.wikimedia.org/maniphest/task/create/?projects=PHID-PROJ-dafezmpv6huxg3taml24 in Phabricator].
* The design research team wants to see how real editors work. Please [https://jfe.qualtrics.com/form/SV_6R04ammTX8uoJFP sign up for their research program].
* The weekly task triage meetings continue to be open to volunteers, usually on Tuesdays at 12:00 (noon) PDT (19:00 UTC). Learn how to join the meetings and how to nominate bugs at [[:mw:VisualEditor/Weekly triage meetings|mw:VisualEditor/Weekly triage meetings]]. You do not need to attend the meeting to nominate a bug for consideration as a Q1 blocker, though. Instead, go to Phabricator and "associate" the main [[phab:project/profile/483/|VisualEditor project]] with the bug.

If you aren't reading this in your favorite language, then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact Elitre] directly, so that she can notify you when the next issue is ready. Thank you! [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] ([[User talk:Whatamidoing (WMF)#top|talk]]) 00:01, 8 August 2015 (UTC)


== [[Wikipedia:Featured picture candidates/Hudson's Soap advertisement]] ==


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Advertisement for Hudson's Soap with policemen (front). Wellcome L0069078 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Advertisement for Hudson's Soap with policemen (front). Wellcome L0069078 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 19:25, 9 August 2015 (UTC)
|}


{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Advertisement for Hudson's Soap with policemen (back). Wellcome L0069077 - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Advertisement for Hudson's Soap with policemen (back). Wellcome L0069077 - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 19:25, 9 August 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Albert Reiss LOC ggbain-25651.jpg]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Albert Reiss LOC ggbain-25651.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Albert Reiss LOC ggbain-25651.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:19, 13 August 2015 (UTC)
|}

== Flash Player image ==

Hi, Adam. Could you upload [http://www.gahetna.nl/collectie/afbeeldingen/fotocollectie/zoeken/weergave/detail/q/id/ad6f6eda-d0b4-102d-bcf8-003048976d84 this one] in full resolution to Commons? We currently have him from the same source, but [[:File:Mikhail Tal 1988.jpg|this is noticeably cropped]] and the original seems to be absent. I've tried Dezoomify and View page info in Firefox, but neither worked for me. [[User:Brandmeister|Brandmeister]][[User talk:Brandmeister|talk]] 15:55, 13 August 2015 (UTC)

== POTD notification ==

[[File:Ethel Waters - William P. Gottlieb.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/September 2015#Sep 1 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Ethel Waters - William P. Gottlieb.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on September 1, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-09-01]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 01:10, 15 August 2015 (UTC)
{{-}}

== Copyright ==

Adam,

[[:File:Idukki Dam 1974.jpg|This]] has come to my attention while searching for some interesting things about [[Idukki Dam]]. Am not sure, but I felt this must be a copyrighted property of some other people, kindly have a look. [[User:Mydreamsparrow|DreamSparrow]] [[User talk:Mydreamsparrow|Chat]] 13:51, 15 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Gilbert Duprez as Gaston in Giuseppe Verdi's Jérusalem]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 17:36, 15 August 2015 (UTC)
|}

==Disambiguation link notification for August 21==

Hi. Thank you for your recent edits. Wikipedia appreciates your help. We noticed though that when you edited [[Urania's Mirror]], you added a link pointing to the disambiguation page [[Magnitude]] ([http://dispenser.homenet.org/~dispenser/cgi-bin/dablinks.py/Urania%27s_Mirror check to confirm] | [http://dispenser.homenet.org/~dispenser/cgi-bin/dab_solver.py/Urania%27s_Mirror fix with Dab solver]). Such links are almost always unintended, since a disambiguation page is merely a list of "Did you mean..." article titles. Read the [[User:DPL bot/Dablink notification FAQ|FAQ]]{{*}} Join us at the [[Wikipedia:Disambiguation pages with links|DPL WikiProject]].

It's OK to remove this message. Also, to stop receiving these messages, follow these [[User:DPL bot|opt-out instructions]]. Thanks, [[User:DPL bot|DPL bot]] ([[User talk:DPL bot|talk]]) 09:06, 21 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Simon Boccanegra]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 21:27, 21 August 2015 (UTC)
|}

== ''The Bugle'': Issue CXIII, August 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/August 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/August 2015/Articles|Last month's new Featured and A-Class content]]''
* Book reviews: ''[[Wikipedia:WikiProject Military history/News/August 2015/Book reviews|Nick-D on the Second Schleswig War]]''
* Interview: ''[[Wikipedia:WikiProject Military history/News/August 2015/Interview|Featured picture participants]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/August 2015/Op-ed|TomStar81 on Indian nationalism during World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/August 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 11:45, 22 August 2015 (UTC)
</div>


== [[:File:General Winter.jpg]] ==

Could you check, whether [http://gallica.bnf.fr/ark:/12148/bpt6k717191c.r=.langEN this Gallica file] has a higher resolution version than [[:File:General Winter.jpg|1,024 × 1,540]]? Regards, [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 18:41, 23 August 2015 (UTC)
:{{ping|Armbrust}} Most definitely. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 05:37, 26 August 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Christoph Willibald Gluck]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Joseph Siffred Duplessis - Christoph Willibald Gluck - Google Art Project.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Joseph Siffred Duplessis - Christoph Willibald Gluck - Google Art Project.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:42, 26 August 2015 (UTC)
|}

==[[Urania's Mirror]]==
Adam, I'm giving you a hard time on the FAC, but only because I like the the article and think that while close it is not quite there yet. My sence is that with a little more it should do. [[User:Ceoil|Ceoil]] ([[User talk:Ceoil|talk]]) 08:11, 29 August 2015 (UTC)

== Request for restoration ==

Adam, could you do one of your fine restoration jobs on [[:File:Conestoga wagon on Oregon_Trail - NARA - 286056.jpg]]? I would be happy if you nominated it at FPC when you've finished. Thanks, --[[User:Pine|Pine]][[User talk:Pine|✉]] 16:47, 30 August 2015 (UTC)

==Fairy==
I was just going to ask if you'd had any time to do anything on that absinthe poster, but it looks like you are snowed under; do we have any other restorers that would be willing to do a restoration for a scantily clad beauty (not me; the poster model)? [[User:Belle|Belle]] ([[User talk:Belle|talk]]) 00:20, 1 September 2015 (UTC)

== Siegfried ==

Adam, could you please give me your opinion as to whether [[:File:Siegfried - Heinrich Gudehus.jpg]] qualifies for PD status? It seems to me to be unclear. Thanks and best regards, --[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 13:48, 1 September 2015 (UTC)
* Many thanks for helpful and incredibly speedy response. I'm trying to tidy up the individual Ring opera articles with a view maybe to GA/FA at some stage. At present they are not very well-written and they lean (too) heavily on Rackham for illustrations when I am sure there are many photos of historic productions around - as you've clearly demonstrated. The Paris set illustrations e.g. could be good. If you have time to sort out some good Ring photos over the near future I'd be very grateful. Also I'm seeking a good one for Lohengrin, where the infobox is currently using a snap from a not particularly special recent production. Best, --[[User:Smerus|Smerus]] ([[User talk:Smerus|talk]]) 16:42, 1 September 2015 (UTC)

== WikiCup 2015 September newsletter ==

The finals for the 2015 Wikicup has now begun! Congrats to the 8 contestants who have survived to the finals, and well done and thanks to everyone who took part in rounds 3 and 4.

In round 3, we had a three-way tie for qualification among the wildcard contestants, so we had 34 competitors. The leader was by far {{Wikipedia:WikiCup/Participant3|Casliber}} in Group B, who earned 1496 points. Although 913 of these points were bonus points, he submitted 15 articles in the DYK category. Second place overall was {{Wikipedia:WikiCup/Participant6|Coemgenus}} at 864 points, who although submitted just 2 FAs for 400 points, earned double that amount for those articles in bonus points. Everyone who moved forward to Round 4 earned at least 100 points.

The scores required to move onto the semifinals were impressive; the lowest scorer to move onto the finals was 407, making this year's Wikicup as competitive as it's always been. Our finalists, ordered by round 4 score, are:

#{{Wikipedia:WikiCup/Participant6|Casliber}}, who is competing in his sixth consecutive Wikicup final, again finished the round in first place, with an impressive 1666 points in Pool B. Casliber writes about the natural sciences, including ornithology, botany and astronomy. A large bulk of his points this round were bonus points.
#{{Wikipedia:WikiCup/Participant6|Godot13}}, second place both in Pool B and overall, earned the bulk of his points with FPs, mostly depicting currency.
#{{Wikipedia:WikiCup/Participant6|Cwmhiraeth}}, first in Pool A, came in third. His specialty is natural science articles; in Round 4, he mostly submitted articles about insects and botany. Five out of the six of the GAs he submitted were level-4 vital articles.
#{{Wikipedia:WikiCup/Participant6|Harrias}}, second in Pool A, took fourth overall. He tends to focus on articles about [[cricket]] and military history, specifically the 1640s [[First English Civil War]].
#{{Wikipedia:WikiCup/Participant6|West Virginian}}, from Pool A, was our highest-scoring wildcard. West Virginia tends to focus on articles about the history of (what for it!) the U.S. state of West Virginia.
#{{Wikipedia:WikiCup/Participant6|Rodw}}, from Pool A, likes to work on articles about British geography and places. Most of his points this round were earned from two impressive accomplishments: a GT about [[Wikipedia:Featured topics/Scheduled monuments in Somerset|Scheduled monuments in Somerset]] and a FT about [[Wikipedia:Featured topics/English Heritage properties in Somerset|English Heritage properties in Somerset]].
#{{Wikipedia:WikiCup/Participant6|Rationalobserver}}, from Pool B, came in seventh overall. RO earned the majority of her points from GARs and PRs, many of which were earned in the final hours of the round.
#{{Wikipedia:WikiCup/Participant6|Calvin999}}, also from Pool B, who was competing with RO for the final two spots in the final hours, takes the race for most GARs and PRs—48.

The intense competition between RO and Calvin999 will continue into the finals. They're both eligible for the Newcomers Trophy, given for the first time in the Wikicup; whoever makes the most points will win it.

Good luck to the finalists; the judges are sure that the competition will be fierce!

{{user|Figureskatingfan}}, {{user|Miyagawa}} and {{user|Sturmvogel 66}} 11:47, 2 September 2015 (UTC)


== CSS crop for [[Wikipedia:Featured picture candidates/Götterdämmerung Also Let's See If The Signpost Fixes the Nom Names this Week.|Götterdämmerung]] ==

I'm not a fan of the hard crop (which I learned from you). If [[User:Godot13/sandbox|this]] works for you, be my guest...--[[User:Godot13|Godot13]] ([[User talk:Godot13|talk]]) 08:05, 5 September 2015 (UTC)

== Question about Wikinews ==

hello Adam, I found my self in trouble on Wikinews. Now i found your article [https://meta.wikimedia.org/wiki/Proposals_for_closing_projects/Closure_of_English_Wikinews Proposal for closing of Wikinews]. Especially i am interested on on Paragraph Wikinews_actively_drives_users_of. It kind of describes my situation. Do you have any experience there?--[[Special:Contributions/85.94.172.236|85.94.172.236]] ([[User talk:85.94.172.236|talk]]) 16:03, 6 September 2015 (UTC)

== POTD notification ==

[[File:Tomb of Bibi Jawindi.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/October 2015#October 1 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Tomb of Bibi Jawindi.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on October 1, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-10-01]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:02, 7 September 2015 (UTC)
{{-}}

==[[Wikipedia:Featured picture candidates/Les contes d'Hoffmann (prologue)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, prologue.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, prologue.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 05:18, 7 September 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Les contes d'Hoffmann (Olympia act)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Olympia act.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Olympia act.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:28, 7 September 2015 (UTC)
|}

== FC ==

Hi Adam, since it looks like the regulars aren't available this week, I was asked to do FC. I hope you don't mind if I experiment a little in this one edition. Thanks and looking forward to your return. [[User:Tony1|'''Tony''']] [[User talk:Tony1|(talk) ]] 12:30, 8 September 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Les contes d'Hoffmann (Giulietta act)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:29, 8 September 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/File:Flickr - …trialsanderrors - Madam Ada Castello and Jupiter, poster for Ringling Brothers, ca. 1899.jpg]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Flickr - …trialsanderrors - Madam Ada Castello and Jupiter, poster for Ringling Brothers, ca. 1899.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Flickr - …trialsanderrors - Madam Ada Castello and Jupiter, poster for Ringling Brothers, ca. 1899.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:16, 10 September 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Götterdämmerung Also Let's See If The Signpost Fixes the Nom Names this Week.]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:01, 14 September 2015 (UTC)
|}

== ''The Bugle'': Issue CXIV, September 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: [[Wikipedia:WikiProject Military history/News/September 2015/Project news|''From the editors, coordinator elections have begun'']]
* Articles: [[Wikipedia:WikiProject Military history/News/September 2015/Articles|''Abbasids to a Yugoslav monitor'']]
* Book reviews: [[Wikipedia:WikiProject Military history/News/September 2015/Book reviews|''Economics of warfare, Japan, and light horse'']]
* Op-ed: [[Wikipedia:WikiProject Military history/News/September 2015/Op-ed|''We can (not) advance'']]
* Timeline: [[Wikipedia:WikiProject Military history/News/September 2015/World War I timeline|''This month in World War I'']]
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 05:08, 20 September 2015 (UTC)
</div>


== Help us improve wikimeets by filling in the UK Wikimeet survey! ==

Hello! I'm running a survey to identify the best way to notify Wikimedians about upcoming UK wikimeets (informal, in-person social meetings of Wikimedians), and to see if we can improve UK wikimeets to make them accessible and attractive to more editors and readers. All questions are optional, and it will take about 10 minutes to complete. Please fill it in at:
: https://www.surveymonkey.com/r/JJMNVVD

Thanks! [[User:Mike Peel|Mike Peel]] ([[User talk:Mike Peel|talk]]) 17:59, 20 September 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Pierre Gaveaux]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pierre Gaveaux by Edmé Quenedey (1821).jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:Pierre Gaveaux by Edmé Quenedey (1821).jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 03:46, 24 September 2015 (UTC)
|}

== [[Wikipedia:Featured picture candidates/Arrival of the Hungarians]] ==

Could you close [[Wikipedia:Featured picture candidates/Arrival of the Hungarians|this one]] for me? Regards, [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 07:32, 29 September 2015 (UTC)

== POTD notification (''Agir'') ==

[[File:S.M. Küstenpanzerschiff Ägir - restoration.jpg|thumb|100px|left|[[Wikipedia:Picture of the day/October 2015#Oct 15 - Thu|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. Küstenpanzerschiff Ägir - restoration.jpg]] is due to make an appearance as [[Wikipedia:Picture of the day|Picture of the Day]] on October 15, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-10-15]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:28, 30 September 2015 (UTC)
{{-}}

==ITN==
FYI, I defended your honor [https://en.wikipedia.org/wiki/Talk:Main_Page#Oppose here.] [[User:Sca|Sca]] ([[User talk:Sca|talk]]) 15:49, 3 October 2015 (UTC)
:Sorry I missed the debate - I would have supported if I'd seen it in time. Though I doubt it would have made any difference.  — An [[User:Tivedshambo|'''optimist''']] on the ''[[User Talk:Optimist on the run|run]]!'' (logged on as [[User:Pek the Penguin|Pek the Penguin]]) 12:17, 5 October 2015 (UTC)

== FLRC notification ==

I have nominated [[List of major opera composers]] for [[Wikipedia:Featured list removal candidates/List of major opera composers/archive1|featured list removal here]]. Please join the discussion on whether this article meets the [[Wikipedia:What is a featured list?|featured list criteria]]. Articles are typically reviewed for two weeks; editors may declare to "Keep" or "Delist" the article's featured status. The instructions for the review process are [[Wikipedia:Featured list removal candidates|here]]. [[User:Giants2008|Giants2008]] ([[User talk:Giants2008|Talk]]) 00:28, 4 October 2015 (UTC)

==[[Wikipedia:Featured picture candidates/Pluto (enhanced colour)]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Pluto-01 Stern 03 Pluto Color TXT.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Pluto-01 Stern 03 Pluto Color TXT.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 15:09, 5 October 2015 (UTC)
|}

==[[:commons:Category:Media contributed by KITLV]]==
*If you're looking for new ideas for restorations, check out [[:commons:Category:Media contributed by KITLV]]. I just found it. Images like [[:File:Hamengkoe Boewono VII, sultan van Jogjakarta, in uniform - Kassian Céphas - KITLV 10001.tif]] shouldn't be all that difficult. I wish I wasn't so busy with RL work; I'd leap in with both feet. — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 14:10, 6 October 2015 (UTC)

== VisualEditor update ==

[[File:VisualEditor-logo-pacifico.svg|150px|left]]
:''This note is only delivered to [[Wikipedia:VisualEditor/Newsletter|English Wikipedia subscribers of the visual editor's newsletter]].''
The location of the visual editor's preference has been changed from the "Beta" tab to [[Special:Preferences#mw-prefsection-editing|the "Editing" section of your preferences]] on this wiki. The setting now says ''Temporarily disable the visual editor while it is in beta''.
This aligns en.wiki with almost all the other WMF wikis; it doesn’t mean the visual editor is complete, or that it is no longer “in beta phase” though.

This action has not changed anything else for editors: it still honours editors’ previous choices about having it on or off; logged-out users continue to only have access to wikitext; the “Edit” tab is still after the “Edit source” one. You can learn more at the [[Wikipedia_talk:VisualEditor#The_visual_editor.E2.80.99s_preference_has_moved|visual editor’s talk page]].

We don’t expect this to cause any glitches, but in case your account no longer has the settings that you want, please accept our apologies and correct it in the Editing tab of [[Special:Preferences]]. Thank you for your attention, [[User:Elitre (WMF)|Elitre (WMF)]] -16:32, 7 October 2015 (UTC)


== Signpost FC ==
Hi, [[User:Adam_Cuerden|Adam]], 
I don't know if you are still like to work on the Signpost article on Featured Content but this week's edition has just been posted, if you would like to help with some descriptions or resizing photos: [[Wikipedia:Wikipedia Signpost/2015-10-07/Featured content]]. Thanks for your help! [[User:Liz|'''''L'''''iz]] [[Special:Contributions/Liz|'''''Read!''''']] [[User talk:Liz|'''''Talk!''''']] 16:35, 7 October 2015 (UTC)

== ITN ==

I definitely agree with you that there are problems at ITN, especially with inconsistent criteria being applied to similar noms and then complete disregard towards others. I think we need input from more editors though, to fix it. We need to be actively trying to shape it to be the best it can be. – [[User:Muboshgu|Muboshgu]] ([[User talk:Muboshgu#top|talk]]) 02:35, 12 October 2015 (UTC)

== ''The Bugle'': Issue CXV, October 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/October 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/October 2015/Articles|Last month's new Featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/October 2015/Book reviews|Anotherclown and Sturmvogel 66 on war in the air and at sea]]''
* Review essay: ''[[Wikipedia:WikiProject Military history/News/October 2015/Review essay|Auntieruth55 on the French Revolutionary Wars]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/October 2015/Op-ed|TomStar81 on the entry of Bulgaria in World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/October 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 21:46, 15 October 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/Renée Adorée]] ==

Hi, I would be much grateful if you could give your opinion about this. Regards, [[User:Yann|Yann]] ([[User talk:Yann|talk]]) 11:01, 21 October 2015 (UTC)

== POTD notification ==

[[File:Moenitarri warrior in the costume of the dog danse 0056v.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/November 2015#Nov 10 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Moenitarri warrior in the costume of the dog danse 0056v.jpg]] is scheduled to be Picture of the Day on November 10, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-11-10]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 22 October 2015 (UTC)
{{-}}

== POTD notification ==

[[File:Irish WWI poster - Is Your Home Worth Fighting For? - Hely's Limited, Litho, Dublin.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/November 2015#Nov 11 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Irish WWI poster - Is Your Home Worth Fighting For? - Hely's Limited, Litho, Dublin.jpg]] is scheduled to be Picture of the Day on November 11, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-11-11]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:16, 24 October 2015 (UTC)
{{-}}

== VisualEditor News #5—2015 ==

''[[m:VisualEditor/Newsletter/2015/October|Read this in another language]] • [[:m:VisualEditor/Newsletter|Subscription list for this multilingual newsletter]]''

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

You can use the visual editor on smartphones and tablets. [[File:Switching edit modes to VisualEditor on Mobile web.png|alt=Screenshot showing the menu for switching from the wikitext editor to VisualEditor|centre|frameless|230x230px]] 
Click the pencil icon to open the editor for a page. Inside that, use the gear menu in the upper right corner to "{{int:mobile-frontend-editor-switch-visual-editor}}".

The editing button will remember which editing environment you used last time, and give you the same one next time. The desktop site will be switching to a system similar to this one in the coming months. You can read and help translate [[:mw:VisualEditor/User guide|the user guide]], which has more information about how to use the visual editor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|VisualEditor Team]] has fixed many bugs, added new features, and made some small design changes. They post weekly status reports [[mw:VisualEditor/changelog|on mediawiki.org]]. Their workboard is available [[phab:project/board/483/|in Phabricator]]. Their [[mediawikiwiki:VisualEditor/Current_priorities|current priorities]] are improving support for languages like Japanese and Arabic, making it easier to edit on mobile devices, and providing rich-media tools for formulæ, charts, galleries and uploading.

=== Recent improvements ===
'''Educational features:''' The first time you use the visual editor, it now draws your attention to the {{Int:visualeditor-annotationbutton-link-tooltip}} and {{Int:visualeditor-toolbar-cite-label}} tools. When you click on the tools, it explains why you should use them. ([[Phab:T108620|T108620]]) Alongside this, the welcome message for new users has been simplified to make editing more welcoming. ([[Phab:T112354|T112354]]) More in-software educational features are planned.

'''Links:''' It is now easier to understand when you are adding text to a link and when you are typing plain text next to it. ([[Phab:T74108|T74108]], [[Phab:T91285|T91285]]) The editor now fully supports ISBN, PMID or RFC numbers. ([[Phab:T109498|T109498]], [[Phab:T110347|T110347]], [[Phab:T63558|T63558]]) These [[:en:Help:Magic_links|"magic links"]] use a custom link editing tool.

'''Uploads:''' Registered editors can now '''upload images''' and other media to Commons while editing. Click the new tab in the "{{int:visualeditor-toolbar-insert}} {{int:visualeditor-dialogbutton-media-tooltip}}" tool. You will be guided through the process without having to leave your edit. At the end, the image will be inserted. This tool is limited to one file at a time, owned by the user, and licensed under Commons's standard license. For more complex situations, the tool links to more advanced upload tools. You can also drag the image into the editor. This will be available in the wikitext editor later.

'''Mobile:''' Previously, the visual editor was available on the mobile Wikipedia site only on tablets. Now, editors can use the visual editor on any size of device. ([[Phab:T85630|T85630]]) Edit conflicts were previously broken on the mobile website. Edit conflicts can now be resolved in both wikitext and visual editors. ([[Phab:T111894|T111894]]) Sometimes templates and similar items could not be deleted on the mobile website. Selecting them caused the on-screen keyboard to hide with some browsers. Now there is a new "{{int:Visualeditor-contextitemwidget-label-remove}}" button, so that these things can be removed if the keyboard hides. ([[Phab:T62110|T62110]]) You can also edit table cells in mobile now.

'''Rich editing tools:''' You can now add and edit '''sheet''' '''music''' in the visual editor. ([[Phab:T112925|T112925]]) There are separate tabs for advanced options, such as MIDI and Ogg audio files. ([[Phab:T114227|T114227]] and [[Phab:T113354|T113354]]) When editing '''formulæ''' and other blocks, errors are shown as you edit. It is also possible to edit some types of '''graphs'''; adding new ones, and support for new types, will be coming.

On the '''English Wikipedia''', the visual editor is now automatically available to anyone who creates an account. The preference switch was moved to the normal location, under [[Special:Preferences]].

=== Future changes ===
You will soon be able to '''switch from the wikitext to the visual editor''' after you start editing. ([[phab:T49779|T49779]]) Previously, you could only switch from the visual editor to the wikitext editor. Bi-directional switching will make possible a '''single edit tab.''' ([[phab:T102398|T102398]]) This project will combine the "{{int:vector-view-edit}}" and "{{int:visualeditor-ca-editsource}}" tabs into a single "{{int:vector-view-edit}}" tab, similar to the system already used on the mobile website. The "{{int:vector-view-edit}}" tab will open whichever editing environment you used last time.

=== Let's work together ===
* Share your ideas and ask questions at [[:mw:VisualEditor/Feedback]]. This feedback page uses [[mw:Flow|Flow]] for discussions.
* Can you read and type in Korean or Japanese? Language engineer [[mw:User:DChan (WMF)|David Chan]] needs people who know which tools people use to type in some languages. If you speak Japanese or Korean, you can help him test support for these languages. Please see the instructions at [[mw:VisualEditor/IME Testing#What to test]] if you can help, and report it on Phabricator ([[phab:T110654|Korean]] - [[phab:T109818|Japanese]]) or on Wikipedia ([[:ko:위키백과:시각편집기/IME|Korean]] - [//jp.wikipedia.org/wiki/Wikipedia:ビジュアルエディター/フィードバック/IME Japanese]).
* Local admins can [[mediawikiwiki:Citoid/Enabling_Citoid_on_your_wiki|set up the Citoid automatic reference feature for your wiki]]. If you need help, then please post a request in the [[phab:tag/citoid/|Citoid project on Phabricator]]. Include links to the [[:mw:Help:TemplateData|TemplateData]] for the most important citation templates on your wiki.
* The weekly task triage meetings are open to volunteers. Learn how to join the meetings and how to nominate bugs at [[:mw:VisualEditor/Weekly triage meetings|mw:VisualEditor/Weekly triage meetings]]. You do not need to attend the meeting to nominate a bug for consideration, though. Instead, go to Phabricator and "associate" the main [[phab:project/profile/483/|VisualEditor project]] with the bug.

If you can't [[m:VisualEditor/Newsletter/2015/October|read this in your favorite language]], then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact us] directly, so that we can notify you when the next issue is ready. Thank you!

— [[User:Whatamidoing (WMF)|Whatamidoing (WMF)]] 04:16, 30 October 2015 (UTC)


==[[Wikipedia:Featured picture candidates/Ixion]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Ixion.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Ixion.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 06:11, 30 October 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/Agdam]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Aghdam 6.jpg|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Aghdam 6.jpg]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 03:18, 3 November 2015 (UTC)
|}

== Balanced scales ==

Hi Adam. I left a message for you [https://commons.wikimedia.org/wiki/User_talk:Adam_Cuerden#Balanced_scales here]. (Please ping me.) -- <code>{{u|[[User:BullRangifer|'''BullRangifer''']]}} {[[User talk:BullRangifer|'''Talk''']]}</code> 15:54, 4 November 2015 (UTC)
== Possibly unfree File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg ==
A file that you uploaded or altered, [[:File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg]], has been listed at [[Wikipedia:Possibly unfree files]] because its copyright status is unclear or disputed. If the file's copyright status cannot be verified, it may be deleted. You may find more information on the [[:File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg|file description page]]. You are welcome to add comments to its entry at [[Wikipedia:Possibly unfree files/2015 November 5#File:Alphonse Allais - Funeral March for the Obsequies of a Deaf Man.ogg|the discussion]] if you object to the listing for any reason. Thank you.  [[User:Stefan2|Stefan2]] ([[User talk:Stefan2|talk]]) 15:03, 5 November 2015 (UTC)

== WikiCup 2015: The results ==

[[File:Flag of the Smithsonian Institution.svg|170px|right|border]]
[[File:Flag of Wales.svg|170px|right|border]]
[[File:Flag_of_Belarus_(1918,_1991-1995).svg|170px|right|border]]
WikiCup 2015 is now in the books! Congrats to our finalists and winners, and to everyone who took part in this year's competition.

This year's results were an exact replica of last year's competition. For the second year in a row, the 2015 WikiCup champion is {{Wikipedia:WikiCup/Participant6|Godot13}}. All of his points were earned for an impressive 253 featured pictures and their associated bonus points (5060 and 1695, respectively). His entries constituted scans of currency from all over the world and scans of medallions awarded to participants of the U.S. Space program. {{Wikipedia:WikiCup/Participant6|Cwmhiraeth}} came in second place; she earned by far the most bonus points (4082), for 4 featured articles, 15 good articles, and 147 DYKs, mostly about in her field of expertise, natural science. {{Wikipedia:WikiCup/Participant6|Casliber}}, a finalist every year since 2010, came in third, with 2379 points.

Our newcomer award, presented to the best-performing new competitor in the WikiCup, goes to {{Wikipedia:WikiCup/Participant6|Rationalobserver}}. Everyone should be very proud of the work they accomplished. We will announce our other award winners soon.

A full list of our award winners are:

*{{Wikipedia:WikiCup/Participant6|Godot13}} wins the prize for '''first place''' and the '''FP prize''' for 330 featured pictures in the final round.
*{{Wikipedia:WikiCup/Participant6|Cwmhiraeth}} wins the prize for '''second place''' and the '''DYK prize''' for 160 did you knows in the final round (310 in all rounds).
*{{Wikipedia:WikiCup/Participant6|Casliber}} wins the prize for '''third place''' and the '''FA prize''' for 26 featured articles in all rounds.
*{{Wikipedia:WikiCup/Participant6|West Virginian}} wins the prize for '''fourth place'''
*{{Wikipedia:WikiCup/Participant6|Calvin999}} wins a '''final 8''' prize.
*{{Wikipedia:WikiCup/Participant6|Rationalobserver}} wins a '''final 8''' prize.
*{{Wikipedia:WikiCup/Participant6|Harrias}} wins a '''final 8''' prize and the '''FL prize''' for 11 featured lists.
*{{Wikipedia:WikiCup/Participant6|Rodw}} wins the most prizes: a '''final 8''' prize, the '''GA prize''' for 41 good articles, and the '''topic prize''' for a 13-article good topic and an 8-article featured topic, both in round 3.
*{{Wikipedia:WikiCup/Participant6|ThaddeusB}} wins the '''news prize''' for the most news articles in round 3.

We warmly invite all of you to '''[[Wikipedia:WikiCup/2016 signups|sign up]]''' for next year's competition. Discussions and polls concerning potential rules changes are also '''[[Wikipedia talk:WikiCup/Scoring#Straw polls: 2016|open]]''', and all are welcome to participate. The WikiCup judges will be back in touch over the coming months, and we hope to see you all in the 2016 competition. Until then, it only remains to once again congratulate our worthy winners, and thank all participants for their involvement! If you wish to start or stop receiving this newsletter, please feel free to add or remove yourself from [[Wikipedia:WikiCup/Newsletter/Send]].

{{user3|Figureskatingfan}}, {{user3|Miyagawa}} and {{user3|Sturmvogel 66}} 18:39, 8 November 2015 (UTC)


== Restoration question ==

Hi Adam, about your proposed replacement on [[Wikipedia:Featured picture candidates/Nikola Tesla|FP nom. of Nikola Tesla]], [http://www.loc.gov/pictures/resource/ggbain.04851/]. I am wondering if you want to restore it? If you are not particularly interested, I am interested in restoring it, hopefully with your input and feedback on the restoration. FYI, I use [[GIMP]] and I have more to learn about restoring images. Hopefully the final result will be good. And if you want to restore it, I understand, you have my FP support vote in advance. [[User:Bammesk|Bammesk]] ([[User talk:Bammesk|talk]]) 03:26, 12 November 2015 (UTC)

==POTD notification==

[[File:S.M. kleiner kreuzer Gefion - restoration, borderless.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/November 2015#Nov 30 - Sun|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. kleiner kreuzer Gefion - restoration, borderless.jpg]] is scheduled to be Picture of the Day on November 30, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-11-30]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 12 November 2015 (UTC)
{{-}}

== JSTOR cleanup drive ==

{{Wikipedia:JSTOR/Errors/note}} Sent of behalf of {{u|Nikkimaria}} for [[Wikipedia:JSTOR|The Wikipedia Library's JSTOR]] using [[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 22:18, 16 November 2015 (UTC)


== ''The Bugle'': Issue CXVI, November 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/November 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/November 2015/Articles|Last month's new featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/November 2015/Book reviews|Hawkeye7 on the Battle of the Bulge]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/November 2015/Op-ed|TomStar81 looks at the collapse of the Serbian Army in World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/November 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 03:25, 18 November 2015 (UTC)
</div>


== [[WP:ACE2015|ArbCom elections are now open!]] ==

{{Wikipedia:Arbitration Committee Elections December 2015/MassMessage}} [[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 17:31, 23 November 2015 (UTC)


==POTD notification==

[[File:Noel Coward Allan warren edit 1.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/December 2015#Dec 16 - Wed|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Noel Coward Allan warren edit 1.jpg]] is scheduled to be Picture of the Day on December 16, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-12-16]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:24, 27 November 2015 (UTC)
{{-}}

== POTD notification ==

[[File:S.M. Küstenpanzerschiff Odin im Salut - restoration.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/December 2015#Dec 19 - Sat|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. Küstenpanzerschiff Odin im Salut - restoration.jpg]] is scheduled to be Picture of the Day on December 19, 2015. If you get a chance, you can check and improve the caption at [[Template:POTD/2015-12-19]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 00:31, 1 December 2015 (UTC)
{{-}}

==???==
{{U|Adam Cuerden|Adam}}, what's up with the feral [https://en.wikipedia.org/wiki/Wikipedia:Featured_picture_candidates#AAAAAAAAAHHHHHHHH.21.21.21.21 kitten?] – [[User:Sca|Sca]] ([[User talk:Sca|talk]]) 14:21, 15 December 2015 (UTC)

== A barnstar for you! ==

{| style="background-color: #fdffe7; border: 1px solid #fceb92;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" | [[File:Tireless Contributor Barnstar Hires.gif|100px]]
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" | '''The Tireless Contributor Barnstar'''
|-
|style="vertical-align: middle; padding: 3px;" | so many pics :) [[User:United kingdoms my home|United kingdoms my home]] ([[User talk:United kingdoms my home|talk]]) 21:20, 16 December 2015 (UTC)
|}

== POTD notification ==

[[File:S.M. Linienschiff Kurfürst Friedrich Wilhelm - restoration, border removed.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/January 2016#Jan 4 - Mon|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:S.M. Linienschiff Kurfürst Friedrich Wilhelm - restoration, border removed.jpg]] is scheduled to be Picture of the Day on January 4, 2016. If you get a chance, you can check and improve the caption at [[Template:POTD/2016-01-04]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 16 December 2015 (UTC)
{{-}}

== POTD notification ==

[[File:Rembrandt Harmensz. van Rijn - Jeremia treurend over de verwoesting van Jeruzalem - Google Art Project.jpg|thumb|100px|right|[[Wikipedia:Picture of the day/January 2016#Jan 5 - Tue|POTD]]]]
Hi Adam,

Just to let you know, the Featured Picture [[:File:Rembrandt Harmensz. van Rijn - Jeremia treurend over de verwoesting van Jeruzalem - Google Art Project.jpg]] is scheduled to be Picture of the Day on January 5, 2016. If you get a chance, you can check and improve the caption at [[Template:POTD/2016-01-05]]. Thank you for all of your contributions! — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 23:38, 16 December 2015 (UTC)
{{-}}

==(Season's Greetings)==

[[File:Johansen Viggo - Radosne Boże Narodzenie.jpg|thumb|275px|Viggo Johansen: ''Happy Christmas'' (1891)]]


:X
:<big><big>'''''Merry Christmas & Happy New Year'''''</big></big>

:X

::::'''''Frohe Weinachten und
::::'''''alles gute zur neuen Jahr!

::::::::'''''Wesołych Świąt i
::::::::'''''Szczęśliwego nowego roku!

::::::::::::'''''Linksmų Kalėdų ir
::::::::::::'''''laimingų Naujųjų Metų!'''''


:X
::::::::::::::::::[[User:Sca|Sca]] ([[User talk:Sca|talk]])
______________________________________________________________________________________________________________________
{{-}}

== WikiCup 2016 is just around the corner... ==

Hello everyone, and we would like to wish you all a happy holiday season. As you will probably already know, the 2016 WikiCup begins in the new year; there is still time to '''[[Wikipedia:WikiCup/2016 signups|sign up]]'''. There are some changes we'd like to announce before the competition begins.

After two years of serving as WikiCup judge, [[User:Miyagawa]] has [https://en.wikipedia.org/wiki/Wikipedia_talk:WikiCup#Retiring_as_Judge stepped down as judge]. He deserves great thanks and recognition for his dedication and hard work, and for providing necessary transition for a new group of judges in last year's Cup. Joining Christine ([[User:Figureskatingfan]]) and Jason ([[User:Sturmvogel 66]]) is Andrew ([[User:Godot13]]), a very successful WikiCup competitor and expert in [[WP:FP|Featured Pictures]]; he won the two previous competitions. This is a strong judging team, and we anticipate lots of enjoyment and good work coming from our 2016 competitors.

We would also like to announce one change in how this year's WikiCup will be run. In the spirit of sportsmanship, Godot13 and [[User:Cwmhiraeth|Cwmhiraeth]] have chosen to limit their participation. See [https://en.wikipedia.org/wiki/Wikipedia_talk:WikiCup#Something_different_in_2016 here] for the announcement and a complete explanation of why. They and the judges feel that it will make for a more exciting, enjoyable, and productive competition.

The discussions/polls concerning the next competition's rules will be closed soon, and rules changes will be made clear on [[Wikipedia:WikiCup/Scoring]] and talk pages. The judges are committed to not repeating the confusion that occurred last year and to ensuring that the new rules are both fair and in the best interests of the competition, which is, first and foremost, about improving Wikipedia.

If you have any questions or concerns, the judges can be reached on [[Wikipedia talk:WikiCup]], on their talk pages, or by email. We hope you will all join us in trying to make the 2015 WikiCup the most productive and enjoyable yet. You are receiving this message because you are listed on [[Wikipedia:WikiCup/Newsletter/Send]]. [[User:Sturmvogel 66|Sturmvogel 66]] ([[User talk:Sturmvogel 66|talk]]), [[User:Figureskatingfan|Figureskatingfan]] ([[User talk:Figureskatingfan|talk]]), and [[User:Godot13|Godot13]] ([[User talk:Godot13|talk]]).--[[User:MediaWiki message delivery|MediaWiki message delivery]] ([[User talk:MediaWiki message delivery|talk]]) 06:46, 22 December 2015 (UTC)


== Wonderful holidays ==

[[file:Marienaltar-Linke-Tafel.jpg|200px|right]]

Merry Christmas and a happy New Year! --[[User:Tremonist|Tremonist]] ([[User talk:Tremonist|talk]]) 15:20, 23 December 2015 (UTC)
{{-}}

== Merry Christmas and happy new year ==

<div style="border-style:solid; border-color:#FF4646; background-color:lightgreen; border-width:2px; text-align:left; padding:7px; {{border-radius|1em}} {{box-shadow|0.1em|0.1em|0.5em|rgba(0,0,0,0.75)}}>
<gallery mode=packed heights="150px">
File:Chalk_Peace_on_Earth.jpg
File:Merry_Christmas_to_All.jpg
File:Eggnog-MWL.jpg
File:Christmas_Tea.jpg
File:'Mustangs'_host_Christmas_party,_build_family_morale_121211-A-CJ112-820.jpg
File:Christmas_Ship_Parade_08.jpg
File:St_Thomas's_Peace_Garden_-_by_Anuradha_Patel_(16459653856).jpg
</gallery>

<center><big><big>Merry Christmas and happy new year. (:</big></big>
--[[User:Pine|Pine]][[User talk:Pine|✉]]
</center>
</div>

== VisualEditor News #6—2015 ==

''[[m:VisualEditor/Newsletter/2015/December|Read this in another language]] • [[Wikipedia:VisualEditor/Newsletter|Subscription list]]''

<div style="float:right;width:230px;margin-left:1em;border-style:solid;border-width:1px;padding:1em;">
[[File:VisualEditor-logo.svg|200px|center]]'''Did you know?'''
<div class="thumbcaption" style="font-size: 90%;">

A new, simpler system for editing will offer a single Edit button. Once the page has opened, you can switch back and forth between visual and wikitext editing.

[[File:VisualEditor single edit tab preference dialog.png|alt=Screenshot showing a pop-up dialog for switching from the wikitext editor to VisualEditor|centre|frameless|230x230px]]If you prefer having separate edit buttons, then you can set that option in your preferences, either in a pop-up dialog the next time you open the visual editor, or by going to [[Special:Preferences]] and choosing the setting that you want: [[File:VisualEditor single edit tab in preferences 2015-12-18.png|alt=Screenshot showing a drop-down menu in Special:Preferences|centre|frameless|230x230px]] 
The current plan is for the default setting to have the Edit button open the editing environment you used most recently. You can read and help translate [[:mw:VisualEditor/User guide|the user guide]], which has more information about how to use the visual editor.
</div></div>

Since the last newsletter, the [[mw:VisualEditor|VisualEditor Team]] has fixed many bugs and expanded the mathematics formula tool. Their workboard is available [[phab:project/board/483/|in Phabricator]]. Their [[mediawikiwiki:VisualEditor/Current_priorities|current priorities]] are improving support for languages such as Japanese and Arabic, and providing rich-media tools for formulæ, charts, galleries and uploading.

=== Recent improvements ===
You can '''switch from the wikitext editor to the visual editor''' after you start editing.

The '''LaTeX mathematics formula editor''' has been significantly expanded. ([[phab:T118616|T118616)]] You can see the formula as you change the LaTeX code. You can click buttons to insert the correct LaTeX code for many symbols.

=== Future changes ===
The '''single edit tab''' project will combine the "{{int:vector-view-edit}}" and "{{int:visualeditor-ca-editsource}}" tabs into a single "{{int:vector-view-edit}}" tab, like the system already used on the mobile website. ([[phab:T102398|T102398]]) Initially, the "{{int:vector-view-edit}}" tab will open whichever editing environment you used last time. Your last editing choice will be stored as a cookie for logged-out users and as an account preference for logged-in editors. Logged-in editors will be able to set a default editor in the {{int:prefs-editing}} tab of [[Special:Preferences]] in the drop-down menu about "{{int:visualeditor-preference-tabs}}".

The visual editor will be offered to all editors at the following Wikipedias in early 2016: [[w:am:|Amharic]], [[w:bug:|Buginese]], [[w:cdo:|Min Dong]], [[w:cr:|Cree]], [[w:gv:|Manx]], [[w:hak:|Hakka]], [[w:hy:|Armenian]], [[w:ka:|Georgian]], [[w:pnt:|Pontic]], [[w:sh:|Serbo-Croatian]], [[w:ti:|Tigrinya]], [[w:xmf:|Mingrelian]], [[w:za:|Zhuang]], and [[w:zh-min-nan:|Min Nan]]. ([[phab:T116523|T116523]]) Please post your comments and the language(s) that you tested at [[:mw:Topic:St8y4ni42d0vr9cv|the feedback thread on mediawiki.org]]. The developers would like to know how well it works. Please tell them what kind of computer, web browser, and keyboard you are using.

In 2016, the '''feedback pages''' for the visual editor on many Wikipedias will be redirected to mediawiki.org. ([[phab:T92661|T92661]])

=== Testing opportunities ===
* Please try the new system for the '''single edit tab''' on [https://test2.wikipedia.org test2.wikipedia.org]. You can edit while logged out to see how it works for logged-out editors, or you can create a separate account to be able to set your account's preferences. Please share your thoughts about the single edit tab system at [[mediawikiwiki:Topic:Suspcq0bf5nd3gsd|the feedback topic on mediawiki.org]] or [https://jfe.qualtrics.com/form/SV_6R04ammTX8uoJFP sign up for formal user research] (type "single edit tab" in the question about other areas you're interested in). The new system has not been finalized, and your feedback can affect the outcome. The team particularly wants your thoughts about the options in Special:Preferences. The current choices in Special:Preferences are:
** {{int:visualeditor-preference-tabs-remember-last}},
** {{int:visualeditor-preference-tabs-prefer-ve}},
** {{int:visualeditor-preference-tabs-prefer-wt}}, and
** {{int:visualeditor-preference-tabs-multi-tab}}. (This is the current state for people using the visual editor. None of these options will be visible if you have disabled the visual editor in your preferences at that wiki.)
* Can you read and type in Korean or Japanese? Language engineer [[mw:User:DChan (WMF)|David Chan]] needs people who know which tools people use to type in some languages. If you speak Japanese or Korean, you can help him test support for these languages. Please see the instructions at [[mw:VisualEditor/IME Testing#What to test]] if you can help, and report it on Phabricator ([[phab:T110654|Korean]] - [[phab:T109818|Japanese]]) or on Wikipedia ([[:ko:위키백과:시각편집기/IME|Korean]] - [//jp.wikipedia.org/wiki/Wikipedia:ビジュアルエディター/フィードバック/IME Japanese]).
If you aren't reading this in your favorite language, then please help us with translations! Subscribe to the [[mail:translators-l|Translators mailing list]] or [https://meta.wikimedia.org/w/index.php?title=User_talk:Elitre_(WMF)&action=edit&section=new contact us] directly, so that we can notify you when the next issue is ready. {{int:Feedback-thanks-title}}

[[User:Whatamidoing (WMF)|Whatamidoing (WMF)]], 00:54, 24 December 2015 (UTC)


== ''The Bugle'': Issue CXVII, December 2015 ==

{| style="width: 100%;"
| valign="top" style="border: 1px gray solid; padding: 1em;" |
{|
| [[File:The Bugle.png|250px|link=Wikipedia:WikiProject Military history/News|alt=Full front page of The Bugle]]
| width="100%" valign="top" | <div style="text-align: center; color: darkslategray;">'''Your Military History Newsletter'''</div>
<div style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
* Project news: ''[[Wikipedia:WikiProject Military history/News/December 2015/Project news|From the editors; awards and honours; contest results]]''
* Articles: ''[[Wikipedia:WikiProject Military history/News/December 2015/Articles|Last month's new featured and A-Class content]]''
* Book review: ''[[Wikipedia:WikiProject Military history/News/December 2015/Book reviews|Hawkeye7 on the German retreat from France in 1944]]''
* Op-ed: ''[[Wikipedia:WikiProject Military history/News/December 2015/Op-ed|TomStar81 on empires of World War I]]''
* Timeline: ''[[Wikipedia:WikiProject Military history/News/December 2015/World War I timeline|This month in World War I]]''
</div>
|-
|}
|}
<div style="font-size: 85%; margin:0 auto; text-align:center;">
''The Bugle'' is published by the [[Wikipedia:WikiProject Military history|Military history WikiProject]]. To receive it on your talk page, please [[Wikipedia:WikiProject Military history/Members|join the project]] or sign up [[User:The ed17/Sandbox3#Non-members who want delivery|here]]. If you are a project member who does not want delivery, please remove your name from [[User:The ed17/Sandbox3|this page]]. Your editors, [[User:Ian Rose|Ian Rose]] ([[User talk:Ian Rose|talk]]) and [[User:Nick-D|Nick-D]] ([[User talk:Nick-D|talk]]) 05:06, 24 December 2015 (UTC)
</div>


== [[Wikipedia:Featured picture candidates/Georg Giese]] ==

Could you close [[Wikipedia:Featured picture candidates/Georg Giese|this]] for me? Regards, [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:46, 24 December 2015 (UTC)

== Season's Greetings ==

{| style="background-color: #C0C0C0; border: 2px solid #FF0000;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" |{{Css Image Crop|Image = New York, NY- Saint Nicholas Bank $5 (3516-15709).jpg|bSize = 650|cWidth = 250|cHeight = 145|oTop = 10|oLeft = 14|Location = center}}
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" |<center>'''Season's Greetings'''
|-
|style="vertical-align: middle; padding: 3px;" | A very happy holidays to you! --[[User:Godot13|Godot13]] ([[User talk:Godot13|talk]]) 06:21, 25 December 2015 (UTC)
|}

==[[Wikipedia:Featured picture candidates/An early implementation of Java on the internet]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:Trojan Room coffee pot xcoffee.png|75px|center|]]
|<center>'''Your [[Wikipedia:Featured picture candidates|Featured picture candidate]] has been promoted'''</center> Your nomination for [[Wikipedia:Featured pictures|featured picture]] status, '''[[:File:Trojan Room coffee pot xcoffee.png]]''', gained a consensus of support, and has been promoted. If you would like to nominate another image, please do so at [[Wikipedia:Featured picture candidates]]. [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 14:12, 27 December 2015 (UTC)
|}

== A barnstar for you! ==

{| style="border: 1px solid gray; background-color: #fdffe7;"
|rowspan="2" style="vertical-align:top;" | {{#ifeq:alt|alt|[[File:Civility Barnstar Hires.png|100px]]|[[Image:Civility barnstar.png|100px]]}}

|rowspan="2" |
|style="font-size: x-large; padding: 0; vertical-align: bottom; height: 1.1em;" | '''The Civility Barnstar'''
|-
|style="vertical-align: middle; border-top: 1px solid gray;" | For your professionalism and open-mindedness. Wikipedia needs more editors like you! Best, -- [[User:Notecardforfree|Notecardforfree]] ([[User talk:Notecardforfree|talk]]) 07:14, 29 December 2015 (UTC)
|}

== inre: [[Wikipedia:Articles for deletion/The Future of Food]] ==

[https://en.wikipedia.org/w/index.php?title=The_Future_of_Food&type=revision&diff=697013470&oldid=696972220 THIS] is the unsourced stub you chose to take to AFD. As truly [[WP:NRVE|decent sources were plentiful]] and as [[WP:NRVE|notability is determined through sources available, even if not used]] and even though improving was [[WP:NOTCLEANUP|not required]], I took a few of the [[WP:GNG|'''many''']] and [[WP:IMPROVE|addressed]] issues [https://en.wikipedia.org/w/index.php?title=The_Future_of_Food&type=revision&diff=697551947&oldid=697013470 '''thusly'''].... taking the 1927 characters (320 words) start-class-needing-work and turned it into a quite decent and well-sourced 6872 characters (1112 words) '''B-class''' article... a '''3x''' expansion.. Might you care to defend your strange assertion that there was only a {{tq|"bare smattering of coverage"}} over at the AFD? Thanks, '''[[User:MichaelQSchmidt|Schmidt, ]]''' ''[[User talk:MichaelQSchmidt|Michael Q.]]'' 20:16, 30 December 2015 (UTC)

== 2016 ==

{| style="background-color: #FFFBC4; border: 8px solid #009600;"
|rowspan="2" style="vertical-align: middle; padding: 5px;" | [[File:Happy New Year .jpg|500px]]
|style="font-size: x-large; padding: 3px 3px 0 3px; height: 1.5em;" | <center>'''Happy New Year 2016!'''</center>
|-
|style="vertical-align: middle; padding: 3px;" |<center>'''Did you know ...''' that back in 1885, Wikipedia editors wrote Good Articles with [[Axe|axes]], [[Hammer|hammers]] and [[Chisel|chisels]]? 
Thank you for your contributions to this encyclopedia using 21st century technology. I hope you don't get any unneccessary [[Blister|blisters]]. 
   – [[User:Cullen328|Cullen328]] [[User talk:Cullen328|''Let's discuss it'']] 06:41, 31 December 2015 (UTC)
|}

== Wikiclaus' Cheer ! ==

{| style="border:1px solid 3px; background-color: #FF0000;"
|rowspan="2" valign="top" | [[Image:Wikiclaus.jpg|100px]]
|rowspan="2" |
|style="font-size: x-large; padding: 0; vertical-align: middle; height: 1.1em;" |'''''Wikiclaus'' greetings'''
|-
|style="vertical-align:top; border-top:1px solid gray; color:#FFA060" |
:'''[[User:MichaelQSchmidt|Michael Q. Schmidt]]''' ''[[User talk:MichaelQSchmidt|talkback]]'' is wishing you the happiest of ''Wikiclaus''<nowiki>'</nowiki> Wikipedian good cheer.
:
:This message is intended to celebrate the holiday season, promote [[WP:WikiLove|WikiCheer]], and to hopefully make your day just a little bit better, for ''Wikiclaus'' encourages us all to spread smiles, fellowship, and seasonal good cheer by wishing others a [[Merry Christmas]] and a [[Happy New Year]], whether it be someone with whom you had disagreements in the past, a good friend, or just some random person.
:Share the good feelings and the happiest of holiday spirits from ''Wikiclaus'' ! [[Image:Christmas tree.svg|20px]] {{smiley}} [[Image:Christmas tree.svg|20px]] {{smiley}} [[Image:Christmas tree.svg|20px]] {{smiley}} [[Image:Christmas tree.svg|20px]]
|-
|}
{{clear}}

== Season's Greetings ==

{| style="border:2px ; background-color: lightblue;"
|rowspan="2" valign="right" | [[File:Tractography animated lateral view.gif|254px]]
|rowspan="2" |
|style="font-size: x-large; padding: 2; vertical-align: left; height: 1.1em;" | '''Season's Greetings'''
|-
|style="vertical-align: middle; border-top: 1px solid gray;" | Wishing you a Happy Holiday Season, and all best for the New Year! [[User:Hafspajen|Hafspajen]] ([[User talk:Hafspajen|talk]]) 17:43, 31 December 2015 (UTC)
|}

== 2016 ==
<div style="background:grey; padding: 10px; border-top: 3px solid red border-bottom: 3px solid red 8px; font-size: 110%; font-family:Tahoma; text-align: center;">
[[File:Fuochi d'artificio.gif|left|150px]] '''[[User:MichaelQSchmidt|Michael Q. Schmidt]]''' ''[[User talk:MichaelQSchmidt|talkback]]'' '''is wishing you a Happy New Year! This message celebrates the season, promotes [[WP:WikiLove|good cheer]], and hopefully makes your day a little brighter. So please spread cheer by wishing another user a [[Happy New Year|Happy New Year]], whether it be a good friend, someone with whom you had disagreements in the past, or just some random person. {{smiley}}(click for sound [[File:Fireworks piece.ogg|center]]</div style>{{clear}}

==[[Wikipedia:Featured picture candidates/The Thin Red Line]]==

{| align=center border=0 cellpadding=4 cellspacing=4 style="border: 1px solid #CC9; background-color: #cfc"
|-
|[[File:H. Piffard - The Thin Red Line - restoration.jpg|75px|center|]]
|<center>'''An image created by you has been promoted to [[Wikipedia:Featured picture|featured picture]] status'''</center> Your image, '''[[:File:H. Piffard - The Thin Red Line - restoration.jpg]]''', was nominated on [[Wikipedia:Featured picture candidates]], gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at [[Wikipedia:Featured picture candidates]]. Thank you for your contribution! [[User:Armbrust|Armbrust]] [[User talk:Armbrust|The Homunculus]] 22:41, 3 January 2016 (UTC)
|}

== Notability and reliability ==

Hi Adam, hope your 2016 is beginning well.

Your idea that topics must have "notable sources" in order to be proven notable makes sense, but if you think about it it would run into problems.

For example, say I wanted to write about a topic, like "dogs". "Notable" means "[[WP:GNG|has received significant coverage in '''reliable''' sources that are independent of the subject]]". Suppose we changed "reliable" to "notable". I found two books, ''What are Dogs?'' by Adams, and ''Canid Evolution'', by Birch, which discussed dogs. If I had to prove those sources were themselves notable (not just reliable), I'd need to find two notable sources discussing ''What are Dogs?'' by Adams and two notable sources discussing ''Canid Evolution'' by Birch. Say I did find two sources discussing the first book. Well, then I'd just have to prove that they were notable in turn, meaning that they had been discussed by two notable sources.... the cycle would never end. That's why we rely on things like [[WP:Identifying reliable sources]] to decide that, if a source has been published in a peer-reviewed journal or published by a reputable academic publisher, it's reliable enough, and we don't have to go hunting down other people's reviews of the source. [[User:FourViolas|FourViolas]] ([[User talk:FourViolas|talk]]) 13:28, 4 January 2016 (UTC)
:{{ping|FourViolas}} Not asking it to descend all the way down. But neologisms are surely a special case, especially as the question we're asking is "Has the neologism gained independent notability from the book?" - no-one doubts the book is notable, it's whether the term it created is. And that, surely, deserves higher standards. I don't want to trivialise Joy's work - it seems a useful analysis, hence why there's lots of summaries of it - so, if you'll forgive jumping to fiction, take, say, terms created for a fantasy book like [[hobbit]] and [[Nazgul]]. Those kind of things need much better sources to spin off. We can't have articles on every term created by any notable book, we need to establish the term has notability independent of the book, and that needs notable sources. '''[[User:Adam Cuerden|Adam Cuerden]]''' ([[User talk:Adam Cuerden|talk]]) 16:36, 4 January 2016 (UTC)
::Okay, I think I see where you're coming from now. There needs to be particularly strong evidence to show that ''two'' articles should exist, one on the book that introduced the idea and one on the idea. But [[WP:NEO]] deals with that, and it doesn't say anything about "notable sources". As you pointed out [https://en.wikipedia.org/w/index.php?title=Talk%3AWhy_We_Love_Dogs%2C_Eat_Pigs%2C_and_Wear_Cows&type=revision&diff=697577376&oldid=697563773], sources which happen to be notable themselves are not necessarily useful sources for encyclopedic coverage.

::It comes down to the same question as before: does significant, reliable, independent coverage exist ''about the idea'' that is not simply about ''the book''? This is the key, and it's a subjective question on which we disagree. We'll see what consensus decides. Thanks for being willing to discuss! [[User:FourViolas|FourViolas]] ([[User talk:FourViolas|talk]]) 17:28, 4 January 2016 (UTC)
::(ec) Adam, this may all make sense to you (it sounds pretty arbitrary to me, but that's not the point), but it does not correspond to any guideline or policy that I know of, and quite clearly goes against the explanation of what notability is (and what it is for) at [[WP:NOTE]]. [[User:J Milburn|Josh Milburn]] ([[User talk:J Milburn|talk]]) 17:37, 4 January 2016 (UTC)

==[[Allah jang Palsoe]]==
*Question for you, one restorer to another: think it's worth the trouble of going through the whole book, or just cleaning up that (really messy) cover? — [[User:Crisco 1492|Chris Woodrich]] ([[User talk:Crisco 1492|talk]]) 14:10, 5 January 2016 (UTC)

== Request for trwiki ==

Hey Adam, hope all is fine since we last talked. We have a request for trwiki if you would be interested. Could you check your message page there? İyivikiler... [[User:homonihilis|'''ho?''']] [[User talk:homonihilis|'''ni!''']] 06:30, 6 January 2016 (UTC)

Christen Købke

2015-09-22T20:05:18Z

Homonihilis: /* Childhood and early training */ link fix

{{Infobox artist
| bgcolour = #6495ED
| name = Christen Købke
| image = Christen Købke - Self-Portrait - Google Art Project.jpg
| caption = ''Self portrait'', oil on canvas, circa 1833
| image_size = 300px
| birth_name =
| birth_date = {{Birth date|1810|5|26|df=yes}}
| birth_place = [[Kastellet, Copenhagen|Kastellet]], [[Copenhagen]], Denmark
| death_date = {{Death date and age|1848|2|7|1810|5|26|df=yes}}
| death_place = [[Copenhagen]], Denmark
| nationality = Danish
| field = Painting
| training = [[Royal Danish Academy of Fine Arts]]
| movement = [[Danish Golden Age]], [[Romanticism]]
| works =
| patrons =
| inspired by = [[Christoffer Wilhelm Eckersberg]]
| influenced =
}}
'''Christen Schiellerup Købke''' (26 May 1810 – 7 February 1848), [[Denmark|Danish]] painter, was born in [[Copenhagen]] to Peter Berendt Købke, a baker, and his wife Cecilie Margrete. He was one of 11 children. Købke is one of the best known artists belonging to the [[Golden Age of Danish Painting]].

==Childhood and early training==
[[File:Christen Købke - The View of the Plaster Cast Collection at Charlottenborg Palace.jpg|thumbnail|left| The View of the Plaster Cast Collection at Charlottenborg Palace]]
In 1815 the family moved from a bakery near [[Hillerød]] to [[Kastellet, Copenhagen|Kastellet]], a military fortification area in Copenhagen, where his father was head baker. At the age of 11 he suffered from a bout of [[rheumatic fever]]. He made many drawings during his convalescence and decided that he would become an artist.
[[Image:Portrait of the landscape painter Frederik Sødring - Christen Købke - Google Cultural Institute.jpg|right|thumb|254px|Portrait of [[Frederik Sødring|Frederik Hansen Sødring]], 1832]]
In 1822 at 12 years of age he started his studies at [[Royal Danish Academy of Art]] (''Det Kongelige Danske Kunstakademi''). He studied first in the drawing class, then under [[Christian August Lorentzen]]’s painting studio, and finally 4 years under [[Christoffer Wilhelm Eckersberg]] after Lorentzen’s death in 1828. Eckersberg stressed observance of nature, and Købke’s talent grew under Eckersberg’s disciplined training. Eckersberg’s influence is readily seen in Købke’s first mature work "View of Århus Cathedral" (''Parti af Århus Domkirke'') painted in 1829. The painting was purchased by the Art Union (''Kunstforening'') and is now in the collection of the National Art Museum (''Statens Museum for Kunst'').

He received the Academy’s small silver medallion in 1831 and a large silver medallion in 1833.

==Early career==

He lived in [[Kastellet, Copenhagen|Kastellet]] until 1833 and made many paintings of the area. His painting "''Gården ved bageriet i Kastellet''" (ca. 1832) hangs in the [[Ny Carlsberg Glyptotek]] museum in Copenhagen.

In 1832 he shared a studio with friend, landscape painter [[Frederik Sødring|Frederik Hansen Sødring]]. He painted a portrait of Sødring which now hangs in the [[Heinrich Hirschsprung|Hirschsprung Collection]].

In 1834 he moved, along with his parents, outside of Copenhagen’s fortifications near Sortedamssøen, a lake area. He painted many views overlooking the lake towards the city and the embankments surrounding the city. His work becomes larger, more monumental.
[[File:Christen Schiellerup Købke - Bay of Naples - Google Art Project.jpg|thumbnail|left|300px|| Bay of Naples]]
Like many of his contemporary artists he came under the influence of [[Niels Lauritz Høyen]], art historian, who promoted a nationalistic art. Høyen called for artists to search for subject matter in the folk life of their country instead of searching for themes in other lands, such as Italy (which was at that time considered a requirement for an artist’s training). On a visit to [[Hillerød]] in 1835 he painted a romantic picture of [[Frederiksborg Palace]], "''Frederiksborg Slot ved Aftenbelysning''" ("Frederiksborg Palace in the Evening Light").

At the end of 1837 he married Susanna Cecilie Købke (1810–1849), and shortly afterwards painted a portrait of his young bride.

==Travel to Italy==

In 1838 he received a travel stipend from the Academy, left his new wife and traveled over Dresden and Munich to Italy accompanied by decorative painter [[Georg Hilker]]. They arrived in Rome by year’s end where he met brother-in-law [[Frederik Christopher Krohn]], sculptor and medallionist, and many other Danish artists. He traveled, along with [[Constantin Hansen]] the following summer to Naples, Sorrento, Pompeii and Capri where he painted out in the open air.

==Return to Denmark==
[[File:Havetrappen ved kunstnerens malestue på Blegdammen.jpg|thumb|300px||''Havetrappen ved kunstnerens malestue på Blegdammen'' (c.1845), a depiction of the artist's studio in Copenhagen.]]
He returned home in 1840 with a large collection of sketches for later use and inspiration. Unfortunately, most his later work with these Italian themes was uninspired, and they found little favor. Købke even considered at the time becoming a decoration painter, having participated in 1844-1845 in the decoration of the Thorvaldsens Museum, a museum dedicated to the artistic works of [[Bertel Thorvaldsen]].

Two years after his father died in 1843 the family sold the property outside Copenhagen, and Købke moved back into the city. His application for admission to the Academy, which was accompanied by one of his failed Italian landscapes, was rejected in 1846. He died in 1848 of [[pneumonia]], and is buried in [[Assistens Kirkegård (København)|Assistens Kirkegård]].

==Aftermath==

Købke, a [[Romantic nationalism|national romantic]], painted [[portrait]]s, [[Landscape art|landscape]]s and [[architectural painting]]s. Most of Købke’s portraits show friends, family members and fellow artists. He found most of his [[motif (art)|motifs]] in his immediate surroundings. Now he is recognized internationally for his well composed and harmonic paintings, for their coloristic qualities and for his sense of the everyday life. But in his lifetime he was almost forgotten, especially because of his early death and limited production. Despite his talent and the praise of various contemporaries, Købke had never been inundated with commissions.

Købke is recognized today as one of the most talented among Denmark’s Golden Age painters and the most internationally renowned Danish painter of his generation. The painterly interpretations he made of his surroundings stand as highpoints of the period.

His works are in the collections of not only Danish museums but also such international museums as the [[J. Paul Getty Museum]][http://www.getty.edu/art/gettyguide/artMakerDetails?maker=793] and the [[Scottish National Gallery]] in [[Edinburgh]].
<gallery mode="packed" heights="200px" perrow="3" caption="Christen Købke's works">

File:Christen Købke - Autumn Morning on Lake Sortedam.jpg|Efterårsmorgen ved Sortedamssøen frå 1838. [[Ny Carlsberg Glyptotek]].
File:Christen Købke - View of a Street in Østerbro outside Copenhagen. Morning Light - Google Art Project.jpg|Parti af Østerbro i morgenbelysning frå 1836 [[Statens Museum for Kunst]]
Image:Kobke-Frederiksborg.png| ''Frederiksborg Slot ved Aftenbelysning'' ("Frederiksborg Palace in the Evening Light").(1835)

File:Christen Købke - A View from Dosseringen near the Sortedam Lake Looking towards the Suburb Nørrebro outside Copenhage... - Google Art Project.jpg| A View from Dosseringen near the Sortedam Lake Looking towards the Suburb Nørrebro outside Copenhagen
File:Christen Købke - Autumn Landscape. Frederiksborg Castle in the Middle Distance - Google Art Project.jpg|Frederiksborg Castle in the Middle Distance

File:Christen Købke - The North Gate of the Citadel - Google Art Project.jpg|The North Gate of the Citadel
</gallery>

==See also==

*[[List of Danish painters]]
*[[Art of Denmark]]
*[[Efterårsmorgen ved Sortedamssøen]]

== References ==
{{Empty section|date=September 2010}}

==External links==
{{Commons category|Christen Købke}}
* [http://www.independent.co.uk/arts-entertainment/art/features/christen-k248bke-great-dane-1922238.html?action=Gallery&ino=3 Christen Købke: Great Dane], article from [[The Independent]]
* [http://www.kid.dk/ KID Kunst Index Danmark ("Art Index Denmark")]
* [http://runeberg.org/dbl/ Danish Biographical Encyclopedia ("''Dansk biografisk Leksikion''")]

{{Danish Golden Age}}

{{Authority control}}

{{DEFAULTSORT:Kobke, Christen}}
[[Category:Danish portrait painters]]
[[Category:1810 births]]
[[Category:1848 deaths]]
[[Category:Danish landscape painters]]
[[Category:Royal Danish Academy of Fine Arts alumni]]
[[Category:Artists from Copenhagen]]
[[Category:Deaths from pneumonia]]
[[Category:19th-century Danish people]]

Lucy Prebble

2015-06-03T05:11:02Z

Homonihilis: +internal link

'''Lucy Prebble''' (born 1981) is a British [[playwright]]. She is the author of the plays ''[[The Sugar Syndrome]]'', ''The Effect'' and ''[[ENRON (play)|ENRON]]'', as well as the television series ''[[Secret Diary of a Call Girl]]''.<ref>{{cite news| url=http://www.guardian.co.uk/stage/2009/jul/05/lucy-prebble-playwright-interview-enron| title='I hate to be told somewhere is out of bounds for women.' Enter Enron| author= Tim Adams | work=The Guardian| date= 5 July 2009 }}</ref>

==Biography==
Prebble grew up in [[Haslemere]], [[Surrey]], and was educated at [[Guildford High School]].<ref>{{cite news| url=http://www.telegraph.co.uk/culture/theatre/theatre-features/6905597/Lucy-Prebble-interview-for-Enron.html| title=Lucy Prebble interview for Enron|author= Dominic Cavendish| date=29 Dec 2009| work=The Telegraph}}</ref> While studying English at the [[University of Sheffield]],<ref>{{cite news| url=http://www.nytimes.com/2010/02/21/theater/21prebble.html| title=Drama! Music! Financial Shenanigans!| author= ALASTAIR GEE| date= February 17, 2010| work=The New York Times}}</ref> Prebble wrote a short play called ''Liquid'', which won the PMA Most Promising Playwright Award.<ref>{{cite news| url=http://www.thisislondon.co.uk/lifestyle/article-23723578-introducing-playwright-lucy-prebble.do| title=Introducing... Playwright Lucy Prebble| author=Andy Barker| work=The Evening Standard Magazine| date=2009-07-24 }}</ref>

Prebble subsequently won the prestigious [[George Devine Award]] for her debut play ''[[The Sugar Syndrome]]'' in May 2004, followed by the [[Theatre Awards UK|TMA Award]] for Best New Play in October 2004.

Since ''The Sugar Syndrome'' she has worked on other plays and TV shows and was the creator of ''[[Secret Diary of a Call Girl]]''.<ref>http://www.imdb.com/name/nm2699843/</ref> ''The Effect'', which premiered at the [[Royal National Theatre|National Theatre]] in 2012, won the Critics' Circle Award for Best Play.

==Works==
*''Liquid'', 2002
*''The Sugar Syndrome, Jerwood Theatre Upstairs, London, November 2003
*''[[ENRON (play)|ENRON]]'', which was produced by [[Headlong (group)|Headlong Theatre]], premiered at the [[Chichester Festival Theatre]] in 2009 before transferring first to the Royal Court,<ref>[http://www.whatsonstage.com/index.php?pg=207&story=E8831234969147&title=Fiennes%2C+Glen%2C+Nunn+%26+Goold+Head+to+Chichester www.whatsonstage.com]</ref> and then into the [[Noël Coward Theatre]] in the [[West End theatre|West End]].<ref>http://www.curtainup.com/enronlon.html</ref>
*''The Effect'', National Theatre, 2012<ref>http://www.nationaltheatre.org.uk/shows/the-effect</ref>

==Notes==
{{Reflist}}

==External links==
*[http://www.doollee.com/PlaywrightsP/prebble-lucy.html Lucy Prebble] at ''Doollee.com'' Playwrights Database
*[http://www.prospectmagazine.co.uk/tag/lucy-prebble/ "Enron: much ado about money", ''Prospect'', Michael Coveney]

{{Authority control}}
{{Persondata 
| NAME = Prebble, Lucy
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = British playwright
| DATE OF BIRTH = 1981
| PLACE OF BIRTH =
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Prebble, Lucy}}
[[Category:1981 births]]
[[Category:Living people]]
[[Category:English dramatists and playwrights]]
[[Category:British screenwriters]]
[[Category:People educated at Guildford High School]]

Andrew Weir

2015-01-05T06:13:00Z

Homonihilis: link fix

'''Andrew Weir''' may refer to:

*[[Andrew Weir, 1st Baron Inverforth]]
*[[Andy Weir]], footballer
*[[Andy Weir (writer)]], science fiction writer; author of the novel ''[[The Martian (Weir novel)|The Martian]]''

{{hndis|Weir, Andrew}}

{{Short pages monitor}}

Giuseppe Tornatore

2015-01-03T15:42:55Z

Homonihilis: /* Written and directed */ link fix

{{Infobox person
| name = Giuseppe Tornatore
| image = Giuseppe Tornatore.jpg
| birth_date = {{Birth date and age|1956|5|27|df=yes}}
| birth_place = [[Bagheria]], [[Sicily]], [[Italy]]
| occupation = Film director, screenwriter
| years_active = 1985–present
| awards = [[Academy Award]]s
}}

'''Giuseppe Tornatore''' (born 27 May 1956) is an Italian [[film director]] and [[screenwriter]].

==Life and career==

Born in [[Bagheria]] near [[Palermo]], Tornatore developed an interest in acting and the theatre from at least the age of 16 and put on works by [[Luigi Pirandello]] and [[Eduardo De Filippo]].

He worked initially as a freelance photographer. Then, switching to cinema, he made his debut with ''Le minoranze etniche in Sicilia'' (''The Ethnic Minorities in Sicily''), a collaborative documentary film which won a Salerno Festival prize. He then worked for [[RAI]] before releasing his first full-length film, ''[[Il Camorrista]]'', in 1985. This evoked a positive response from audience and critics alike and Tornatore was awarded the ''[[Silver Ribbon]]'' for ''[[Nastro d'Argento Best New Director|best new director]]''.

Tornatore's best known screen work was released in 1988: ''[[Nuovo Cinema Paradiso]]'', a film narrating the life of a successful film director who has returned to his native town in [[Sicily]] for the funeral of his mentor. This obtained worldwide success and won an [[Academy Award for Best Foreign Language Film]]. Subsequently Tornatore released several other films. In 2007 he won the Silver George for Best Director at the [[29th Moscow International Film Festival]] for ''[[The Unknown Woman]]''.<ref name="Moscow2007">{{cite web |url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=2007 |title=29th Moscow International Film Festival (2007) |accessdate=2013-05-30 |work=MIFF}}</ref>

==Personal life==
Tornatore describes himself as "one who does not believe and who regrets this".<ref>[http://trovacinema.repubblica.it/news/dettaglio/tornatore-sogno-lultima-cena-su-grande-schermo/189168 Intervie to ''Trovacinema'']</ref> His brother, Francesco Tornatore, is a producer.

==Filmography==
[[File:Giuseppe Tornatore Cannes 1994.jpg|thumb|Tornatore at the [[1994 Cannes Film Festival]].]]

===Written and directed===
*1986: ''[[The Professor (1986 film)|The Professor (Il camorrista)]]''
*1988: ''[[Cinema Paradiso|Cinema Paradiso (Nuovo Cinema Paradiso)]]''
*1990: ''[[Stanno tutti bene|Everybody's Fine (Stanno tutti bene)]]''
*1991: ''[[Especially on Sunday]]'' (segment "Il cane blu")
*1994: ''[[A Pure Formality|A Pure Formality (Una pura formalità)]]''
*1995: ''[[The Star Maker (1995 film)|The Star Maker (L'uomo delle stelle)]]''
*1995: ''[[Lo schermo a tre punte]]'' (documentary)
*1996: ''[[Ritratti d'autore: seconda serie]]'' documentary)
*1998: ''[[The Legend of 1900|The Legend of 1900 (La leggenda del pianista sull'oceano)]]''
*2000: ''[[Malèna]]''
*2006: ''[[La sconosciuta|The Unknown Woman (La sconosciuta)]]''
*2009: ''[[Baarìa (film)|Baarìa]]''
*2013: ''[[The Best Offer]]''

===Screenplay only===
*''[[Cento giorni a Palermo]]'' ("One Hundred Days in Palermo"), directed by [[Giuseppe Ferrara]] (1984) - Tornatore is credited under the name '''Peppuccio Tornatore'''

==References==
{{Reflist}}

==Further reading==
*''Giuseppe Tornatore. Uno sguardo dal set'' a cura di Ninni Panzera, Silvana Editoriale, Cinisello Balsamo 2007
*''L'isola di Tornatore'' a cura di Ninni Panzera, Silvana Editoriale, Cinisello Balsamo 2010
*''Le Madonie, cinema ad alte quote'' di Sebastiano Gesù e Elena Russo, con introduzione di Francesco Novara e presentazione di Pasquale Scimeca, Giuseppe Maimone Editore, Catania 1995 (Nuovo Cinema Paradiso and L'Uomo delle Stelle)

==External links==
{{commons}}
*{{IMDb name|0868153}}

{{Giuseppe Tornatore}}
{{Navboxes
|title = Awards for Giuseppe Tornatore
|list =
{{AcademyAwardBestForeignLanguageFilm 1981–2000}}
{{BAFTA Award for Best Original Screenplay 1983-1999}}
{{David di Donatello Best Director}}
{{Nastro d'Argento Best Director}}
{{Nastro d'Argento Best New Director}}
{{Nastro d'Argento Best Producer}}
}}
{{Authority control|VIAF=79075956|GND=11950684X}}

{{Persondata 
| NAME = Tornatore, Giuseppe
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Italian film director
| DATE OF BIRTH = 27 May 1956
| PLACE OF BIRTH = [[Bagheria]], [[Sicily]], [[Italy]]
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Tornatore, Giuseppe}}
[[Category:1956 births]]
[[Category:European Film Awards winners (people)]]
[[Category:BAFTA winners (people)]]
[[Category:Living people]]
[[Category:People from the Province of Palermo]]
[[Category:Italian atheists]]
[[Category:Italian film directors]]
[[Category:David di Donatello winners]]
[[Category:Nastro d'Argento winners]]

Paul Bracq

2014-10-28T06:19:04Z

Homonihilis: + images of his designs

[[File:Mercedes-Benz W115 front 20080621.jpg|thumb|[[Mercedes-Benz W115]]]]
[[File:BMW Turbo 1972 red vr TCE.jpg|thumb|[[BMW Turbo]]]]
'''Paul Bracq''' (born December 13, 1933, [[Bordeaux, France]]) is an automotive designer noted for his work at [[Citroën]], [[Peugeot]], [[BMW]], and [[Mercedes-Benz]].

Bracq's career began in the design studio of [[Philippe Charbonneaux]], where he served as Charbonneaux' assistant in 1953 and 1954. During this period, the studio produced the designs for the French Presidential limousine built by [[Citroën]], a one-off [[Pegaso]] coupe, and other automotive designs.

Bracq served his mandatory military service from late 1954 through 1957. Subsequently he worked for [[Daimler-Benz]], heading the design studio in [[Sindelfingen]], a post he would hold for ten years. Bracq styled Mercedes the [[Mercedes-Benz 600|600]], [[Mercedes-Benz W113|230SL/250SL/280SL]] coupé, the 220S coupé, the 250 and 220D, the [[Mercedes-Benz W108|W108]] and [[Mercedes-Benz W114|W114]] coupe series, and its stablemate the [[W115]] – all of the '60s and '70s.

Upon his return to [[France]] in 1967, Bracq worked for [[Brissonau and Lotz]], where he was responsible for the design of the [[TGV]] high-speed passenger train. During this time, Bracq was also responsible for prototypes of a sports car based on the [[BMW]] 1600Ti and a coupé based on the [[Simca 1100]].

In 1970, Bracq was appointed design director of [[BMW]], where he was responsible for the top-of-the-line [[BMW 7-Series|7-Series]]. His 1973 [[BMW Turbo|"Turbo"]] concept car won "Concept Car of the Year" by the ''[[Revue Automobile Suisse]]'' that year; the car repeated the feat in 1992 in the Bagatelle [[Concours d'Elegance]].

His work with [[Peugeot]] beginning in 1974 included personal transportation for the [[Pope]] and the interiors of the Peugeot 604 <ref>Pagneux, Dominique (2000), La Peugeot 604 de mon pere.. ETAI, Boulogne-Billancourt, France.</ref> and the Peugeot 505.

Bracq is also active as a judge in many automotive concours, including the [[Pebble Beach Concours d'Elegance]].

==References==
{{reflist}}

==External links==
*[http://www.idcenter.co.jp/en/bracq/paul.htm Timeline of Paul Bracq's career]
*[http://www.bmwism.com/bmws_designers.htm BMW Designers], an overview of automotive designers working for BMW

{{Authority control|VIAF=28149205}}
{{Persondata 
| NAME = Bracq, Paul
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = French automobile designer
| DATE OF BIRTH = December 13, 1933
| PLACE OF BIRTH =
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Bracq, Paul}}
[[Category:1933 births]]
[[Category:Living people]]
[[Category:People from Bordeaux]]
[[Category:French artists]]
[[Category:French automobile designers]]
[[Category:BMW designers]]

{{France-artist-stub}}

Wittgenstein's Nephew

2014-08-05T13:09:04Z

Homonihilis: /* References */ +category

{{Infobox book| 
| name = Wittgenstein’s Nephew
| title_orig = Wittgensteins Neffe
| translator = David McLintock
| image =
| image_caption =
| author = [[Thomas Bernhard]]
| cover_artist =
| country = [[Austria]]
| language = [[German language|German]]
| series =
| genre = [[Novel]]
| publisher = [[Alfred A. Knopf]]
| release_date = 1982
| english_pub_date = 1989
| media_type = Print ([[Hardcover|Hardback]] & [[Paperback]])
| pages = 106 pp
| isbn = 978-0-226-04392-0 ([[University of Chicago Press]] new edition 1990)
| oclc= 20490247
| preceded_by = [[Concrete (novel)|Concrete]] (Beton)
| followed_by = [[The Loser (book)|The Loser]] (Der Untergeher)
}}

{{No footnotes|date=March 2011}}

'''''Wittgenstein’s Nephew''''' is an [[autobiography|autobiographical]] work by [[Thomas Bernhard]], originally published in 1982. It is a recollection of the author's friendship with Paul Wittgenstein, the nephew of [[Ludwig Wittgenstein]] and a member of the wealthy Viennese Wittgenstein family. Paul suffers from an unnamed mental illness for which he is repeatedly hospitalized, paralleling Bernhard's own struggle with a chronic lung disease.

==Synopsis==

The author narrates moments of his friendship with Paul Wittgenstein, "nephew" (actually [[Karl Wittgenstein|son of a first cousin]]) of the Austrian [[philosopher]] [[Ludwig Wittgenstein]] (not to be confused with the latter's brother, the pianist [[Paul Wittgenstein]]). The title is a reference to Diderot's [[Rameau's Nephew]] who also deals with the eccentric nephew of a preeminent cultural figure. A very sensitive man, unsuitable for the world, obsessed by an exclusive and cruel passion for [[music]] as well as for [[race cars]] and [[sailing]], Paul Wittgenstein dissipated his whole fortune and ultimately died poor.

The friendship strengthened whilst recovering in a [[hospital]], Bernhard from a lung ailment, Paul from a bout of madness. The latter in fact will die alone in an [[Insane asylum|asylum]], a victim of an incurable conflict with the world; whereas the former will succeed in controlling his own madness, emblem of that very conflict{{Citation needed|date=December 2008}}, and making it a lever for his sense of social living{{Citation needed|date=December 2008}}.

Through the narration of symptomatic episodes, Bernhard unravels the emptiness of [[Austria]]n society{{Citation needed|date=December 2008}}, its parasitic and vain aspects{{Citation needed|date=December 2008}}, spending its time to self-congratulate on fake recognitions and futile prizes with the same rhythm used to blather and drink coffee in the best Viennese cafés. {{Citation needed|date=December 2008}}

Finally, the author gives some interesting advice about the importance of [[literary prize]]s as the determining factor of artistic worth: "a prize is invariably only awarded by incompetent people who want to piss on your head and who do copiously piss on your head if you accept their prize." {{Citation needed|date=December 2008}}

==References==
* [http://bernhardiana.blogspot.com/ ''Bernhardiana'', a Critical Anthology of Bernhard's works]
* [http://bostonreview.net/BR27.3/baskin.html "On Thomas Bernhard" by Jason M. Baskin] (''[[Boston Review]]'', 2001)
* [http://www.thomasbernhard.org/cousineautbintro.shtml "An Introduction to Thomas Bernhard", by Thomas Cousineau] (2001)
* [http://books.google.com/books?id=WrWY-SzMmrcC&printsec=frontcover&dq=Thomas+Bernhard&lr=&sig=ACfU3U2Ygz384nWnf-7_6pFo0iEPKrLA2A ''The Novels of Thomas Bernhard'' by J.J. Long] (2001)
* [http://www.webster.edu/~corbetre/personal/reading/bernhard-nephew.html Bob Corbett's Comments on ''Wittgenstein's Nephew''] (2001)

{{Thomas Bernhard}}

[[Category:Alfred A. Knopf books]]
[[Category:Novels by Thomas Bernhard]]

Winter Sleep (film)

2014-06-11T11:25:43Z

Homonihilis: /* Reception */ +link

{{Use dmy dates|date=May 2014}}
{{Infobox film
| name = Winter Sleep
| image = Winter Sleep (Poster).jpg
| caption = Film poster
| director = [[Nuri Bilge Ceylan]]
| producer = [[Zeynep Özbatur Atakan]] [[Sezgi Üstün]]
| writer = Nuri Bilge Ceylan [[Ebru Ceylan]]
| starring = [[Haluk Bilginer]] [[Demet Akbag]] [[Melisa Sözen]] [[Tamer Levent]] [[Nejat Isler]]
| cinematography = Gökhan Tiryaki
| editing = Nuri Bilge Ceylan Bora Göksingöl
| studio = {{Plainlist |
* NBC Film
* Bredok Filmproduction
* Memento Films Production
* Zeynofilm<ref>{{Cite web | url=http://www.imdb.com/title/tt2758880/companycredits?ref_=tt_dt_co | title=Winter Sleep (2014) – Company credits – IMDb | accessdate=26 May 2014}}</ref>}}
| distributor = New Wave Films (United Kingdom)<ref>{{cite web|url=http://www.blu-ray.com/news/?id=14026|title=New Wave Films Acquire Nuri Bilge Ceylan's Winter Sleep|date=20 May 2014|accessdate=29 May 2014}}</ref>
| released = {{film date|2014|5|16|[[2014 Cannes Film Festival|Cannes]]|df=yes}}
| runtime = 196 minutes
| country = Turkey
| language = Turkish English
| budget =
| gross =
}}
'''''Winter Sleep''''' ({{Lang-tr|'''Kış Uykusu'''}}) is a 2014 [[Turkish people|Turkish]] [[drama film]] directed by [[Nuri Bilge Ceylan]]. The story is set in [[Anatolia]] and examines the significant divide between the rich and poor as well as the powerful and powerless in Turkey.<ref>{{cite web|url=http://www.reuters.com/article/2014/05/24/us-filmfestival-cannes-winner-idUSKBN0E40LI20140524|title=Turkey's harrowing 'Winter Sleep' takes top prize at Cannes|date=24 May 2014|publisher=Reuters}}</ref> At the [[2014 Cannes Film Festival]], the film won the [[Palme d'Or]] and the [[FIPRESCI Prize]].<ref name="2014Winners">{{cite web |url=http://www.festival-cannes.com/en/archives/awardCompetition.html |title=Awards 2014 : Competition |accessdate=25 May 2014 |work=Cannes}}</ref><ref>{{cite web |url=http://www.fipresci.org/festivals/archive/2014/cannes/cannes_2014_ndx.htm |title=Festival Reports – Cannes Film Festival 2014 |accessdate=23 May 2014 |work=FIPRESCI}}</ref>

== Plot ==
''Winter Sleep'' is the story of Mr. Aydin (played by [[Haluk Bilginer]]), a former actor who now runs a mountaintop hotel, and is dealing with his failing marriage. Aydin sees himself as the region's kind ruler, intervening in the business of the townspeople below the mountain. In reality, almost everyone, including his wife, dislikes Aydin. He has a pompous column in the local newspaper and is writing a book on Turkish history. When the slow season approaches the guests depart, the fighting between Aydin, his wife, his sister who lives with him, and the village people begins. Conversations dominate the film as the inner workings of the characters are slowly revealed.<ref name="winner">{{cite news|title=Winter Sleep, winner of the Cannes Palme d'Or – review|author=Robbie Collin|date=24 May 2014|work=The Telegraph|url=http://www.telegraph.co.uk/culture/film/cannes-film-festival/10854089/Winter-Sleep-winner-of-the-Cannes-Palme-DOr-review.html|accessdate=25 March 2014}}</ref>

The film opens on a misty field, where a man is sitting alone on the rocks, vapor rising through the grass. This man steadily crosses the field and up a hill towards a hotel built into a cave.<ref name="Huff Post">{{cite web|url=http://www.huffingtonpost.com/karin-badt/nuri-bilge-ceylans-winter_b_5386589.html|title=Nuri Bilge Ceylan's "Winter Sleep" Wins Palme d'Or at Cannes: A Masterpiece|date=24 May 2014|publisher=The Huffington Post|author=Karin Badt}}</ref> Aydin is driving down to the village along the cliffs of [[Cappadocia]] when a stone smashes and shatters the front passenger window. It was thrown by Ilyas ([[Emirhan Doruktutan]]), a poor boy whose motives are initially seen as trouble-making but are later explained as the boy's father, Ismail ([[Nejat Isler]]), cannot pay the rent to Aydin the landlord, the latter evicting his family and has already taken their refrigerator and television. Shortly afterward, the incident triggers a physical blow between Ismail and the truck driver ([[Ayberk Pekcan]]). This happens while Aydin keeps a timid distance and this is just a minor example of his casual indifference to the suffering around him.<ref name="TelegraphReview" /><ref name="J. Chang review">{{cite web|url=http://variety.com/2014/film/reviews/cannes-film-review-winter-sleep-1201184094/|title=Cannes Film Review: ‘Winter Sleep’|date=16 May 2014|publisher=Variety|author=Justin Chang}}</ref>

A local celebrity due to his earlier acting career and the regular columns he now writes for the local newspaper ("''Voices of the Steppe''"), Aydin leads a more idyllic life than most people around him in the region. Educated and wealthy, with an abundance of knowledge about Turkish theater that he hopes to turn into a book someday, he runs a small hotel with his much younger wife, Nihal ([[Melisa Sözen]]). However, it is slowly revealed that most people in the area have at least one very good reason to dislike Aydin. Even his wife has one, as he laughingly dismisses her charity fundraising efforts and state of bookkeeping; like a teacher he criticizes as ticking off a particularly slow pupil. Only one man, Ismail’s brother Hamdi (Serhat Kilic), the eager-to-please local imam, makes an effort to get along with him. Hamdi also brings the young Ilyas around in an attempt to make amends for the glass-breaking incident. Aydin is, however, annoyed by the imam's flattering talk and insincere teeth-baring grins, and obliquely insults him in his newspaper column. His sister, unimpressed, criticizes her brother's work and tells him that it reads like a writer who has adopted certain values just to make himself popular. She also denounces it as stinking of sentimentality. "I wish my threshold of self-deception was as low as yours," he snaps back. This comfort is, however, challenged in the period following Ilyas' misadventure earlier in the film by the conversations that ensue between him and the poor family, his wife and his sister on topics ranging from civic responsibility to evil.<ref name="Huff Post" /><ref name="TelegraphReview" /><ref name="J. Chang review" />

==Cast==
* [[Haluk Bilginer]]
* [[Demet Akbağ]]
* [[Melisa Sözen]]
* {{ill|tr|Ayberk Pekcan}}
* {{ill|tr|Tamer Levent}}
* [[Nejat İşler]]
* {{ill|tr|Serhat Kılıç}}

==Production==
The film was produced through the director's company NBC Film in collaboration with Turkey's Zeynofilm, Germany's Bredok Film Production and France’s Memento Films. It received 450,000 [[euro]] from [[Eurimages]].<ref>{{Cite web|author=Staff writer|date=20 March 2013|url=http://www.cineuropa.org/nw.aspx?t=newsdetail&l=en&did=234885|title=Eurimages distributes 3.6M € to 13 coproductions|work=Cineuropa|accessdate=10 March 2014}}</ref> Filming took place during two winter months in [[Cappadocia]] followed by four weeks in Istanbul for studio scenes. The film was shot with the [[CineAlta|Sony F65]] camera.<ref>{{Cite web|url=http://www.sony.co.uk/pro/article/broadcast-products-director-nuri-bilge-ceylans-f65-shoot|title=Director Nuri Bilge Ceylan's F65 shoot|work=sony.co.uk|publisher=[[Sony]]|accessdate=10 March 2014}}</ref>

==Reception==
The film won the [[Palme d'Or]] at the [[2014 Cannes Film Festival|67th Cannes Film Festival]].<ref name="BBCWinner">{{cite web |url=http://www.bbc.co.uk/news/entertainment-arts-27561439 |title=Cannes 2014: Winter Sleep wins Palme d'Or | accessdate=25 May 2014 |work=BBC News}}</ref> The longest film in competition by far, ''Winter Sleep'''s Palme d'Or marked the culmination of the career of [[Nuri Bilge Ceylan]], who has twice received the festival's second-place honor, the [[Grand Prix (Cannes Film Festival)|Grand Prix]] (for 2002's ''[[Uzak]]'' and for 2011's ''[[Once Upon a Time in Anatolia]]'') and who won a [[Best Director Award (Cannes Film Festival)|directing prize]] for 2008's ''[[Three Monkeys]]''.<ref>{{cite web|url=http://www.rogerebert.com/cannes/nuri-bilge-ceylans-winter-sleep-takes-palme-dor|title=Nuri Bilge Ceylan's "Winter Sleep" takes Palme d'Or|date=24 May 2014|publisher=Roger Ebert.com|author=Ben Kenigsberg | accessdate=}}</ref><ref name="Variety J. Chang">{{cite web|url=http://variety.com/2014/film/news/winter-sleep-wins-palme-dor-cannes-1201191262/|title=Cannes: ‘Winter Sleep’ Wins Palme d’Or|date=24 May 2014|publisher=Variety|author=Justin Chang | accessdate=}}</ref>

Ceylan said in his acceptance speech that it was "a great surprise" when he took the stage, noting that it was perhaps a fitting choice in a year that marked the 100th anniversary of Turkish cinema. Tacitly acknowledging the [[2013–14 protests in Turkey]] that led to the deaths of 11 people, the director said, "I want to dedicate the prize to all the young people of Turkey, including those who lost their lives". He also mentioned the workers who were killed in the [[Soma mine disaster]], which occurred on the day prior to the commencement of the awards event.<ref>{{cite news|author1=Xan Brooks|title=Cannes festival ready for shut-eye after Winter Sleep wins Palme d'Or|url=http://www.theguardian.com/film/2014/may/25/cannes-2014-winter-sleep-palme-d-or-timothy-spall?CMP=EMCNEWEML6619I2|accessdate=1 June 2014|work=The Guardian|agency=Guardian News and Media Limited|date=25 May 2014}}</ref><ref name="Variety J. Chang" /><ref name="NYT">{{cite web |url=http://www.nytimes.com/2014/05/25/world/europe/turkish-film-winter-sleep-wins-top-honor-at-cannes.html?_r=0 |title=Turkish Film ‘Winter Sleep’ Wins Top Honor at Cannes |accessdate=25 May 2014 |work=New York Times}}</ref><ref name="HWR">{{cite web |url=http://www.hollywoodreporter.com/news/cannes-winter-sleep-wins-palme-706988 |title=Cannes: 'Winter Sleep' Wins the Palme d'Or |accessdate=25 May 2014 |work=Hollywood Reporter}}</ref>

Although it divided critics and audiences with its reams of dialogue and challenging 196-minute running time, the film became an early critics’ favorite and Palme d'Or contender when it screened on the festival’s third day.<ref name="Variety J. Chang" /> Writing for ''[[The Guardian]]'' at the film's Cannes screening, Xan Brooks said that "in fits and starts, this is a stunning picture. At its best, ''Winter Sleep'' shows Ceylan to be as psychologically rigorous, in his way, as [[Ingmar Bergman]] before him".<ref name="GuardianReview">{{cite web |url=http://www.theguardian.com/film/2014/may/16/cannes-2014-winter-sleep-review-nuri-bilge-ceylan |title=Cannes 2014: Winter Sleep review – unafraid to tackle classic Bergman themes |accessdate=24 April 2014 |work=The Guardian}}</ref> Robbie Collin of ''[[The Daily Telegraph|The Telegraph]]'' said that the film is "still fiendishly intelligent stuff from the director, nudging back the limits of what we expect of cinema and also what it expects of us: a mighty tale of what becomes of a man when his heart goes into hibernation".<ref name="TelegraphReview">{{cite web |url=http://www.telegraph.co.uk/culture/film/cannes-film-festival/10854089/Winter-Sleep-winner-of-the-Cannes-Palme-DOr-review.html |title=Winter Sleep, winner of the Cannes Palme d'Or – review | accessdate=24 April 2014 | work=The Telegraph}}</ref>

Based on 7 reviews, ''Winter Sleep'' currently holds a 71% rating on [[Rotten Tomatoes]], with an average score of 7/10.<ref>http://www.rottentomatoes.com/m/kis_uykusu/</ref> On Metacritic, based on 8 reviews, the film holds an average score of 83, indicating 'Universal Acclaim'.<ref>http://www.metacritic.com/movie/winter-sleep</ref>

==Accolades==
{| class="wikitable"
|+ List of awards and nominations
! Award !! Category !! Recipients and nominees !! Result
|-
| rowspan="2" | [[2014 Cannes Film Festival]]
|[[Palme d'Or]]
| Nuri Bilge Ceylan
|{{won}}
|-
|[[International Federation of Film Critics|FIPRESCI Prize]]
| Nuri Bilge Ceylan
|{{won}}
|}

==References==
{{Reflist|2}}

==External links==
* {{IMDb title|2758880|Winter Sleep}}
* {{Rotten Tomatoes|kis_uykusu|Kis Uykusu (Winter Sleep)}}
* {{Metacritic film|winter-sleep|Winter Sleep}}

{{Nuri Bilge Ceylan}}
{{Palme d'Or}}

{{DEFAULTSORT:Winter Sleep}}
[[Category:2014 films]]
[[Category:2010s drama films]]
[[Category:Films directed by Nuri Bilge Ceylan]]
[[Category:Films set in Turkey]]
[[Category:Films shot in Turkey]]
[[Category:Turkish films]]
[[Category:Turkish drama films]]
[[Category:French films]]
[[Category:French drama films]]
[[Category:German films]]
[[Category:German drama films]]
[[Category:Turkish-language films]]
[[Category:Palme d'Or winners]]

Rijksmuseum

2014-05-05T05:18:00Z

Homonihilis: table fixed

{{Use dmy dates|date=October 2013}}
{{About|the Rijksmuseum in Amsterdam|other national museums in the Netherlands|List of Rijksmuseums}}
{{Infobox museum
| name = Rijksmuseum
| image = Amsterdam rijkmuseum.JPG
| imagesize = 250
| caption = Rijksmuseum seen from the [[Museumplein]] in 2013
| alt = Façade of the Rijksmuseum as seen from the Museum Square
| map_type = Netherlands Amsterdam Central
| map_caption = Location within Amsterdam, Netherlands
| map_size = 250
| latitude = 52.36000
| longitude = 4.885278
| coordinates_type = type:landmark_region:NL
| coordinates_format = dms
| coordinates_display = inline,title
| established = 31 May 1800<ref name="history">[https://www.rijksmuseum.nl/en/organisation/history-of-the-rijksmuseum History of the Rijksmuseum], Rijksmuseum. Retrieved 4 April 2013.</ref>
| location = Museumstraat 1<ref name="address">
[https://www.rijksmuseum.nl/en/general-information/address-and-route Address and route], Rijksmuseum. Retrieved 4 April 2013.</ref> [[Amsterdam]], [[Netherlands]]
| type = [[National museum]] [[Art museum]] [[History museum]]
| collection = 1 million objects<ref name="renovation"/>
| visitors = 2.2 million (2013)<ref name="visitors2013">{{nl icon}} Daan van Lent & Pieter van Os "[http://www.nrc.nl/nieuws/2013/12/27/musea-doen-het-goed-aantal-bezoekers-in-2013-fors-gestegen/ Musea doen het goed: aantal bezoekers in 2013 fors gestegen]", ''[[NRC Handelsblad]]'', 2013. Retrieved on 2 January 2014.</ref> 
*Ranked 1st nationally (2013)<ref name="visitors2013"/>
*[[List of most visited museums in the Netherlands|Ranked 3rd nationally]] (2012)
*[[List of most visited art museums in the world|Ranked 66th globally]] (2012)
| director = [[Wim Pijbes]]<ref name="boards">[https://www.rijksmuseum.nl/en/organisation/supervisory-board-and-board-of-directors Supervisory Board and Board of Directors], Rijksmuseum. Retrieved 4 April 2013.</ref>
| president = [[Jaap de Hoop Scheffer]]<ref name="boards"/>
| curator = [[Taco Dibbits]]<ref name="boards"/>
| owner =
| publictransit = [[Trams in Amsterdam|Tram]]: {{nowrap|2 [[File:Amsterdam tramlijn 2.svg|11px|Tram line 2]]}}, {{nowrap|5 [[File:Amsterdam tramlijn 5.svg|11px|Tram line 5]]}}, {{nowrap|7 [[File:Amsterdam tramlijn 7.svg|11px|Tram line 7]]}}, {{nowrap|10 [[File:Amsterdam tramlijn 10.svg|11px|Tram line 10]]}}, {{nowrap|12 [[File:Amsterdam tramlijn 12.svg|11px|Tram line 12]]}}
Bus: 26, 65, 66, 170, 172, 197<ref name="address"/>
| car_park =
| network =
| website = [http://www.rijksmuseum.nl/ www.rijksmuseum.nl]
}}

The '''Rijksmuseum''' ({{IPA-nl|ˈrɛi̯ksmyˌzeːjʏm}}; {{lang-en|State Museum}}) is a [[Netherlands|Dutch]] [[national museum]] dedicated to [[arts]] and [[history]] in [[Amsterdam]] in the [[Netherlands]]. The museum is located at the [[Museumplein|Museum Square]] in the [[stadsdeel|borough]] [[Amsterdam-Zuid|Amsterdam South]], close to the [[Van Gogh Museum]], the [[Stedelijk Museum Amsterdam]], and the [[Concertgebouw]].<ref>[http://www.iamsterdam.com/sitecore/content/Data/Uitbureau/Locations/Museumplein?sc_lang=en-GB Museumplein], I Amsterdam. Retrieved 4 April 2013.</ref>

The Rijksmuseum was founded in [[The Hague]] in 1800 and moved to Amsterdam in 1808, where it was first located in the [[Royal Palace (Amsterdam)|Royal Palace]] and later in the [[Trippenhuis]].<ref name="history"/> The current main building was designed by [[Pierre Cuypers]] and first opened its doors in 1885.<ref name="renovation">[https://www.rijksmuseum.nl/en/renovation/the-renovation The renovation], Rijksmuseum. Retrieved on 4 April 2013.</ref> On 13 April 2013, after a ten-year renovation which cost [[euro|€]] 375 million, the main building was reopened by [[Beatrix of the Netherlands|Queen Beatrix]].<ref name="bbcopening">[http://www.bbc.co.uk/news/entertainment-arts-22024351 "Rijksmuseum set for grand reopening in Amsterdam"]. ''BBC News''. 4 April 2013. Retrieved 4 April 2013.</ref><ref name="renovationcost">[http://www.economist.com/news/books-and-arts/21576065-new-golden-age "The Rijksmuseum reopens: A new golden age"]. ''[[The Economist]]'' (London). 13 April 2013. Retrieved 14 April 2013.</ref><ref>{{cite news |title=The Dutch Prize Their Pedal Power, but a Sea of Bikes Swamps Their Capital |url= http://www.nytimes.com/2013/06/21/world/europe/a-sea-of-bikes-swamps-amsterdam-a-city-fond-of-pedaling.html?pagewanted=2&_r=2&smid=tw-nytimes&partner=rss&emc=rss& |newspaper=The New York Times |date=20 June 2013}}</ref> In 2013, it was the most visited museum in the Netherlands with a record number of 2.2 million visitors.<ref name="visitors2013"/>

The museum has on display 8,000 objects of [[art]] and [[history]], from their total collection of 1 million objects from the years 1200–2000, among which are some masterpieces by [[Rembrandt]], [[Frans Hals]], and [[Johannes Vermeer]]. The museum also has a small [[Asia]]n collection which is on display in the Asian Pavilion.<ref name="renovation"/> According to [[Taco Dibbits]], it is a museum dedicated to "the Dutchness of Dutchness."<ref>[http://www.archdaily.com/496461/rijksmuseum-revisited-the-dutch-national-museum-one-year-on/] 'Rijksmuseum Revisited: The Dutch National Museum One Year On' [[ArchDaily]]. Accessed 20 April 2014.</ref>

==History==

===18th century===
[[File:Isaac Gogel.jpg|thumb|upright|Isaac Gogel (1765–1821)]]

In 1795, the [[Batavian Republic]] was proclaimed. The [[Minister of Finance]] [[Isaac Gogel]] argued that a national museum, following the French example of [[The Louvre]], would serve the national interest. On 19 November 1798, the government decided to found the museum.<ref name="history"/><ref name="nrc">{{nl icon}} Roelof van Gelder, [http://retro.nrc.nl/W2/Lab/Profiel/Rijksmuseum/schatkamer.html Schatkamer met veel gezichten], 2000. Retrieved 15 April 2013.</ref>

On 31 May 1800, the National Art Gallery ([[Dutch language|Dutch]]: ''Nationale Kunst Gallerij''), precursor of the Rijksmuseum, opened its doors in [[Huis ten Bosch]] in [[The Hague]]. The museum exhibited around 200 paintings and historic objects from the collections of the Dutch [[stadtholder]]s.<ref name="history"/><ref name="nrc"/>

===19th century===
[[File:Trippenhuis Amsterdam interior 003.jpg|thumb|The Rijkmuseum was located in the [[Trippenhuis]] between 1817 and 1885]]
[[File:Rijksmuseum Amsterdam ca 1895.jpg|thumb|Front of Cuypers' building, circa 1895]]

In 1805, the National Art Gallery moved within [[The Hague]] to the [[Buitenhof (The Hague)|Buitenhof]].<ref name="history"/>

In 1806, the [[Kingdom of Holland]] was established by [[Napoleon I of France|Napoleon Bonaparte]]. On the orders of king [[Louis Bonaparte]], brother of Napoleon, the museum moved to [[Amsterdam]] in 1808. The paintings owned by that city, such as ''[[Night Watch (painting)|The Night Watch]]'' by [[Rembrandt Harmenszoon van Rijn|Rembrandt]], became part of the collection. In 1809, the museum opened its doors in the [[Royal Palace (Amsterdam)|Royal Palace]] in [[Amsterdam]].<ref name="history"/>

In 1817, the museum moved to the [[Trippenhuis]]. The Trippenhuis turned out to be unsuitable as a museum. In 1820, the historical objects were moved to the [[Mauritshuis]] in The Hague, and in 1838 the 19th-century paintings were moved to [[Paviljoen Welgelegen]] in [[Haarlem]].<ref name="history"/>

In 1863, there was a [[Architectural design competition|design contest]] for a new building for the Rijksmuseum, but none of the submissions was considered to be of sufficient quality. [[Pierre Cuypers]] also participated in the contest and his submission reached the second place.<ref name="bma1">{{nl icon}} {{cite web
| title = Stadhouderskade 42. Rijksmuseum (1876/85)
| work = [http://www.bmz.amsterdam.nl/adam/ Monumenten en Archeologie in Amsterdam]
| publisher = [[Amsterdam (municipality)|City of Amsterdam]]
| url = http://www.bma.amsterdam.nl/adam/nl/msp/rijksmuseum.html
| accessdate = 1 April 2007 |archiveurl = http://web.archive.org/web/20070209104451/http://www.bma.amsterdam.nl/adam/nl/msp/rijksmuseum.html  |archivedate = 9 February 2007}}</ref>

In 1876 a new contest was held and this time Pierre Cuypers won. The design was a combination of [[gothic architecture|gothic]] and [[renaissance]] elements. The construction began on 1 October 1876. On both the inside and the outside, the building was richly decorated with references to Dutch art history. Another contest was held for these decorations. The winners were B. van Hove and J.F. Vermeylen for the [[sculpture]]s, G. Sturm for the [[tile tableau]]s and [[painting]] and W.F. Dixon for the [[stained glass]]. The museum was opened at its new location on 13 July 1885.<ref name="bma1"/>

In 1890 a new building was added a short distance to the south-west of the Rijksmuseum. As the building was made out of fragments of demolished buildings, that together give an overview of the history of Dutch [[architecture]], it has come to be known informally as the 'fragment building'. It is also known as the 'south wing', and is currently (in 2013) branded the ''[[Philips]] Wing''.

===20th century===
[[File:Afscheid van Neerlands kunstschatbewaarder Weeknummer 59-49 - Open Beelden - 31178.ogv|thumb|Dutch newsreel from 1959]]

In 1906 the hall for the ''[[Night Watch (painting)|Night Watch]]'' was rebuilt.<ref name="bma1"/> In the interior more changes were made, between the 1920s and 1950s most multi-coloured wall decorations were painted over. In the 1960s exposition rooms and several floors were built into the two courtyards. The building had some minor renovations and restorations in 1984, 1995–1996 and 2000.<ref name="bma2">{{nl icon}} {{cite web
| title = Stadhouderskade 42. Rijksmuseum (1876/85). Interieur
| work = [http://www.bmz.amsterdam.nl/adam/ Monumenten en Archeologie in Amsterdam]
| publisher = [[Amsterdam (municipality)|City of Amsterdam]]
| url = http://www.bma.amsterdam.nl/adam/nl/msp/rijksi.html
| accessdate = 1 April 2007 |archiveurl = http://web.archive.org/web/20070202201716/http://www.bma.amsterdam.nl/adam/nl/msp/rijksi.html  |archivedate = 2 February 2007}}</ref>

A renovation of the south wing of the museum, also known as the 'fragment building' or 'Philips Wing', was completed in 1996.

===21st century===
[[File:Atrium Rijksmuseum Amsterdam 02.jpg|thumb|The atrium after the renovation in 2013]]

In December 2003, the main building of the museum closed for a major renovation. During this renovation, about 400 objects from the collection were on display in the 'fragment building', including [[Rembrandt]]'s ''The Night Watch'' and other 17th-century masterpieces.<ref>{{cite web
| title = Final Design The New Rijksmuseum
| work = [http://www.rijksmuseum.nl/hetnieuwerijksmuseum/ The New Rijksmuseum]
| publisher = Rijksmuseum Amsterdam
| url = http://www.rijksmuseum.nl/hetnieuwerijksmuseum/definitief-ontwerp?lang=en
| accessdate = 1 April 2007 }}</ref>

The [[Building restoration|restoration]] and [[renovation]] of the Rijksmuseum are based on a design by Spanish architects [[Cruz y Ortiz|Antonio Cruz and Antonio Ortiz]]. Many of the old interior decorations were restored and the floors in the courtyards were removed. The renovation would have initially taken five years, but was delayed and eventually took almost ten years to complete. The renovation cost [[euro|€]] 375 million.<ref name="renovationcost"/>

The reconstruction of the building was completed on 16 July 2012. In March 2013 the museum's main pieces of art were moved back from the 'fragment building' to the main building. ''[[The Night Watch]]'' returned to the Night Watch Room, at the end of the Hall of Fame. On 13 April 2013, the main building was reopened by Queen Beatrix.<ref name="bbcopening"/>

===List of directors===
* [[Cornelis Sebille Roos]]<ref name="history"/>
* [[Cornelis Apostool]] (1808–1844)<ref name="history"/>
* [[Jan Willem Pieneman]] (1844–1847)<ref>[https://www.rijksmuseum.nl/en/explore-the-collection/overview/jan-willem-pieneman Jan Willem Pieneman], Rijksmuseum. Retrieved 2 May 2013.</ref>
* [[Frederik Daniël Otto Obreen]] (1883–1896)<ref>{{nl icon}} [https://www.rijksmuseum.nl/en/search/objecten?q=directeur+rijksmuseum&v=list&p=1&ps=10#/SK-A-2724,1 Frederik Daniël Otto Obreen (1840-96)], Rijksmuseum. Retrieved 2 May 2013.</ref>
* [[Barthold Willem Floris van Riemsdijk]] (1897–1921)<ref>{{nl icon}} [http://www.geheugenvannederland.nl/?/en/items/RIJK01xxCOLONxxSK-A-3101 Jonkheer Barthold Willem Floris van Riemsdijk (1850-1942)], Geheugen van Nederland. Retrieved 25 April 2013.</ref>
* [[Frederik Schmidt-Degener]] (1921–1941)<ref>{{nl icon}} A.A.M. de Jong, [http://www.historici.nl/Onderzoek/Projecten/BWN/lemmata/bwn1/schmidt Schmidt Degener, Frederik (1881-1941)], Historici.nl, 2012. Retrieved 25 April 2013.</ref>
* [[David Röell]] (1945–1959)<ref>{{nl icon}} Th.J. Meijer, [http://www.historici.nl/Onderzoek/Projecten/BWN/lemmata/bwn2/roelldc Röell, jhr. David Cornelis (1894-1961)], Historici.nl, 2012. Retrieved 25 April 2013.</ref>
* [[Arthur van Schendel (1910–1979)|Arthur van Schendel]] (1959–1975)<ref name="gedonderjaag">{{nl icon}} Lucette ter Borg, "[http://www.volkskrant.nl/vk/nl/2844/Archief/archief/article/detail/559153/2000/10/12/Gedonderjaag-in-het-Rijksmuseum.dhtml Gedonderjaag in het Rijksmuseum]", ''[[de Volkskrant]]'', 2000. Retrieved 25 April 2013.</ref>
* [[Simon Levie]] (1975–1989)<ref name="gedonderjaag"/>
* [[Henk van Os]] (1989–1996)<ref>[http://www.globalartmuseum.de/site/person/58 Henk van Os CV], [[Global Art and the Museum]]. Retrieved 25 April 2013.</ref>
* [[Ronald de Leeuw]] (1996–2008)<ref>[http://press.khm.at/fileadmin/content/KHM/Presse/2011/Wintermaerchen/CV_Prof__Ronald_de_Leeuw_engl.pdf CV Prof. Dr. (h. c.) Ronald de Leeuw], [[Kunsthistorisches Museum]]. Retrieved 25 April 2013.</ref>
* [[Wim Pijbes]] (2008–present)<ref>Charlotte Higgins (5 April 2013).[http://www.theguardian.com/culture/2013/apr/05/rijksmuseum-reopens-long-refurbishment-rethink "Rijksmuseum to reopen after dazzling refurbishment and rethink"]. ''[[The Guardian]]'' (London). Retrieved 25 April 2013.</ref>

== Building ==
[[File:P.J.H. Cuypers Rijksmuseum perspective.jpg|thumb|Drawing of the design by [[Pierre Cuypers]] in 1876]]

The building of the Rijksmuseum was designed by [[Pierre Cuypers]] and opened in 1885. It consists of two squares with an atrium in each centre. In the central axis is a tunnel with the entrances at ground level and the Gallery of Honour at the first floor. The building also contains a library. The fragment building, branded Philips wing, contains building fragments that show the history of architecture in the Netherlands. The Rijksmuseum is a ''[[rijksmonument]]'' (national heritage site) since 1970<ref>{{nl icon}} [http://monumentenregister.cultureelerfgoed.nl/php/main.php?cAction=show&cOBJnr=5680 Monumentnummer: 5680], [[Rijksdienst voor het Cultureel Erfgoed]]. Retrieved on 6 March 2014.</ref> and was listed in the [[Top 100 Dutch heritage sites]] in 1990. The Asian pavilion was designed by [[Cruz y Ortiz]] and opened in 2013.

According to Muriel Huisman, Project Architect for the Rijksmuseum's renovation, "Cruz y Ortiz always like to look for a synergy between old and new, and we try not to explain things with our architecture.” With the Rijks, “there’s no cut between old and new; we’ve tried to merge it. We did this by looking for materials that were true to the original building, resulting in a kind of silent architecture."<ref>[http://www.archdaily.com/496461/rijksmuseum-revisited-the-dutch-national-museum-one-year-on/] 'Rijksmuseum Revisited: The Dutch National Museum One Year On' [[ArchDaily]]. Retrieved on 20 April 2014.</ref>

==Collection==
[[File:Frans Hals 056.jpg|thumb|''Portrait of a Young Couple'' ({{circa}} 1622) by [[Frans Hals]]]]
[[File:The Nightwatch by Rembrandt.jpg|thumb|''[[The Night Watch]]'' (1642) by [[Rembrandt]]]]
[[File:Johannes Vermeer - Het melkmeisje - Google Art Project.jpg|thumb|upright|''[[The Milkmaid (Vermeer)|The Milkmaid]]'' ({{circa}} 1658) by [[Johannes Vermeer]]]]

The collection of the Rijksmuseum consists of 1 million objects and is dedicated to [[arts]], [[crafts]], and [[history]] from the years 1200 to 2000. Around 8000 objects are currently on display in the museum.<ref name="renovation"/>

The collection contains more than 2,000 [[painting]]s from the [[Dutch Golden Age]] by notable painters such as [[Jacob Isaakszoon van Ruisdael]], [[Frans Hals]], [[Johannes Vermeer]], [[Jan Steen]], [[Rembrandt]], and Rembrandt's pupils.<ref name="renovation"/>

The museum also has a small Asian collection which is on display in the Asian Pavilion.<ref name="renovation"/>

It also displays the [[stern]] of [[HMS Royal Charles (1655)|HMS Royal Charles]] which was captured in the [[Raid on the Medway]], and the [[Hartog plate]].

The museum has taken the unusual step of making some 125,000 [[high-resolution]] images available for download via its Rijks Studio software, with plans to add another 40,000 images per year until the entire collection of one million works is available, according to [[Taco Dibbits]], director of collections.<ref>{{cite news |author=Nina Siegal |title=Masterworks for One and All |url= http://www.nytimes.com/2013/05/29/arts/design/museums-mull-public-use-of-online-art-images.html?adxnnl=1&ref=todayspaper&adxnnlx=1369842073-mpR6CFhG/PEY5pGGJfuDXw |work=The New York Times |date=28 May 2013 |accessdate=28 May 2013 }}</ref><ref>{{cite AV media |people=Erik Boekesteijn |date=12 April 2013 |title=TWIL #94: Peter Gorgels (Internet Manager Rijksmuseum)|series=This Week In Libraries |medium=Video podcast |url= http://www.thisweekinlibraries.com/?p=520 |accessdate=11 June 2013 |archiveurl= |archivedate=9 June 2013 |publisher=Shanachiemedia |location=Amsterdam}}</ref>

== Visitors ==
{|- class="wikitable"
!year||visitors||rowspan="11"| ||year||visitors
|-
|1995||942,000<ref>{{nl icon}} [http://www.trouw.nl/tr/nl/5009/Archief/archief/article/detail/2728791/1996/01/04/Grote-musea-trokken-in-1995-minder-bezoekers.dhtml ], ''[[Trouw]]'', 1996. Retrieved 25 April 2013.</ref>
|2005||842,586<ref name="ar2005"/>
|-
|1996||1,275,000<ref>{{nl icon}} [http://www.volkskrant.nl/vk/nl/2676/Cultuur/archief/article/detail/502621/1997/01/03/Rijksmuseum-en-Kunsthal-trekken-veel-bezoekers.dhtml Rijksmuseum en Kunsthal trekken veel bezoekers], ''[[de Volkskrant]]'', 1997. Retrieved 25 April 2013.</ref>
|2006||1,142,182<ref name="ar2011">{{nl icon}} [https://www.rijksmuseum.nl/nl/downloads/f5944e19-f43b-4d9b-a262-88be09b3c9ab/Jaarverslag-2011.pdf Jaarverslag 2011], Rijksmuseum, 2012. Retrieved on 25 April 2013.</ref>
|-
|1997||1,084,652<ref name="ar1998">{{nl icon}} [https://www.rijksmuseum.nl/nl/downloads/f3897b4b-4781-4d74-a84b-4e2367c2a2f0/Jaarverslag-1998.pdf Jaarverslag 1998], Rijksmuseum, 1999. Retrieved 25 April 2013.</ref>
|2007||969,561<ref name="ar2011"/>
|-
|1998||1,229,445<ref name="ar1999">{{nl icon}} [https://www.rijksmuseum.nl/nl/downloads/f0f62a71-e73d-442f-a7b6-e08ac79c69b2/Jaarverslag-1999.pdf Jaarverslag 1999], Rijksmuseum, 2000. Retrieved 25 April 2013.</ref>
|2008||975,977<ref name="ar2011"/>
|-
|1999||1,310,497<ref name="ar1999"/>
|2009||876,453<ref name="ar2011"/>
|-
|2000||1,146,438<ref name="ar2001">{{nl icon}} [https://www.rijksmuseum.nl/nl/downloads/8ca436c7-cc0c-4b88-8d35-8edcd3bbba8d/Jaarverslag-2001.pdf Jaarverslag 2001], Rijksmuseum, 2002. Retrieved 25 April 2013.</ref>
|2010||896,393<ref name="ar2011"/>
|-
|2001||1,015,561<ref name="ar2001"/>
|2011||1,010,402<ref name="ar2011"/>{{efn|This includes the 16,777 visitors to the main building.}}
|-
|2002||1,100,488<ref name="ar2003">{{nl icon}} [https://www.rijksmuseum.nl/nl/downloads/ffa3b4ec-6787-4be8-9186-c946af10e2c3/Jaarverslag-2003.pdf Jaarverslag 2003], Rijksmuseum, 2004. Retrieved 25 April 2013.</ref>
|2012||965,000 (est.)<ref name="top55-2012">{{nl icon}} [http://www.museumvereniging.nl/LinkClick.aspx?fileticket=LEZFGcsvKBc%3d&tabid=334 Top 55 Museumbezoek 2012], Nederlandse Museumvereniging. Retrieved 4 April 2013.</ref>
|-
|2003||833,450<ref name="ar2003"/>{{efn|The main building was closed from 7 December 2003.}}
|2013||2,200,000 (est.)<ref name="visitors2013"/>
|-
|2004||812,102<ref name="ar2005">{{nl icon}} [https://www.rijksmuseum.nl/nl/downloads/755acf26-5c0e-4836-b7b6-26ca100320f6/Jaarverslag-2005.pdf Jaarverslag 2005], Rijksmuseum, 2006. Retrieved 25 April 2013.</ref>
| colspan="2" |  
|}

The 20th-century visitor record of 1,412,000 was reached in the year 1975.<ref>{{nl icon}} [https://www.rijksmuseum.nl/nl/nu-in-het-museum/nieuws/openingsjaar-rijksmuseum-breek-alle-records Openingsjaar Rijksmuseum breek alle records], Rijksmuseum, 2013. Retrieved on 2013-12-27.</ref>

In the 1990s and early 2000s the Rijksmuseum was annually visited by 0.9 to 1.3 million people. On 7 December 2003, the main building of the museum was closed for a renovation until 13 April 2013. In the following decade, the amount of visitors slightly decreased to 0.8 to 1.1 million people. The museum says after the renovation, the museum's capacity is 1.5 to 2.0 million visitors annually.<ref name="renovation"/> Within eight months since the reopening in 2013, the museum was visited by 2 million people.<ref>[https://www.rijksmuseum.nl/en/press/press-releases/rijksmuseum-welcomes-two-millionth-visitor Rijksmuseum welcomes two millionth visitor] (press release), Rijksmuseum, 2013. Retrieved 27 December 2013.</ref>

The all time visitor record of 2,200,000 (est.) was reached in 2013.<ref name="ar2001"/><ref name="ar2003"/><ref name="ar2005"/><ref name="ar2011"/><ref name="top55-2012"/><ref name="visitors2013"/>

==Library==
The [[Rijksmuseum Research Library]] is part of the Rijksmuseum, and is the best and the largest public [[art history]] [[research library]] in The Netherlands.

==Notes==
{{Notelist}}

==References==
{{Reflist|2}}

==External links==
{{commons category|Rijksmuseum Amsterdam}}
*[https://www.rijksmuseum.nl/en Rijksmuseum], official website

{{Authority control|GND=1009452-0|LCCN=n/79/007489|VIAF=159624082}}

[[Category:1800 establishments in the Netherlands]]
[[Category:Art museums and galleries in the Netherlands]]
[[Category:Museums in Amsterdam]]
[[Category:Rijksmonuments in Amsterdam]]
[[Category:National museums of the Netherlands]]
[[Category:Rijksmuseum Amsterdam| ]]
[[Category:Orden de las Artes y las Letras de España recipients]]
[[Category:Art museums established in 1800]]
[[Category:Amsterdam-Zuid]]
[[Category:Pierre Cuypers buildings]]

Erkin Koray Tutkusu

2014-04-29T06:29:06Z

Homonihilis: name corrected. literal meaning of the full title is "passion for erkin koray" so it shoul be stated as a whole

{{Unreferenced|date=December 2009}}

{{Infobox album | 
| Name = Erkin Koray Tutkusu
| Type = [[Album]]
| Artist = [[Erkin Koray]]
| Released = 1977
| Genre = [[Anatolian rock]]
| Length = 38:04
| Label = [[Kervan]]
| Last album = ''[[2 (Erkin Koray album)|Erkin Koray 2]]'' (1976)
| This album = ''''' Erkin Koray Tutkusu''''' (1977)
| Next album = ?
}}

'''''Erkin Koray Tutkusu''''' is the fourth full length album by Turkish rock star [[Erkin Koray]] and was released a year after "Erkin Koray 2", his most ethnic record. "Erkin Koray Tutkusu" saw his return to [[psychedelic rock]].
This album was remastered in 2006 and reissued on [[Underground Masters]].

==Track listing==
#"Allah Aşkina" – 2:35
#"Mağarada Düğün" – 2:54
#"Sandalci" – 2:50
#"My Delight" – 3:19
#"Bir Olasilik" – 2:03
#"Cümbür Cemaat" – 4:55
#"Sanma" – 3:37
#"Suskunluğun Ötesi" – 5:05
#"Blond Men" – 3:45
#"Geliyor" – 1:46
#"Yalniz Sen Varsin" – 5:08

[[Category:Erkin Koray albums]]

Erkin Koray Tutkusu

2014-04-29T06:28:24Z

Homonihilis: name correction.

{{Unreferenced|date=December 2009}}

{{Infobox album | 
| Name = Erkin Koray Tutkusu
| Type = [[Album]]
| Artist = [[Erkin Koray]]
| Released = 1977
| Genre = [[Anatolian rock]]
| Length = 38:04
| Label = [[Kervan]]
| Last album = ''[[2 (Erkin Koray album)|Erkin Koray 2]]'' (1976)
| This album = '''''Tutkusu''''' (1977)
| Next album = ?
}}

'''''Erkin Koray Tutkusu''''' is the fourth full length album by Turkish rock star [[Erkin Koray]] and was released a year after "Erkin Koray 2", his most ethnic record. "Erkin Koray Tutkusu" saw his return to [[psychedelic rock]].
This album was remastered in 2006 and reissued on [[Underground Masters]].

==Track listing==
#"Allah Aşkina" – 2:35
#"Mağarada Düğün" – 2:54
#"Sandalci" – 2:50
#"My Delight" – 3:19
#"Bir Olasilik" – 2:03
#"Cümbür Cemaat" – 4:55
#"Sanma" – 3:37
#"Suskunluğun Ötesi" – 5:05
#"Blond Men" – 3:45
#"Geliyor" – 1:46
#"Yalniz Sen Varsin" – 5:08

[[Category:Erkin Koray albums]]

Erkin Koray Tutkusu

2014-04-29T06:28:00Z

Homonihilis: name corrected. literal meaning of the full title is "passion for erkin koray" so it shoul be stated as a whole

{{Unreferenced|date=December 2009}}

{{Infobox album | 
| Name = Erkin Koray Tutkusu
| Type = [[Album]]
| Artist = [[Erkin Koray]]
| Released = 1977
| Genre = [[Anatolian rock]]
| Length = 38:04
| Label = [[Kervan]]
| Last album = ''[[2 (Erkin Koray album)|Erkin Koray 2]]'' (1976)
| This album = '''''Tutkusu''''' (1977)
| Next album = ?
}}

'''''Erkin Koray Tutkusu''''' is the fourth full length album by Turkish rock star [[Erkin Koray]] and was released a year after "Erkin Koray 2", his most ethnic record. "Tutkusu" saw his return to [[psychedelic rock]].
This album was remastered in 2006 and reissued on [[Underground Masters]].

==Track listing==
#"Allah Aşkina" – 2:35
#"Mağarada Düğün" – 2:54
#"Sandalci" – 2:50
#"My Delight" – 3:19
#"Bir Olasilik" – 2:03
#"Cümbür Cemaat" – 4:55
#"Sanma" – 3:37
#"Suskunluğun Ötesi" – 5:05
#"Blond Men" – 3:45
#"Geliyor" – 1:46
#"Yalniz Sen Varsin" – 5:08

[[Category:Erkin Koray albums]]

Murat Günak

2014-04-21T13:53:50Z

Homonihilis: +link

'''Murat Günak''' born 9 August 1957 in [[Istanbul]], is the former head designer of [[Volkswagen]]. On basis of a mandate through his consultant company ''MGMO GmbH'' he was CEO of [[Mindset (vehicle)|Mindset AG]] between July 2008 and January 2009.

He designed various [[Mercedes-Benz]] models, such as the first [[Mercedes-Benz C-Class|C-Class]] and the first [[Mercedes-Benz SLK|SLK]]. He also worked for [[Peugeot]], on the [[Peugeot 206 CC|206 CC]], [[Peugeot 307|307]], and [[Peugeot 607|607]] and designed [[Volkswagen]] models such as the [[Volkswagen Passat CC|Passat CC]] and [[Volkswagen Golf V|Golf V]].

He was replaced at Volkswagen by his former employee, [[Walter de'Silva]].

He is currently working on the electric vehicle project called "[[Mia electric]]" in France.

Günak studied at the [[Royal College of Art]] in [[London]] under [[Claude Lobo]] and [[Patrick Le Quément]].<ref name="zeit1">{{cite web
| title = Der Schneider von Wolfsburg (The Tailor of Wolfsburg)
| publisher = Zeit Online, Dietmar H. Lamparter , 11.12.2003 (in German)
| url = http://www.zeit.de/2003/51/G_9fnak-Portrait}}</ref>

==References==
{{reflist}}

==External links==
*[http://images.zeit.de/text/2003/51/G_9fnak-Portrait Der Schneider von Wolfsburg (Die Zeit 11. Dezember 2003)] {{de icon}}
*[http://www.stern.de/sport-motor/autoservice/:Volkswagen-Murat-G%FCnak,-Aufpolierer/530314.html Murat Günak, der Aufpolierer (Der Stern, 27. September 2004)] {{de icon}}
*[http://www.designophy.com/article.php?id=18 Murat Günak interview (designophy)]

{{Persondata 
| NAME = Gunak, Murat
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Turksih automobile designer
| DATE OF BIRTH = 1957
| PLACE OF BIRTH =
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Gunak, Murat}}
[[Category:1957 births]]
[[Category:Living people]]
[[Category:Turkish automobile designers]]
[[Category:Volkswagen Group designers]]

{{designer-stub}}
{{Turkey-bio-stub}}

Edison's Black Maria

2014-04-09T15:50:49Z

Homonihilis: Reverted to revision 596373001 by Homonihilis (talk): Lost info brought back. (TW)

{{Coord|40.78451|-74.23388|display=title}}
[[File:Black Maria.jpg|thumb|300px|Edison's Black Maria Studio]]
[[File:Black Maria exterior Meeker.jpg|thumb|300px|A drawing of the exterior from 1894]]

The '''Black Maria''' ({{IPAc-en|m|ə|ˈ|r|aɪ|.|ə}} {{respell|mə|RY|ə}}) was [[Thomas Edison]]'s [[movie studio|movie production studio]] in [[West Orange, New Jersey|West Orange]], [[New Jersey]]. It is widely referred to as America's First Movie Studio.

== History ==
In 1893, the world's first film production studio,<ref>{{cite web |url=http://www.tcm.com/this-month/article/345136%7C0/The-Films-of-Thomas-Edison.html |title= The Films of Thomas Edison|last1=Wood |first1=Bret |date= |website= Turner Classic Movies|publisher= |accessdate=20 February 2014 |archiveurl =http://www.webcitation.org/6NX9Sio9F |archivedate =20 February 2014}}</ref><ref>{{cite web |url=http://www.filmsite.org/pre20sintro.html |title=Early Cinematic Origins and the Infancy of Film |last1=Dirks |first1=Tim |date= |website=filmsite.org |publisher= |accessdate=20 February 2014 |archiveurl =http://www.webcitation.org/6NX9QJaMj |archivedate =20 February 2014}}</ref> the Black Maria, or the Kinetographic Theater, was completed on the grounds of Edison's laboratories at West Orange, New Jersey, for the purpose of making film strips for the [[Kinetoscope]]. Construction began in December 1892<ref>Robinson (1997). p. 23.</ref> and was completed the following year at a cost of $637.67 (approx. $15,272.99 in 2010 dollars). In early May 1893 at the Brooklyn Institute of Arts and Sciences, Edison conducted the world's first public demonstration of films shot using the Kinetograph in the Black Maria, with a Kinetoscope viewer. The exhibited film showed three people pretending to be blacksmiths.

[[File:Black Maria Meeker.jpg|thumb|left|250px|A drawing of the interior (1894)]]
[[File:Annabelle.jpg|thumb|250px|left|Annabelle Whitford doing her "butterfly dance", recorded at the Edison's Black Maria studio]]

The first motion pictures made in the Black Maria were deposited for [[copyright]] by Dickson at the Library of Congress in August, 1893. In early January 1894, ''The Edison Kinetoscopic Record of a Sneeze'' (aka ''[[Fred Ott]]'s Sneeze'') was one of the first series of short films made by Dickson for the Kinetoscope in Edison's Black Maria studio with fellow assistant Fred Ott. The short film was made for [[publicity]] purposes, as a series of still photographs to accompany an article in ''[[Harper's Weekly]]''. It was the earliest motion picture to be registered for copyright — composed of an optical record of Ott sneezing comically for the camera.

The first films shot at the Black Maria, a tar-paper-covered, dark studio room with a retractable roof, included segments of magic shows, plays, [[vaudeville]] performances (with dancers and strongmen), acts from [[Buffalo Bill's Wild West Show]], various [[boxing]] matches and [[cockfights]], and scantily-clad women. Many of the early Edison moving images released after 1895, however, were non-fictional "actualities" filmed on location: views of ordinary slices of life — street scenes, the activities of police or firemen, or shots of a passing train.

On Saturday, April 14, 1894, Edison's Kinetoscope began commercial operation. The [[Holland Brothers]] opened the first Kinetoscope Parlor at 1155 [[Broadway (New York City)|Broadway]] in [[New York City]] and for the first time, they commercially exhibited movies, as we know them today, in their amusement arcade. Patrons paid 25 cents as the admission charge to view films in five kinetoscope machines placed in two rows. Nearly 500 people became cinema's first major audience during the showings of films with titles such as ''Barber Shop'', ''Blacksmiths'', ''Cock Fight'', ''Wrestling'', and ''Trapeze''. Edison's film studio was used to supply films for this sensational new form of entertainment. More Kinetoscope parlors soon opened in other cities ([[San Francisco]], [[Atlantic City]], and [[Chicago]]). In 1901, the first public film was screened in [[Oberlin, Ohio]], starting the transition from kinetoscope to screen.

When Edison built a glass-enclosed rooftop movie studio in New York City, the Black Maria was closed in January 1901 due to the purchase of a new studio in New York, and Edison demolished the building in 1903.<ref>[http://memory.loc.gov/ammem/edhtml/edmvhist1.html "Early Edison Motion Picture Production (1892-1895) in Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies"], retrieved April 15th, 2012.</ref> The U. S. [[National Park Service]] maintains a reproduction of the Black Maria, built in 1954 at what is now the [[Edison National Historic Site]] in West Orange. A previous reconstruction had been built and dedicated in May 1940 when [[Metro-Goldwyn-Mayer|MGM]] held the world premiere of ''[[Edison, the Man]]'' starring [[Spencer Tracy]] in theaters throughout [[The Oranges]] ([[West Orange, New Jersey|West Orange]], [[East Orange]], [[South Orange]], and [[Orange, New Jersey|Orange]]).<ref>A replica of the 'Black Maria' studio appeared in Universal-International's comedy ''[[Abbott and Costello]] Meet the [[Keystone Cops]]'' (1955).</ref>

The Black Maria was, according to the staff who worked there, a small and uncomfortable place to work. Edison employees [[W. K. Dickson]] and Jonathan Campbell coined the name—it reminded them of police [[Police van|Black Marias]], (police vans, also known as "paddywagons") of the time because they were also cramped, stuffy and a similar black color. Edison, however, called it "The Doghouse."

The Black Maria was covered in black tarpaper and had a huge window in the ceiling that opened up to let in sunlight because early films required a tremendous amount of bright light. It was built on a turntable so the window could rotate toward the sun throughout the day, supplying natural light for hundreds of Edison movie productions over its eight year lifespan.

When word spread about the new invention, performers flocked to the Black Maria from all over the country in order to be in the films. These [[silent movies]] featured dancers, pugilists, magicians, and vaudeville performers. Their appearances at the studio were used as publicity opportunities by Edison, who would often pose with the performers for newspaper articles.

== Selected films shot at the Black Maria ==
[[File:Sioux ghost dance, 1894.ogg|thumb|250px|''Sioux [[Ghost Dance]]'']]
[[File:The boxing cats (Prof. Welton's).ogv|thumb|The boxing cats (Prof. Welton's)]]
* ''[[Edison Kinetoscopic Record of a Sneeze]]'', also known as ''[[Fred Ott's Sneeze]]''
* ''[[Blacksmith Scene]]'' (1893)
* ''[[Dickson Experimental Sound Film]]'' (1894/95)
* ''Prof. Welton's Boxing Cats''
* ''Sioux Ghost Dance''
* ''Buffalo Bill's Shooting Skill''
* ''Cripple Creek Bar-Room Scene''

== In popular culture ==
* [[Todd Rundgren]] wrote and performed a song called "Black Maria" on the album ''Something/Anything'' (1972).
* The lyrics to the song "Edison Museum" by [[They Might Be Giants]] include the line '"see the Black Maria revolving slowly on its platform."
*Edison's Black Maria studio is used in [[Hans-Jürgen Syberberg]]'s movie ¨[[Hitler: A Film from Germany]]¨ in which it appears as a décor for some scenes.<ref>Adams, John. [http://www.moviehabit.com/reviews/hit_jj07.shtml "Hitler, a Film from Germany, DVD review"] in Movie Habit. Retrieved March 11, 2008.</ref> It also appears contained in a glass paperweight filled with snow as a representation of the [[Grail]].
*The Black Maria Film and Video Festival, established in 1981, is named after Edison's creation.<ref>[http://www.blackmariafilmfestival.org/index.php Black Maria Film Festival website]</ref>

== References ==
'''Notes'''
{{reflist}}
{{refimprove|date=January 2011}}

'''Bibliography'''
* Robinson, David (1997). ''From Peepshow to Palace: The Birth of American Film''. New York and Chichester, West Sussex: Columbia University Press. ISBN 0-231-10338-7

== External links ==
{{commons category}}
* [http://memory.loc.gov/ammem/edhtml/edmvhist1.html History of Edison Motion Pictures]
* [http://www.blackmariafilmfestival.org/ Black Maria Film Festival]
* [http://www.kino.com/edison/hp.html EDISON: The Invention of the Movies]

[[Category:Buildings and structures in Essex County, New Jersey]]
[[Category:Defunct American film studios]]
[[Category:Landmarks in New Jersey]]
[[Category:Museums in Essex County, New Jersey]]
[[Category:West Orange, New Jersey]]
[[Category:Thomas Edison]]
[[Category:New Jersey media]]

{{Link GA|pl}}
{{Link FA|de}}

Erkin Koray Tutkusu

2014-04-09T15:46:07Z

Homonihilis: original name correction

{{Unreferenced|date=December 2009}}

{{Infobox album | 
| Name = Erkin Koray Tutkusu
| Type = [[Album]]
| Artist = [[Erkin Koray]]
| Released = 1977
| Genre = [[Anatolian rock]]
| Length = 38:04
| Label = [[Kervan]]
| Last album = ''[[2 (Erkin Koray album)|Erkin Koray 2]]'' (1976)
| This album = '''''Tutkusu''''' (1977)
| Next album = ?
}}

'''''Erkin Koray Tutkusu''''' is the fourth full length album by Turkish rock star [[Erkin Koray]] and was released the year after he did "2", his most ethnic record. With Erkin Koray Tutkusu he went back to psych rock and he made it with another masterpiece. Eleven original tracks (two songs in English, the rest in Turkish) that will delight your ears. This album was remastered in 2006 and released through the Underground Masters label.

==Track listing==
#"Allah Aşkina" – 2:35
#"Mağarada Düğün" – 2:54
#"Sandalci" – 2:50
#"My Delight" – 3:19
#"Bir Olasilik" – 2:03
#"Cümbür Cemaat" – 4:55
#"Sanma" – 3:37
#"Suskunluğun Ötesi" – 5:05
#"Blond Men" – 3:45
#"Geliyor" – 1:46
#"Yalniz Sen Varsin" – 5:08

[[Category:Erkin Koray albums]]

Talk:Tutkusu

2014-04-09T15:45:03Z

Homonihilis: Homonihilis moved page Talk:Tutkusu to Talk:Erkin Koray Tutkusu: full name is Erkin Koray Tutkusu, literally Passion for Erkin Koray

#REDIRECT [[Talk:Erkin Koray Tutkusu]]
{{R from move}}

Talk:Erkin Koray Tutkusu

2014-04-09T15:45:02Z

Homonihilis: Homonihilis moved page Talk:Tutkusu to Talk:Erkin Koray Tutkusu: full name is Erkin Koray Tutkusu, literally Passion for Erkin Koray

Tutkusu

2014-04-09T15:45:01Z

Homonihilis: Homonihilis moved page Tutkusu to Erkin Koray Tutkusu: full name is Erkin Koray Tutkusu, literally Passion for Erkin Koray

#REDIRECT [[Erkin Koray Tutkusu]]
{{R from move}}

Erkin Koray Tutkusu

2014-04-09T15:45:01Z

Homonihilis: Homonihilis moved page Tutkusu to Erkin Koray Tutkusu: full name is Erkin Koray Tutkusu, literally Passion for Erkin Koray

{{Unreferenced|date=December 2009}}

{{Infobox album | 
| Name = Tutkusu
| Type = [[Album]]
| Artist = [[Erkin Koray]]
| Released = 1977
| Genre = [[Anatolian rock]]
| Length = 38:04
| Label = [[Kervan]]
| Last album = ''[[2 (Erkin Koray album)|Erkin Koray 2]]'' (1976)
| This album = '''''Tutkusu''''' (1977)
| Next album = ?
}}

'''''Tutkusu''''' is the fourth full length album by Turkish rock star [[Erkin Koray]] and was released the year after he did "2", his most ethnic record. With Tutkusu he went back to psych rock and he made it with another masterpiece. Eleven original tracks (two songs in English, the rest in Turkish) that will delight your ears. This album was remastered in 2006 and released through the Underground Masters label.

==Track listing==
#"Allah Aşkina" – 2:35
#"Mağarada Düğün" – 2:54
#"Sandalci" – 2:50
#"My Delight" – 3:19
#"Bir Olasilik" – 2:03
#"Cümbür Cemaat" – 4:55
#"Sanma" – 3:37
#"Suskunluğun Ötesi" – 5:05
#"Blond Men" – 3:45
#"Geliyor" – 1:46
#"Yalniz Sen Varsin" – 5:08

[[Category:Erkin Koray albums]]

Edison's Black Maria

2014-02-20T18:34:21Z

Homonihilis: references added

Casualties of the Gezi Park protests

2014-01-10T12:36:44Z

Homonihilis: Governors in Turkey represent the state not the government. Although they are managed by the minister of the government, they don't have political connection and not selected via elections

During the [[2013 protests in Turkey]] police forces repeatedly used unnecessary and abusive force to prevent and disperse peaceful demonstrations.<ref>{{cite web|url=http://www.amnesty.org/en/library/info/EUR44/022/2013/en|publisher=Amnesty International|title=Turkey: Gezi Park protests: Brutal denial of the right to peaceful assembly in Turkey|date=2 October 2013}}</ref> As a result, it is estimated that there were 11 fatalities <ref>[[Hurriyet Daily News]], 10 June 2013, [http://www.hurriyetdailynews.com/turkish-police-admits-suicides-denies-link-to-gezi-park-protests.aspx?pageID=238&nID=48534&NewsCatID=341 Turkish police admits suicides, denies link to Gezi Park protests]</ref><ref>{{cite news|date=3 June 2013|url=http://www.bbc.co.uk/news/world-europe-22753418|title=Protests 'no Turkish Spring', says PM Erdogan|deadurl=no|accessdate=3 June 2013}}</ref><ref name="hurriyetdailynews.com">{{cite web|url=http://www.hurriyetdailynews.com/policeman-dies-after-falling-off-bridge-during-protests-in-southern-turkey--.aspx?pageID=238&nID=48318&NewsCatID=341|title=Policeman dies after falling off bridge during protests in southern Turkey |date=6 June 2013|accessdate=6 June 2013}}</ref><ref name="muhalefet.org">{{cite web|url=http://muhalefet.org/haber-polisin-biber-gazi-bir-can-daha-aldi-12-6476.aspx|title=Polisin Biber Gazı Bir Can Daha Aldı|date=6 June 2013|accessdate=6 June 2013}}</ref><ref name="Ali Korkmaz">{{cite web|url=http://www.sondakika.com/haber/haber-ali-ismail-korkmaz-hayatini-kaybetti-4818032/|title=Ali İsmail Korkmaz Hayatını Kaybetti|date=10 July 2013|accessdate=10 July 2013}}</ref><ref name="Ahmet Atakan" /><ref>http://www.ulusalkanal.com.tr/gundem/polisin-biber-gazi-bir-can-daha-aldi-h15100.html</ref><ref>http://www.hurriyet.com.tr/avrupa/24818082.asp</ref><ref>http://www.hurriyet.com.tr/gundem/24826500.asp</ref> and least at least 8,163 injuries <ref name=TMAreport>{{cite web|url=http://www.ttb.org.tr/index.php/Haberler/veriler-3842.html|publisher=TTB (Turkish Medical Association)|title=Göstericilerin Sağlık Durumları (Demonstrators' Health Conditions) as of 15.07.2013 18:00|date=15 July 2013|accessdate=28 July 2013}}</ref> (at least 63 in serious or critical condition with at least 3 having a risk of death)<ref name=TMAreport/>

==Injuries==
[[File:Water Cannon & Tear Gas in Taksim.jpg|thumb|Police using water cannons, tear gas to disperse protestors.]]
[[File:Taksim square volunteer medical help. Events of June 3, 2013-2.jpg|thumb|A volunteer assists in medical help at Taksim Square.]]
The [[Turkish Medical Association]] reported on 4 June that 4177 people were reported as wounded in Turkey, 43 of these being heavily wounded and 3 in a critical condition. These people, including "a large number of citizens who lost their eyes", were injured as a result of water cannons and close-range shots from tear gas canisters and plastic bullets aimed directly at them.<ref>[[Turkish Medical Association]]'s report on the situation of the wounded protesters, 4 June 2013, [http://www.ttb.org.tr/index.php/Haberler/veriler-3842.html]</ref> Amnesty International said water cannons had been targeted at peaceful protesters, while "the inappropriate use of tear gas by police has been the most devastating on the safety of demonstrators, causing an unknown number of injuries, including serious head injuries when the canisters hit protestors."<ref name="Amnestydisgraceful">{{cite web |url=http://www.amnesty.org/en/news/turkey-disgraceful-use-excessive-police-force-istanbul-2013-06-01 |title=Turkey: Disgraceful use of excessive police force in Istanbul |publisher=[[Amnesty International]] | date=1 June 2013 | accessdate=2 June 2013}}</ref> Police were reported to have disguised their ID numbers.<ref name="kask">{{cite news|title=Kask numaralarını gizliyorlar|url=http://www.kenthaber.com/Haber/Genel/Normal/kask-numaralarini-gizliyorlar/5c4aa579-c16a-41c1-b694-20b4e96e653d|publisher=[[Kent haber]]|date=4 June 2013|accessdate=5 June 2013}}</ref><ref name="kask2">{{cite web|url=http://www.turktime.com/video/Dayak-Atarken-Numaralari-Gizlediler/188019|title=Dayak Atarken Numaraları Gizlediler|publisher=Turk Time|accessdate=5 June 2013}}</ref> [[Human Rights Watch]] also condemned this misuse of tear gas.<ref>{{cite news|url=http://www.hrw.org/news/2013/07/16/turkey-end-incorrect-unlawful-use-teargas|publisher=Human Rights Watch|title=Turkey: End Incorrect, Unlawful Use of Teargas|date=17 July 2013|accessdate=17 July 2013}}</ref>

According to a report of the Turkish Medical Association on 15 July, there were at least 8,163 injured people with at least 63 in serious or critical condition and with at least 3 of them having a risk of death.<ref name="TMAreport" />

A total of 14 people as of 14 September, lost an eye due to by tear gas canisters and rubber bullets.<ref name="OdaTV Injuries">{{cite news |url=http://www.odatv.com/n.php?n=12-kisi-gozunu-kaybetti-1406131200|title=12 Kişi Gözünü Kaybetti|publisher=OdaTV|date=14 June 2013 |deadurl=no |accessdate=22 June 2013}}</ref><ref>{{cite news|url=http://haber.sol.org.tr/kent-gundemleri/ankaralilar-bu-aksam-da-sokakta-haberi-79482|publisher=SoL|title=Ankaralılar Bu Akşam da Sokakta|date=11-12.09.2013|accessdate=11-12.09.2013}}</ref>

About 200 people received [[head trauma|head]] and [[brain trauma]]s caused mostly by teargas canisters and baton blows.<ref name="TMAreport" /><ref>12 September 2013, Halk TV, Journalist Fatih Ertürk's Reports on Main News Bulletin Live.</ref>

According to the Turkish Medical Association, 1 person lost his/her [[spleen]], caused by extreme police violence.<ref name="OdaTV Injuries">{{cite news|url=http://www.odatv.com/n.php?n=gezi-olaylarinda-169-iskence-basvurusu-2606131200|publisher=OdaTV|title=The Sub-title of "Orantısız Güç" (Disproportionate Power)|date=26 June 2013|accessdate=28 June 2013}}</ref>

* [[Sırrı Süreyya Önder]], a member of the [[Grand National Assembly of Turkey|Turkish Parliament]], was hospitalised after being hit in the shoulder by a tear gas canister (31 May).<ref name="NYT">[[New York Times]], 31 May 2013, [http://www.nytimes.com/2013/06/01/world/europe/police-attack-protesters-in-istanbuls-taksim-square.html Police Attack Protesters in Istanbul’s Taksim Square]</ref>
* Lobna Allami suffered a head injury due to a tear gas canister on 31 May and stayed in a coma for 24 days. Two operations on her brain were required and she suffered from loss of [[motor control]] in one arm and [[aphasia|speech loss]].<ref>{{cite news|url=http://www.hurriyet.com.tr/yazarlar/23670661.asp|title=Eskiden ablamdı… Şimdi bebeğim oldu|last=Arman|first=Ayşe|date=7 July 2013|work=[[Hürriyet]]|language=Turkish|accessdate=7 July 2013}}</ref><ref>Radikal, 1 June 2013, [http://www.radikal.com.tr/turkiye/gezi_direnisinde_lavna_allaninin_durumu_kritik-1135862 Gezi direnişinde Lavna Allani'nin durumu kritik!]</ref> She is recovering but still suffers from paralysis of her right side an vocal chords and has amnesia.<ref>{{cite news|url=http://www.hurriyet.com.tr/yazarlar/24636300.asp|title=http://www.hurriyet.com.tr/yazarlar/24636300.asp|last=Arman|first=Ayşe|date=3 September 2013|work=[[Hürriyet]]|language=Turkish|accessdate=7 September 2013}}</ref>
* [[Ahmet Şık]], an investigative journalist, known for his vocal opposition to government and prolonged imprisonment, was hit in the head by a tear gas canister;<ref name="NewYorker">''[[The New Yorker]]'', [http://www.newyorker.com/online/blogs/newsdesk/2013/06/occupy-taksim-police-against-protesters-in-istanbul.html Occupy Gezi: Police Against Protesters in Istanbul]</ref> "Onlookers said the canister was deliberately thrown at Şık from a distance of about 10 metres."<ref>[[Reporters without Borders]], 31 May 2013, [[IFEX (organization)|IFEX]], [http://www.ifex.org/turkey/2013/05/31/occupy_gezi/ Turkish police attack journalists covering "Occupy Gezi" ]</ref>
* [[Sezgin Tanrikulu]], a noted human rights attorney, and also a member of Parliament from Republican People`s Party (CHP), the main opposition party in the Turkish Parliament, was hospitalized after suffering a mild heart attack caused by exposure to tear gas on 31 May.<ref name="HRW" />
* [[Nasuh Mahruki]], professional mountain climber, writer, photographer and film producer was hospitalized with a broken leg on 1 June.<ref>{{cite web |url=http://www.hurriyet.com.tr/gundem/23411932.asp |language=Turkish |title=Nasuh Mahruki yaralandı – Hürriyet GÜNDEM |work=Hürriyet Daily News |deadurl=no |accessdate=25 June 2013}}</ref>
* Volkan Kesanbilici, a 38-year old shop keeper sustained a life-threatening injury when he was hit by a [[plastic bullet]] containing hundreds of ball-bearings and lost an eye on 1 June.<ref>{{cite news|url=http://www.hurriyet.com.tr/yazarlar/23716294.asp|title=Gözünden demir bilyeler çıkan Volkan|last=Arman|first=Ayşe|date=13 July 2013|work=[[Hürriyet]]|language=Turkish|accessdate=14 July 2013}}</ref>
* [[Human Rights Watch]] reported a student losing an eye after being hit by a plastic bullet.<ref name="HRW">[[Human Rights Watch]], 1 June 2013, [http://www.hrw.org/news/2013/06/01/turkey-end-police-violence-protests Turkey: End Police Violence at Protests]</ref>
* Reuters photojournalist [[Osman Orsal]], the photographer who captured the iconic "Woman in Red" images, was wounded when he was struck in the head by a tear gas canister.<ref name="gvo">globalvoicesonline.org, 4 June 2013, [http://globalvoicesonline.org/2013/06/04/turkey-a-social-media-chronology-of-occupy-gezi/ Turkey: A Social Media Chronology of Occupy Gezi ]</ref><ref>{{cite web|author=Editorial Board |url=http://articles.washingtonpost.com/2013-06-03/opinions/39715196_1_protesters-akp-protect-journalists |title=Prime Minister Erdogan's strongman tactics in Turkey|newspaper=Washington Post |date=3 June 2013 |deadurl=no |accessdate=22 June 2013}}</ref>
* 21-year-old university student Başak Özçelik was hospitalized after being severely attacked by police and some civilians armed with batons and rods.<ref>{{cite web |url=http://fotogaleri.hurriyet.com.tr/galeridetay.aspx?cid=69785&rid=2&p=1 |language=Turkish |title=Baţak Özçelik Twitter'dan dayak fotođraflarýný paylaţtý / 1 – Foto Haber Galeri |publisher=Fotogaleri.hurriyet.com.tr |deadurl=no |accessdate=25 June 2013}}</ref><ref>''[[Akşam]]'', 6 June 2013, [http://www.aksam.com.tr/guncel/basak-ozcelik-twitterdan-dayak-fotograflarini-paylasti/haber-213138 Başak Özçelik twitter'dan dayak fotoğraflarını paylaştı]</ref><ref>[http://firsthandgezi.blogspot.co.uk/2013/06/the-story-of-basak-izmir.html The Story of Basak – Izmir]</ref>
* [[Reporters without Borders]] said on 5 June that at least 14 journalists (including Orsal and Şık) had been injured,<ref>[[Reporters without Borders]], 5 June 2013, [http://en.rsf.org/turkey-at-least-14-journalists-injured-by-04-06-2013,44718.html At least 14 journalists injured by security forces since start of protests ]</ref><ref name="Amnestydisgraceful">{{cite web |url=http://www.amnesty.org/en/news/turkey-disgraceful-use-excessive-police-force-istanbul-2013-06-01 |title=Turkey: Disgraceful use of excessive police force in Istanbul |publisher=[[Amnesty International]] | date=1 June 2013 | accessdate=2 June 2013}}</ref><ref name="Haaretz527261">{{cite web |url=http://www.haaretz.com/news/middle-east/live-blog-turkey-unrest-enters-third-day-1.527261 |title=LIVE BLOG: Turkey unrest enters third day | work=[[Haaretz]] |date=2 June 2013 |accessdate=2 June 2013 |author=Pfeffer, Anshel}}</ref><ref name="celebration-telegraph">{{cite web |url=http://www.telegraph.co.uk/news/worldnews/europe/turkey/10093974/Turkey-protesters-celebrate-after-police-leave-Istanbul-square.html |title=Turkey protesters celebrate after police leave Istanbul square |work=[[The Daily Telegraph]] |date=2 June 2013 |accessdate=2 June 2013}}</ref><ref>{{cite web | url=http://www.usatoday.com/story/news/world/2013/06/02/turkey-protests/2381911/ | title=Anti-government protests spread across Turkey | work=[[USA Today]] | date=2 June 2013 | accessdate=2 June 2013 | author=Resneck, Jacob}}</ref> and documented another three injured on 11 June.<ref name="RSFscapegoated">[[Reporters without Borders]], 11 June 2013, [http://en.rsf.org/turkey-journalists-scapegoated-in-occupy-12-06-2013,44776.html Journalists scapegoated in "Occupy Gezi" crisis]</ref>
* Berkin Elvan, a 14-year-old boy was hit in the head by a gas canister during the evening protests at [[Okmeydanı]], on 15 June 2013, sustaining severe head injuries.<ref>{{cite news |url=http://metrosfer.com/gaz-fisegiyle-agir-yaralanan-berkin-elvan-sadece-14-yasinda/ |language=Turkish |title=Gaz Fişeğiyle Yaralanan Berkin Elvan 14 Yaşında ! |publisher=Metrosfer |date=17 June 2013 |deadurl=no |accessdate=25 June 2013}}</ref><ref>{{cite news |url=http://haber.gazetevatan.com/Haber/546493/1/Gundem |title=Küçük Berkin ölümle pençeleşiyor! |language=Turkish |publisher=[[Vatan]] |date=16 June 2013 |deadurl=no |accessdate=22 June 2013}}</ref>
** On 31 July, thousands gathered in [[Taksim Square]] to support Berkin Elvan and his family and to tell the government to find the responsible of Berkin's injury, while it was planned that the father Sami Elvan was going to make a press statement.<ref>{{cite news|url=http://www.bbc.co.uk/turkce/haberler/2013/07/130731_elvan_mudahale.shtml|publisher=BBC|title=Berkin Elvan Basın Açıklamasına Polis Müdahelesi|date=2013-07-31|accessdate=31 July 2013}}</ref> Police attacked the protesters and cleared the square, blocking the entries.<ref>{{cite news|url=http://webtv.hurriyet.com.tr/2/52981/0/1/berkin-elvan-icin-taksim-de-toplandilar.aspx|publisher=Hürriyet|title=Berkin Elvan İçin Taksim'de Toplandılar|date=2013-07-31|accessdate=31 July 2013}}</ref> Some were injured and some were arrested.<ref name="Berkin Elvan Support Protest SoL">{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/taksimde-berkin-elvan-icin-yapilan-eyleme-polis-saldirisi-2230-haberi-77300|publisher=SoL|title=Taksim'de Berkin Elvan İçin Yapılan Eyleme Polis Saldırısı!|date=2013-07-31|accessdate=31 July 2013}}</ref> Then the family made the short statement inside the crowd before the police interference again. Soon after, police interfered again, preventing the family from freely speaking as the crowd got bigger into the [[İstiklal Avenue]]. These was criticised as against to the freedom of speech.<ref name="edition.cnn.com">{{cite news|url=http://edition.cnn.com/2013/07/31/world/europe/turkey-parents-police/index.html?sr=sharebar_twitter|publisher=CNN|title=Turkish police prevent injured child's parents from speaking|date=2013-07-31|accessdate=31 July 2013}}</ref> [[Member of Parliament]] from [[Republican People's Party (Turkey)|Republican People's Party]] and also the party's assistant director [[Sezgin Tanrikulu|Sezgin Tanrıkulu]] was also seen talking to the police to stop the attack but he was manhandled by the police too.<ref name="Radikal Berkin Elvan Support Protest" /> During the interference in İstiklal Avenue and Mis Street a police was seen pointing his gun at the protesers.<ref name="Radikal Berkin Elvan Support Protest">{{cite news|url=http://www.radikal.com.tr/turkiye/berkin_elvan_eylemine_polis_mudahalesi-1144325|publisher=Radikal|title=Berkin Elvan Eylemi'ne Polis Müdahelesi|date=2013-07-31|accessdate=31 July 2013}}</ref> As the protests continued through the night news of lots of injuries and arrests by the riot police have arrived.<ref name="Berkin Elvan Support Protest SoL" /> Turkish media was silent to the protests and demands except the channels like Halk TV, Ulusal Kanal, Cem TV, etc., while the foreign media channels like CNN International, BBC and Reuters put on coverages and at least articles.<ref name="edition.cnn.com"/>
* [[The Jerusalem Post]] correspondent Igal Aciman reported that his apartment was hit with tear gas grenades shot through the window while sleeping on 16 June. He received only minor burns.<ref>{{cite news|url=http://www.jpost.com/Features/In-Thespotlight/First-Person-Tear-gas-grenades-blast-apartment-in-Turkey-316785|title=Reporter's Notebook: Tear-gas grenades in Istanbul|last=Aciman|first=Igal|date=17 June 2013|work=[[The Jerusalem Post]]|accessdate=17 June 2013}}</ref>
* Sibel Cıngı, a 73-year-old lung cancer patient with a prior lung surgery, was exposed to extreme amount of tear gas inside her apartment after a canister was shot through her window on 16 June, leading to complications such as [[dyspnea]] and [[arrhythmia]]. International laws and [[ECHR]] [[case law]] strictly bans indoor use of [[CS gas]] in this manner according to Sedat Ergin.<ref>{{cite news|url=http://www.hurriyet.com.tr/yazarlar/23578038.asp|title=Yatak odanızdan içeri biber gazı fişeği girerse|last=Ergin|first=Sedat|date=25 June 2013|work=[[Hürriyet]]|language=Turkish|accessdate=25 June 2013}}</ref>
* Mustafa Ali Tombul, a 16-year-old boy, was hit in the head by a gas bomb canister fired at close distance (5–10m), in the day of the re-opening of the Gezi Park (8–9 July), while he was trying to stop his father arguing with another shop owner.<ref>{{cite news|url=http://www.radikal.com.tr/turkiye/taksimde_yaralanan_ali_tombulun_babasi_ben_katilim-1141248|publisher=Radikal|title=Ali Tombul'un Babası: Ben katilim|date=10 July 2013|accessdate=12 July 2013}}</ref><ref>{{cite news|url=http://www.hurriyet.com.tr/gundem/23698686.asp|publisher=Hürriyet|title=Ali Tombul'un babasından yürek sızlatan sözler|date=11 July 2013|accessdate=12 July 2013}}</ref>
* Several people sustained injuries from gas canisters in Antakya during demonstrations in support of the victim of the protests, Ali İsmail Korkmaz.<ref>{{cite news|url=http://www.etha.com.tr/Haber/2013/07/11/guncel/antakyada-cok-sayida-yarali-var/|publisher=Etha|title=Antakya'da çok sayıda yaralı var|date=12 July 2013|accessdate=12 July 2013}}</ref>
* Aydın Ay, a 35-year-old man was hit in his head by a teargas capsule fired by riot police in [[Dikmen]], [[Ankara]] on 14 July. It was reported that he had a [[compression fracture]] and [[cerebral hemorrhage]].
* Serhat Köksal, Istanbulite multimedia artist known with his own-produced ''2/5 BZ'' and ''Gözel'' projects, have fractured both of his arms during the escape away from riot police in Taksim.<ref>{{cite news|url=http://www.theguardian.com/world/2013/jun/13/taksim-square-protests-turkish-musicians|publisher=Guardian|title=Taksim Square protests bring hope to Turkish musicians|date=13 June 2013|accessdate=29 September 2013}}</ref>
* Yener Çıracı, a student of [[Hacettepe University]] who joined the latest protests of [[Middle Eastern Technical University]] after Ankara Municipality workers entered the university site without permission and unlawfully chopped down most of its forest which blazed another resistance fire across Turkey for protecting it, and after thousands of citizens, students with the participation of [[METU]]'s Rector Prof.Dr.Ahmet Acar, deans and other officials, re-planted the cleared area as a respond to the unlawful cutting of the [[forest]], has been beaten up and thrown in to the [[barricade]] fire which the protesters lit to protect themselves from riot vehicles and teargas usage, by the riot police. This was interfered as illegal under [[torture]] and unlawful police action titles and his family told that this event will be challenged in the court. After being thrown up on the fire, most parts of Yener Çıracı's skin have encountered dangerous and vital burns.<ref name="Police threw the student into fire" />

==Deaths==
[[File:Ethem Sarısülük'ün öldürüldüğü yer - 8.7.13.JPG|thumb|Deathplace of Ethem Sarısülük in Kızılay, Ankara. Had set as the memorial place in post-40 days.]]
* Mehmet Ayvalitas was the first known death related to the demonstrations. The 20-year-old Socialist Solidarity Platform ([[SODAP]]) member was hit and killed when a taxi drove into a group of demonstrators on an Istanbul highway during an anti-government protest. Huseyin Demirdizen, a board member of the [[Turkish Medical Association]] ''(Türk Tabipler Birliği; TTB)'' confirmed his death and said four other people were also injured, one of them seriously.<ref>[[Reuters]], 3 June 2013, [http://www.reuters.com/article/2013/06/03/turkey-protests-death-idUSL5N0EF2GG20130603 Turkish man killed by taxi driving into group of protesters -medics]</ref>
* Selim Önder, an 88-year old musician, was exposed to excessive amounts of tear gas on 31 May while trying to buy souvenirs and died a few days afterwards.<ref>{{cite news|url=http://www.hurriyet.com.tr/yazarlar/23578024.asp|title=Böcek ilacı gibi GAZ sıktılar babamın ölümüne sebep oldular|last=Arman|first=Ayşe|date=25 June 2013|work=[[Hürriyet]]|language=Turkish|accessdate=25 June 2013}}</ref>
* Abdullah Cömert, 22-year-old youth branch member of the Republican People's Party (CHP) in Antakya, received a head injury in Hatay and later died in hospital.<ref>{{cite news|url=http://english.al-akhbar.com/content/protester-shot-dead-southern-turkey |title=Protester shot dead in southern Turkey |newspaper=Al Akhbar English|accessdate=4 June 2013}}</ref><ref>{{cite news|url=http://www.telegraph.co.uk/news/worldnews/europe/turkey/10097368/Turkey-protests-second-fatality-reported-as-widespread-civil-unrest-continues.html|newspaper=[[The Daily Telegraph]]|title=Turkey protests: second fatality reported as widespread civil unrest continues|date=4 June 2013|accessdate=4 June 2013}}</ref> Initial reports described a wound from gunfire, but an autopsy ascribed his death to an injury from an exploding tear gas canister.<ref name="AlJazeeradespite">[[Al Jazeera]], 5 June 2013, [http://www.aljazeera.com/news/europe/2013/06/20136551212442132.html Turkey protests continue despite apology]</ref><ref>{{cite web|last=Van Auken|first=Bill|title=Strikes spread with two killed in Turkish protests|url=https://www.wsws.org/en/articles/2013/06/05/turk-j05.html|work=[[World Socialist Web Site]]|publisher=International Committee of the Fourth International|accessdate=5 June 2013}}</ref>
Internet activists and hackers RedHack, which got national and continental fame during protests because of their abilities to find the evidences online like their releasing of proofs on Reyhanlı bombings about Gendarmerie and government having intelligence about the bombings before they happen, released police documents on 11 September, showing the working hours, vehicles and places of police officers, this showed 5 to 6 police officers who must be responsible for Abdullah's death.<ref>{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/redhack-abdullah-comertin-katillerini-acikladi-haberi-79469|publisher=SoL|title=RedHack, Abdullah Cömert'in Katillerini Açıkladı|date=11 September 2013|accessdate=11 September 2013}}</ref><ref>{{cite news|url=http://www.birgun.net/haber/redhack-abdullah-comert-belgelerini-acikladi-3879.html|publisher=BirGün|title=RedHack, Abdullah Cömert Belgelerini Açıkladı|date=11 September 2013|accessdate=11 September 2013}}</ref><ref>{{cite news|url=http://www.cumhuriyet.com.tr/?hn=440688|publisher=[[Cumhuriyet]]|title=RedHack Abdocan Belgelerini Yayınladı|date=11 September 2013|accessdate=6 October 2013}}</ref> Some time after these leaks that helped jurisdiction to take action better and faster and long time after he has been shot by the police canister, the official forensic investigation has been completed and it was officially proved that police officer's shot caused Abdullah to die.<ref>{{cite news|url=http://www.hurriyetdailynews.com/gezi-protester-died-from-tear-gas-canister-says-forensic-report.aspx?pageID=238&nID=55784&NewsCatID=341|publisher=[[Hürriyet]]|title=Gezi Protester Died From Tear Gas Canister Says Forensic Report|date=6 October 2013|accessdate=6 October 2013}}</ref> Investigation and case will continue until a definite decision about who is or who are responsible for the murder of Abdullah.
* Ethem Sarısülük, a 26-year old human rights activist who worked at [[OSTIM]], died on 2 June; he was reported dead 11 days after he was shot in the head in [[Ankara]] by Ahmet Şahbaz, a police officer.<ref>{{cite web |url=http://english.al-akhbar.com/content/overnight-clashes-istanbul-protests-enter-sixth-day |title=Third person dies in Turkey in crackdown on Gezi Park protests |publisher=Al Akhbar English |deadurl=no |accessdate=25 June 2013}}</ref><ref>[[Hurriyet Daily News]], 5 June 2013, [http://www.hurriyetdailynews.com/third-person-killed-in-turkey-protests.aspx?pageID=238&nID=48255&NewsCatID=341 Third person killed in Turkey protests]</ref><ref>{{cite news|url=http://www.ibtimes.com/ahmet-sahbaz-officer-who-shot-killed-protester-ethem-sarisuluk-turkey-protests-released-jail-video|title=Ahmet Şahbaz, Officer Who Shot And Killed Protester Ethem Sarısülük In Turkey Protests, Released From Jail [VIDEO]|last=Koplowitz|first=Howard|date=24 June 2013|work=[[International Business Times]]|accessdate=17 August 2013}}</ref>
* Mustafa Sarı, a Police commissioner, died on 5 June, falling off a bridge while pursuing protesters in the southern [[Adana Province|province of Adana]].<ref name="hurriyetdailynews.com" />
* İrfan Tuna died in Ankara on 6 June from a heart attack that resulted from overexposure to tear gas.<ref name="muhalefet.org" />
* Zeynep Eryaşar, a 55-year-old woman with [[diabetes]], died in [[Avcılar]], Istanbul on 15 June, from a heart attack that resulted from the crowd and police pressure.<ref name="Sözcü">{{cite web |url=http://sozcu.com.tr/2013/genel/siraselvilerde-mudahale-basladi.html |language=Turkish |title=Avcılar'da Bir Kişi Protestolarda Hayatını Kaybetti |publisher=[[Sözcü]] |date=15 June 2013 |deadurl=no |accessdate=25 June 2013}}</ref><ref>{{cite news |url=http://metrosfer.com/gaz-fisegiyle-agir-yaralanan-berkin-elvan-sadece-14-yasinda/ |language=Turkish |title=Bir Ölüm Daha ! (2nd paragraph) |publisher=Metrosfer |date=17 June 2013 |deadurl=no |accessdate=25 June 2013}}</ref>
* Ali İsmail Korkmaz, a 19-year-old student from [[Antakya]], studying in Anadolu Üniversitesi (''[[Anadolu University]]'') in [[Eskişehir]] suffered a severe brain injury on 2 June after being attacked by a group that eyewitnesses allege included undercover police. He was confirmed dead in early July. In his [[autopsy]] report on 10 July, the cause of death was stated as [[cerebral hemorrhage]] caused by violent blows onto his head during the attack.<ref name="Ali İsmail Korkmaz Autopsy">{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/iste-ali-ismail-korkmazin-otopsi-raporu-haberi-76155|title=İşte Ali İsmail Korkmaz'ın Otopsi Raporu|publisher=SoL|date=10 July 2013|accessdate=10 July 2013}}</ref> The camera records showing the people attacking Ali İsmail Korkmaz was found in a local hotel, police took the records and shortly after it was told by the court that the videos were irreversibly damaged.<ref>{{cite news|url=http://www.hurriyet.com.tr/gundem/23713076.asp|publisher=Hürriyet|title=Ali İsmail Korkmaz'a saldırı anının görüntüsü çıktı|date=13 July 2013|accessdate=14 July 2013}}</ref> although the hotel owner denied this.<ref>{{cite news|url=http://www.hurriyet.com.tr/gundem/23718094.asp|publisher=Hürriyet|title=Eskişehir'deki otelin sahibi: "Hard diski polislere sağlam teslim ettim"|date=13 July 2013|accessdate=14 July 2013}}</ref><ref name="Radikal Ali İsmail Korkmaz">{{cite news|url=http://www.radikal.com.tr/turkiye/hard_diski_saglam_verdim-1141574|publisher=Radikal|title=Otel Sahibi: Hard Diski Sağlam Verdim|date=13 July 2013|accessdate=14 July 2013}}</ref><ref name="Radikal Ali İsmail Korkmaz"/> Later, the "irreversibly damaged" video was uploaded to the internet but according to legal experts it had a cut of 18 to 20 minutes.<ref>{{cite news|url=http://haber.gazetevatan.com/kayitlari-kim-sildi/553473/1/gundem|publisher=Vatan|title=Kayıtları kim sildi ?|date=12 July 2013|accessdate=14 July 2013}}</ref> The prosecutor responsible for the case was changed in the middle of the proceedings after sending the hard disk to the Forensic Medicine Association to clarify whether the camera recordings were deleted by officials.<ref>{{cite news|url=http://www.dipnot.tv/eksik-18-dk-adli-tip-kurumunda-ali-ismail-sorusturmasinda-onemli-gelisme/|publisher=Dipnot.tv|title=Eksik 18 dk. Adli Tıp Soruşturması'nda, Önemli Gelişme|date=16 July 2013|accessdate=18 July 2013}}</ref><ref>{{cite news|url=http://www.timeturk.com/tr/2013/07/18/ali-ismail-korkmaz-in-olumunu-sorusturan-savci-degisti.html|publisher=TimeTürk|title=Ali İsmail Korkmaz'ın Ölümünü Soruşturan Savcı|date=18 July 2013|accessdate=18 July 2013}}</ref> The reason was reported as the judiciary holiday until 1 September by officials.<ref>{{cite news|url=http://www.radikal.com.tr/turkiye/ali_ismail_davasinda_savci_degisti-1142341|publisher=Radikal|title=Ali İsmail Davası'nda Savcı Değişti|date=18 July 2013|accessdate=18 July 2013}}</ref><ref>{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/ali-ismail-korkmaz-sorusturmasini-yuruten-savci-degistirildi-haberi-76571|publisher=SoL|title=Ali İsmail Korkmaz'ın Soruşturmasını Yürüten Savcı Değiştirildi|date=18 July 2013|accessdate=18 July 2013}}</ref> As the investigation continued, the governor of [[Eskişehir]], Güngor Azim Tuna alleged that "mostly civilians were responsible for the death rather than our police".<ref>{{cite news|url=http://www.hurriyet.com.tr/gundem/24548058.asp|publisher=[[Hürriyet]]|title=Eskişehir Valisi: Korkmaz olayında görüntüleri polis silmedi|date=19 August 2013|accessdate=9 September 2013}}</ref><ref>''Uykusuz'', 5 September 2013's issue, p.2</ref> Soon after, new video recordings of the street during the event were found and it was cleared that 4 polices and 4 civilians besides them are responsible for the death.<ref>{{cite news|url=http://videogaleri.gazetevatan.com/21860_9_Ali-Ismail-Korkmaz-cinayetinde-yeni-goruntuler.html|publisher=Vatan|title=Ali İsmail Korkmaz Cinayetinde Yeni Görüntüler|date=28 August 2013|accessdate=9 September 2013}}</ref> 5 people people including the responsible civilians and a police officer were arrested.<ref name="Korkmaz Sol">{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/ali-ismail-korkmaz-iddianamesi-tamamlandi-iddianamede-4-polis-var-haberi-79368|publisher=SoL|title=Ali İsmail Korkmaz İddianamesi Tamamlandı: İddianamede 4 polis var|date=9 September 2013|accessdate=9 September 2013}}</ref> The case still continues for these 8 people.<ref name="Korkmaz Sol" /> Korkmaz's family also applied to the court for an investigation on the Doctor Hasan Gücel who didn't treat Ali without a document from the police at first and sent him home with a [[painkiller]] while he was having a brain hemorrhage,<ref>{{cite news|url=http://www.odatv.com/n.php?n=aliyi-olduren-doktor-ideolojisinin-kurbani-mi-oldu-1207131200|publisher=OdaTV|title=Ali'yi Öldüren Doktor İdeolojisinin Kurbanı Mı Oldu|date=12 July 2013|accessdate=9 September 2013}}</ref> stating that he is as responsible as others for the murder.<ref name="Korkmaz Doctor">{{cite news|url=http://www.hurriyet.com.tr/gundem/24592332.asp|publisher=Hürriyet|title=Eskişehir Valiliği doktora soruşturma izni vermedi|date=26 August 2013|accessdate=9 September 2013}}</ref> Although, the governor of Eskişehir, Güngor Azim Tuna, didn't give investigation permission on the doctor. The family decided to apply to the higher courts.<ref name="Korkmaz Doctor" />

* Ahmet Atakan, a 22-year-old protester taking part in a demonstration in a left-wing stronghold of the Armutlu neighborhood in [[Antakya]], demonstrating solidarity with protests against the illegal road construction through [[Middle Eastern Technical University]]'s old forest, died from heavy cerebral damage caused by a tear gas canister fired by police at around 2 a.m. on 10 September while Ahmet was on a rooftop. Mevlüt Dudu, a Member of Parliament of [[Republican People's Party (Turkey)|Republican People's Party]] from Hatay confirmed the death first on Halk TV even though he was still alive at that moment. Soon after, hospital officials confirmed the death.<ref name="Ahmet Atakan">{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/akp-katletti-ahmet-atakani-kaybettik-haberi-79379|publisher=SoL|title=Armutlu'da polis saldırısı, 22 yaşındaki Ahmet Atakan hayatını kaybetti|date=9 September 2013|accessdate=9 September 2013}}</ref><ref name="Hurriyet Daily News">{{cite news|url=http://www.hurriyetdailynews.com/22-year-old-protester-dies-in-turkey-protests-.aspx?pageID=238&nID=54154&NewsCatID=341|title=22-year-old protester dies in Turkey protests|publisher=Hurriyet Daily News|date=10 September 2013|accessdate=10 September 2013}}</ref> The teargas canisters with bloodmarks were found around his death place and the investigation still continues as eye-witnesses and a big margin of the Turkish people defends that his death reason was the canister that shot him on the rooftop, AKP supporters and officials defend he simply fell down from the rooftop whilst he was trying to throw a solar panel on the riot police vehicle.<ref name="Ahmet Atakan" /><ref>{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/akp-katletti-ahmet-atakani-kaybettik-haberi-79379|publisher=SoL|title=AKP katletti: Ahmet Atakan'ı kaybettik|date=10 September 2013|accessdate=10 September 2013}}</ref> Special investigators hired by Ahmet's family found the bloody tear gas canister on 13 September, near the area in a sewage and this was interpreted as an attempt to get rid of the evidences by responsibles. [[Member of Parliament|MP]] of [[Republican People's Party (Turkey)|Republican People's Party]] from [[Hatay Province|Hatay]], Refik Eryılmaz has accompanied the family and investigators while they gave the evidences (the canister and a second amateur video), to the Chief Prosecutor's.<ref name="Ahmet Atakan Evidence">{{cite news|url=http://haber.sol.org.tr/devlet-ve-siyaset/ahmet-atakani-vurdugu-dusunulen-gaz-kapsulu-bulundu-haberi-79560|publisher=SoL|title=Ahmet Atakan'ı Vurduğu Düşünülen Gaz Kapsülü|date=13 September 2013|accessdate=13 September 2013}}</ref><ref>{{cite news|url=http://www.hurriyet.com.tr/gundem/24705739.asp|publisher=[[Hürriyet]]|title=Ahmet Atakan'ı Vurduğu Düşünülen Gaz Kapsülü Bulundu|date=15 September 2013|accessdate=6 October 2013}}</ref><ref>{{cite news|url=http://www.gozcu.org/ahmet-atakani-vuran-gaz-kapsulu-bulundu.html|publisher=Gözcü|title=Ahmet Atakan'ı Vuran Gaz Kapsülü Bulundu|date=13 September 2013|accessdate=13 September 2013}}</ref> During the investigation process, lots of wide sit-ins and protests to provide "justice in the case and on evidences" and to put officials under pressure, giving them no way to get the death covered up with any scenarios, were held and are still being held across Turkey.<ref name="Ahmet Atakan Evidence"/> While the final news mostly proved that the death caused by the police's shot, the official forensic investigation and case is still going on for and to clarify the situation and also look for any responsibles.

* Serdar Kadakal, a 35-year-old [[tonmeister]] at a Jazz & Blues Bar in [[Kadıköy]], Istanbul, also living in the district, lost his life on the evening of 13 September 2013 because of a heart attack triggered by extreme inhalation of [[Pepper spray|OC spray]] and teargas during re-ignited protests of early-September in Turkey in the district of Kadıköy, a district where the mass protests and police brutality took place in Istanbul besides Taksim. There are some opposite allegations about the cause of his death being made by police, too. The autopsy report is still being processed.<ref>{{cite news|url=http://www.radikal.com.tr/turkiye/serdar_kadikoydeki_gaz_yuzunden_mi_oldu-1150775|publisher=[[Radikal]]|title=Biber gazı mı öldürdü?|date=14 September 2013|accessdate=14 September 2013}}</ref><ref>{{cite news|url=http://www.sendika.org/2013/09/kadikoyu-gaza-bogan-polis-bir-can-daha-aldi/|publisher=Sendika.org|title=Kadıköy’ü gaza boğan polis bir can daha aldı|date=14 September 2013|accessdate=14 September 2013}}</ref><ref>{{cite news|url=http://haber.gazetevatan.com/emniyetten-serdar-kadakal-aciklamasi/569024/1/gundem|publisher=[[Vatan]]|title=Biber gazı mı öldürdü?|date=14 September 2013|accessdate=14 September 2013}}</ref>

Most of those killed were from the [[Alevi]] minority.<ref>http://www.economist.com/news/europe/21583989-prime-minister-rules-roost-despite-setbacks-home-and-abroad-lack-serious Turkish politics: Lonely command</ref>

==Missing people==
Ümit Kocasakal, head of Istanbul [[Bar (law)|Bar]] Association,stated in his speech that they received 146 missing person reports (39 women/ 107 men) during the first three weeks of demonstrations. 137 people out of 146 have been found. The remaining 9 people, on the other hand, were still missing as of 25 June.<ref>{{cite web |language=Turkish |title=Gezi Olaylarinda Dokuz Kisi Kayip! |url=http://haber.gazetevatan.com/gezi-olaylarinda-dokuz-kisi-kayip/547620/1/gundem |publisher=Vatan |deadurl=no |accessdate=25 June 2013}}</ref>

==Torture==
On June 4's night, a lorry driver named Hakan Yaman who was not related to the protests that time was beaten and thrown into a fire near the area by the riot police leading him to wound brutally and lose his one eye and most of his skin to burn. His family appointed to the court for torture and unlawful police action with video evidence.<ref>{{cite news|url=http://www.haberler.com/polis-dayagi-bu-hale-getirdi-iddiasi-4768966-haberi/|publisher=Haberler.com|title=Polis Dayağı bu hale getirdi|date=26 June 2013|accessdate=26 October 2013}}</ref>

On 26 June ([[International Day in Support of Victims of Torture|United Nations International Day of Fight Against Torture and in Support of Victims of Torture]]), a common statement was made at the Izmir Bar Association in [[Izmir]]. Officers of the Izmir Bar Association ''(İzmir Barosu)'', the Contemporary Jurists Association ([[:tr:Çağdaş Hukukçular Derneği|tr:Çağdaş Hukukçular Derneği]]), the Turkish Human Rights Foundation ([[:tr:Türkiye İnsan Hakları Vakfı|tr:Türkiye İnsan Hakları Vakfı]]) and the Human Rights Association ([[:tr:İnsan Hakları Derneği|tr:İnsan Hakları Derneği]]) reported that a total of 169 people had applied to the Turkish Human Rights Foundation's treatment and rehabilitation centers because of ill-treatment and [[police torture]].<ref name="Tortures">{{cite news|url=http://www.odatv.com/n.php?n=gezi-olaylarinda-169-iskence-basvurusu-2606131200|publisher=OdaTV|title=Gezi Olayları'nda 169 İşkence Başvurusu|date=26 June 2013|accessdate=28 June 2013}}</ref>

On October 26's evening, during the high-tension times before the [[Republic Day (Turkey)|Republic Day]], while the national protests for [[Middle Eastern Technical University]] continue, a student of METU, was beaten and thrown into the barricade fire which the protesters lit by the riot police, during the latest protests that occurred after the forest was cleared with a night-time operation on [[October 18]] and after students with the participation of the rector Professor Doctor Ahmet Acar, deans and other officials of the university, planted 3017 trees again in a rejoicing way on [[October 25]], one week after the Ankara Municipality workers entered and chopped down the forest without permission,<ref name="METU Re-Planting" /> in the cleared area with wide support across country, mostly in [[İstanbul]], [[İzmir]], other districts of [[Ankara]], [[Antalya]] and other universities across Turkey,<ref name="METU Re-Planting">{{cite news|url=http://www.radikal.com.tr/turkiye/odtude_agac_dikme_senligi_3017_yeni_fidan_dikildi-1157405|title=ODTÜ'de Ağaç Dikme Şenliği: 3017 yeni fidan dikildi|publisher=[[Radikal]]|date=25 October 2013|accessdate=26 October 2013}}</ref> in and near METU's forest, [[Ankara]], leading his skin to burn seriously.<ref name="ODTÜ yine gaza boğuldu">{{cite news|url=http://www.cumhuriyet.com.tr/?hn=448994&kn=7&ka=4&kb=7|title=ODTÜ yine gaza boğuldu|publisher=[[Cumhuriyet]]|date=26 October 2013|accessdate=26 October 2013}}</ref><ref name="Police threw the student into fire">{{cite news|url=http://sozcu.com.tr/2013/gundem/polis-ogrenciyi-atese-atti-395958/|title=Polis Öğrenciyi Ateşe Attı|publisher=Sözcü|date=27 October 2013|accessdate=27 October 2013}}</ref>

==Sexual harassment==
On 27 June's night, a 31-year-old female named Eylem K., who attended the night's protests in [[Ankara]], was taken into custody by riot police with 10 other people, including a boy under 18. On 28 June, in front of the Ankara Courthouse, she reported that she was subject to [[Violence against women|violence]], [[sexual harassment]] and [[Police torture|torture]] in the police car where she was detained. She also stated that she was [[Threatening|threatened]] with rape and torture continued for almost 2 hours in 2 different cars.<ref>{{cite news|url=http://sozcu.com.tr/2013/gunun-icinden/gozaltinda-cinsel-taciz.html|publisher=Sözcü|title=Gözaltı'nda cinsel taciz (Sexual harassment in custody)|date=29 June 2013|accessdate=3 July 2013}}</ref><ref>''[[Sözcü]]'', 3 July 2013, p.10, Left-side.</ref>

==Deaths of animals==

[[File:Birds killed in Gezi, Istanbul.png|thumbnail|Birds killed by police's use of tear gas and stun grenades<ref>{{cite web|last=Yeryüzüne Özgürlük Derneği|title=Complaint File|url=http://issuu.com/yeryuzuneozgurluk/docs/to_the_international_court_of_anima|publisher=Isuu|accessdate=28 November 2013}}</ref>]]

Police gas and blast bombs killed many animals as well. Stray dogs, cats and birds in particular have died of heart attacks or gas poisoning. Acclaimed Turkish director Zeki Demirkubuz tweeted that "I have seen birds falling off the trees because of the gas." There were mobile animal hospitals in and around Gezi Park during the protests, but after protests many veterinaries refrained to give testimonies. Freedom to Earth Association has noted this self-censor when it attempted to gather different testimonies and photo evidences for injured and killed animals. On 28 September, after exactly four months since protests sparked, the association called for a commemoration for all living beings murdered by Turkish police during the riots. Different groups have attended such as LGBT organizations, anticapitalist Muslims, anarchist block and PEN-International Turkey. However Turkish police have barred this mass to read their press statement, collected ID's from anyone, pushed people with their shields and arrested ones who resisted. After 13 arrests, remaining group have made their rally, read their statement which announced that Turkish state is being taken to [[Court of Justice for Animal Rights]].<ref>http://istanbul.indymedia.org/en/news/turkish-police-did-not-let-people-commemorate-ones-murdered-it: Animal rights activists were barred by police</ref> The complaint<ref>{{cite web|last=Yeryüzüne Özgürlük Derneği|title=Complaint File|url=http://issuu.com/yeryuzuneozgurluk/docs/to_the_international_court_of_anima|publisher=Isuu|accessdate=28 November 2013}}</ref> was filed with the Court shortly thereafter.<ref>{{cite web|last=Yeryüzüne Özgürlük Derneği|title=Türkiye bu kez de Gezi'de ölen hayvanlar yüzünden mahkemelik oldu (Turkey is in court this time for the animals who were killed in Gezi)|url=http://yeryuzuneozgurluk.blogspot.com/2013/11/turkiye-bu-kez-gezide-olen-hayvanlar.html|accessdate=28 November 2013}}</ref>

==References==
{{reflist|colwidth=25em}}

[[Category:2013 protests in Turkey]]
[[Category:Human rights in Turkey]]

Musée de l'Orangerie

2014-01-09T21:11:31Z

Homonihilis: Reverted to revision 573269933 by Yobot (talk): Fix. (TW)

{{Infobox Museum
|name = Musée de l'Orangerie
|image = Musée de l’Orangerie exterior.JPG
|caption = Musée de l'Orangerie entrance
|imagesize =
|established = 1852
|location = [[Place de la Concorde]] 75008 Paris France
|type = [[Art museum]] ([[impressionism|impressionist]] and [[post-impressionism|post-impressionist]] paintings)
|director = Marie-Paule Vial
|publictransit = [[Concorde (Paris Métro)|Concorde]]
|website = [http://www.musee-orangerie.fr www.musee-orangerie.fr]}}
{{coord|48|51|49.88|N|2|19|20.18|E|type:landmark|display=title}}

The '''Musée de l'Orangerie''' is an art gallery of [[impressionist]] and [[post-impressionism|post-impressionist]] paintings located in the west corner of the [[Tuileries Palace|Tuileries Gardens]] next to the [[Place de la Concorde]] in [[Paris]]. Though most famous for being the permanent home for eight [[Water Lilies]] murals by [[Claude Monet]], the museum also contains works by [[Paul Cézanne]], [[Henri Matisse]], [[Amedeo Modigliani]], [[Pablo Picasso]], [[Pierre-Auguste Renoir]], [[Henri Rousseau]], [[Alfred Sisley]], [[Chaim Soutine]], and [[Maurice Utrillo]], among others.

==Location==
The gallery is on the bank of the [[Seine]] in the old [[orangery]] of the [[Tuileries Palace]] on the [[Place de la Concorde]] near the [[Concorde (Paris Métro)|Concorde metro station]].

==History==
[[File:Name of the Musée de l'Orangerie above the door.JPG|thumb|left|250px|The name of the museum inscribed above the door]]
According to the museum's website, the Orangerie was originally built in 1852 by the architect Firmin Bourgeois and completed by his successor, Ludovico Visconti, to shelter the orange trees of the garden of the Tuileries. Used by the [[French Third Republic|Third Republic]] in the nineteenth century as deposit for goods, an examination room, and place of lodging for mobilized soldiers, it also served to house sporting, musical, and patriotic events. Additionally, it was a place to display exhibitions of industry, animals, plants, as well as rare displays of painting.

As art historian Michel Hoog states, “In 1921, the administration of the Beaux-Arts decided to assign to the Direction des Musées Nationaux (as it was then called) the two buildings overlooking the Place de la Concorde, the [[Jeu de Paume]], and the Orangerie, which until then had been used for their original purpose. The Orangerie became an annex of the [[Musée du Luxembourg]], unanimously criticized for being too small, while the Jeu de Paume was to be used for temporary exhibitions and to house contemporary foreign painting.”<ref>Michel Hoog, "Musée de l’Orangerie, The Nymphéas of Claude Monet," 3rd edition. Trans. Jean-Marie Clarke (Paris: Editions de la Réunion des musées nationaux, 1989, 2006), 41.</ref> [[Claude Monet]] had requested to donate decorative panels to the French government as a monument to the end of World War I, and former politician (and close friend of Monet) [[Georges Clémenceau]] suggested that Monet install the paintings at the newly-available Orangerie (rather than at the Jeu de Paume, which had smaller wall space, or, as was formerly planned, as an annex to the Musée Rodin).<ref>Hoog, 41.</ref>

On April 12, 1922 [[Claude Monet]] signed a contract donating the ''Nymphéas'' series of decorative panels painted on canvas to the French government, to be housed in redesigned, oval rooms at the Orangerie.<ref>Reproduced and translated into English in Hoog, 125-126.</ref> With input from Monet, the head architect at the Louvre, Camille Lefèvre, drafted new plans and elevations in 1922 to house Monet's large ''Nymphéas'' canvases, incorporating natural light, plain walls, and sparse interior decoration. According to Hoog's research, "funds were made available on August 17, 1922, work began in October and seems to have been finished in [the] following year."<ref>Hoog, 46.</ref> Unwilling to relinquish his final works of art, these water lilies paintings stayed with Monet until his death on December 5, 1926. On January 31, 1927 the Laurent-Fournier company agreed to install and mount the panels (a process that involved gluing the canvas directly to the walls), and the paintings were in place by March 26 of that year.<ref>Hoog, 53</ref> On May 17, 1927 Monet's ''Nymphéas'' at the Musée de l'Orangerie opened to the public.<ref>{{cite web|title=L'Orangerie, un lieu, une histoire|url=http://www.musee-orangerie.fr/homes/home_id24798_u1l2.htm|accessdate=14 April 2012}}</ref>

According to Hoog, "In August 1944, during the battle for the Liberation of Paris, five shells fell on the rooms of the "Nymphéas"; two panels (those situated on the wall between the two rooms) were slightly damaged and immediately restored. In 1984, this restoration work was renewed and a general cleaning was effected."<ref>Hoog, 54.</ref>

In January 2000, the museum was closed for renovation work, completely reviewed and restructured, and re-opened to the public in May 2006.

[[Paul Guillaume]]'s widow, Mrs. Jean Walter, donated their modern art collection to the Musées Nationaux in 1958.<ref>Hoog, 54.</ref> The Orangerie has housed the [[Paul Guillaume]] collection of 19th and 20th century modern paintings since 1965.

==Monet's Water Lilies==
[[Image:Claude Monet 038.jpg|thumb|left|[[Claude Monet]]: ''[[Water Lilies|Nymphéas]]'', 1920–26]]
A cycle of Monet's water-lily paintings, known as the ''[[Water Lilies|Nymphéas]]'', was arranged on the ground floor of the Orangerie in 1927. They are available under direct diffused light as was originally intended by Monet. The eight paintings are displayed in two oval rooms all along the walls.
[[File:Monet Lilies Louvre 2.jpg|thumb|[[Claude Monet]]'s ''[[Water Lilies|Nymphéas]]'' on display in the museum.]]
The museum was closed to the public from the end of August 1999 until May 2006. For several months before it was closed there was a special exhibit of Monet's ''Nymphéas'' that were gathered from museums throughout the world. More than 60 of the 250 paintings he made of the water lilies in his garden were included. The walls were repainted in shades of purples and violet for this special exhibit. The Orangerie was renovated in order to move the paintings to the upper floor of the gallery.

==In popular culture==
The Musée de l'Orangerie, specifically the Water Lilies paintings, were featured in [[Woody Allen|Woody Allen's]] 2011 film ''[[Midnight in Paris]]''.

== References ==
{{reflist}}

== External links ==
{{commons category}}
* [http://www.musee-orangerie.fr/ Musée de l'Orangerie] {{fr icon}}
{{Visitor attractions in Paris}}

{{DEFAULTSORT:Musee de l'Orangerie}}
[[Category:Art museums and galleries in Paris|Orangerie, Musee de l]]
[[Category:National museums of France]]
[[Category:1st arrondissement of Paris]]
[[Category:Art museums established in 1927]]
[[Category:1927 establishments in France]]

Sel Yayıncılık

2014-01-09T21:01:33Z

Homonihilis:

{{Infobox company
| name = Sel Yayıncılık
| logo =
| type = [[Private company|Private]]
| foundation = 1990
| location = [[İstanbul]], [[Turkey]]
| key_people = [[Irfan Sancı]]
| industry = [[Mass media|Media]]
| products =
| revenue =
| operating_income =
| net_income =
| num_employees =
| parent =
| subsid =
| homepage = [http://www.selyayincilik.com/selpublishing.asp www.selyayincilik.com]
| footnotes =
}}

'''Sel Yayıncılık''' (in [[Turkish language|Turkish]]: ''Sel Publishing'') is an independent [[publishing]] company based in [[Istanbul]], [[Turkey]]. It was established in 1990, and publishes both original Turkish books and translations of world literature, and both fiction and non-fiction.<ref name=Sel>Sel, [http://www.selyayincilik.com/selpublishing.asp Sel Publishing]</ref>

Sel and its publisher [[Irfan Sancı]] faced obscenity charges in 2011 for publishing [[William S. Burroughs]]' ''[[The Soft Machine]]''. It had previously faced a number of other obscenity charges, including for publishing [[Guillaume Apollinaire]]'s ''Adventures of the Young Don Juan'', but been acquitted.<ref name=IPA/><ref>[[PEN International]], 6 July 2012, [http://www.pen-international.org/07/2012/sara-whyatt-deputy-director-of-the-writers-in-prison-committee-at-pen-international-writes-about-obscenity-trials-in-turkey/ Sara Whyatt, Deputy Director of the Writers in Prison Committee at PEN International writes about Obscenity Trials in Turkey]</ref> This acquittal was overturned by the [[Court of Cassation (Turkey)|Court of Cassation]] in August 2013.<ref>[[Today's Zaman]], 6 August 2013, [http://todayszaman.com/news-322932-top-court-rescinds-acquittals-in-book-case.html Top court rescinds acquittals in book case]</ref>

During the [[2013 protests in Turkey]], Sel helped launched the Gezi Park Library.<ref>Melville House, 5 June 2013, [http://www.mhpbooks.com/turkish-publishing-houses-unite-in-gezi-park-to-distribute-books/ Turkish publishing houses unite in Gezi Park to distribute books]</ref>

==Awards==
* Freedom of Thought and Speech Prize of the [[Turkish Publishers Association]] (2009)<ref name=Sel/>
* Publishing House of Year in Memet Fuat Awards (2009)<ref name=Sel/>
* Freedom to Publish Special Award by [[International Publishers Association]] (2010)<ref name=Sel/><ref name=IPA>[[International Publishers Association]], 10 October 2011, [http://www.internationalpublishers.org/ipa-press-releases/295-ipa-calls-for-immediate-acquittal-of-burroughs-turkish-publisher-sanci-sel-publishing-house IPA Calls for Immediate Acquittal of Burroughs Turkish Publisher Sanci (Sel Publishing House) ]</ref>

==References==
<references />

==External links==
* [http://www.selyayincilik.com/selpublishing.asp Sel web site]

[[Category:Book publishing companies of Turkey]]
[[Category:Companies established in 1990]]
[[Category:1990 establishments in Turkey]]

Sel Publishing House

2014-01-09T20:57:27Z

Homonihilis: Homonihilis moved page Sel Publishing House to Sel Yayıncılık: original name of the publisher (similar to other articles in :Category:Book publishing companies of Turkey

#REDIRECT [[Sel Yayıncılık]]
{{R from move}}

Sel Yayıncılık

2014-01-09T20:57:26Z

Homonihilis: Homonihilis moved page Sel Publishing House to Sel Yayıncılık: original name of the publisher (similar to other articles in :Category:Book publishing companies of Turkey

{{Infobox company
| name = Sel Publishing House
| logo =
| type = [[Private company|Private]]
| foundation = 1990
| location = [[İstanbul]], [[Turkey]]
| key_people = [[Irfan Sancı]]
| industry = [[Mass media|Media]]
| products =
| revenue =
| operating_income =
| net_income =
| num_employees =
| parent =
| subsid =
| homepage = [http://www.selyayincilik.com/selpublishing.asp www.selyayincilik.com]
| footnotes =
}}

'''Sel Publishing House''' ([[Turkish language|Turkish]]: ''Sel Yayıncılık'') is an independent [[publishing]] company based in [[Istanbul]], [[Turkey]]. It was established in 1990, and publishes both original Turkish books and translations of world literature, and both fiction and non-fiction.<ref name=Sel>Sel, [http://www.selyayincilik.com/selpublishing.asp Sel Publishing]</ref>

Sel and its publisher [[Irfan Sancı]] faced obscenity charges in 2011 for publishing [[William S. Burroughs]]' ''[[The Soft Machine]]''. It had previously faced a number of other obscenity charges, including for publishing [[Guillaume Apollinaire]]'s ''Adventures of the Young Don Juan'', but been acquitted.<ref name=IPA/><ref>[[PEN International]], 6 July 2012, [http://www.pen-international.org/07/2012/sara-whyatt-deputy-director-of-the-writers-in-prison-committee-at-pen-international-writes-about-obscenity-trials-in-turkey/ Sara Whyatt, Deputy Director of the Writers in Prison Committee at PEN International writes about Obscenity Trials in Turkey]</ref> This acquittal was overturned by the [[Court of Cassation (Turkey)|Court of Cassation]] in August 2013.<ref>[[Today's Zaman]], 6 August 2013, [http://todayszaman.com/news-322932-top-court-rescinds-acquittals-in-book-case.html Top court rescinds acquittals in book case]</ref>

During the [[2013 protests in Turkey]], Sel helped launched the Gezi Park Library.<ref>Melville House, 5 June 2013, [http://www.mhpbooks.com/turkish-publishing-houses-unite-in-gezi-park-to-distribute-books/ Turkish publishing houses unite in Gezi Park to distribute books]</ref>

==Awards==
* Freedom of Thought and Speech Prize of the [[Turkish Publishers Association]] (2009)<ref name=Sel/>
* Publishing House of Year in Memet Fuat Awards (2009)<ref name=Sel/>
* Freedom to Publish Special Award by [[International Publishers Association]] (2010)<ref name=Sel/><ref name=IPA>[[International Publishers Association]], 10 October 2011, [http://www.internationalpublishers.org/ipa-press-releases/295-ipa-calls-for-immediate-acquittal-of-burroughs-turkish-publisher-sanci-sel-publishing-house IPA Calls for Immediate Acquittal of Burroughs Turkish Publisher Sanci (Sel Publishing House) ]</ref>

==References==
<references />

==External links==
* [http://www.selyayincilik.com/selpublishing.asp Sel web site]

[[Category:Book publishing companies of Turkey]]
[[Category:Companies established in 1990]]
[[Category:1990 establishments in Turkey]]

Yapı Kredi Yayınları

2014-01-09T20:47:15Z

Homonihilis: update and additional info

'''Yapi Kredi Publications''' ({{lang-tr|Yapı Kredi Yayınları}}) is one of the biggest [[Publisher|publishing houses]] in [[Turkey]]. Based in [[Istanbul]] and active since 1992, as of end of 2013 it has published 4000 titles<ref name="4000th">YKY [http://www.ykykultur.com.tr/haber/4000-kitabimizi-bir-etkinlikle-kutladik announcement] of 4000 titles. {{tr}}</ref> in philosophy, literature, the arts, and children's books. It has printed more than 2 million copies in 2013.<ref name="4000th"/>

It is a member of the [[Turkish Publishers Association]].<ref>[[Turkish Publishers Association]], [http://www.turkyaybir.org.tr/member/yapi-kredi-publishing-co/503 Yapı Kredi Publishing Co]</ref>

==References==
<references/>

==External links==
* [http://www.ykykultur.com.tr YKY] Official Yapi Kredi Publishing website

[[Category:Publishing companies of Turkey]]
[[Category:Media companies of Turkey]]
[[Category:Media in Istanbul]]
[[Category:Book publishing companies of Turkey]]

{{Turkey-stub}}
{{publish-corp-stub}}