Ahmed Jan Thirakwa - Revision history

GoodDay at 09:28, 18 September 2024

2024-09-18T09:28:00Z

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	'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>		'''Ustad Ahmed Jan Khan "Thirakwa"''' (1892 – 13 January 1976) was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>

	He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> lineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.		He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> lineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.

2402:E280:3E69:38A:3556:5DD5:919C:901D: /* Disciples */

2024-08-10T18:27:34Z

Disciples

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	==Disciples==		==Disciples==
	Ustad Ahmed Jan Thirakwa, during his long career as a musician, trained many disciples all across India including Pt. Prem Vallabh ji, Pandit Lalji Gokhale, [[Nikhil Ghosh\|Pt. Nikhil Ghosh]] (tabla player)<ref name="founder">{{cite web \|url=http://www.sangitmahabharati.org/founder.html \| title=Profile of tabla player Nikhil Ghosh, a disciple of Ahmed Jan Tirakhwa\| publisher=Sangit Mahabharati website \| date=2016 \| access-date=12 July 2020}}</ref> and famous vocalist of [[Agra gharana]] Pandit [[Jagannathbuwa Purohit]], Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye and [[Rashid Mustafa Thirakwa]] are some of his well-known shagirds. Ustad Ahmed Jan's unique style continues to attract many tabla players of present generation including [[Zakir Hussain (musician)\|Ustad Zakir Hussain]], [[Chandra Nath Shastri\|Pandit Chandra Nath Shastri]], [[Anindo Chatterjee\|Pandit Anindo Chatterjee]] and [[Nikhil Ghosh\|Pandit Nikhil Ghosh]].<ref name="founder"/><ref name=TheHindu2/>		Ustad Ahmed Jan Thirakwa, during his long career as a musician, trained many disciples all across India including Pt. Prem Vallabh ji, Pandit Lalji Gokhale, [[Nikhil Ghosh\|Pt. Nikhil Ghosh]] (tabla player)<ref name="founder">{{cite web \|url=http://www.sangitmahabharati.org/founder.html \| title=Profile of tabla player Nikhil Ghosh, a disciple of Ahmed Jan Tirakhwa\| publisher=Sangit Mahabharati website \| date=2016 \| access-date=12 July 2020}}</ref> and famous vocalist of [[Agra gharana]] Pandit [[Jagannathbuwa Purohit]], Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye, Dr. Dhananjay Patkie and [[Rashid Mustafa Thirakwa]] are some of his well-known shagirds. Ustad Ahmed Jan's unique style continues to attract many tabla players of present generation including [[Zakir Hussain (musician)\|Ustad Zakir Hussain]], [[Chandra Nath Shastri\|Pandit Chandra Nath Shastri]], [[Anindo Chatterjee\|Pandit Anindo Chatterjee]] and [[Nikhil Ghosh\|Pandit Nikhil Ghosh]].<ref name="founder"/><ref name=TheHindu2/>

	==Awards and recognition==		==Awards and recognition==

PickleG13: added short description

2024-03-12T08:17:14Z

added short description

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	{{Use dmy dates\|date=August 2018}}		{{Use dmy dates\|date=August 2018}}
	{{Use Indian English\|date=August 2018}}		{{Use Indian English\|date=August 2018}}
			{{short description\|Indian tabla player}}
	{{Infobox person		{{Infobox person
	\|name = Ahmed Jan Thirakwa		\|name = Ahmed Jan Thirakwa

Materialscientist: unsourced

2023-11-26T01:47:56Z

unsourced

← Previous revision		Revision as of 01:47, 26 November 2023
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	'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>		'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>

	He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref>		He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> lineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.
	Lineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.He is one of the prides of India.
	<ref name="TheHindu"/><ref name=TheHindu2/>		<ref name="TheHindu"/><ref name=TheHindu2/>

2402:8100:3170:8E1C:96D2:B46D:94AD:3DDB at 13:14, 11 June 2023

2023-06-11T13:14:14Z

← Previous revision		Revision as of 13:14, 11 June 2023
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	'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>		'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>

	He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> L		He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref>
	~~ineage~~ with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.He is one of the prides of India.		Lineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.He is one of the prides of India.
	<ref name="TheHindu"/><ref name=TheHindu2/>		<ref name="TheHindu"/><ref name=TheHindu2/>

2402:8100:3170:8E1C:96D2:B46D:94AD:3DDB at 13:13, 11 June 2023

2023-06-11T13:13:32Z

← Previous revision		Revision as of 13:13, 11 June 2023
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	'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>		'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>

	He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> ~~lineage~~ with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.		He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> L
			ineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.He is one of the prides of India.
	<ref name="TheHindu"/><ref name=TheHindu2/>		<ref name="TheHindu"/><ref name=TheHindu2/>

49.15.229.182 at 13:00, 11 June 2023

2023-06-11T13:00:14Z

← Previous revision		Revision as of 13:00, 11 June 2023
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	'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>		'''Ustad Ahmed Jan Khan "Thirakwa"''' was an [[Indian people\|Indian]] [[tabla]] player, commonly considered the pre-eminent soloist among tabla players of the 20th century, and among the most influential percussionists in the history of [[Indian classical music\|Indian Classical Music]].<ref name="TheHindu"/>

	He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> lineage with his contribution to Indian classical music.<ref name="TheHindu"/><ref name=TheHindu2/>		He was known for his mastery of the finger techniques and aesthetic values of various tabla styles, technical virtuosity, formidable stage presence, and soulful musicality. While he had command over the traditional tabla repertoire of various gharanas, he was also distinguished by the way in which he brought together these diverse compositions, his reinterpretation of traditional methods of improvisation, and his own compositions. His solo recitals were of the first to elevate the art of playing tabla solo to an art in its own right in the popular mind. His style of playing influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh besides the maestro’s nephew ustad Rashid Mustafa. <ref>{{Cite web\|url=https://underscorerecords.com/artistes/detail/115/Rashid-Mustafa-Thirak \|title=Artistesdetails \|website=underscorerecords.com \|access-date=12 July 2020}}</ref> lineage with his contribution to Indian classical music.He was very popular in India for his experties in tabla and various other instruments.
			<ref name="TheHindu"/><ref name=TheHindu2/>

	==Early life and career==		==Early life and career==

Johnpacklambert: /* Early life and career */

2022-09-28T17:11:04Z

Early life and career

← Previous revision		Revision as of 17:11, 28 September 2022
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	==Early life and career==		==Early life and career==
	Ahmed Jan later known as 'Ahmed Jan Thirakwa' was born to a family of musicians in 1892 in [[Moradabad]] in [[~~Uttar~~ ~~Pradesh~~]] ~~state in~~ ~~northern~~ India.<ref name=chandrakantha>[http://chandrakantha.com/biodata/ahmed_jan_thirakwa.html Profile of Ahmed Jan Thirakwa on chandrakantha.com website] Retrieved 12 July 2020</ref> Although his early musical training was in Hindustani vocals and the [[sarangi]], his interest in tabla was aroused when he first heard tabla player Munir Khan. He became Munir Khan's disciple at the age of 12. According to [[The Hindu]] newspaper article, "When he was around 12, Ahmed Jan was brought to [[Bombay]] by his father Hussain Bakhsh and elder brother Mia Jan, both of whom were noted sarangi players, and placed in the hands of the tabla stalwart Ustad Munir Khan. The tutelage was to last for 25 years but at a very early stage, his guru's father, Kale Khan, nicknamed him "Thirakwa" because of his playful and naughty nature."<ref name="TheHindu">{{cite news\|url=https://www.thehindu.com/entertainment/music/Partnerships-in-percussion/article16940326.ece \|title=Partnership in percussion' and profile of Ahmed Jan Thirakwa \|newspaper= The Hindu (newspaper)\|author=Vithal C. Nadkarni\|date= 25 December 2016\|access-date=10 July 2020}}</ref><ref name=chandrakantha/> For a long time, he played tabla in the court of the [[Nawab of Rampur]] and during this time, came in close contact with the maestroes of [[Agra]], [[Jaipur]], [[Gwalior]] and [[Patiala]] [[gharana]]s  — both vocalists and instrumentalists. On very few occasions, he rendered [[Bandish]]es in his own voice but this was only in the company of extremely close compatriots and admirers. As an accompanist, he was equally loved respected and admired by his peers and elders. Two noteworthy artists in this category of admirers was the great Rabindrasangeet exponent [[Suchitra Mitra]] (1924–2011) and the famous tabla player [[Nikhil Ghosh\|Pandit Nikhil Ghosh]].<ref name="founder"/>		Ahmed Jan later known as 'Ahmed Jan Thirakwa' was born to a family of musicians in 1892 in [[Moradabad]] in the [[North-Western Provinces]] of British India.<ref name=chandrakantha>[http://chandrakantha.com/biodata/ahmed_jan_thirakwa.html Profile of Ahmed Jan Thirakwa on chandrakantha.com website] Retrieved 12 July 2020</ref> Although his early musical training was in Hindustani vocals and the [[sarangi]], his interest in tabla was aroused when he first heard tabla player Munir Khan. He became Munir Khan's disciple at the age of 12. According to [[The Hindu]] newspaper article, "When he was around 12, Ahmed Jan was brought to [[Bombay]] by his father Hussain Bakhsh and elder brother Mia Jan, both of whom were noted sarangi players, and placed in the hands of the tabla stalwart Ustad Munir Khan. The tutelage was to last for 25 years but at a very early stage, his guru's father, Kale Khan, nicknamed him "Thirakwa" because of his playful and naughty nature."<ref name="TheHindu">{{cite news\|url=https://www.thehindu.com/entertainment/music/Partnerships-in-percussion/article16940326.ece \|title=Partnership in percussion' and profile of Ahmed Jan Thirakwa \|newspaper= The Hindu (newspaper)\|author=Vithal C. Nadkarni\|date= 25 December 2016\|access-date=10 July 2020}}</ref><ref name=chandrakantha/> For a long time, he played tabla in the court of the [[Nawab of Rampur]] and during this time, came in close contact with the maestroes of [[Agra]], [[Jaipur]], [[Gwalior]] and [[Patiala]] [[gharana]]s  — both vocalists and instrumentalists. On very few occasions, he rendered [[Bandish]]es in his own voice but this was only in the company of extremely close compatriots and admirers. As an accompanist, he was equally loved respected and admired by his peers and elders. Two noteworthy artists in this category of admirers was the great Rabindrasangeet exponent [[Suchitra Mitra]] (1924–2011) and the famous tabla player [[Nikhil Ghosh\|Pandit Nikhil Ghosh]].<ref name="founder"/>

	The name "Thirakwa" is not actually his original name, but was a nickname he earned from his guru's father. One day, while watching him practise, his guru's father remarked that he played so well his fingers seemed to be "shimmering" on the tabla. This earned him the nickname ''Thirakwa'' (shimmering).<ref name="TheHindu"/><ref name=chandrakantha/> It is also rumored that his tone was similar to the thunderous cracking sound of lightning. A great lightning is sometimes described as "Thirakwa". In popular jargon, Ahmad Jan Thirakwa is termed as the "Mount Everest of Tabla". He performed at regular intervals in almost all the music conferences in various parts of the country and gained popularity as well as admiration. A connoisseur of biryani and kababs, Ahmad Jan was famous for his interpretation of the wide-ranging patterns of the beat-cycles which he liberally taught to his disciples. A few number of his live recordings are now available in audio-visual form that include excerpts from his different programmes over the years and which also provide glimpses of his mastery over percussion.		The name "Thirakwa" is not actually his original name, but was a nickname he earned from his guru's father. One day, while watching him practise, his guru's father remarked that he played so well his fingers seemed to be "shimmering" on the tabla. This earned him the nickname ''Thirakwa'' (shimmering).<ref name="TheHindu"/><ref name=chandrakantha/> It is also rumored that his tone was similar to the thunderous cracking sound of lightning. A great lightning is sometimes described as "Thirakwa". In popular jargon, Ahmad Jan Thirakwa is termed as the "Mount Everest of Tabla". He performed at regular intervals in almost all the music conferences in various parts of the country and gained popularity as well as admiration. A connoisseur of biryani and kababs, Ahmad Jan was famous for his interpretation of the wide-ranging patterns of the beat-cycles which he liberally taught to his disciples. A few number of his live recordings are now available in audio-visual form that include excerpts from his different programmes over the years and which also provide glimpses of his mastery over percussion.

Johnpacklambert at 17:10, 28 September 2022

2022-09-28T17:10:32Z

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	\|birth_name = Ahmed Jan		\|birth_name = Ahmed Jan
	\|birth_date = {{birth year\|1892}}		\|birth_date = {{birth year\|1892}}
	\|birth_place = [[Moradabad]], [[~~Uttar~~ ~~Pradesh~~]] , India		\|birth_place = [[Moradabad]], [[North-Western Provinces]], British India
	\|death_date = {{death date and age\|df=yes\|1976\|1\|13\|1891}}		\|death_date = {{death date and age\|df=yes\|1976\|1\|13\|1891}}
	\|death_place = [[Lucknow]], [[Uttar Pradesh]]		\|death_place = [[Lucknow]], [[Uttar Pradesh]]

2405:201:401A:406F:805A:78BC:4A8E:8FE at 04:42, 6 July 2021

2021-07-06T04:42:41Z

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	\|name = Ahmed Jan Thirakwa		\|name = Ahmed Jan Thirakwa
	\|birth_name = Ahmed Jan		\|birth_name = Ahmed Jan
	\|birth_date = {{birth year\|~~1880~~}}		\|birth_date = {{birth year\|1892}}
	\|birth_place = [[Moradabad]], [[Uttar Pradesh]] , India		\|birth_place = [[Moradabad]], [[Uttar Pradesh]] , India
	\|death_date = {{death date and age\|df=yes\|1976\|1\|13\|1891}}		\|death_date = {{death date and age\|df=yes\|1976\|1\|13\|1891}}