David Beal (photographer) - Revision history

2603:8000:D300:3650:AD45:E6EE:7A8:8B7C: sp

2024-05-29T08:37:28Z

← Previous revision		Revision as of 08:37, 29 May 2024
Line 50:		Line 50:
	A major client was [[Richard Johnson (architect)\|Richard Johnson]] architect, then with the [[Department of Housing and Construction (1978–82)\|Department of Housing and Construction]], with whom Beal conceived and produced the opening exhibit in 1988 for the [[Powerhouse Museum\|Powerhouse]] which was a 360º multi image cube titled ''Creativity'' and major Expo presentations; an eighty-projector show on five screens presenting 'The Australian way of life' for the Australian Pavilions at Expo 82 Knoxville Tennessee;<ref>{{Cite web\|url=https://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf\|title=Australia at the Knoxville International Energy Exposition - Energy Down Under\|last=Thompson\|first=Fiona\|date=1982\|website=Worlds Fair Photos\|url-status=live\|archive-url=https://web.archive.org/web/20120318223516/http://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf \|archive-date=18 March 2012 \|access-date=}}</ref> [[1984 Louisiana World Exposition\|Expo 84]] in New Orleans; [[Expo '85\|Expo 85]] Tsukuba; [[Seville Expo '92\|Expo 92]] in Seville; and the [[Australia Post]] pavilion at [[World Expo 88\|Expo 88]] in Brisbane for which 100 computer-controlled projectors were used.<ref>{{Cite web\|url=https://www.worldsfairphotos.com/expo88/documents/expo-info-manual/a.pdf\|title=Expo88 Information Manual\|last=\|first=\|date=1988\|website=Worlds Fair Photos\|archive-url=\|archive-date=\|access-date=5 April 2020}}</ref>		A major client was [[Richard Johnson (architect)\|Richard Johnson]] architect, then with the [[Department of Housing and Construction (1978–82)\|Department of Housing and Construction]], with whom Beal conceived and produced the opening exhibit in 1988 for the [[Powerhouse Museum\|Powerhouse]] which was a 360º multi image cube titled ''Creativity'' and major Expo presentations; an eighty-projector show on five screens presenting 'The Australian way of life' for the Australian Pavilions at Expo 82 Knoxville Tennessee;<ref>{{Cite web\|url=https://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf\|title=Australia at the Knoxville International Energy Exposition - Energy Down Under\|last=Thompson\|first=Fiona\|date=1982\|website=Worlds Fair Photos\|url-status=live\|archive-url=https://web.archive.org/web/20120318223516/http://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf \|archive-date=18 March 2012 \|access-date=}}</ref> [[1984 Louisiana World Exposition\|Expo 84]] in New Orleans; [[Expo '85\|Expo 85]] Tsukuba; [[Seville Expo '92\|Expo 92]] in Seville; and the [[Australia Post]] pavilion at [[World Expo 88\|Expo 88]] in Brisbane for which 100 computer-controlled projectors were used.<ref>{{Cite web\|url=https://www.worldsfairphotos.com/expo88/documents/expo-info-manual/a.pdf\|title=Expo88 Information Manual\|last=\|first=\|date=1988\|website=Worlds Fair Photos\|archive-url=\|archive-date=\|access-date=5 April 2020}}</ref>

	Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major ~~mutli~~-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.		Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mttli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.

	Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown,<ref>{{cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=https://web.archive.org/web/20040611073005/http://www.mentalmedia.com.au:80/ \|archive-date=11 June 2004 \|access-date=2020-04-08}}</ref> and producer/director of worldwide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=https://web.archive.org/web/20200408015816/https://collection.lismoregallery.org/artists/detail/fox_stuart_owen \|archive-date=8 April 2020 \|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].		Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown,<ref>{{cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=https://web.archive.org/web/20040611073005/http://www.mentalmedia.com.au:80/ \|archive-date=11 June 2004 \|access-date=2020-04-08}}</ref> and producer/director of worldwide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=https://web.archive.org/web/20200408015816/https://collection.lismoregallery.org/artists/detail/fox_stuart_owen \|archive-date=8 April 2020 \|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].

Jevansen: added Category:People educated at St Bede's College (Mentone) using HotCat

2023-12-22T09:29:04Z

added Category:People educated at St Bede's College (Mentone) using HotCat

← Previous revision		Revision as of 09:29, 22 December 2023
Line 92:		Line 92:
	[[Category:Australian producers]]		[[Category:Australian producers]]
	[[Category:Australian newspaper people]]		[[Category:Australian newspaper people]]
			[[Category:People educated at St Bede's College (Mentone)]]

Citation bot: Removed parameters. | Use this bot. Report bugs. | #UCB_CommandLine

2023-09-27T03:57:07Z

Removed parameters. | Use this bot. Report bugs. | #UCB_CommandLine

← Previous revision		Revision as of 03:57, 27 September 2023
Line 36:		Line 36:
	After publishing ''Life in Australia'' in 1968, the following year for ''In the Making'' (1969), [[Craig McGregor]]'s<ref>Terry, M. 'Australian people, politics and pop!.' ''The World of Antiques & Art'', (74), 110</ref> survey of Australian artists 'in action' with a radical design by Harry Williamson.<ref>Mackenzie, B. (2003). Intellectual, passionate and compassionate: a recollection of David Moore, photographer. Landscape Australia, 25(2), 62.</ref> Beal produced portraits of artists, writers and musician including [[Ian Fairweather]], [[Ron Robertson-Swann]], [[Patrick White]], [[David Boyd (artist)\|David Boyd]], [[Roy Grounds\|Sir Roy Grounds]], David Aspden, [[Nigel Butterley]], [[Douglas Stewart (poet)\|Douglas Stewart]] and [[Richard Meale]]. The photography involved travel all over Australia, with Beal and McGregor taking a boat from [[Brisbane]] to [[Bribie Island]], to interview and photograph Ian Fairweather who was living out his last years as a hermit, still painting.<ref>{{Citation \| author1=McGregor, Craig \| title=Left hand drive : a social and political memoir \| date=2013 \| publisher=Affirm Press ; North Sydney : Random House Australia [Distributor] \| isbn=978-1-922213-08-2 }}</ref> On its release the book was negatively reviewed by Canberra journalist Maurice Dunleavy.<ref>{{Cite book\|last=Dunlevy\|first=Maurice\|url=https://catalogue.nla.gov.au/Record/324869\|title=Biographical cuttings on Maurice Dunlevy, journalist, containing one or more cuttings from newspapers or journals}}</ref><ref name=":0" /> Since then, the book has come to be regarded as the Australian answer to [[Antony Armstrong-Jones, 1st Earl of Snowdon\|Antony Armstrong-Jones']] survey of British creatives, ''Private View'' (1965).<ref>{{Citation \| author1=Lloyd, R. Ian \| author2=McDonald, John \| author3=Woldendorp, Yolanta \| author4=Moore, Wendy \| title=Studio : Australian painters on the nature of creativity \| date=2007 \| publisher=R. Ian Lloyd Productions \| edition=1st \| isbn=978-981-05-7466-6 }}</ref>		After publishing ''Life in Australia'' in 1968, the following year for ''In the Making'' (1969), [[Craig McGregor]]'s<ref>Terry, M. 'Australian people, politics and pop!.' ''The World of Antiques & Art'', (74), 110</ref> survey of Australian artists 'in action' with a radical design by Harry Williamson.<ref>Mackenzie, B. (2003). Intellectual, passionate and compassionate: a recollection of David Moore, photographer. Landscape Australia, 25(2), 62.</ref> Beal produced portraits of artists, writers and musician including [[Ian Fairweather]], [[Ron Robertson-Swann]], [[Patrick White]], [[David Boyd (artist)\|David Boyd]], [[Roy Grounds\|Sir Roy Grounds]], David Aspden, [[Nigel Butterley]], [[Douglas Stewart (poet)\|Douglas Stewart]] and [[Richard Meale]]. The photography involved travel all over Australia, with Beal and McGregor taking a boat from [[Brisbane]] to [[Bribie Island]], to interview and photograph Ian Fairweather who was living out his last years as a hermit, still painting.<ref>{{Citation \| author1=McGregor, Craig \| title=Left hand drive : a social and political memoir \| date=2013 \| publisher=Affirm Press ; North Sydney : Random House Australia [Distributor] \| isbn=978-1-922213-08-2 }}</ref> On its release the book was negatively reviewed by Canberra journalist Maurice Dunleavy.<ref>{{Cite book\|last=Dunlevy\|first=Maurice\|url=https://catalogue.nla.gov.au/Record/324869\|title=Biographical cuttings on Maurice Dunlevy, journalist, containing one or more cuttings from newspapers or journals}}</ref><ref name=":0" /> Since then, the book has come to be regarded as the Australian answer to [[Antony Armstrong-Jones, 1st Earl of Snowdon\|Antony Armstrong-Jones']] survey of British creatives, ''Private View'' (1965).<ref>{{Citation \| author1=Lloyd, R. Ian \| author2=McDonald, John \| author3=Woldendorp, Yolanta \| author4=Moore, Wendy \| title=Studio : Australian painters on the nature of creativity \| date=2007 \| publisher=R. Ian Lloyd Productions \| edition=1st \| isbn=978-981-05-7466-6 }}</ref>

	During 1971 David Beal and his wife Dawn collaborated on the production for a children's book series ''I Want to Be...'' and that year he was employed by the firm Decor Associates Pty. Ltd. in whom Warren T. Harding and David C. Lorimer were partners,<ref>{{Cite web\|url=https://catalogue.nla.gov.au/Search/Home?lookfor=author:%22Harding,%20Warren%20T.%20Australian%20decor%22&iknowwhatimean=1\|title=Warren T. Harding and David C. Lorimer collection of interior design\|last=\|first=\|date=\|website=National Library of Australia\|language=en-au~~\|url-status=live~~\|archive-url=\|archive-date=\|access-date=2020-03-21}}</ref> to photograph homes and business premises they had decorated for the publication ''Australian decor''.<ref>{{Citation \| author1=Harding, Warren T \| author2=Lorimer, David C, (joint author.) \| author3=Beal, David, 1936-, (illus.) \| title=Australian decor \| date=1971 \| publisher=Nelson \| isbn=978-0-17-001913-2 }}</ref>		During 1971 David Beal and his wife Dawn collaborated on the production for a children's book series ''I Want to Be...'' and that year he was employed by the firm Decor Associates Pty. Ltd. in whom Warren T. Harding and David C. Lorimer were partners,<ref>{{Cite web\|url=https://catalogue.nla.gov.au/Search/Home?lookfor=author:%22Harding,%20Warren%20T.%20Australian%20decor%22&iknowwhatimean=1\|title=Warren T. Harding and David C. Lorimer collection of interior design\|last=\|first=\|date=\|website=National Library of Australia\|language=en-au\|archive-url=\|archive-date=\|access-date=2020-03-21}}</ref> to photograph homes and business premises they had decorated for the publication ''Australian decor''.<ref>{{Citation \| author1=Harding, Warren T \| author2=Lorimer, David C, (joint author.) \| author3=Beal, David, 1936-, (illus.) \| title=Australian decor \| date=1971 \| publisher=Nelson \| isbn=978-0-17-001913-2 }}</ref>

	== Reputation ==		== Reputation ==
Line 48:		Line 48:
	In the 1970s Beal founded 'Audience Motivation', an audio-visual company based in [[Paddington, New South Wales\|Paddington]] which made use of tape-programmed sound-synchronised [[multi-image]] projection technology using 46 mm transparencies in Wess S1 or S2 mounts.<ref>{{Cite web\|url=http://ampicturelibrary.ifp3.com/\|title=Australia and South East Asia by David Beal and friends\|website=AM Picture Library\|language=en\|access-date=2020-02-16}}</ref><ref>{{Cite web\|url=http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF\|title=TwentyYears of Talking: A history of the meetings industry in Australia\|last=Lloyd\|first=Pamela\|date=October 1997\|website=Meetings Industry Association of Australia\|url-status=live\|archive-url=https://web.archive.org/web/20110307054434/http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF \|archive-date=7 March 2011 \|access-date=}}</ref><ref>{{Citation\|author1=Beal, David\|title=Ōsutoraria imēji = Australian image\|date=1985\|publisher=Audience Motivation\|isbn=978-0-9589862-0-5}}</ref> The company made novel large scale multiscreen shows for IBM in Hong Kong, Singapore, Tokyo, Manila, Bangkok, Beijing, KL, and Sydney, and similarly for [[Pacific Asia Travel Association]] in Bali, Bangkok and HK.		In the 1970s Beal founded 'Audience Motivation', an audio-visual company based in [[Paddington, New South Wales\|Paddington]] which made use of tape-programmed sound-synchronised [[multi-image]] projection technology using 46 mm transparencies in Wess S1 or S2 mounts.<ref>{{Cite web\|url=http://ampicturelibrary.ifp3.com/\|title=Australia and South East Asia by David Beal and friends\|website=AM Picture Library\|language=en\|access-date=2020-02-16}}</ref><ref>{{Cite web\|url=http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF\|title=TwentyYears of Talking: A history of the meetings industry in Australia\|last=Lloyd\|first=Pamela\|date=October 1997\|website=Meetings Industry Association of Australia\|url-status=live\|archive-url=https://web.archive.org/web/20110307054434/http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF \|archive-date=7 March 2011 \|access-date=}}</ref><ref>{{Citation\|author1=Beal, David\|title=Ōsutoraria imēji = Australian image\|date=1985\|publisher=Audience Motivation\|isbn=978-0-9589862-0-5}}</ref> The company made novel large scale multiscreen shows for IBM in Hong Kong, Singapore, Tokyo, Manila, Bangkok, Beijing, KL, and Sydney, and similarly for [[Pacific Asia Travel Association]] in Bali, Bangkok and HK.

	A major client was [[Richard Johnson (architect)\|Richard Johnson]] architect, then with the [[Department of Housing and Construction (1978–82)\|Department of Housing and Construction]], with whom Beal conceived and produced the opening exhibit in 1988 for the [[Powerhouse Museum\|Powerhouse]] which was a 360º multi image cube titled ''Creativity'' and major Expo presentations; an eighty-projector show on five screens presenting 'The Australian way of life' for the Australian Pavilions at Expo 82 Knoxville Tennessee;<ref>{{Cite web\|url=https://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf\|title=Australia at the Knoxville International Energy Exposition - Energy Down Under\|last=Thompson\|first=Fiona\|date=1982\|website=Worlds Fair Photos\|url-status=live\|archive-url=https://web.archive.org/web/20120318223516/http://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf \|archive-date=18 March 2012 \|access-date=}}</ref> [[1984 Louisiana World Exposition\|Expo 84]] in New Orleans; [[Expo '85\|Expo 85]] Tsukuba; [[Seville Expo '92\|Expo 92]] in Seville; and the [[Australia Post]] pavilion at [[World Expo 88\|Expo 88]] in Brisbane for which 100 computer-controlled projectors were used.<ref>{{Cite web\|url=https://www.worldsfairphotos.com/expo88/documents/expo-info-manual/a.pdf\|title=Expo88 Information Manual\|last=\|first=\|date=1988\|website=Worlds Fair Photos~~\|url-status=live~~\|archive-url=\|archive-date=\|access-date=5 April 2020}}</ref>		A major client was [[Richard Johnson (architect)\|Richard Johnson]] architect, then with the [[Department of Housing and Construction (1978–82)\|Department of Housing and Construction]], with whom Beal conceived and produced the opening exhibit in 1988 for the [[Powerhouse Museum\|Powerhouse]] which was a 360º multi image cube titled ''Creativity'' and major Expo presentations; an eighty-projector show on five screens presenting 'The Australian way of life' for the Australian Pavilions at Expo 82 Knoxville Tennessee;<ref>{{Cite web\|url=https://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf\|title=Australia at the Knoxville International Energy Exposition - Energy Down Under\|last=Thompson\|first=Fiona\|date=1982\|website=Worlds Fair Photos\|url-status=live\|archive-url=https://web.archive.org/web/20120318223516/http://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf \|archive-date=18 March 2012 \|access-date=}}</ref> [[1984 Louisiana World Exposition\|Expo 84]] in New Orleans; [[Expo '85\|Expo 85]] Tsukuba; [[Seville Expo '92\|Expo 92]] in Seville; and the [[Australia Post]] pavilion at [[World Expo 88\|Expo 88]] in Brisbane for which 100 computer-controlled projectors were used.<ref>{{Cite web\|url=https://www.worldsfairphotos.com/expo88/documents/expo-info-manual/a.pdf\|title=Expo88 Information Manual\|last=\|first=\|date=1988\|website=Worlds Fair Photos\|archive-url=\|archive-date=\|access-date=5 April 2020}}</ref>

	Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.		Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.
Line 70:		Line 70:
	* National Library of Australia<ref>{{Cite web\|url=https://trove.nla.gov.au/picture/result?q=%22David%20Beal%22\|title=Trove search results for '"David Beal"' - Pictures, photos, objects\|website=Trove\|language=en\|access-date=2020-03-19}}</ref>		* National Library of Australia<ref>{{Cite web\|url=https://trove.nla.gov.au/picture/result?q=%22David%20Beal%22\|title=Trove search results for '"David Beal"' - Pictures, photos, objects\|website=Trove\|language=en\|access-date=2020-03-19}}</ref>
	*National Gallery of Victoria<ref>{{Cite web\|url=https://www.ngv.vic.gov.au/explore/collection/artist/2041/\|title=David BEAL {{!}} Artists {{!}} NGV\|website=www.ngv.vic.gov.au\|access-date=2020-03-19}}</ref>		*National Gallery of Victoria<ref>{{Cite web\|url=https://www.ngv.vic.gov.au/explore/collection/artist/2041/\|title=David BEAL {{!}} Artists {{!}} NGV\|website=www.ngv.vic.gov.au\|access-date=2020-03-19}}</ref>
	* State Library of New South Wales<ref>{{Cite web\|url=https://search.sl.nsw.gov.au/primo-explore/search?query=lsr35,exact,Beal,%20David,%201936-,AND&vid=SLNSW&mode=advanced\|title=David Beal in the State Library of New South Wales - search\|last=\|first=\|date=\|website=State Library of New South Wales~~\|url-status=live~~\|archive-url=\|archive-date=\|access-date=2020-03-19}}</ref>		* State Library of New South Wales<ref>{{Cite web\|url=https://search.sl.nsw.gov.au/primo-explore/search?query=lsr35,exact,Beal,%20David,%201936-,AND&vid=SLNSW&mode=advanced\|title=David Beal in the State Library of New South Wales - search\|last=\|first=\|date=\|website=State Library of New South Wales\|archive-url=\|archive-date=\|access-date=2020-03-19}}</ref>
	*Museum of Applied Arts, Sydney		*Museum of Applied Arts, Sydney

Varnent: clean up, typo(s) fixed: world wide → worldwide

2023-05-14T23:11:56Z

clean up, typo(s) fixed: world wide → worldwide

Show changes

Tassedethe: v2.05 - Repaired 1 link to disambiguation page - (You can help) - David Moore (photographer)

2023-04-02T00:12:53Z

v2.05 - Repaired 1 link to disambiguation page - (You can help) - David Moore (photographer)

← Previous revision		Revision as of 00:12, 2 April 2023
Line 26:		Line 26:
	From 1966, and based in [[Greece]] for [[Black Star (photo agency)\|Black Star agency]], his pictures appeared in issues of [[Life (magazine)\|''Life'']],<ref>Jordan Bonfante, with pictures by [[Farrell Grehan]] and David Beal,'Hail to the new king of Tonga', in ''LIFE'', 21 Jul 1967, Vol. 63, No. 3, p58-64 ISSN 0024-3019</ref> ''[[Time (magazine)\|Time]] '',<ref>{{Cite web\|url=https://robertwalls.wordpress.com/tag/david-beal/\|title=David Beal\|website=This photographer's life\|language=en\|access-date=2020-03-21}}</ref> ''[[The Observer]]'' magazine,<ref>'Young Australia' feature and cover, ''Observer'' Magazine, 3 July 1966</ref> [[The Daily Telegraph]]'' magazine, ''[[The Illustrated London News]]'',<ref>Illustrated London News, February 26, 1966</ref><ref>Illustrated London News, Saturday 19 February 1966</ref><ref>Illustrated London News, Saturday 25 April 1970</ref> ''[[Paris Match]]'', ''[[Playboy]]'',<ref>Playboy (USA, Italy editions), Vol 19, No.7, July 1972</ref> ''[[The Sunday Times Magazine]]'', ''Australian Photography''<ref>Australian Photography, November 1963</ref><ref>Australian Photography, December 1963</ref><ref>Australian Photography, February, 1964</ref><ref>Australian Photography, December, 1969</ref> and ''[[Vogue (magazine)\|Vogue]]''.'' In 1967 he returned to New Guinea to photograph wreckage from the [[Battle of the Coral Sea]], also for ''Life.''		From 1966, and based in [[Greece]] for [[Black Star (photo agency)\|Black Star agency]], his pictures appeared in issues of [[Life (magazine)\|''Life'']],<ref>Jordan Bonfante, with pictures by [[Farrell Grehan]] and David Beal,'Hail to the new king of Tonga', in ''LIFE'', 21 Jul 1967, Vol. 63, No. 3, p58-64 ISSN 0024-3019</ref> ''[[Time (magazine)\|Time]] '',<ref>{{Cite web\|url=https://robertwalls.wordpress.com/tag/david-beal/\|title=David Beal\|website=This photographer's life\|language=en\|access-date=2020-03-21}}</ref> ''[[The Observer]]'' magazine,<ref>'Young Australia' feature and cover, ''Observer'' Magazine, 3 July 1966</ref> [[The Daily Telegraph]]'' magazine, ''[[The Illustrated London News]]'',<ref>Illustrated London News, February 26, 1966</ref><ref>Illustrated London News, Saturday 19 February 1966</ref><ref>Illustrated London News, Saturday 25 April 1970</ref> ''[[Paris Match]]'', ''[[Playboy]]'',<ref>Playboy (USA, Italy editions), Vol 19, No.7, July 1972</ref> ''[[The Sunday Times Magazine]]'', ''Australian Photography''<ref>Australian Photography, November 1963</ref><ref>Australian Photography, December 1963</ref><ref>Australian Photography, February, 1964</ref><ref>Australian Photography, December, 1969</ref> and ''[[Vogue (magazine)\|Vogue]]''.'' In 1967 he returned to New Guinea to photograph wreckage from the [[Battle of the Coral Sea]], also for ''Life.''

	In 1968 [[Kodak\|Kodak (Australasia)]] supported the [[National Gallery of Victoria]], which was then in the process of setting up a photography department, to buy photographs by Beal along with those of other photojournalists [[David Moore (photographer)\|David Moore]], [[Helmut Gritscher]] and Lance Nelson.		In 1968 [[Kodak\|Kodak (Australasia)]] supported the [[National Gallery of Victoria]], which was then in the process of setting up a photography department, to buy photographs by Beal along with those of other photojournalists [[David Moore (Australian photographer)\|David Moore]], [[Helmut Gritscher]] and Lance Nelson.

	== Books ==		== Books ==
Line 39:		Line 39:

	== Reputation ==		== Reputation ==
	Beal is accepted as the equal of colleagues [[David Moore (photographer)\|David Moore]] and [[David Potts (photographer)\|David Potts]] alongside whom he worked on several assignments.<ref>{{Cite web\|url=https://www.smh.com.au/national/revealing-the-humanity-within-20030201-gdg78w.html\|title=Revealing the humanity within\|date=2003-02-01\|website=The Sydney Morning Herald\|language=en\|access-date=2020-03-19}}</ref> Stuart Geddes recalls his impression of the relative status of the photographer in the production of ''In the Making;''		Beal is accepted as the equal of colleagues [[David Moore (Australian photographer)\|David Moore]] and [[David Potts (photographer)\|David Potts]] alongside whom he worked on several assignments.<ref>{{Cite web\|url=https://www.smh.com.au/national/revealing-the-humanity-within-20030201-gdg78w.html\|title=Revealing the humanity within\|date=2003-02-01\|website=The Sydney Morning Herald\|language=en\|access-date=2020-03-19}}</ref> Stuart Geddes recalls his impression of the relative status of the photographer in the production of ''In the Making;''
	{{quotation\|"I’d just met Craig McGregor, the writer, and he’d been doing a series of articles for the Herald on designers and artists and architects. We talked about it and he had the idea that he’d like to turn it into a book. He was working with David Beal, who was a really good photographer and I’d worked with him at Vogue, but because the job was so vast, and I was working with David Moore, I said to Craig, “Well, you know, there’s room for two photographers here.” David Beal was quite happy about that, because he and David got on very well."<ref>{{Cite web\|url=https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf\|title=In Making: A conversation with Harry Williamson\|last=Geddes\|first=Stuart\|date=\|website=Kiosk\|url-status=live\|archive-url=https://web.archive.org/web/20200227225319/https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf \|archive-date=27 February 2020 \|access-date=}}</ref> \|author=\|title=\|source=}}		{{quotation\|"I’d just met Craig McGregor, the writer, and he’d been doing a series of articles for the Herald on designers and artists and architects. We talked about it and he had the idea that he’d like to turn it into a book. He was working with David Beal, who was a really good photographer and I’d worked with him at Vogue, but because the job was so vast, and I was working with David Moore, I said to Craig, “Well, you know, there’s room for two photographers here.” David Beal was quite happy about that, because he and David got on very well."<ref>{{Cite web\|url=https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf\|title=In Making: A conversation with Harry Williamson\|last=Geddes\|first=Stuart\|date=\|website=Kiosk\|url-status=live\|archive-url=https://web.archive.org/web/20200227225319/https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf \|archive-date=27 February 2020 \|access-date=}}</ref> \|author=\|title=\|source=}}

Keith D: Move comma

2022-05-09T21:42:23Z

Move comma

← Previous revision		Revision as of 21:42, 9 May 2022
Line 52:		Line 52:
	Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.		Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.

	Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown<ref>{{~~Cite~~ web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=https://web.archive.org/web/20040611073005/http://www.mentalmedia.com.au:80/ \|archive-date=11 June 2004 \|access-date=2020-04-08}}</ref> ,and producer/director of world wide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=https://web.archive.org/web/20200408015816/https://collection.lismoregallery.org/artists/detail/fox_stuart_owen \|archive-date=8 April 2020 \|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].		Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown,<ref>{{cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=https://web.archive.org/web/20040611073005/http://www.mentalmedia.com.au:80/ \|archive-date=11 June 2004 \|access-date=2020-04-08}}</ref> and producer/director of world wide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=https://web.archive.org/web/20200408015816/https://collection.lismoregallery.org/artists/detail/fox_stuart_owen \|archive-date=8 April 2020 \|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].

	==Publications==		==Publications==

Jamesmcardle: Authority control

2022-02-25T10:55:51Z

Authority control

← Previous revision		Revision as of 10:55, 25 February 2022
Line 80:		Line 80:

	==External links==		==External links==

			{{authority control}}

	* [https://ampicturelibrary.ifp3.com/page/about-us/#/page/home/ AMP Picture Library; a library of imagery by David Beal]{{authority control}}		* [https://ampicturelibrary.ifp3.com/page/about-us/#/page/home/ AMP Picture Library; a library of imagery by David Beal]{{authority control}}

Rlink2: Adding web.archive.org links for citations with url-status=live Category:CS1_maint:_url-status

2022-02-21T21:10:26Z

Adding web.archive.org links for citations with url-status=live Category:CS1_maint:_url-status

← Previous revision		Revision as of 21:10, 21 February 2022
Line 40:		Line 40:
	== Reputation ==		== Reputation ==
	Beal is accepted as the equal of colleagues [[David Moore (photographer)\|David Moore]] and [[David Potts (photographer)\|David Potts]] alongside whom he worked on several assignments.<ref>{{Cite web\|url=https://www.smh.com.au/national/revealing-the-humanity-within-20030201-gdg78w.html\|title=Revealing the humanity within\|date=2003-02-01\|website=The Sydney Morning Herald\|language=en\|access-date=2020-03-19}}</ref> Stuart Geddes recalls his impression of the relative status of the photographer in the production of ''In the Making;''		Beal is accepted as the equal of colleagues [[David Moore (photographer)\|David Moore]] and [[David Potts (photographer)\|David Potts]] alongside whom he worked on several assignments.<ref>{{Cite web\|url=https://www.smh.com.au/national/revealing-the-humanity-within-20030201-gdg78w.html\|title=Revealing the humanity within\|date=2003-02-01\|website=The Sydney Morning Herald\|language=en\|access-date=2020-03-19}}</ref> Stuart Geddes recalls his impression of the relative status of the photographer in the production of ''In the Making;''
	{{quotation\|"I’d just met Craig McGregor, the writer, and he’d been doing a series of articles for the Herald on designers and artists and architects. We talked about it and he had the idea that he’d like to turn it into a book. He was working with David Beal, who was a really good photographer and I’d worked with him at Vogue, but because the job was so vast, and I was working with David Moore, I said to Craig, “Well, you know, there’s room for two photographers here.” David Beal was quite happy about that, because he and David got on very well."<ref>{{Cite web\|url=https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf\|title=In Making: A conversation with Harry Williamson\|last=Geddes\|first=Stuart\|date=\|website=Kiosk\|url-status=live\|archive-url=\|archive-date=\|access-date=}}</ref> \|author=\|title=\|source=}}		{{quotation\|"I’d just met Craig McGregor, the writer, and he’d been doing a series of articles for the Herald on designers and artists and architects. We talked about it and he had the idea that he’d like to turn it into a book. He was working with David Beal, who was a really good photographer and I’d worked with him at Vogue, but because the job was so vast, and I was working with David Moore, I said to Craig, “Well, you know, there’s room for two photographers here.” David Beal was quite happy about that, because he and David got on very well."<ref>{{Cite web\|url=https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf\|title=In Making: A conversation with Harry Williamson\|last=Geddes\|first=Stuart\|date=\|website=Kiosk\|url-status=live\|archive-url=https://web.archive.org/web/20200227225319/https://designhub.rmit.edu.au/wp-content/uploads/2019/12/superstructurenewspaper-part220p.pdf \|archive-date=27 February 2020 \|access-date=}}</ref> \|author=\|title=\|source=}}

	==Portraits==		==Portraits==
Line 46:		Line 46:

	== Later career ==		== Later career ==
	In the 1970s Beal founded 'Audience Motivation', an audio-visual company based in [[Paddington, New South Wales\|Paddington]] which made use of tape-programmed sound-synchronised [[multi-image]] projection technology using 46 mm transparencies in Wess S1 or S2 mounts.<ref>{{Cite web\|url=http://ampicturelibrary.ifp3.com/\|title=Australia and South East Asia by David Beal and friends\|website=AM Picture Library\|language=en\|access-date=2020-02-16}}</ref><ref>{{Cite web\|url=http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF\|title=TwentyYears of Talking: A history of the meetings industry in Australia\|last=Lloyd\|first=Pamela\|date=October 1997\|website=Meetings Industry Association of Australia\|url-status=live\|archive-url=\|archive-date=\|access-date=}}</ref><ref>{{Citation\|author1=Beal, David\|title=Ōsutoraria imēji = Australian image\|date=1985\|publisher=Audience Motivation\|isbn=978-0-9589862-0-5}}</ref> The company made novel large scale multiscreen shows for IBM in Hong Kong, Singapore, Tokyo, Manila, Bangkok, Beijing, KL, and Sydney, and similarly for [[Pacific Asia Travel Association]] in Bali, Bangkok and HK.		In the 1970s Beal founded 'Audience Motivation', an audio-visual company based in [[Paddington, New South Wales\|Paddington]] which made use of tape-programmed sound-synchronised [[multi-image]] projection technology using 46 mm transparencies in Wess S1 or S2 mounts.<ref>{{Cite web\|url=http://ampicturelibrary.ifp3.com/\|title=Australia and South East Asia by David Beal and friends\|website=AM Picture Library\|language=en\|access-date=2020-02-16}}</ref><ref>{{Cite web\|url=http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF\|title=TwentyYears of Talking: A history of the meetings industry in Australia\|last=Lloyd\|first=Pamela\|date=October 1997\|website=Meetings Industry Association of Australia\|url-status=live\|archive-url=https://web.archive.org/web/20110307054434/http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF \|archive-date=7 March 2011 \|access-date=}}</ref><ref>{{Citation\|author1=Beal, David\|title=Ōsutoraria imēji = Australian image\|date=1985\|publisher=Audience Motivation\|isbn=978-0-9589862-0-5}}</ref> The company made novel large scale multiscreen shows for IBM in Hong Kong, Singapore, Tokyo, Manila, Bangkok, Beijing, KL, and Sydney, and similarly for [[Pacific Asia Travel Association]] in Bali, Bangkok and HK.

	A major client was [[Richard Johnson (architect)\|Richard Johnson]] architect, then with the [[Department of Housing and Construction (1978–82)\|Department of Housing and Construction]], with whom Beal conceived and produced the opening exhibit in 1988 for the [[Powerhouse Museum\|Powerhouse]] which was a 360º multi image cube titled ''Creativity'' and major Expo presentations; an eighty-projector show on five screens presenting 'The Australian way of life' for the Australian Pavilions at Expo 82 Knoxville Tennessee;<ref>{{Cite web\|url=https://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf\|title=Australia at the Knoxville International Energy Exposition - Energy Down Under\|last=Thompson\|first=Fiona\|date=1982\|website=Worlds Fair Photos\|url-status=live\|archive-url=\|archive-date=\|access-date=}}</ref> [[1984 Louisiana World Exposition\|Expo 84]] in New Orleans; [[Expo '85\|Expo 85]] Tsukuba; [[Seville Expo '92\|Expo 92]] in Seville; and the [[Australia Post]] pavilion at [[World Expo 88\|Expo 88]] in Brisbane for which 100 computer-controlled projectors were used.<ref>{{Cite web\|url=https://www.worldsfairphotos.com/expo88/documents/expo-info-manual/a.pdf\|title=Expo88 Information Manual\|last=\|first=\|date=1988\|website=Worlds Fair Photos\|url-status=live\|archive-url=\|archive-date=\|access-date=5 April 2020}}</ref>		A major client was [[Richard Johnson (architect)\|Richard Johnson]] architect, then with the [[Department of Housing and Construction (1978–82)\|Department of Housing and Construction]], with whom Beal conceived and produced the opening exhibit in 1988 for the [[Powerhouse Museum\|Powerhouse]] which was a 360º multi image cube titled ''Creativity'' and major Expo presentations; an eighty-projector show on five screens presenting 'The Australian way of life' for the Australian Pavilions at Expo 82 Knoxville Tennessee;<ref>{{Cite web\|url=https://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf\|title=Australia at the Knoxville International Energy Exposition - Energy Down Under\|last=Thompson\|first=Fiona\|date=1982\|website=Worlds Fair Photos\|url-status=live\|archive-url=https://web.archive.org/web/20120318223516/http://www.worldsfairphotos.com/knoxville82/documents/australia-at-expo-82.pdf \|archive-date=18 March 2012 \|access-date=}}</ref> [[1984 Louisiana World Exposition\|Expo 84]] in New Orleans; [[Expo '85\|Expo 85]] Tsukuba; [[Seville Expo '92\|Expo 92]] in Seville; and the [[Australia Post]] pavilion at [[World Expo 88\|Expo 88]] in Brisbane for which 100 computer-controlled projectors were used.<ref>{{Cite web\|url=https://www.worldsfairphotos.com/expo88/documents/expo-info-manual/a.pdf\|title=Expo88 Information Manual\|last=\|first=\|date=1988\|website=Worlds Fair Photos\|url-status=live\|archive-url=\|archive-date=\|access-date=5 April 2020}}</ref>

	Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.		Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.

	Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown<ref>{{Cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=\|archive-date=\|access-date=2020-04-08}}</ref> ,and producer/director of world wide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=\|archive-date=\|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].		Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown<ref>{{Cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=https://web.archive.org/web/20040611073005/http://www.mentalmedia.com.au:80/ \|archive-date=11 June 2004 \|access-date=2020-04-08}}</ref> ,and producer/director of world wide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=https://web.archive.org/web/20200408015816/https://collection.lismoregallery.org/artists/detail/fox_stuart_owen \|archive-date=8 April 2020 \|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].

	==Publications==		==Publications==

Jamesmcardle: /* Publications */ citation

2022-02-15T21:50:38Z

Publications: citation

← Previous revision		Revision as of 21:50, 15 February 2022
Line 64:		Line 64:
	* {{Citation \| author1=Beal, Dawn \| author2=Beal, David, 1936- \| title=I want to be a model \| date=1971 \| publisher=Thomas Nelson (Australia) \| isbn=978-0-17-002912-4 }}		* {{Citation \| author1=Beal, Dawn \| author2=Beal, David, 1936- \| title=I want to be a model \| date=1971 \| publisher=Thomas Nelson (Australia) \| isbn=978-0-17-002912-4 }}
	* {{Citation \| author1=Beal, Dawn \| author2=Beal, David, 1936- \| title=I want to be an airline hostess \| date=1971 \| publisher=Thomas Nelson (Australia) \| url=https://trove.nla.gov.au/work/21235804 \| accessdate=21 March 2020 }}		* {{Citation \| author1=Beal, Dawn \| author2=Beal, David, 1936- \| title=I want to be an airline hostess \| date=1971 \| publisher=Thomas Nelson (Australia) \| url=https://trove.nla.gov.au/work/21235804 \| accessdate=21 March 2020 }}
	* {{Citation \| author1=Harding, Warren T \| author2=Lorimer, David C~~, (joint author~~.) \| author3=Beal, David, 1936-, (illus.) \| title=Australian decor \| date=1971 \| publisher=Nelson \| isbn=978-0-17-001913-2 }}		* {{Citation \| author1=Harding, Warren T \| author2=Lorimer, David C.\| author3=Beal, David, 1936-, (illus.) \| title=Australian decor \| date=1971 \| publisher=Nelson \| isbn=978-0-17-001913-2 }}

	== Collections ==		== Collections ==

Jamesmcardle: Ref

2022-02-15T21:49:30Z

Ref

← Previous revision		Revision as of 21:49, 15 February 2022
Line 52:		Line 52:
	Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.		Though by the late 1980s the audio-visual medium was being gradually superseded by video and data presentations, Audience Motivation continued to garner major commissions; in the middle 1990s Beal photographed in China for major mutli-screen AVs that Audience Motivation produced for a number of major corporate conventions staged in Beijing, requiring the shipping of 3 tonnes of audiovisual equipment.

	Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown<ref>{{Cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=\|archive-date=\|access-date=2020-04-08}}</ref> ,and producer/director of world wide events Andrew Walsh and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=\|archive-date=\|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].		Beal's role in advancing the careers of Australian creatives was significant, as Audience Motivation employed scriptwriter Barry Wills, multimedia experts Bruce Brown<ref>{{Cite web\|url=http://www.mentalmedia.com.au/\|title=Mental Media\|last=\|first=\|date=\|website=Mental Media\|language=en-US\|url-status=live\|archive-url=\|archive-date=\|access-date=2020-04-08}}</ref> ,and producer/director of world wide events Andrew Walsh<ref>{{Cite web\|title=Andrew Walsh / Accolade Event Management\|url=http://www.accolade.net.au/\|access-date=2022-02-15\|website=www.accolade.net.au}}</ref> and incorporated the work of a number of Australian photographers, including [[Philip Quirk]] of ‘[[Wildlight (photo agency)\|Wildlight]]’, Stuart Owen Fox,<ref>{{Cite book\|last=Fox, Stuart Owen.\|url=https://www.worldcat.org/oclc/221019898\|title=Sydney\|date=1989\|publisher=Daniel O'Keefe Production for the Fairfax Library\|isbn=1-86290-019-1\|location=Ultimo, Sydney\|oclc=221019898}}</ref><ref>{{Cite web\|url=https://collection.lismoregallery.org/artists/detail/fox_stuart_owen\|title=Stuart Owen Fox\|last=\|first=\|date=\|website=Lismore Regional Gallery\|url-status=live\|archive-url=\|archive-date=\|access-date=2020-04-08}}</ref><ref>Obituary. The Byron Shire Echo, 8 December 2009, p.8</ref> David Robert Austen<ref>{{Cite web\|url=http://www.davidrobertausten.com/\|title=David Robert Austen Photography {{!}} Working Camera\|language=en-US\|access-date=2020-04-08}}</ref> and [[Richard Woldendorp]].

	==Publications==		==Publications==