Each In His Own Way - Revision history

Trappist the monk: /* top */ Task 20 (dev test): replace {lang-??} templates with {langx|??} ‹See Tfd› (Replaced 1);

2024-10-10T21:30:26Z

top: Task 20 (dev test): replace {lang-??} templates with {langx|??} ‹See Tfd› (Replaced 1);

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	'''''Each In His Own Way''''' ({{~~lang-~~it\|Ciascuno a suo modo}} {{IPA\|it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. Along with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]'', it forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]".		'''''Each In His Own Way''''' ({{langx\|it\|Ciascuno a suo modo}} {{IPA\|it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. Along with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]'', it forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]".

	''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.		''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.

RodRabelo7: replacing {{IPA-it| → {{IPA|it| (deprecated template)

2024-08-16T04:25:24Z

replacing {{IPA-it| → {{IPA|it| (deprecated template)

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	'''''Each In His Own Way''''' ({{lang-it\|Ciascuno a suo modo}} {{IPA-it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. Along with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]'', it forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]".		'''''Each In His Own Way''''' ({{lang-it\|Ciascuno a suo modo}} {{IPA\|it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. Along with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]'', it forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]".

	''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.		''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.

Hogfather&Son at 04:16, 14 January 2023

2023-01-14T04:16:33Z

← Previous revision		Revision as of 04:16, 14 January 2023
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	'''''Each In His Own Way''''' ({{lang-it\|Ciascuno a suo modo}} {{IPA-it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. ~~It forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]"~~ with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]''.		'''''Each In His Own Way''''' ({{lang-it\|Ciascuno a suo modo}} {{IPA-it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. Along with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]'', it forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]".

	''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.		''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.

Hogfather&Son: Clarified what the "trilogy of the theatre on the theatre" is

2023-01-14T04:15:30Z

Clarified what the "trilogy of the theatre on the theatre" is

← Previous revision		Revision as of 04:15, 14 January 2023
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	'''''Each In His Own Way''''' ({{lang-it\|Ciascuno a suo modo}} {{IPA-it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. ~~Like~~ his ~~more~~ ~~famous~~ ''[[Six Characters in Search of an Author]]'', ~~it forms part of~~ his ~~"trilogy~~ of ~~the~~ [[~~Metatheatre\|theatre~~ in ~~the theatre~~]]."		'''''Each In His Own Way''''' ({{lang-it\|Ciascuno a suo modo}} {{IPA-it\|tʃaˈskuːno a sˈsuːo ˈmɔːdo\|}}) is a 1924 play by [[Luigi Pirandello]]. It forms part of his "trilogy of the [[Metatheatre\|theatre in the theatre]]" with ''[[Six Characters in Search of an Author]]'', his most famous work, and ''[[Tonight We Improvise]]''.

	''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.		''Each In His Own Way'' concerns the production of a play based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun a short-lived affair with Salvi's brother-in-law Michele Rocca, is ostensibly based on events concerning the sculptor La Vela, the actress Amelia Moreno, and Baron Nuti. The people in question have come separately to see the "play" to determine if it is really based on the real events.

Sionk: /* References */ not really a stub by any stretch

2022-12-11T14:56:02Z

References: not really a stub by any stretch

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	[[Category:Self-reflexive plays]]		[[Category:Self-reflexive plays]]
	[[Category:Works set in theatres]]		[[Category:Works set in theatres]]


	{{1920s-play-stub}}
	{{Italy-stub}}

Sionk: /* Adaptation */ wikilink

2022-12-11T14:55:33Z

Adaptation: wikilink

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	== Adaptation ==		== Adaptation ==
	In 1997, the ~~Adobe~~ ~~Theatre~~ ~~Company~~ produced ''Notions in Motion'', a contemporary adaptation of Pirandello's play, written and directed by Jeremy Dobrish.<ref>{{Cite journal\|last=Schildcrout\|first=Jordan\|date=2002\|title=Rewriting Pirandello: Adobe Theatre Company's Adaptation of Each in His Own Way\|journal=PSA: The Journal of the Pirandello Society of America\|volume= 15\|pages=54–64}}</ref> The ''New York Times'' described the off-off-Broadway production as "a gleeful romp of an exercise in relativity, existential doubt, and artistic illusions."<ref>{{Cite news\|last=Brantley\|first=Ben\|date=June 3, 1997\|title=Dressed All in Black and Angst\|work=The New York Times\|url=https://www.nytimes.com/1997/06/03/theater/dressed-in-black-and-angst.html\|access-date=September 20, 2021}}</ref>		In 1997, the [[adobe theatre company]] produced ''Notions in Motion'', a contemporary adaptation of Pirandello's play, written and directed by Jeremy Dobrish.<ref>{{Cite journal\|last=Schildcrout\|first=Jordan\|date=2002\|title=Rewriting Pirandello: Adobe Theatre Company's Adaptation of Each in His Own Way\|journal=PSA: The Journal of the Pirandello Society of America\|volume= 15\|pages=54–64}}</ref> The ''New York Times'' described the off-off-Broadway production as "a gleeful romp of an exercise in relativity, existential doubt, and artistic illusions."<ref>{{Cite news\|last=Brantley\|first=Ben\|date=June 3, 1997\|title=Dressed All in Black and Angst\|work=The New York Times\|url=https://www.nytimes.com/1997/06/03/theater/dressed-in-black-and-angst.html\|access-date=September 20, 2021}}</ref>

	==References==		==References==

MrKeefeJohn at 09:10, 7 November 2022

2022-11-07T09:10:52Z

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			[[File:Pierluigi Pirandello, Zerka Toeman Moreno, Ottavio Rosati.jpg\|thumb]]
	{{Infobox play		{{Infobox play
	\| name = Each In His Own Way		\| name = Each In His Own Way

Toohool: /* References */ link to the english translation

2022-01-12T05:01:00Z

References: link to the english translation

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	==References==		==References==
			*Full text of ''[https://archive.org/details/eachinhisownwayt0000pira/page/n19/mode/2up Each In His Own Way]'' (English, tr. Arthur Livingston) at the Internet Archive
	*[https://web.archive.org/web/20140326163740/http://www.pirandelloweb.com/teatro/1924_ciascuno_a_suo_modo/ciascuno_a_suo_modo.htm ~~Text~~ of ~~the~~ ~~play~~ (Italian)]		*Full text of ''[https://web.archive.org/web/20140326163740/http://www.pirandelloweb.com/teatro/1924_ciascuno_a_suo_modo/ciascuno_a_suo_modo.htm Each In His Own Way]'' (Italian)

	<references />		<references />

JCW-CleanerBot: task

2021-10-30T22:25:33Z

task

← Previous revision		Revision as of 22:25, 30 October 2021
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	== Adaptation ==		== Adaptation ==
	In 1997, the Adobe Theatre Company produced ''Notions in Motion'', a contemporary adaptation of Pirandello's play, written and directed by Jeremy Dobrish.<ref>{{Cite journal\|last=Schildcrout\|first=Jordan\|date=2002\|title=Rewriting Pirandello: Adobe Theatre Company's Adaptation of Each in His Own Way\|journal=PSA: The Journal of the Pirandello Society of America\|volume=~~Vol.~~ 15\|pages=~~54-64~~}}</ref> The ''New York Times'' described the off-off-Broadway production as "a gleeful romp of an exercise in relativity, existential doubt, and artistic illusions."<ref>{{Cite news\|last=Brantley\|first=Ben\|date=June 3, 1997\|title=Dressed All in Black and Angst\|work=The New York Times\|url=https://www.nytimes.com/1997/06/03/theater/dressed-in-black-and-angst.html\|access-date=September 20, 2021}}</ref>		In 1997, the Adobe Theatre Company produced ''Notions in Motion'', a contemporary adaptation of Pirandello's play, written and directed by Jeremy Dobrish.<ref>{{Cite journal\|last=Schildcrout\|first=Jordan\|date=2002\|title=Rewriting Pirandello: Adobe Theatre Company's Adaptation of Each in His Own Way\|journal=PSA: The Journal of the Pirandello Society of America\|volume= 15\|pages=54–64}}</ref> The ''New York Times'' described the off-off-Broadway production as "a gleeful romp of an exercise in relativity, existential doubt, and artistic illusions."<ref>{{Cite news\|last=Brantley\|first=Ben\|date=June 3, 1997\|title=Dressed All in Black and Angst\|work=The New York Times\|url=https://www.nytimes.com/1997/06/03/theater/dressed-in-black-and-angst.html\|access-date=September 20, 2021}}</ref>

	==References==		==References==
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	[[Category:Self-reflexive plays]]		[[Category:Self-reflexive plays]]
	[[Category:Works set in theatres]]		[[Category:Works set in theatres]]


	{{1920s-play-stub}}		{{1920s-play-stub}}

Headbomb: ce

2021-10-30T22:25:27Z

← Previous revision		Revision as of 22:25, 30 October 2021
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	== Adaptation ==		== Adaptation ==
	In 1997, the Adobe Theatre Company produced ''Notions in Motion'', a contemporary adaptation of Pirandello's play, written and directed by Jeremy Dobrish.<ref>{{Cite journal\|last=Schildcrout\|first=Jordan\|date=2002\|title=Rewriting Pirandello: Adobe Theatre Company's Adaptation of Each in His Own Way\|journal=PSA: The ~~Official Publication~~ of the Pirandello Society of America\|volume=Vol. 15\|pages=54-64}}</ref> The ''New York Times'' described the off-off-Broadway production as "a gleeful romp of an exercise in relativity, existential doubt, and artistic illusions."<ref>{{Cite news\|last=Brantley\|first=Ben\|date=June 3, 1997\|title=Dressed All in Black and Angst\|work=The New York Times\|url=https://www.nytimes.com/1997/06/03/theater/dressed-in-black-and-angst.html\|access-date=September 20, 2021}}</ref>		In 1997, the Adobe Theatre Company produced ''Notions in Motion'', a contemporary adaptation of Pirandello's play, written and directed by Jeremy Dobrish.<ref>{{Cite journal\|last=Schildcrout\|first=Jordan\|date=2002\|title=Rewriting Pirandello: Adobe Theatre Company's Adaptation of Each in His Own Way\|journal=PSA: The Journal of the Pirandello Society of America\|volume=Vol. 15\|pages=54-64}}</ref> The ''New York Times'' described the off-off-Broadway production as "a gleeful romp of an exercise in relativity, existential doubt, and artistic illusions."<ref>{{Cite news\|last=Brantley\|first=Ben\|date=June 3, 1997\|title=Dressed All in Black and Angst\|work=The New York Times\|url=https://www.nytimes.com/1997/06/03/theater/dressed-in-black-and-angst.html\|access-date=September 20, 2021}}</ref>

	==References==		==References==