Film crew - Revision history

Bowler the Carmine: Reverting edit(s) by 103.235.79.88 (talk) to rev. 1223194031 by 80.221.251.213: Vandalism (UV 0.1.5)

2024-09-04T16:18:02Z

Reverting edit(s) by 103.235.79.88 (talk) to rev. 1223194031 by 80.221.251.213: Vandalism (UV 0.1.5)

← Previous revision		Revision as of 16:18, 4 September 2024
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	A '''film crew''' is a group of people, hired by a [[production company]], for the purpose of [[Filmmaking\|producing a film or motion picture]]. The crew is distinguished from the [[Ensemble cast\|cast]], as the cast are understood to be the [[actor]]s who appear in front of the camera or [[Voice acting\|provide voices]] for characters in the film. The crew is also separate from the [[Film producer\|producers]], as the producers are the ones who own a portion of either the [[film studio]] or the film's [[Intellectual property#Rights\|intellectual property rights]]. A film crew is divided into different departments, each of which specializes in a specific aspect of the [[Filmmaking#Production\|production]]. Film crew positions have evolved over the years, spurred by [[technological change]], but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.		A '''film crew''' is a group of people, hired by a [[production company]], for the purpose of [[Filmmaking\|producing a film or motion picture]]. The crew is distinguished from the [[Ensemble cast\|cast]], as the cast are understood to be the [[actor]]s who appear in front of the camera or [[Voice acting\|provide voices]] for characters in the film. The crew is also separate from the [[Film producer\|producers]], as the producers are the ones who own a portion of either the [[film studio]] or the film's [[Intellectual property#Rights\|intellectual property rights]]. A film crew is divided into different departments, each of which specializes in a specific aspect of the [[Filmmaking#Production\|production]]. Film crew positions have evolved over the years, spurred by [[technological change]], but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.

	Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases ([[pre-production]], [[principal photography]], and [[post-production]]) and many film crew positions are associated with only one or two of the phases. Distinctions are also made between [[Above-the-line (filmmaking)\|above-the-line]] personnel (such as the [[Film director\|director]], [[screenwriter]], and producers) who begin their involvement during the project's development stage, and the [[Below-the-line (filmmaking)\|below-the-line]] [[technical crew]] involved only with the ~~produjjgction~~ stage.		Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases ([[pre-production]], [[principal photography]], and [[post-production]]) and many film crew positions are associated with only one or two of the phases. Distinctions are also made between [[Above-the-line (filmmaking)\|above-the-line]] personnel (such as the [[Film director\|director]], [[screenwriter]], and producers) who begin their involvement during the project's development stage, and the [[Below-the-line (filmmaking)\|below-the-line]] [[technical crew]] involved only with the production stage.

	== Director ==		== Director ==

103.235.79.88 at 16:17, 4 September 2024

2024-09-04T16:17:19Z

← Previous revision		Revision as of 16:17, 4 September 2024
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	A '''film crew''' is a group of people, hired by a [[production company]], for the purpose of [[Filmmaking\|producing a film or motion picture]]. The crew is distinguished from the [[Ensemble cast\|cast]], as the cast are understood to be the [[actor]]s who appear in front of the camera or [[Voice acting\|provide voices]] for characters in the film. The crew is also separate from the [[Film producer\|producers]], as the producers are the ones who own a portion of either the [[film studio]] or the film's [[Intellectual property#Rights\|intellectual property rights]]. A film crew is divided into different departments, each of which specializes in a specific aspect of the [[Filmmaking#Production\|production]]. Film crew positions have evolved over the years, spurred by [[technological change]], but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.		A '''film crew''' is a group of people, hired by a [[production company]], for the purpose of [[Filmmaking\|producing a film or motion picture]]. The crew is distinguished from the [[Ensemble cast\|cast]], as the cast are understood to be the [[actor]]s who appear in front of the camera or [[Voice acting\|provide voices]] for characters in the film. The crew is also separate from the [[Film producer\|producers]], as the producers are the ones who own a portion of either the [[film studio]] or the film's [[Intellectual property#Rights\|intellectual property rights]]. A film crew is divided into different departments, each of which specializes in a specific aspect of the [[Filmmaking#Production\|production]]. Film crew positions have evolved over the years, spurred by [[technological change]], but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.

	Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases ([[pre-production]], [[principal photography]], and [[post-production]]) and many film crew positions are associated with only one or two of the phases. Distinctions are also made between [[Above-the-line (filmmaking)\|above-the-line]] personnel (such as the [[Film director\|director]], [[screenwriter]], and producers) who begin their involvement during the project's development stage, and the [[Below-the-line (filmmaking)\|below-the-line]] [[technical crew]] involved only with the ~~production~~ stage.		Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases ([[pre-production]], [[principal photography]], and [[post-production]]) and many film crew positions are associated with only one or two of the phases. Distinctions are also made between [[Above-the-line (filmmaking)\|above-the-line]] personnel (such as the [[Film director\|director]], [[screenwriter]], and producers) who begin their involvement during the project's development stage, and the [[Below-the-line (filmmaking)\|below-the-line]] [[technical crew]] involved only with the produjjgction stage.

	== Director ==		== Director ==

80.221.251.213: /* Hair and make-up */

2024-05-10T14:08:38Z

Hair and make-up

← Previous revision		Revision as of 14:08, 10 May 2024
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	; [[Make-up artist\|Make-up Designer]]		; [[Make-up artist\|Make-up Designer]]
	: The makeup designer is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast. Their department includes all cosmetic makeup, body makeup and if special effects are involved, the ~~key make-up~~ ~~artist~~ will consult with a special effects makeup team to create all prosthetics and SFX makeup in a production. It is common that the ~~key~~ makeup ~~artist~~ performs makeup applications on lead cast, with assistance, and allows other crew members to work with supporting and minor roles. The ~~key makeup artist~~ will normally execute especially complicated or important makeup processes that are to be featured on camera.		: The makeup designer is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast. Their department includes all cosmetic makeup, body makeup and if special effects are involved, the makeup designer will consult with a special effects makeup team to create all prosthetics and SFX makeup in a production. It is common that the makeup designer performs makeup applications on lead cast, with assistance, and allows other crew members to work with supporting and minor roles. The designer will normally execute especially complicated or important makeup processes that are to be featured on camera.
			; [[The Key make-up Artist]]
	; Special make-up effects artist (SFX makeup)		; Special make-up effects artist (SFX makeup)
	: A special effects make-up artist works with live models or structures in the entertainment industry, applying make-up effects or [[prosthesis\|prosthetics]]. May be an own department that answers directly to the director and production designer or reports to the Key make-up artist.		: A special effects make-up artist works with live models or structures in the entertainment industry, applying make-up effects or [[prosthesis\|prosthetics]]. May be an own department that answers directly to the director and production designer or reports to the Key make-up artist.

80.221.251.213: /* Hair and make-up */

2024-05-10T14:05:32Z

Hair and make-up

← Previous revision		Revision as of 14:05, 10 May 2024
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	; [[Make-up artist\|Make-up Designer]]		; [[Make-up artist\|Make-up Designer]]
	: The ~~key~~ makeup ~~artist~~ is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast. Their department includes all cosmetic makeup, body makeup and if special effects are involved, the key make-up artist will consult with a special effects makeup team to create all prosthetics and SFX makeup in a production. It is common that the key makeup artist performs makeup applications on lead cast, with assistance, and allows other crew members to work with supporting and minor roles. The key makeup artist will normally execute especially complicated or important makeup processes that are to be featured on camera.		: The makeup designer is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast. Their department includes all cosmetic makeup, body makeup and if special effects are involved, the key make-up artist will consult with a special effects makeup team to create all prosthetics and SFX makeup in a production. It is common that the key makeup artist performs makeup applications on lead cast, with assistance, and allows other crew members to work with supporting and minor roles. The key makeup artist will normally execute especially complicated or important makeup processes that are to be featured on camera.
	; Special make-up effects artist (SFX makeup)		; Special make-up effects artist (SFX makeup)
	: A special effects make-up artist works with live models or structures in the entertainment industry, applying make-up effects or [[prosthesis\|prosthetics]]. May be an own department that answers directly to the director and production designer or reports to the Key make-up artist.		: A special effects make-up artist works with live models or structures in the entertainment industry, applying make-up effects or [[prosthesis\|prosthetics]]. May be an own department that answers directly to the director and production designer or reports to the Key make-up artist.

80.221.251.213: /* Hair and make-up */

2024-05-10T14:04:57Z

Hair and make-up

← Previous revision		Revision as of 14:04, 10 May 2024
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	Some actors or actresses have personal makeup artists or hair stylists.		Some actors or actresses have personal makeup artists or hair stylists.

	; [[Make-up artist\|~~Key make~~-up ~~artist~~]]		; [[Make-up artist\|Make-up Designer]]
	: The key makeup artist is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast. Their department includes all cosmetic makeup, body makeup and if special effects are involved, the key make-up artist will consult with a special effects makeup team to create all prosthetics and SFX makeup in a production. It is common that the key makeup artist performs makeup applications on lead cast, with assistance, and allows other crew members to work with supporting and minor roles. The key makeup artist will normally execute especially complicated or important makeup processes that are to be featured on camera.		: The key makeup artist is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast. Their department includes all cosmetic makeup, body makeup and if special effects are involved, the key make-up artist will consult with a special effects makeup team to create all prosthetics and SFX makeup in a production. It is common that the key makeup artist performs makeup applications on lead cast, with assistance, and allows other crew members to work with supporting and minor roles. The key makeup artist will normally execute especially complicated or important makeup processes that are to be featured on camera.
	; Special make-up effects artist (SFX makeup)		; Special make-up effects artist (SFX makeup)

Anita5192: Undid revision 1222023605 by 69.41.96.243 (talk)Reverted unexplained edit.

2024-05-03T14:59:37Z

Undid revision 1222023605 by 69.41.96.243 (talk)Reverted unexplained edit.

← Previous revision		Revision as of 14:59, 3 May 2024
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	; [[Production designer]]		; [[Production designer]]
	: The production designer is responsible for creating the visual appearance of the film – settings, ~~including locations~~, ~~set~~ ~~design and~~ all ~~world building for story~~ taken as a unit. The production designer works closely with the director and the director of photography to achieve the look of the film.		: The production designer is responsible for creating the visual appearance of the film – settings, costumes, character makeup; all taken as a unit. The production designer works closely with the director and the director of photography to achieve the look of the film.

	=== Art (sets and graphic art) ===		=== Art (sets and graphic art) ===

69.41.96.243: /* Art department */

2024-05-03T12:23:43Z

Art department

← Previous revision		Revision as of 12:23, 3 May 2024
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	; [[Production designer]]		; [[Production designer]]
	: The production designer is responsible for creating the visual appearance of the film – settings, ~~costumes~~, ~~character~~ ~~makeup;~~ all taken as a unit. The production designer works closely with the director and the director of photography to achieve the look of the film.		: The production designer is responsible for creating the visual appearance of the film – settings, including locations, set design and all world building for story taken as a unit. The production designer works closely with the director and the director of photography to achieve the look of the film.

	=== Art (sets and graphic art) ===		=== Art (sets and graphic art) ===

Anita5192: Undid revision 1221746318 by 2A02:908:699:D1E0:6C2E:2262:E9DF:8F5B (talk)Reverted good faith edit unnecessary. This read better before.

2024-05-01T21:02:44Z

Undid revision 1221746318 by 2A02:908:699:D1E0:6C2E:2262:E9DF:8F5B (talk)Reverted good faith edit unnecessary. This read better before.

← Previous revision		Revision as of 21:02, 1 May 2024
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	: The key scenic artist (scenic charge) is responsible for the surface treatments of the sets. This includes special paint treatments such as aging and gilding, as well as simulating the appearance of wood, stone, brick, metal, stained glass—anything called for by the production designer. The key scenic artist supervises the crew of painters, and is often a master craftsperson. In the UK, the above responsibilities would normally be those of the head painter, and the scenic artist is responsible for producing artist painted backings. In the US, a key scenic is called the charge scenic.		: The key scenic artist (scenic charge) is responsible for the surface treatments of the sets. This includes special paint treatments such as aging and gilding, as well as simulating the appearance of wood, stone, brick, metal, stained glass—anything called for by the production designer. The key scenic artist supervises the crew of painters, and is often a master craftsperson. In the UK, the above responsibilities would normally be those of the head painter, and the scenic artist is responsible for producing artist painted backings. In the US, a key scenic is called the charge scenic.
	; Head of the Plastering Department		; Head of the Plastering Department
	: The Head of the Plastering Department is responsible for managing fibrous plasterers, who are highly skilled ~~plasterers~~ ~~able~~ to re-create any period using mold making and casting abilities.		: The Head of the Plastering Department is responsible for managing fibrous plasterers, who are highly skilled plasters who can re-create any period, using mold making and casting abilities.

	=== Property ===		=== Property ===

2A02:908:699:D1E0:6C2E:2262:E9DF:8F5B: /* Scenic */Fixed typo.

2024-05-01T19:09:39Z

Scenic: Fixed typo.

← Previous revision		Revision as of 19:09, 1 May 2024
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	: The key scenic artist (scenic charge) is responsible for the surface treatments of the sets. This includes special paint treatments such as aging and gilding, as well as simulating the appearance of wood, stone, brick, metal, stained glass—anything called for by the production designer. The key scenic artist supervises the crew of painters, and is often a master craftsperson. In the UK, the above responsibilities would normally be those of the head painter, and the scenic artist is responsible for producing artist painted backings. In the US, a key scenic is called the charge scenic.		: The key scenic artist (scenic charge) is responsible for the surface treatments of the sets. This includes special paint treatments such as aging and gilding, as well as simulating the appearance of wood, stone, brick, metal, stained glass—anything called for by the production designer. The key scenic artist supervises the crew of painters, and is often a master craftsperson. In the UK, the above responsibilities would normally be those of the head painter, and the scenic artist is responsible for producing artist painted backings. In the US, a key scenic is called the charge scenic.
	; Head of the Plastering Department		; Head of the Plastering Department
	: The Head of the Plastering Department is responsible for managing fibrous plasterers, who are highly skilled ~~plasters~~ ~~who~~ ~~can~~ re-create any period, using mold making and casting abilities.		: The Head of the Plastering Department is responsible for managing fibrous plasterers, who are highly skilled plasterers able to re-create any period using mold making and casting abilities.

	=== Property ===		=== Property ===

Anita5192: /* Property */ ce

2024-04-17T14:08:13Z

Property: ce

← Previous revision		Revision as of 14:08, 17 April 2024
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	=== Property ===		=== Property ===
	; [[Property master\|Propmaster]]		; [[Property master\|Propmaster]]
	: The ~~property master~~ or mistress is in charge of finding and managing all the [[Theatrical property\|props]] that appear in the film. These include any ~~item~~ handled by ~~an actor~~ that is not part of the scenery or costumes, and all consumable food items that appear on screen. Job responsibilities include purchasing, renting, and manufacturing anything an ~~actor handles~~ or ~~touches~~. In period works, it is the ~~property master~~'s job to ensure that ~~all~~ the props provided are accurate to the time period. The propmistress usually has several assistants. The ~~Assistant~~ ~~Propmaster generally~~ is the person running the set and in charge of working directly with the actors, director and on set crew.		: The propmaster or mistress is in charge of finding and managing all the [[Theatrical property\|props]] that appear in the film. These include any items handled by actors that are not part of the scenery or costumes, and all consumable food items that appear on screen. Job responsibilities include purchasing, renting, and manufacturing anything actors handle or touch. In period works, it is the propmaster's job to ensure that the props provided are accurate to the time period. The propmistress usually has several assistants. The assistant propmaster is the person running the set and in charge of working directly with the actors, director, and on-set crew.
	; [[Weapons master]]		; [[Weapons master]]
	: Any film that is ~~using~~ [[prop gun]] that is a "realistic imitation firearm" should ~~always with no exception~~ have a weapons master. The weapons master, sometimes credited as the armorer, weapons specialist, weapons handler, weapons wrangler, or weapons coordinator, is a film crew specialist ~~that~~ works with the ~~property master~~, director, actors, stunt coordinator and script supervisor.<ref name=":2">{{Cite news\|last=Diaz\|first=Jaclyn\|date=2021-10-22\|title=On-set deaths from prop guns are rare – but not unheard of\|language=en\|work=NPR\|url=https://www.npr.org/2021/10/22/1048295916/props-gun-death-injuries-rust-movie-set-rare\|access-date=2021-10-23}}</ref> The weapons master is specifically responsible for maintaining control of any prop weapons, including firearms, knives, swords, bows, and staff weapons.<ref name=":2" />		: Any film that uses a [[prop gun]] that is a "realistic imitation firearm" should have a weapons master. The weapons master, sometimes credited as the armorer, weapons specialist, weapons handler, weapons wrangler, or weapons coordinator, is a film-crew specialist who works with the propmaster, director, actors, stunt coordinator, and script supervisor.<ref name=":2">{{Cite news\|last=Diaz\|first=Jaclyn\|date=2021-10-22\|title=On-set deaths from prop guns are rare – but not unheard of\|language=en\|work=NPR\|url=https://www.npr.org/2021/10/22/1048295916/props-gun-death-injuries-rust-movie-set-rare\|access-date=2021-10-23}}</ref> The weapons master is specifically responsible for maintaining control of any prop weapons, including firearms, knives, swords, bows, and staff weapons.<ref name=":2" />

	== Costume department ==		== Costume department ==