Jan van Eyck - Revision history

BarrelProof: /* Workshop, unfinished or lost works */ the

2024-09-23T22:12:40Z

Workshop, unfinished or lost works: the

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	There are three works confidently attributed to him but known only from copies. ''[[Portrait of Isabella of Portugal]]'' dates to his 1428 visit to Portugal for Philip to draw up a preliminary marriage agreement with the daughter of [[John I of Portugal]].<ref name="s38">Seidel (1991), 38</ref> From surviving copies, it can be deduced that there were two other "painted-on" frames apart from the actual oak frame, one of which was lettered with gothic inscription to the top, while a faux stone parapet provided support for her hands to rest upon.<ref name="p110" />		There are three works confidently attributed to him but known only from copies. ''[[Portrait of Isabella of Portugal]]'' dates to his 1428 visit to Portugal for Philip to draw up a preliminary marriage agreement with the daughter of [[John I of Portugal]].<ref name="s38">Seidel (1991), 38</ref> From surviving copies, it can be deduced that there were two other "painted-on" frames apart from the actual oak frame, one of which was lettered with gothic inscription to the top, while a faux stone parapet provided support for her hands to rest upon.<ref name="p110" />

	Two extant copies of his ''[[Woman Bathing (van Eyck)\|Woman Bathing]]'' were made in the 60 years after his death, but it is known mostly through its appearance in [[Willem van Haecht]]'s expansive 1628 painting ''The Gallery of Cornelis van der Geest'', a view of a collector's gallery containing many other identifiable old masters. ''Woman Bathing'' bears many similarities to ''[[Arnolfini Portrait]]'', including an interior with a bed and a small dog, a mirror and its reflection, a chest of drawers and clogs on the floor; more broadly similar are the attendant woman's dress, the outline of her figure, and the angle from which she faces.<ref name="s38" />		Two extant copies of his ''[[Woman Bathing (van Eyck)\|Woman Bathing]]'' were made in the 60 years after his death, but it is known mostly through its appearance in [[Willem van Haecht]]'s expansive 1628 painting ''The Gallery of Cornelis van der Geest'', a view of a collector's gallery containing many other identifiable old masters. ''Woman Bathing'' bears many similarities to the ''[[Arnolfini Portrait]]'', including an interior with a bed and a small dog, a mirror and its reflection, a chest of drawers and clogs on the floor; more broadly similar are the attendant woman's dress, the outline of her figure, and the angle from which she faces.<ref name="s38" />

	==Reputation and legacy==		==Reputation and legacy==

Johnbod: Reverted edit by Oursana (talk) to last version by Omnipaedista

2024-09-20T02:27:36Z

Reverted edit by Oursana (talk) to last version by Omnipaedista

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	{{Infobox artist		{{Infobox artist
	\| name = Jan van Eyck		\| name = Jan van Eyck
	\| image = ~~Eyck, Jan van -~~ Portrait of a Man ~~(Self~~ ~~Portrait?)~~ - ~~National Gallery, London~~.jpg		\| image = Portrait of a Man by Jan van Eyck-small.jpg
	\| caption = ''[[Portrait of a Man (Self Portrait?)]]'' by Jan van Eyck, 1433. [[National Gallery]], London		\| caption = ''[[Portrait of a Man (Self Portrait?)]]'' by Jan van Eyck, 1433. [[National Gallery]], London
	\| birth_name =		\| birth_name =

Oursana: -+Eyck, Jan van - Portrait of a Man (Self Portrait?) - National Gallery, London.jpg

2024-09-19T23:55:26Z

-+Eyck, Jan van - Portrait of a Man (Self Portrait?) - National Gallery, London.jpg

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	{{Infobox artist		{{Infobox artist
	\| name = Jan van Eyck		\| name = Jan van Eyck
	\| image = Portrait of a Man by ~~Jan~~ ~~van Eyck~~-~~small~~.jpg		\| image = Eyck, Jan van - Portrait of a Man (Self Portrait?) - National Gallery, London.jpg
	\| caption = ''[[Portrait of a Man (Self Portrait?)]]'' by Jan van Eyck, 1433. [[National Gallery]], London		\| caption = ''[[Portrait of a Man (Self Portrait?)]]'' by Jan van Eyck, 1433. [[National Gallery]], London
	\| birth_name =		\| birth_name =

Omnipaedista: replace with semicolon per MOS:DUALPRON

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replace with semicolon per MOS:DUALPRON

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	[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]		[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]

	'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}, {{IPA\|nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.		'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}; {{IPA\|nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.

	The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>		The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>

SunDawn: Reverted edits by 2603:6081:EA00:2C9:E977:ED47:4C6:6952 (talk) (HG) (3.4.10)

2024-08-27T14:39:57Z

Reverted edits by 2603:6081:EA00:2C9:E977:ED47:4C6:6952 (talk) (HG) (3.4.10)

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	His brother [[Hubert van Eyck]] collaborated on Jan's most famous works, the ''Ghent Altarpiece'', generally art historians believe it was begun {{Circa\|1420}} by Hubert and completed by Jan in 1432. Another brother, Lambert, is mentioned in [[Burgundian Netherlands\|Burgundian]] court documents, and may have overseen his brother's workshop after Jan's death.<ref>[http://www.metmuseum.org/toah/hd/eyck/hd_eyck.htm Jan van Eyck (ca. 1380/1390–1441)]". [[Metropolitan Museum of Art]]. Retrieved 17 March 2012.</ref><!-- 60 pages about this in Pacht. -->		His brother [[Hubert van Eyck]] collaborated on Jan's most famous works, the ''Ghent Altarpiece'', generally art historians believe it was begun {{Circa\|1420}} by Hubert and completed by Jan in 1432. Another brother, Lambert, is mentioned in [[Burgundian Netherlands\|Burgundian]] court documents, and may have overseen his brother's workshop after Jan's death.<ref>[http://www.metmuseum.org/toah/hd/eyck/hd_eyck.htm Jan van Eyck (ca. 1380/1390–1441)]". [[Metropolitan Museum of Art]]. Retrieved 17 March 2012.</ref><!-- 60 pages about this in Pacht. -->

	===Maturity and ~~GREATNESS~~===		===Maturity and success===
	[[File:Margareta van Eyck.jpg\|thumb\|''[[Portrait of Margaret van Eyck]]'', [[Groeningemuseum]], [[Bruges]], 1439]]		[[File:Margareta van Eyck.jpg\|thumb\|''[[Portrait of Margaret van Eyck]]'', [[Groeningemuseum]], [[Bruges]], 1439]]
	Considered revolutionary within his lifetime, van Eyck's designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, ''<small>ALS ICH KAN</small>'' ("AS I CAN"), a pun on his name,<ref>Nash (2008), 152</ref> first appeared in 1433 on ''[[Portrait of a Man in a Turban]]'', which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and 1436 are generally considered his high point when he produced works including the ''[[Madonna of Chancellor Rolin]]'', ''[[Lucca Madonna]]'' and ''[[Virgin and Child with Canon van der Paele]]''.		Considered revolutionary within his lifetime, van Eyck's designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, ''<small>ALS ICH KAN</small>'' ("AS I CAN"), a pun on his name,<ref>Nash (2008), 152</ref> first appeared in 1433 on ''[[Portrait of a Man in a Turban]]'', which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and 1436 are generally considered his high point when he produced works including the ''[[Madonna of Chancellor Rolin]]'', ''[[Lucca Madonna]]'' and ''[[Virgin and Child with Canon van der Paele]]''.

2603:6081:EA00:2C9:E977:ED47:4C6:6952: /* Maturity and success */

2024-08-27T14:39:43Z

Maturity and success

← Previous revision		Revision as of 14:39, 27 August 2024
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	His brother [[Hubert van Eyck]] collaborated on Jan's most famous works, the ''Ghent Altarpiece'', generally art historians believe it was begun {{Circa\|1420}} by Hubert and completed by Jan in 1432. Another brother, Lambert, is mentioned in [[Burgundian Netherlands\|Burgundian]] court documents, and may have overseen his brother's workshop after Jan's death.<ref>[http://www.metmuseum.org/toah/hd/eyck/hd_eyck.htm Jan van Eyck (ca. 1380/1390–1441)]". [[Metropolitan Museum of Art]]. Retrieved 17 March 2012.</ref><!-- 60 pages about this in Pacht. -->		His brother [[Hubert van Eyck]] collaborated on Jan's most famous works, the ''Ghent Altarpiece'', generally art historians believe it was begun {{Circa\|1420}} by Hubert and completed by Jan in 1432. Another brother, Lambert, is mentioned in [[Burgundian Netherlands\|Burgundian]] court documents, and may have overseen his brother's workshop after Jan's death.<ref>[http://www.metmuseum.org/toah/hd/eyck/hd_eyck.htm Jan van Eyck (ca. 1380/1390–1441)]". [[Metropolitan Museum of Art]]. Retrieved 17 March 2012.</ref><!-- 60 pages about this in Pacht. -->

	===Maturity and ~~success~~===		===Maturity and GREATNESS===
	[[File:Margareta van Eyck.jpg\|thumb\|''[[Portrait of Margaret van Eyck]]'', [[Groeningemuseum]], [[Bruges]], 1439]]		[[File:Margareta van Eyck.jpg\|thumb\|''[[Portrait of Margaret van Eyck]]'', [[Groeningemuseum]], [[Bruges]], 1439]]
	Considered revolutionary within his lifetime, van Eyck's designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, ''<small>ALS ICH KAN</small>'' ("AS I CAN"), a pun on his name,<ref>Nash (2008), 152</ref> first appeared in 1433 on ''[[Portrait of a Man in a Turban]]'', which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and 1436 are generally considered his high point when he produced works including the ''[[Madonna of Chancellor Rolin]]'', ''[[Lucca Madonna]]'' and ''[[Virgin and Child with Canon van der Paele]]''.		Considered revolutionary within his lifetime, van Eyck's designs and methods were heavily copied and reproduced. His motto, one of the first and still most distinctive signatures in art history, ''<small>ALS ICH KAN</small>'' ("AS I CAN"), a pun on his name,<ref>Nash (2008), 152</ref> first appeared in 1433 on ''[[Portrait of a Man in a Turban]]'', which can be seen as indicative of his emerging self-confidence at the time. The years between 1434 and 1436 are generally considered his high point when he produced works including the ''[[Madonna of Chancellor Rolin]]'', ''[[Lucca Madonna]]'' and ''[[Virgin and Child with Canon van der Paele]]''.

Tom.Reding: {{IPA-nl| → {{IPA|nl|

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	[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]		[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]

	'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}, {{IPA-nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.		'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}, {{IPA\|nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.

	The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>		The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>

Maurice Magnus: /* Sources */ added Wikilink, corrected spelling

2024-08-15T17:44:03Z

Sources: added Wikilink, corrected spelling

← Previous revision		Revision as of 17:44, 15 August 2024
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	* Kren, Thomas; McKendrick, Scott (eds). ''Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe''. Los Angeles: Getty Museum; Royal Academy of Arts, 2003. {{ISBN\|978-1-9039-7328-8}}		* Kren, Thomas; McKendrick, Scott (eds). ''Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe''. Los Angeles: Getty Museum; Royal Academy of Arts, 2003. {{ISBN\|978-1-9039-7328-8}}
	* [[Diarmaid MacCulloch\|MacCulloch, Diarmaid]]. ''[[The Reformation: A History\|The Reformation: Europe's House Divided]]''. London: Penguin Books, 2005. {{ISBN\|978-0-1430-3538-1}}		* [[Diarmaid MacCulloch\|MacCulloch, Diarmaid]]. ''[[The Reformation: A History\|The Reformation: Europe's House Divided]]''. London: Penguin Books, 2005. {{ISBN\|978-0-1430-3538-1}}
	* ~~Macfall~~, Haldane. ''A History of Painting: The Renaissance in the North and the Flemish Genius Part Four''. Whitefish, Montana: Kessinger Publishing, 2004. 15. {{ISBN\|978-1-4179-4509-2}}		* [[Haldane MacFall\|MacFall, Haldane]]. ''A History of Painting: The Renaissance in the North and the Flemish Genius Part Four''. Whitefish, Montana: Kessinger Publishing, 2004. 15. {{ISBN\|978-1-4179-4509-2}}
	* Nash, Susie. ''Northern Renaissance art''. Oxford: Oxford University Press, 2008. {{ISBN\|978-0-1928-4269-5}}		* Nash, Susie. ''Northern Renaissance art''. Oxford: Oxford University Press, 2008. {{ISBN\|978-0-1928-4269-5}}
	* [[Otto Pächt\|Pächt, Otto]]. ''Van Eyck and the Founders of Early Netherlandish Painting''. New York: Harvey Miller, 1994. {{ISBN\|978-1-8725-0181-9}}		* [[Otto Pächt\|Pächt, Otto]]. ''Van Eyck and the Founders of Early Netherlandish Painting''. New York: Harvey Miller, 1994. {{ISBN\|978-1-8725-0181-9}}

Maurice Magnus: /* Sources */ added book, added Wikilink, corrected typo

2024-08-15T17:41:57Z

Sources: added book, added Wikilink, corrected typo

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	=== Sources ===		=== Sources ===
	{{refbegin\|30em}}		{{refbegin\|30em}}
	* [[Maryan Ainsworth\|Ainsworth, Maryan]]; Christiansen, Keith (eds). ''From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art''. New York: Metropolitan Museum of Art, 1998. {{ISBN\|978-0-3000-8609-6}}		* Acres, Alfred. ''Jan Van Eyck: within His Art''. London: Reaktion Books, 2023. {{ISBN\|978-1-78914761-2}}
			* [[Maryan Ainsworth\|Ainsworth, Maryan]]; [[Keith Christiansen (art historian)\|Christiansen, Keith]] (eds.). ''From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art''. New York: Metropolitan Museum of Art, 1998. {{ISBN\|978-0-3000-8609-6}}
	* Bauman, Guy. "Early Flemish ~~Poertaits~~, 1425–1525". ''[[Metropolitan Museum of Art\|Metropolitan Museum of Art Bulletin]]'', Volume 43, no. 4, 1986		* Bauman, Guy. "Early Flemish Portaits, 1425–1525". ''[[Metropolitan Museum of Art\|Metropolitan Museum of Art Bulletin]]'', Volume 43, no. 4, 1986
	* [[Till-Holger Borchert\|Borchert, Till-Holger]]. ''Van Eyck''. London: Taschen, 2008. {{ISBN\|978-3-8228-5687-1}}		* [[Till-Holger Borchert\|Borchert, Till-Holger]]. ''Van Eyck''. London: Taschen, 2008. {{ISBN\|978-3-8228-5687-1}}
	* [[Till-Holger Borchert\|Borchert, Till-Holger]] (ed). ''Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting''. Groeningemuseum, Musea Brugge, 2002		* [[Till-Holger Borchert\|Borchert, Till-Holger]] (ed). ''Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting''. Groeningemuseum, Musea Brugge, 2002

Maurice Magnus: /* External links */ added two external links

2024-08-15T17:25:25Z

External links: added two external links

← Previous revision		Revision as of 17:25, 15 August 2024
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	* [http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll10/id/113542 ''The Renaissance in the North''], a full text exhibition catalog from The Metropolitan Museum of Art, with lengthy discussions of van Eyck		* [http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll10/id/113542 ''The Renaissance in the North''], a full text exhibition catalog from The Metropolitan Museum of Art, with lengthy discussions of van Eyck
	* Christopher D. M. Atkins, “[https://philamuseum.org/collection/object/102076 ''Saint Francis of Assisi Receiving the Stigmata'' by Jan van Eyck (cat. 314)],” in ''[https://publications.philamuseum.org/jgj/vol1 The John G. Johnson Collection: A History and Selected Works]{{Dead link\|date=May 2023 \|bot=InternetArchiveBot \|fix-attempted=yes }}'', a Philadelphia Museum of Art free digital publication		* Christopher D. M. Atkins, “[https://philamuseum.org/collection/object/102076 ''Saint Francis of Assisi Receiving the Stigmata'' by Jan van Eyck (cat. 314)],” in ''[https://publications.philamuseum.org/jgj/vol1 The John G. Johnson Collection: A History and Selected Works]{{Dead link\|date=May 2023 \|bot=InternetArchiveBot \|fix-attempted=yes }}'', a Philadelphia Museum of Art free digital publication
			* Bass, Marisa Anne, [https://www.nybooks.com/online/2024/08/14/worldly-van-eyck/?utm_medium=email&utm_campaign=NYR-081524-Bass_Baconi-news&utm_content=NYR-081524-Bass_Baconi-news+CID_935b94acbf99a4998070cb2b1106d43b&utm_source=Newsletter&utm_term=Worldly%20van%20Eyck "Worldly van Eyck: Was the Netherlandish master a painter of visionary experience or of life here on earth?"]. ''The New York Review of Books'', August 14, 2024.
			* [https://www.louvre.fr/en/exhibitions-and-events/exhibitions/a-new-look-at-jan-van-eyck A New Look at Jan Van Eyck: The Madonna of Chancellor Rolin], Exhibition at [[Louvre]], 20 March – 17 June 2024.

	{{Jan Van Eyck\|state=expanded}}		{{Jan Van Eyck\|state=expanded}}

← Previous revision		Revision as of 07:24, 5 September 2024
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	[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]		[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]

	'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}, {{IPA\|nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.		'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}; {{IPA\|nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.

	The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>		The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>

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	[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]		[[File:Van Eyck - Arnolfini Portrait.jpg\|thumb\|''[[The Arnolfini Portrait]]'', oil on oak, 1434. [[National Gallery (London)\|National Gallery]], London]]

	'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}, {{IPA-nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.		'''Jan van Eyck''' ({{IPAc-en\|v\|æ\|n\|_\|ˈ\|aɪ\|k}} {{respell\|van\|_\|EYEK}}, {{IPA\|nl\|ˈjɑɱ vɑn ˈɛik\|lang}}; {{c.\| before 1390}} – 9 July 1441) was a [[Flemish people\|Flemish]] painter active in [[Bruges]] who was one of the early innovators of what became known as [[Early Netherlandish painting]], and one of the most significant representatives of Early [[Northern Renaissance]] art. According to [[Vasari]] and other art historians including [[Ernst Gombrich]], he invented [[oil painting]],<Ref> Gombrich, The Story of Art, page 240 </Ref> though most now regard that claim as an oversimplification.

	The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>		The surviving records indicate that he was born around 1380 or 1390, in [[Maaseik]] (then Maaseyck, hence his name), [[Limburg (Belgium)\|Limburg]], which is located in present-day [[Belgium]]. He took employment in [[The Hague]] around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''[[valet de chambre]]'' to [[John III, Duke of Bavaria\|John III the Pitiless]], ruler of the counties of [[County of Holland\|Holland]] and [[County of Hainaut\|Hainaut]]. After John's death in 1425, he was later appointed as court painter to [[Philip the Good]], [[Duke of Burgundy]], and worked in [[Lille]] before moving to [[Bruges]] in 1429, where he lived until his death. He was highly regarded by Philip, and undertook a number of diplomatic visits abroad, including to [[Lisbon]] in 1428 to explore the possibility of a marriage contract between the duke and [[Isabella of Portugal, Duchess of Burgundy\|Isabella of Portugal]].<ref>See M. Parada Lopez de Corselas, El viaje de Jan van Eyck de Flandes a Granada (1428–1429), Madrid: La Ergastula, 2016 {{ISBN\|978-84-16242-20-7}}</ref>

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	* Kren, Thomas; McKendrick, Scott (eds). ''Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe''. Los Angeles: Getty Museum; Royal Academy of Arts, 2003. {{ISBN\|978-1-9039-7328-8}}		* Kren, Thomas; McKendrick, Scott (eds). ''Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe''. Los Angeles: Getty Museum; Royal Academy of Arts, 2003. {{ISBN\|978-1-9039-7328-8}}
	* [[Diarmaid MacCulloch\|MacCulloch, Diarmaid]]. ''[[The Reformation: A History\|The Reformation: Europe's House Divided]]''. London: Penguin Books, 2005. {{ISBN\|978-0-1430-3538-1}}		* [[Diarmaid MacCulloch\|MacCulloch, Diarmaid]]. ''[[The Reformation: A History\|The Reformation: Europe's House Divided]]''. London: Penguin Books, 2005. {{ISBN\|978-0-1430-3538-1}}
	* ~~Macfall~~, Haldane. ''A History of Painting: The Renaissance in the North and the Flemish Genius Part Four''. Whitefish, Montana: Kessinger Publishing, 2004. 15. {{ISBN\|978-1-4179-4509-2}}		* [[Haldane MacFall\|MacFall, Haldane]]. ''A History of Painting: The Renaissance in the North and the Flemish Genius Part Four''. Whitefish, Montana: Kessinger Publishing, 2004. 15. {{ISBN\|978-1-4179-4509-2}}
	* Nash, Susie. ''Northern Renaissance art''. Oxford: Oxford University Press, 2008. {{ISBN\|978-0-1928-4269-5}}		* Nash, Susie. ''Northern Renaissance art''. Oxford: Oxford University Press, 2008. {{ISBN\|978-0-1928-4269-5}}
	* [[Otto Pächt\|Pächt, Otto]]. ''Van Eyck and the Founders of Early Netherlandish Painting''. New York: Harvey Miller, 1994. {{ISBN\|978-1-8725-0181-9}}		* [[Otto Pächt\|Pächt, Otto]]. ''Van Eyck and the Founders of Early Netherlandish Painting''. New York: Harvey Miller, 1994. {{ISBN\|978-1-8725-0181-9}}

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	=== Sources ===		=== Sources ===
	{{refbegin\|30em}}		{{refbegin\|30em}}
	* [[Maryan Ainsworth\|Ainsworth, Maryan]]; Christiansen, Keith (eds). ''From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art''. New York: Metropolitan Museum of Art, 1998. {{ISBN\|978-0-3000-8609-6}}		* Acres, Alfred. ''Jan Van Eyck: within His Art''. London: Reaktion Books, 2023. {{ISBN\|978-1-78914761-2}}
			* [[Maryan Ainsworth\|Ainsworth, Maryan]]; [[Keith Christiansen (art historian)\|Christiansen, Keith]] (eds.). ''From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art''. New York: Metropolitan Museum of Art, 1998. {{ISBN\|978-0-3000-8609-6}}
	* Bauman, Guy. "Early Flemish ~~Poertaits~~, 1425–1525". ''[[Metropolitan Museum of Art\|Metropolitan Museum of Art Bulletin]]'', Volume 43, no. 4, 1986		* Bauman, Guy. "Early Flemish Portaits, 1425–1525". ''[[Metropolitan Museum of Art\|Metropolitan Museum of Art Bulletin]]'', Volume 43, no. 4, 1986
	* [[Till-Holger Borchert\|Borchert, Till-Holger]]. ''Van Eyck''. London: Taschen, 2008. {{ISBN\|978-3-8228-5687-1}}		* [[Till-Holger Borchert\|Borchert, Till-Holger]]. ''Van Eyck''. London: Taschen, 2008. {{ISBN\|978-3-8228-5687-1}}
	* [[Till-Holger Borchert\|Borchert, Till-Holger]] (ed). ''Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting''. Groeningemuseum, Musea Brugge, 2002		* [[Till-Holger Borchert\|Borchert, Till-Holger]] (ed). ''Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting''. Groeningemuseum, Musea Brugge, 2002