Peter Ilsted - Revision history

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2024-10-08T22:30:54Z

Rescuing 12 sources and tagging 0 as dead.) #IABot (v2.0.9.5

← Previous revision		Revision as of 22:30, 8 October 2024
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	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

	'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish [[printmaker]] and [[painter]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= https://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon		'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish [[printmaker]] and [[painter]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= https://runeberg.org/dbl/8/0279.html\|title= Ilsted, Peter Vilhelm, f. 1861\|publisher= Dansk biografisk Lexikon\|access-date= March 1, 2019\|archive-date= January 26, 2019\|archive-url= https://web.archive.org/web/20190126111156/https://runeberg.org/dbl/8/0279.html\|url-status= live}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Jens Peter Munk\|accessdate= March 1, 2019\|archive-date= March 29, 2019\|archive-url= https://web.archive.org/web/20190329204021/https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid%3DC2CA0E3C758E59A1157BC5AA40B5614D%3FkunstnerId%3D103%26wsektion%3Dbiografi\|url-status= live}}</ref>
	\|access-date=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>

	==Biography==		==Biography==
	Peter Vilhelm Ilsted was born at [[Sakskøbing]] in [[Guldborgsund]], Denmark. He was the son of merchant Jens Peter Ilsted and Johanne Sophie Lund. His sister Ida married the painter [[Vilhelm Hammershøi]] (1864–1916) in 1891.<ref>{{Cite web \|title=Ida Hammershøi: The identity of art's most famous 'faceless woman' \|url=https://www.bbc.com/culture/article/20240710-the-identity-of-arts-most-famous-faceless-woman \|access-date=12 July 2024 \|website=www.bbc.com \|language=en-GB}}</ref> He married Ingeborg Lovisa Petersen (1869–1945) in 1891.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do?kunstnerId=63&wsektion=biografi\|title= Vilhelm Hammershøi\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author=Erik Brodersen \|accessdate=March 1, 2019}}</ref>		Peter Vilhelm Ilsted was born at [[Sakskøbing]] in [[Guldborgsund]], Denmark. He was the son of merchant Jens Peter Ilsted and Johanne Sophie Lund. His sister Ida married the painter [[Vilhelm Hammershøi]] (1864–1916) in 1891.<ref>{{Cite web \|title=Ida Hammershøi: The identity of art's most famous 'faceless woman' \|url=https://www.bbc.com/culture/article/20240710-the-identity-of-arts-most-famous-faceless-woman \|access-date=12 July 2024 \|website=www.bbc.com \|language=en-GB \|archive-date=11 July 2024 \|archive-url=https://web.archive.org/web/20240711234043/https://www.bbc.com/culture/article/20240710-the-identity-of-arts-most-famous-faceless-woman \|url-status=live }}</ref> He married Ingeborg Lovisa Petersen (1869–1945) in 1891.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do?kunstnerId=63&wsektion=biografi\|title= Vilhelm Hammershøi\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Erik Brodersen\|accessdate= March 1, 2019\|archive-date= March 29, 2019\|archive-url= https://web.archive.org/web/20190329222703/https://www.kulturarv.dk/kid/VisWeilbach.do?kunstnerId=63&wsektion=biografi\|url-status= live}}</ref>

	He came to the [[Royal Danish Academy of Fine Arts]] in 1878, completing his course of study in five years. He made his debut at the [[Charlottenborg Spring Exhibition]] in 1883. Two years later, he joined a study trip across Italy to Egypt, Palestine, Greece and Turkey. Later he visited Scotland, England, Holland, Belgium, Spain, Morocco and France. With support from the Cultural Ministry, he traveled to the [[Exposition Universelle (1889)]] in Paris. He was awarded the [[Eckersberg Medal]] in 1890 and 1899. He became an assistant at the Royal Danish Academy from 1893–1905 and worked periodically as a [[conservator-restorer]]. Ilsted died in Copenhagen in 1933.<ref name="pvi"/>		He came to the [[Royal Danish Academy of Fine Arts]] in 1878, completing his course of study in five years. He made his debut at the [[Charlottenborg Spring Exhibition]] in 1883. Two years later, he joined a study trip across Italy to Egypt, Palestine, Greece and Turkey. Later he visited Scotland, England, Holland, Belgium, Spain, Morocco and France. With support from the Cultural Ministry, he traveled to the [[Exposition Universelle (1889)]] in Paris. He was awarded the [[Eckersberg Medal]] in 1890 and 1899. He became an assistant at the Royal Danish Academy from 1893–1905 and worked periodically as a [[conservator-restorer]]. Ilsted died in Copenhagen in 1933.<ref name="pvi"/>

	==Artistic style==		==Artistic style==
	Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of Ilsted's works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling		Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of Ilsted's works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate= March 1, 2019\|archive-date= March 29, 2019\|archive-url= https://web.archive.org/web/20190329222640/https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|url-status= live}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted\|publisher= Hirschl & Andadler Gallery\|accessdate= March 1, 2019\|archive-date= March 5, 2019\|archive-url= https://web.archive.org/web/20190305103746/http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|url-status= live}}</ref><ref>{{cite web \|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling \|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|date= 3 March 2016 \|accessdate= March 1, 2019 \|archive-date= 16 March 2019 \|archive-url= https://web.archive.org/web/20190316124228/http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling \|url-status= live }}</ref>
		⚫	<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School\|date= 15 October 2012\|publisher= flickr.com\|accessdate= March 1, 2019\|archive-date= 6 April 2019\|archive-url= https://web.archive.org/web/20190406130739/https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|url-status= live}}</ref>
	\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|date= 3 March 2016 \|accessdate=March 1, 2019}}</ref>
⚫	<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|date= 15 October 2012 \|publisher= flickr.com
	\|accessdate=March 1, 2019}}</ref>

	While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933		While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933\|publisher= fondationcustodia.fr\|accessdate= March 1, 2019\|archive-date= March 29, 2019\|archive-url= https://web.archive.org/web/20190329222745/https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|url-status= live}}</ref><ref>{{cite web \|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted – Scandinavian Art of Light and Peace \|publisher= Boijmans \|accessdate= March 1, 2019 \|archive-date= March 29, 2019 \|archive-url= https://web.archive.org/web/20190329204020/https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|url-status= live }}</ref>
	\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted – Scandinavian Art of Light and Peace\|publisher= Boijmans
	\|accessdate=March 1, 2019}}</ref>

	Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877–1942), Manuel Robbe (1872– 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/		Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877–1942), Manuel Robbe (1872– 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web
			\|url= http://www.tfsimon.com/
	\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019~~}}</ref>~~		\|title= Tavik František Šimon
			\|publisher= tfsimon.com
			\|accessdate= March 1, 2019
			\|archive-date= July 25, 2020
⚫	<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>
			\|archive-url= https://web.archive.org/web/20200725142935/http://www.tfsimon.com/
			\|url-status= live
			}}</ref>
		⚫	<ref>{{cite web \|url=https://galeriemax.com/artist/manuel-robbe \|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019 \|archive-date=March 29, 2019 \|archive-url=https://web.archive.org/web/20190329204025/https://galeriemax.com/artist/manuel-robbe \|url-status=live }}</ref>

	The [[Metropolitan Museum of Art]] (New York) held an important exhibition on the work of Ilsted, Hammershøi, and Vermeer in 2001.		The [[Metropolitan Museum of Art]] (New York) held an important exhibition on the work of Ilsted, Hammershøi, and Vermeer in 2001.

Mujinga: fixed dashes using User:Ohconfucius/dashes.js

2024-10-08T22:30:17Z

fixed dashes using User:Ohconfucius/dashes.js

← Previous revision		Revision as of 22:30, 8 October 2024
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	While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933		While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933
	\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted - Scandinavian Art of Light and Peace\|publisher= Boijmans		\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted – Scandinavian Art of Light and Peace\|publisher= Boijmans
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

	Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (~~1877-1942~~), Manuel Robbe (~~1872-~~ 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/		Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877–1942), Manuel Robbe (1872– 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/
	\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>		\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>		<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>
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	==Other sources==		==Other sources==
	*Donson, Theodore B. (1990) ''Peter Ilsted (~~1861-1933~~): Sunshine and Silent Rooms'' (Theodore B. Donson Ltd.)		*Donson, Theodore B. (1990) ''Peter Ilsted (1861–1933): Sunshine and Silent Rooms'' (Theodore B. Donson Ltd.)
	*Lange, Bente (2011) ''Den Frie – Kunstnernes Hus'' (Den Frie Udstillingsbygning) {{ISBN\|978-87-993178-3-7}}		*Lange, Bente (2011) ''Den Frie – Kunstnernes Hus'' (Den Frie Udstillingsbygning) {{ISBN\|978-87-993178-3-7}}
	*Berman, Patricia G. (2007) ''In Another Light: Danish Painting in the Nineteenth Century'' (Vendome Press) {{ISBN\|978-0865651814}}		*Berman, Patricia G. (2007) ''In Another Light: Danish Painting in the Nineteenth Century'' (Vendome Press) {{ISBN\|978-0865651814}}

Nedrutland: /* Biography */

2024-07-12T12:40:44Z

Biography

← Previous revision		Revision as of 12:40, 12 July 2024
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	==Biography==		==Biography==
	Peter Vilhelm Ilsted was born at [[Sakskøbing]] in [[Guldborgsund]], Denmark. He was the son of merchant Jens Peter Ilsted and Johanne Sophie Lund. He ~~was~~ ~~the~~ ~~brother-in-law~~ of painter [[Vilhelm Hammershøi]] (1864–1916). He married Ingeborg Lovisa Petersen (1869–1945) in 1891.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do?kunstnerId=63&wsektion=biografi\|title= Vilhelm Hammershøi\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author=Erik Brodersen \|accessdate=March 1, 2019}}</ref>		Peter Vilhelm Ilsted was born at [[Sakskøbing]] in [[Guldborgsund]], Denmark. He was the son of merchant Jens Peter Ilsted and Johanne Sophie Lund. His sister Ida married the painter [[Vilhelm Hammershøi]] (1864–1916) in 1891.<ref>{{Cite web \|title=Ida Hammershøi: The identity of art's most famous 'faceless woman' \|url=https://www.bbc.com/culture/article/20240710-the-identity-of-arts-most-famous-faceless-woman \|access-date=12 July 2024 \|website=www.bbc.com \|language=en-GB}}</ref> He married Ingeborg Lovisa Petersen (1869–1945) in 1891.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do?kunstnerId=63&wsektion=biografi\|title= Vilhelm Hammershøi\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author=Erik Brodersen \|accessdate=March 1, 2019}}</ref>

	He came to the [[Royal Danish Academy of Fine Arts]] in 1878, completing his course of study in five years. He made his debut at the [[Charlottenborg Spring Exhibition]] in 1883. Two years later, he joined a study trip across Italy to Egypt, Palestine, Greece and Turkey. Later he visited Scotland, England, Holland, Belgium, Spain, Morocco and France. With support from the Cultural Ministry, he traveled to the [[Exposition Universelle (1889)]] in Paris. He was awarded the [[Eckersberg Medal]] in 1890 and 1899. He became an assistant at the Royal Danish Academy from 1893–1905 and worked periodically as a [[conservator-restorer]]. Ilsted died in Copenhagen ~~during~~ 1933.<ref name="pvi"/>		He came to the [[Royal Danish Academy of Fine Arts]] in 1878, completing his course of study in five years. He made his debut at the [[Charlottenborg Spring Exhibition]] in 1883. Two years later, he joined a study trip across Italy to Egypt, Palestine, Greece and Turkey. Later he visited Scotland, England, Holland, Belgium, Spain, Morocco and France. With support from the Cultural Ministry, he traveled to the [[Exposition Universelle (1889)]] in Paris. He was awarded the [[Eckersberg Medal]] in 1890 and 1899. He became an assistant at the Royal Danish Academy from 1893–1905 and worked periodically as a [[conservator-restorer]]. Ilsted died in Copenhagen in 1933.<ref name="pvi"/>

	==Artistic style==		==Artistic style==

Citation bot: Add: date. | Use this bot. Report bugs. | Suggested by Abductive | Category:Recipients of the Eckersberg Medal‎ | #UCB_Category 14/211

2024-01-02T07:48:47Z

Add: date. | Use this bot. Report bugs. | Suggested by Abductive | Category:Recipients of the Eckersberg Medal‎ | #UCB_Category 14/211

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	==Artistic style==		==Artistic style==
	Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of Ilsted's works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling		Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of Ilsted's works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling
	\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|accessdate=March 1, 2019}}</ref>		\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|date= 3 March 2016 \|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|publisher= flickr.com		<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|date= 15 October 2012 \|publisher= flickr.com
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

GreenC bot: Move 1 url. Wayback Medic 2.5

2023-12-26T05:05:45Z

Move 1 url. Wayback Medic 2.5

← Previous revision		Revision as of 05:05, 26 December 2023
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	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

	'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish [[printmaker]] and [[painter]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= ~~http~~://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon		'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish [[printmaker]] and [[painter]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= https://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon
	\|~~accessdate~~=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>		\|access-date=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>

	==Biography==		==Biography==

Onel5969: /* Artistic style */clean up, typo(s) fixed: ’s → 's (6)

2023-06-16T00:05:54Z

Artistic style: clean up, typo(s) fixed: ’s → 's (6)

← Previous revision		Revision as of 00:05, 16 June 2023
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	==Artistic style==		==Artistic style==
	Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of ~~Ilsted’s~~ works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling		Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of Ilsted's works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling
	\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|accessdate=March 1, 2019}}</ref>		\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|publisher= flickr.com		<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|publisher= flickr.com
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

	While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. ~~Hammershøi’s~~ work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes ~~Hammershøi’s~~ colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. ~~Ilsted’s~~ mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where ~~Europe’s~~ art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933		While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933
	\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted - Scandinavian Art of Light and Peace\|publisher= Boijmans		\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted - Scandinavian Art of Light and Peace\|publisher= Boijmans
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

	Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. ~~Ilsted’s~~ achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877-1942), Manuel Robbe (1872- 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/		Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877-1942), Manuel Robbe (1872- 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/
	\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>		\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>		<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>

Daehan at 09:23, 27 January 2023

2023-01-27T09:23:34Z

← Previous revision		Revision as of 09:23, 27 January 2023
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	{{Short description\|Danish ~~artist~~ and ~~printmaker~~}}		{{Short description\|Danish printmaker and painter}}
	[[File:Peter ilsted.jpg\|thumb\|''Artist's self-portrait with a cigaret'', 1898]]		[[File:Peter ilsted.jpg\|thumb\|''Artist's self-portrait with a cigaret'', 1898]]
	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

	'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish ~~artist~~ and [[~~printmaker~~]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= http://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon		'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish [[printmaker]] and [[painter]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= http://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon
	\|accessdate=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>

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	[[Category:1933 deaths]]		[[Category:1933 deaths]]
	[[Category:People from Guldborgsund Municipality]]		[[Category:People from Guldborgsund Municipality]]
		⚫	[[Category:19th-century Danish engravers]]
		⚫	[[Category:20th-century Danish engravers]]
	[[Category:19th-century Danish painters]]		[[Category:19th-century Danish painters]]
⚫	[[Category:Danish male painters]]
	[[Category:20th-century Danish painters]]		[[Category:20th-century Danish painters]]
		⚫	[[Category:Danish male painters]]
	[[Category:Recipients of the Eckersberg Medal]]		[[Category:Recipients of the Eckersberg Medal]]
⚫	[[Category:19th-century Danish ~~male artists~~]]
⚫	[[Category:20th-century Danish ~~male artists~~]]

Trayed at 07:25, 2 January 2023

2023-01-02T07:25:58Z

← Previous revision		Revision as of 07:25, 2 January 2023
Line 1:		Line 1:
			{{Short description\|Danish artist and printmaker}}
	[[File:Peter ilsted.jpg\|thumb\|''Artist's self-portrait with a cigaret'', 1898]]		[[File:Peter ilsted.jpg\|thumb\|''Artist's self-portrait with a cigaret'', 1898]]
	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

Skyerise: leading

2022-09-17T15:42:18Z

leading

← Previous revision		Revision as of 15:42, 17 September 2022
Line 2:		Line 2:
	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

	'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a ~~leading~~ Danish artist and [[printmaker]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= http://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon		'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish artist and [[printmaker]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= http://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon
	\|accessdate=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>

Ser Amantio di Nicolao: /* External links */add Category:20th-century Danish male artists

2022-05-19T05:51:34Z

External links: add Category:20th-century Danish male artists

← Previous revision		Revision as of 05:51, 19 May 2022
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	[[Category:Recipients of the Eckersberg Medal]]		[[Category:Recipients of the Eckersberg Medal]]
	[[Category:19th-century Danish male artists]]		[[Category:19th-century Danish male artists]]
			[[Category:20th-century Danish male artists]]

← Previous revision		Revision as of 22:30, 8 October 2024
Line 18:		Line 18:

	While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933		While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933
	\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted - Scandinavian Art of Light and Peace\|publisher= Boijmans		\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted – Scandinavian Art of Light and Peace\|publisher= Boijmans
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

	Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (~~1877-1942~~), Manuel Robbe (~~1872-~~ 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/		Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877–1942), Manuel Robbe (1872– 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/
	\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>		\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>		<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>
Line 41:		Line 41:

	==Other sources==		==Other sources==
	*Donson, Theodore B. (1990) ''Peter Ilsted (~~1861-1933~~): Sunshine and Silent Rooms'' (Theodore B. Donson Ltd.)		*Donson, Theodore B. (1990) ''Peter Ilsted (1861–1933): Sunshine and Silent Rooms'' (Theodore B. Donson Ltd.)
	*Lange, Bente (2011) ''Den Frie – Kunstnernes Hus'' (Den Frie Udstillingsbygning) {{ISBN\|978-87-993178-3-7}}		*Lange, Bente (2011) ''Den Frie – Kunstnernes Hus'' (Den Frie Udstillingsbygning) {{ISBN\|978-87-993178-3-7}}
	*Berman, Patricia G. (2007) ''In Another Light: Danish Painting in the Nineteenth Century'' (Vendome Press) {{ISBN\|978-0865651814}}		*Berman, Patricia G. (2007) ''In Another Light: Danish Painting in the Nineteenth Century'' (Vendome Press) {{ISBN\|978-0865651814}}

← Previous revision		Revision as of 00:05, 16 June 2023
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	==Artistic style==		==Artistic style==
	Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of ~~Ilsted’s~~ works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling		Peter Ilsted and Vilhelm Hammershøi, together with [[Carl Holsøe]] (1863–1935), were leading artists in early 20th-century Denmark. All three artists were members of the [[Den Frie Udstilling\|Free Exhibitions]] (''Den Frie Udstilling''), a progressive artists association founded in 1891. They are famous for painting images of "Sunshine and Silent Rooms", all in subtle colors. Their works reflect the orderliness of a tranquil life — similar to the earlier works of [[Vermeer]]. Their art was later referred to as the ‘Copenhagen Interior School’. These interiors evoke at once a sense of calm and mystery. The orderly rooms are often viewed from behind—causing one to wonder whether the scenes are really tranquil. [[James McNeill Whistler]], [[Duret]] and important art critics were early admirers and collectors of Ilsted's works.<ref>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbachRefresh.do?kunstnerId=92&wsektion=biografi\|title= Carl Holsøe\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon\|author= Vera Rasmussen\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://www.hirschlandadler.com/galleries/peter-vilhelm-ilsted\|title= Peter Vilhelm Ilsted \|publisher=Hirschl & Andadler Gallery \|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= http://denstoredanske.dk/Kunst_og_kultur/Billedkunst/Billedkunst,_Danmark_generelt/Den_Frie_Udstilling
	\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|accessdate=March 1, 2019}}</ref>		\|title= Den Frie Udstilling \|publisher= Den Store Danske, Gyldendal \|author= Bente Scavenius \|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|publisher= flickr.com		<ref>{{cite web\|url= https://www.flickr.com/photos/9739200@N08/sets/72157629910180769/\|title= Copenhagen Interior School \|publisher= flickr.com
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

	While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. ~~Hammershøi’s~~ work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes ~~Hammershøi’s~~ colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. ~~Ilsted’s~~ mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where ~~Europe’s~~ art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933		While at first glance their work appears similar, Ilsted and Hammershøi were in fact quite different. Hammershøi's work has an aloof austerity, in contrast to Ilsted's scenes of common life. Though sometimes Hammershøi's colorful early pictures are reminiscent of [[James Tissot]] (1836–1902), his work is quintessentially Danish. However, Ilsted was more of a technician, and he made considerable contributions in the field of graphic arts. Ilsted's mezzotints (sometimes printed in colour [[à la poupée]]) were very popular and important in his day. They were an innovation in the media. Ilsted exhibited his work all over Europe, in London in 1907, in Germany and at the [[Paris Salon]], where Europe's art community was first exposed to his work.<ref>{{cite web\|url= https://www.fondationcustodia.fr/47-Peter-Vilhelm-Ilsted-328\|title= Peter Vilhelm Ilsted, Sakskøbing 1861 – 1933
	\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted - Scandinavian Art of Light and Peace\|publisher= Boijmans		\|publisher= fondationcustodia.fr\|accessdate=March 1, 2019}}</ref><ref>{{cite web\|url= https://www.boijmans.nl/en/exhibitions/hammershoei-and-ilsted-scandinavian-art-of-light-and-peace \|title= Hammershøi and Ilsted - Scandinavian Art of Light and Peace\|publisher= Boijmans
	\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref>

	Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. ~~Ilsted’s~~ achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877-1942), Manuel Robbe (1872- 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/		Ilsted was a great success in his lifetime and won many awards and accolades for his work. He was the only member of the group to also focus on printmaking. Ilsted's achievements in mezzotints were revolutionary. Some of his [[mezzotint]]s, most of which were created in black as well as color editions, are considered among the greatest ever made. His greatest contribution, which [[T. F. Šimon]] (1877-1942), Manuel Robbe (1872- 1936), and others seemingly adopted was that of inking the plate ''[[A la poupée\|à la poupée]]''. Some art historians have argued that these three men created the technique at about the same time but without consultation. This is uncertain.<ref>{{cite web\|url= http://www.tfsimon.com/
	\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>		\|title= Tavik František Šimon \|publisher= tfsimon.com\|accessdate=March 1, 2019}}</ref>
	<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>		<ref>{{cite web\|url= https://galeriemax.com/artist/manuel-robbe\|title=Manuel Robbe \|publisher=Galerie Maximillian \|accessdate=March 1, 2019}}</ref>

← Previous revision		Revision as of 07:25, 2 January 2023
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			{{Short description\|Danish artist and printmaker}}
	[[File:Peter ilsted.jpg\|thumb\|''Artist's self-portrait with a cigaret'', 1898]]		[[File:Peter ilsted.jpg\|thumb\|''Artist's self-portrait with a cigaret'', 1898]]
	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

← Previous revision		Revision as of 15:42, 17 September 2022
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	[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]		[[File:Peter Ilsted - Sunshine Falling on a Door.jpg\|thumb\|''Sunshine Falling on a Door'', [[mezzotint]] in black, Vess Collection]]

	'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a ~~leading~~ Danish artist and [[printmaker]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= http://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon		'''Peter Ilsted''' (14 February 1861 – 16 April 1933) was a Danish artist and [[printmaker]]. He was most associated with domestic interior scenes.<ref>{{cite web\|url= http://runeberg.org/dbl/8/0279.html\|title=Ilsted, Peter Vilhelm, f. 1861 \|publisher= Dansk biografisk Lexikon
	\|accessdate=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>		\|accessdate=March 1, 2019}}</ref><ref name=pvi>{{cite web\|url= https://www.kulturarv.dk/kid/VisWeilbach.do;jsessionid=C2CA0E3C758E59A1157BC5AA40B5614D?kunstnerId=103&wsektion=biografi\|title= Peter Ilsted\|publisher= Kunstindeks Danmark & Weilbach Kunstnerleksikon \|author= Jens Peter Munk\|accessdate=March 1, 2019}}</ref>