Woody Shaw - Revision history

98.7.215.61: /* Legacy revival */

2024-09-29T09:36:12Z

Legacy revival

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	In 2012, PopMarket, a division of Sony Legacy, released ''[[Woody Shaw: The Complete Columbia Albums Collection]]'', and in 2013, Mosaic Records released ''[[Woody Shaw: The Complete Muse Sessions]]'', for which NPR described Shaw as "the last great trumpet innovator".<ref>West, Michael J. (August 14, 2013) [http://npr.org/blogs/ablogsupreme/2013/08/14/210572029/woody-shaw-the-last-great-trumpet-innovator "Woody Shaw: The Last Great Trumpet Innovator".] npr.org. Retrieved October 24, 2013.</ref>		In 2012, PopMarket, a division of Sony Legacy, released ''[[Woody Shaw: The Complete Columbia Albums Collection]]'', and in 2013, Mosaic Records released ''[[Woody Shaw: The Complete Muse Sessions]]'', for which NPR described Shaw as "the last great trumpet innovator".<ref>West, Michael J. (August 14, 2013) [http://npr.org/blogs/ablogsupreme/2013/08/14/210572029/woody-shaw-the-last-great-trumpet-innovator "Woody Shaw: The Last Great Trumpet Innovator".] npr.org. Retrieved October 24, 2013.</ref>

	Shaw III, the primary inspiration for Shaw's third Columbia album, ''[[Woody III]]'' (dedicated to Shaw's father and newborn son), is the sole heir to his father's legacy. Today, Shaw III preserves the Shaw legacy through the production, management, archiving and preservation of his father's life's work. Shaw's legacy is kept active and relevant through the use of social media and the official website~~. The Shaw name and legacy are administered by Woody Shaw Legacy LLC~~.		Shaw III, the primary inspiration for Shaw's third Columbia album, ''[[Woody III]]'' (dedicated to Shaw's father and newborn son), is the sole heir to his father's legacy. Today, Shaw III preserves the Shaw legacy through the production, management, archiving and preservation of his father's life's work. Shaw's legacy is kept active and relevant through the use of social media and the official website.

	==Innovations==		==Innovations==

98.7.215.61: /* Legacy revival */

2024-09-29T09:35:33Z

Legacy revival

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	In 2012, PopMarket, a division of Sony Legacy, released ''[[Woody Shaw: The Complete Columbia Albums Collection]]'', and in 2013, Mosaic Records released ''[[Woody Shaw: The Complete Muse Sessions]]'', for which NPR described Shaw as "the last great trumpet innovator".<ref>West, Michael J. (August 14, 2013) [http://npr.org/blogs/ablogsupreme/2013/08/14/210572029/woody-shaw-the-last-great-trumpet-innovator "Woody Shaw: The Last Great Trumpet Innovator".] npr.org. Retrieved October 24, 2013.</ref>		In 2012, PopMarket, a division of Sony Legacy, released ''[[Woody Shaw: The Complete Columbia Albums Collection]]'', and in 2013, Mosaic Records released ''[[Woody Shaw: The Complete Muse Sessions]]'', for which NPR described Shaw as "the last great trumpet innovator".<ref>West, Michael J. (August 14, 2013) [http://npr.org/blogs/ablogsupreme/2013/08/14/210572029/woody-shaw-the-last-great-trumpet-innovator "Woody Shaw: The Last Great Trumpet Innovator".] npr.org. Retrieved October 24, 2013.</ref>

	Shaw III, the primary inspiration for Shaw's third Columbia album, ''[[Woody III]]'' (dedicated to Shaw's father and newborn son), is the sole heir to his father's legacy. Today, Shaw III preserves the Shaw legacy through the production, management, archiving and preservation of his father's life's work. ~~As of 2013, he is stated to be authoring the first official biography on his father's life and music.~~ Shaw's legacy is kept active and relevant through the use of social media and the official website. The Shaw name and legacy are administered by Woody Shaw Legacy LLC.		Shaw III, the primary inspiration for Shaw's third Columbia album, ''[[Woody III]]'' (dedicated to Shaw's father and newborn son), is the sole heir to his father's legacy. Today, Shaw III preserves the Shaw legacy through the production, management, archiving and preservation of his father's life's work. Shaw's legacy is kept active and relevant through the use of social media and the official website. The Shaw name and legacy are administered by Woody Shaw Legacy LLC.

	==Innovations==		==Innovations==

98.7.215.61: /* Legacy revival */

2024-09-29T09:35:05Z

Legacy revival

← Previous revision		Revision as of 09:35, 29 September 2024
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	In 2012, PopMarket, a division of Sony Legacy, released ''[[Woody Shaw: The Complete Columbia Albums Collection]]'', and in 2013, Mosaic Records released ''[[Woody Shaw: The Complete Muse Sessions]]'', for which NPR described Shaw as "the last great trumpet innovator".<ref>West, Michael J. (August 14, 2013) [http://npr.org/blogs/ablogsupreme/2013/08/14/210572029/woody-shaw-the-last-great-trumpet-innovator "Woody Shaw: The Last Great Trumpet Innovator".] npr.org. Retrieved October 24, 2013.</ref>		In 2012, PopMarket, a division of Sony Legacy, released ''[[Woody Shaw: The Complete Columbia Albums Collection]]'', and in 2013, Mosaic Records released ''[[Woody Shaw: The Complete Muse Sessions]]'', for which NPR described Shaw as "the last great trumpet innovator".<ref>West, Michael J. (August 14, 2013) [http://npr.org/blogs/ablogsupreme/2013/08/14/210572029/woody-shaw-the-last-great-trumpet-innovator "Woody Shaw: The Last Great Trumpet Innovator".] npr.org. Retrieved October 24, 2013.</ref>

	Shaw III, the primary inspiration for Shaw's third Columbia album, ''[[Woody III]]'' (dedicated to Shaw's father and newborn son), is the sole heir to ~~the~~ ~~Shaw family~~ legacy. Today, Shaw III preserves the Shaw legacy through the production, management, archiving and preservation of his father's life's work. As of 2013, he is stated to be authoring the first official biography on his father's life and music. Shaw's legacy is kept active and relevant through the use of social media and the official website. The Shaw name and legacy are administered by Woody Shaw Legacy LLC.		Shaw III, the primary inspiration for Shaw's third Columbia album, ''[[Woody III]]'' (dedicated to Shaw's father and newborn son), is the sole heir to his father's legacy. Today, Shaw III preserves the Shaw legacy through the production, management, archiving and preservation of his father's life's work. As of 2013, he is stated to be authoring the first official biography on his father's life and music. Shaw's legacy is kept active and relevant through the use of social media and the official website. The Shaw name and legacy are administered by Woody Shaw Legacy LLC.

	==Innovations==		==Innovations==

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Early life and background

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	===Early life and background===		===Early life and background===
	Woody Shaw was born in [[Laurinburg, North Carolina]].<ref name="LarkinJazz">{{cite book\|title=[[Encyclopedia of Popular Music\|The Guinness Who's Who of Jazz]]\|editor=[[Colin Larkin (writer)\|Colin Larkin]]\|publisher=[[Guinness Publishing]]\|date=1992\|edition=First\|isbn=0-85112-580-8\|pages=358/9}}</ref> When Shaw was a year old, his parents, Rosalie Pegues and Woody Shaw Sr., took their son to [[Newark, New Jersey]],<ref name="LarkinJazz"/>. Shaw's father was a member of the African American gospel group, ~~the~~ Diamond Jubilee Singers. Both parents attended the same secondary private school as [[Dizzy Gillespie]]: [[Laurinburg Institute]].<ref name="AMG"/> Shaw's mother and Gillespie were both from the same town, [[Cheraw, South Carolina]].		Woody Shaw was born in [[Laurinburg, North Carolina]].<ref name="LarkinJazz">{{cite book\|title=[[Encyclopedia of Popular Music\|The Guinness Who's Who of Jazz]]\|editor=[[Colin Larkin (writer)\|Colin Larkin]]\|publisher=[[Guinness Publishing]]\|date=1992\|edition=First\|isbn=0-85112-580-8\|pages=358/9}}</ref> When Shaw was a year old, his parents, Rosalie Pegues and Woody Shaw Sr., took their son to [[Newark, New Jersey]],<ref name="LarkinJazz"/>. Shaw's father was a member of the African American gospel group, The Diamond Jubilee Singers. Both parents attended the same secondary private school as [[Dizzy Gillespie]]: [[Laurinburg Institute]].<ref name="AMG"/> Shaw's mother and Gillespie were both from the same town, [[Cheraw, South Carolina]].

	Shaw began playing the [[bugle]] when he was 9 and performed in the Newark Junior Elks, Junior Mason, and Washington Carver Drum and Bugle Corps. Though not his first choice of instrument, he began studying classical trumpet with Jerome Ziering at Cleveland Junior High School at the age of 11.		Shaw began playing the [[bugle]] when he was 9 and performed in the Newark Junior Elks, Junior Mason, and Washington Carver Drum and Bugle Corps. Though not his first choice of instrument, he began studying classical trumpet with Jerome Ziering at Cleveland Junior High School at the age of 11.

69.53.88.119: /* Early life and background */

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Early life and background

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	===Early life and background===		===Early life and background===
	Woody Shaw was born in [[Laurinburg, North Carolina]].<ref name="LarkinJazz">{{cite book\|title=[[Encyclopedia of Popular Music\|The Guinness Who's Who of Jazz]]\|editor=[[Colin Larkin (writer)\|Colin Larkin]]\|publisher=[[Guinness Publishing]]\|date=1992\|edition=First\|isbn=0-85112-580-8\|pages=358/9}}</ref> When Shaw was a year old, his parents, Rosalie Pegues and Woody Shaw Sr., took their son to [[Newark, New Jersey]],<ref name="LarkinJazz"/>. Shaw's father was a member of the African American gospel group, the "Diamond Jubilee Singers." Both parents attended the same secondary private school as [[Dizzy Gillespie]]: [[Laurinburg Institute]].<ref name="AMG"/> Shaw's mother and Gillespie were both from the same town, [[Cheraw, South Carolina]].		Woody Shaw was born in [[Laurinburg, North Carolina]].<ref name="LarkinJazz">{{cite book\|title=[[Encyclopedia of Popular Music\|The Guinness Who's Who of Jazz]]\|editor=[[Colin Larkin (writer)\|Colin Larkin]]\|publisher=[[Guinness Publishing]]\|date=1992\|edition=First\|isbn=0-85112-580-8\|pages=358/9}}</ref> When Shaw was a year old, his parents, Rosalie Pegues and Woody Shaw Sr., took their son to [[Newark, New Jersey]],<ref name="LarkinJazz"/>. Shaw's father was a member of the African American gospel group, the Diamond Jubilee Singers. Both parents attended the same secondary private school as [[Dizzy Gillespie]]: [[Laurinburg Institute]].<ref name="AMG"/> Shaw's mother and Gillespie were both from the same town, [[Cheraw, South Carolina]].

	Shaw began playing the [[bugle]] when he was 9 and performed in the Newark Junior Elks, Junior Mason, and Washington Carver Drum and Bugle Corps. Though not his first choice of instrument, he began studying classical trumpet with Jerome Ziering at Cleveland Junior High School at the age of 11.		Shaw began playing the [[bugle]] when he was 9 and performed in the Newark Junior Elks, Junior Mason, and Washington Carver Drum and Bugle Corps. Though not his first choice of instrument, he began studying classical trumpet with Jerome Ziering at Cleveland Junior High School at the age of 11.

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	===Health issues and death===		===Health issues and death===
	By the late '80s, Shaw was nearly blind from [[retinitis pigmentosa]], an incurable degenerative eye disease. A [[heroin]] user throughout his adult life, Shaw was in poor health when he returned to the U.S. in early 1989 from a lengthy stay in Europe and needed a wheelchair at the airport.<ref name=Spencer>{{cite book \|last=Spencer \|first=Frederick J. \|date=2002 \|title=Jazz and Death: Medical Profiles of Jazz Greats \|url=https://archive.org/details/jazzdeathmedical00spen \|url-access=registration \|pages=[https://archive.org/details/jazzdeathmedical00spen/page/55 55]–57 \|publisher=University of Mississippi Press \|isbn=9781578064533}}</ref> On the morning of February 27, 1989, Shaw was struck by a subway car in Brooklyn, New York, which mangled his left arm and caused other injuries including head trauma; doctors were forced to amputate his arm.<ref>{{Cite web \|url=https://apnews.com/article/66f4de24be9f571ce624108b829fcd3b \|title=Archived copy \|website=[[Associated Press]] \|access-date=April 7, 2021 \|archive-date=January 30, 2021 \|archive-url=https://web.archive.org/web/20210130134708/https://apnews.com/article/66f4de24be9f571ce624108b829fcd3b \|url-status=dead }}</ref><ref>{{cite news\|last=Spiegelman \|first=Arthur \|url=https://www.washingtonpost.com/archive/lifestyle/1989/03/02/shaw-injury-stuns-eldridge-service/6a7b3c86-4c9d-4673-8d88-e3492248c609/ \|title=Shaw Injury Stuns Eldridge Service \|newspaper=The Washington Post \|date=1989-03-02 \|accessdate=2022-02-16}}</ref> The night before the accident, Max Roach sent a limousine to Newark where Shaw was staying, to bring Shaw to the [[Village Vanguard]] to hear Roach play. After the set, Roach put Shaw into a taxi around midnight with enough money to get back to Newark. Shaw did not go to Newark; it is unclear what led to the accident later that morning. During his hospital stay at Bellevue, Shaw suffered kidney failure, was put on a respirator and lost consciousness for more than a month. He died from kidney failure May 10, 1989, at age 44.<ref name=Spencer/><ref name="Allmusic"/><ref>[~~http~~://~~articles~~.latimes.com/1989-05-12~~/news/~~mn-~~3108_1_woody~~-~~shaw-mccoy-tyner-art-blakey-s-jazz-messengers~~ Obituary] on the L.A. Times</ref><ref name="AMG">{{cite web\|url=https://www.allmusic.com/artist/woody-shaw-mn0000680003/biography\|title=Woody Shaw \| Biography & History\|website=[[AllMusic]]\|access-date=August 1, 2021}}</ref><ref> Official Woody Shaw Website [http://woodyshaw.com] </ref>		By the late '80s, Shaw was nearly blind from [[retinitis pigmentosa]], an incurable degenerative eye disease. A [[heroin]] user throughout his adult life, Shaw was in poor health when he returned to the U.S. in early 1989 from a lengthy stay in Europe and needed a wheelchair at the airport.<ref name=Spencer>{{cite book \|last=Spencer \|first=Frederick J. \|date=2002 \|title=Jazz and Death: Medical Profiles of Jazz Greats \|url=https://archive.org/details/jazzdeathmedical00spen \|url-access=registration \|pages=[https://archive.org/details/jazzdeathmedical00spen/page/55 55]–57 \|publisher=University of Mississippi Press \|isbn=9781578064533}}</ref> On the morning of February 27, 1989, Shaw was struck by a subway car in Brooklyn, New York, which mangled his left arm and caused other injuries including head trauma; doctors were forced to amputate his arm.<ref>{{Cite web \|url=https://apnews.com/article/66f4de24be9f571ce624108b829fcd3b \|title=Archived copy \|website=[[Associated Press]] \|access-date=April 7, 2021 \|archive-date=January 30, 2021 \|archive-url=https://web.archive.org/web/20210130134708/https://apnews.com/article/66f4de24be9f571ce624108b829fcd3b \|url-status=dead }}</ref><ref>{{cite news\|last=Spiegelman \|first=Arthur \|url=https://www.washingtonpost.com/archive/lifestyle/1989/03/02/shaw-injury-stuns-eldridge-service/6a7b3c86-4c9d-4673-8d88-e3492248c609/ \|title=Shaw Injury Stuns Eldridge Service \|newspaper=The Washington Post \|date=1989-03-02 \|accessdate=2022-02-16}}</ref> The night before the accident, Max Roach sent a limousine to Newark where Shaw was staying, to bring Shaw to the [[Village Vanguard]] to hear Roach play. After the set, Roach put Shaw into a taxi around midnight with enough money to get back to Newark. Shaw did not go to Newark; it is unclear what led to the accident later that morning. During his hospital stay at Bellevue, Shaw suffered kidney failure, was put on a respirator and lost consciousness for more than a month. He died from kidney failure May 10, 1989, at age 44.<ref name=Spencer/><ref name="Allmusic"/><ref>[https://www.latimes.com/archives/la-xpm-1989-05-12-mn-3108-story.html Obituary] on the L.A. Times</ref><ref name="AMG">{{cite web\|url=https://www.allmusic.com/artist/woody-shaw-mn0000680003/biography\|title=Woody Shaw \| Biography & History\|website=[[AllMusic]]\|access-date=August 1, 2021}}</ref><ref> Official Woody Shaw Website [http://woodyshaw.com] </ref>

	==Awards==		==Awards==
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	His "attack" was remarkably clean and precise, regardless of tempo (Shaw often played extremely fast passages). He had a rich, dark tone that was distinctive with a near-vocal quality to it; his intonation and articulation were highly developed, and he greatly utilized the effects of the lower register, usually employing a deep, extended vibrato at the end of his phrases. Shaw also often incorporated the [[chromatic scale]], which gave his melodic lines a subtle fluidity that seemed to allow him to weave "in and out" of chords seamlessly from all "angles".		His "attack" was remarkably clean and precise, regardless of tempo (Shaw often played extremely fast passages). He had a rich, dark tone that was distinctive with a near-vocal quality to it; his intonation and articulation were highly developed, and he greatly utilized the effects of the lower register, usually employing a deep, extended vibrato at the end of his phrases. Shaw also often incorporated the [[chromatic scale]], which gave his melodic lines a subtle fluidity that seemed to allow him to weave "in and out" of chords seamlessly from all "angles".

	Shaw was also born with an extraordinary memory<ref name="Website Bio">{{cite web \|url=http://woodyshaw.com/biography.htm \|title=The Official Woody Shaw Website: Biography \|last1=Shaw III \|first1=Woody \|access-date=March 5, 2010 \|archive-url=https://web.archive.org/web/20100323075111/http://www.woodyshaw.com/biography.htm# \|archive-date=March 23, 2010 \|url-status=dead \|df=mdy-all }}</ref> and [[perfect pitch]].<ref name="Trumpet In Bloom">{{cite web \|url=https://docs.google.com/viewer?a=v&q=cache:BAEsx-wxcRsJ:woodyshaw.com/downbeat1_cberg.pdf+site:woodyshaw.com+perfect+pitch&hl=en&gl=us&sig=AHIEtbSf0nJTZXZlCfMLPhptkbcsgw9-MA \|title=Woody Shaw: Trumpet In Bloom \|last1=Berg \|first1=Chuck \|access-date=March 5, 2010}}</ref> Max Roach once stated: "He was truly one of the greatest. I first had occasion to work with Woody on a trip to Iran. One of the most amazing things was his uncanny memory. I was just flabbergasted. After one look, he knew all of the charts, no matter how complex they were."<ref>{{cite web \|url=http://woodyshaw.com/obituary.htm \|title=Woody Shaw Obituary\|last1=Parker\|first1=Jeffrey \|access-date=March 5, 2010}}</ref>		Shaw was also born with an extraordinary memory<ref name="Website Bio">{{cite web \|url=http://woodyshaw.com/biography.htm \|title=The Official Woody Shaw Website: Biography \|last1=Shaw III \|first1=Woody \|access-date=March 5, 2010 \|archive-url=https://web.archive.org/web/20100323075111/http://www.woodyshaw.com/biography.htm \|archive-date=March 23, 2010 \|url-status=dead \|df=mdy-all }}</ref> and [[perfect pitch]].<ref name="Trumpet In Bloom">{{cite web \|url=https://docs.google.com/viewer?a=v&q=cache:BAEsx-wxcRsJ:woodyshaw.com/downbeat1_cberg.pdf+site:woodyshaw.com+perfect+pitch&hl=en&gl=us&sig=AHIEtbSf0nJTZXZlCfMLPhptkbcsgw9-MA \|title=Woody Shaw: Trumpet In Bloom \|last1=Berg \|first1=Chuck \|access-date=March 5, 2010}}</ref> Max Roach once stated: "He was truly one of the greatest. I first had occasion to work with Woody on a trip to Iran. One of the most amazing things was his uncanny memory. I was just flabbergasted. After one look, he knew all of the charts, no matter how complex they were."<ref>{{cite web \|url=http://woodyshaw.com/obituary.htm \|title=Woody Shaw Obituary\|last1=Parker\|first1=Jeffrey \|access-date=March 5, 2010}}</ref>

	Shaw's improvisational and composing style bears the influences of his idols Dolphy, Coltrane and Tyner, as well as many European modern classical and 20th-century composers such as [[Béla Bartók]], [[Zoltán Kodály]], [[Arnold Schoenberg]], [[Alban Berg]], [[Anton Webern]], [[Erik Satie]], [[Alexander Scriabin]], [[Carlos Chavez]], [[Ernest Bloch]], [[Olivier Messiaen]], [[Paul Hindemith]], [[Charles Ives]], [[Edgar Varese]], [[Igor Stravinsky]], [[Claude Debussy]], [[Maurice Ravel]], and [[Colin McPhee]].<ref name="Website Bio"/> Shaw also listened closely to traditional [[Japanese music]], [[Gamelan\|Indonesian Gamelan]], [[Indian classical music]], [[Brazilian music]], and various other musics of the world.<ref name="Website Bio"/>		Shaw's improvisational and composing style bears the influences of his idols Dolphy, Coltrane and Tyner, as well as many European modern classical and 20th-century composers such as [[Béla Bartók]], [[Zoltán Kodály]], [[Arnold Schoenberg]], [[Alban Berg]], [[Anton Webern]], [[Erik Satie]], [[Alexander Scriabin]], [[Carlos Chavez]], [[Ernest Bloch]], [[Olivier Messiaen]], [[Paul Hindemith]], [[Charles Ives]], [[Edgar Varese]], [[Igor Stravinsky]], [[Claude Debussy]], [[Maurice Ravel]], and [[Colin McPhee]].<ref name="Website Bio"/> Shaw also listened closely to traditional [[Japanese music]], [[Gamelan\|Indonesian Gamelan]], [[Indian classical music]], [[Brazilian music]], and various other musics of the world.<ref name="Website Bio"/>

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general cleanup

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	Shaw returned to the U.S. from Paris in 1965, and began his career as one of the [[Blue Note Records\|Blue Note]] labels regular trumpet players, working steadily with their roster of artists. He replaced [[Carmell Jones]] in the [[Horace Silver]] quintet (1965–1966), and made his Blue Note debut on Silver's ''[[The Cape Verdean Blues]]'',<ref name="LarkinJazz"/> followed by [[Larry Young (musician)\|Larry Young]]'s ''[[Unity (Larry Young album)\|Unity]]'' (1965);<ref name="AMG"/> the album with Young featured three of his compositions ("Zoltan", "Moontrane", and "Beyond All Limits"). "Moontrane", dedicated to Coltrane, was written when Shaw was 18 years old and was his earliest composition.		Shaw returned to the U.S. from Paris in 1965, and began his career as one of the [[Blue Note Records\|Blue Note]] labels regular trumpet players, working steadily with their roster of artists. He replaced [[Carmell Jones]] in the [[Horace Silver]] quintet (1965–1966), and made his Blue Note debut on Silver's ''[[The Cape Verdean Blues]]'',<ref name="LarkinJazz"/> followed by [[Larry Young (musician)\|Larry Young]]'s ''[[Unity (Larry Young album)\|Unity]]'' (1965);<ref name="AMG"/> the album with Young featured three of his compositions ("Zoltan", "Moontrane", and "Beyond All Limits"). "Moontrane", dedicated to Coltrane, was written when Shaw was 18 years old and was his earliest composition.

	Shaw also collaborated frequently and recorded with <!-- Albums not originally issued on BN. -->Corea (1966–67, 1969), [[Jackie McLean]] (1967), [[Booker Ervin]] (1968), Tyner (1968), [[Andrew Hill (jazz musician)\|Andrew Hill]] (1969), [[Herbie Hancock]], and [[Bobby Hutcherson]].<ref name="AMG"/> In 1968–69, he worked intermittently with [[Max Roach]], touring with him in Iran. Shaw also worked~~<br~~ />as a studio musician, in pit orchestras, and on Broadway musicals.		Shaw also collaborated frequently and recorded with <!-- Albums not originally issued on BN. -->Corea (1966–67, 1969), [[Jackie McLean]] (1967), [[Booker Ervin]] (1968), Tyner (1968), [[Andrew Hill (jazz musician)\|Andrew Hill]] (1969), [[Herbie Hancock]], and [[Bobby Hutcherson]].<ref name="AMG"/> In 1968–69, he worked intermittently with [[Max Roach]], touring with him in Iran. Shaw also worked as a studio musician, in pit orchestras, and on Broadway musicals.

	===Contemporary and Muse (early-to-mid 1970s)===		===Contemporary and Muse (early-to-mid 1970s)===

Sc2353: removed Category:Deaths from kidney failure; added Category:Deaths from kidney failure in the United States using HotCat

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removed Category:Deaths from kidney failure; added Category:Deaths from kidney failure in the United States using HotCat

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	[[Category:American male trumpeters]]		[[Category:American male trumpeters]]
	[[Category:Columbia Records artists]]		[[Category:Columbia Records artists]]
	[[Category:Deaths from kidney failure]]		[[Category:Deaths from kidney failure in the United States]]
	[[Category:Elektra Records artists]]		[[Category:Elektra Records artists]]
	[[Category:Enja Records artists]]		[[Category:Enja Records artists]]

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Admiration among musicians

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	==Admiration among musicians==		==Admiration among musicians==
	As a musician and trumpeter, Shaw was held in high esteem by his colleagues and is ~~today~~ seen as one of the most technically and harmonically advanced trumpet players in the history of jazz and of the instrument itself. [[Miles Davis]], a notoriously harsh critic of fellow musicians, once said of Shaw: "Now there's a great trumpet player. He can play different from all of them."<ref>{{Citation \| last=Feather\| first=Leonard\| author-link=Leonard Feather\| date=December 1982\| title=Miles Davis' Miraculous Recovery From Stroke\| periodical=[[Ebony (magazine)\|Ebony]]\| publisher=Johnson\| page =64\| url=https://books.google.com/books?id=6NgDAAAAMBAJ&pg=PA64\| access-date=March 4, 2010}}</ref> Trumpeter [[Dave Douglas (trumpeter)\|Dave Douglas]] stated: "It's not only the brilliant imagination that captivates with Woody Shaw – it's how natural those fiendishly difficult lines feel... Woody Shaw is now one of the most revered figures for trumpeters today."<ref>{{cite web \|url=http://www.greenleafmusic.com/woody-shaw-1979 \|title=Woody Shaw, 1979 \|last1=Douglas \|first1=Dave \|author-link=Dave Douglas (trumpeter) \|date=September 19, 2008 \|work=The Greenleaf Music Blog \|publisher=[[Greenleaf Music]] \|access-date=March 17, 2012}}</ref>		As a musician and trumpeter, Shaw was held in high esteem by his colleagues and is seen as one of the most technically and harmonically advanced trumpet players in the history of jazz and of the instrument itself. [[Miles Davis]], a notoriously harsh critic of fellow musicians, once said of Shaw: "Now there's a great trumpet player. He can play different from all of them."<ref>{{Citation \| last=Feather\| first=Leonard\| author-link=Leonard Feather\| date=December 1982\| title=Miles Davis' Miraculous Recovery From Stroke\| periodical=[[Ebony (magazine)\|Ebony]]\| publisher=Johnson\| page =64\| url=https://books.google.com/books?id=6NgDAAAAMBAJ&pg=PA64\| access-date=March 4, 2010}}</ref> Trumpeter [[Dave Douglas (trumpeter)\|Dave Douglas]] stated: "It's not only the brilliant imagination that captivates with Woody Shaw – it's how natural those fiendishly difficult lines feel... Woody Shaw is now one of the most revered figures for trumpeters today."<ref>{{cite web \|url=http://www.greenleafmusic.com/woody-shaw-1979 \|title=Woody Shaw, 1979 \|last1=Douglas \|first1=Dave \|author-link=Dave Douglas (trumpeter) \|date=September 19, 2008 \|work=The Greenleaf Music Blog \|publisher=[[Greenleaf Music]] \|access-date=March 17, 2012}}</ref>

	Shaw is credited with having extended the harmonic and technical vocabulary of the trumpet. Upon hearing of Shaw's death in 1989, Wynton Marsalis stated: "Woody added to the vocabulary of the trumpet. His whole approach influenced me tremendously."<ref name="WRVR"/> Multi-genre producer, instrumentalist and rapper, Madlib, also cites Shaw as an inspiration. In an interview with Red Bull Music Academy, Madlib listed Shaw as his favorite trumpet player, saying of his music: "It’s electric and acoustic, traditional and non-traditional — that’s what I’m all about."<ref>{{cite web \|url=https://www.redbull.com/us-en/madlib-reveals-his-ultimate-jazz-supergroup \|title= Madlib Reveals His Ultimate Jazz Supergroup \|last1=Sharp \|first1=Elliot \|date=March 27, 2017 \|website=Redbull.com\|access-date=July 30, 2019}}</ref>		Shaw is credited with having extended the harmonic and technical vocabulary of the trumpet. Upon hearing of Shaw's death in 1989, Wynton Marsalis stated: "Woody added to the vocabulary of the trumpet. His whole approach influenced me tremendously."<ref name="WRVR"/> Multi-genre producer, instrumentalist and rapper, Madlib, also cites Shaw as an inspiration. In an interview with Red Bull Music Academy, Madlib listed Shaw as his favorite trumpet player, saying of his music: "It’s electric and acoustic, traditional and non-traditional — that’s what I’m all about."<ref>{{cite web \|url=https://www.redbull.com/us-en/madlib-reveals-his-ultimate-jazz-supergroup \|title= Madlib Reveals His Ultimate Jazz Supergroup \|last1=Sharp \|first1=Elliot \|date=March 27, 2017 \|website=Redbull.com\|access-date=July 30, 2019}}</ref>

24.14.133.5: /* Admiration among musicians */

2024-03-24T21:41:09Z

Admiration among musicians

← Previous revision		Revision as of 21:41, 24 March 2024
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	==Admiration among musicians==		==Admiration among musicians==
	As a musician and trumpeter, Shaw was held in high esteem by his colleagues and is today seen as one of the most technically and harmonically advanced trumpet players in the history of jazz and of the instrument itself. [[Miles Davis]], a notoriously harsh critic of fellow musicians, once said of Shaw: "Now there's a great trumpet player. He can play different from all of them."<ref>{{Citation \| last=Feather\| first=Leonard\| author-link=Leonard Feather\| date=December 1982\| title=Miles Davis' Miraculous Recovery From Stroke\| periodical=[[Ebony (magazine)\|Ebony]]\| publisher=Johnson\| page =64\| url=https://books.google.com/books?id=6NgDAAAAMBAJ&pg=PA64\| access-date=March 4, 2010}}</ref> Trumpeter [[Dave Douglas (trumpeter)\|Dave Douglas]] stated: "It's not only the brilliant imagination that captivates with Woody Shaw – it's how natural those fiendishly difficult lines feel... Woody Shaw is now one of the most revered figures for trumpeters today."<ref>{{cite web \|url=http://www.greenleafmusic.com/woody-shaw-1979 \|title=Woody Shaw, 1979 \|last1=Douglas \|first1=Dave \|author-link=Dave Douglas (trumpeter) \|date=September 19, 2008 \|work=The Greenleaf Music Blog \|publisher=[[Greenleaf Music]] \|access-date=March 17, 2012}}</ref> Shaw is credited with having extended the harmonic and technical vocabulary of the trumpet. Upon hearing of Shaw's death in 1989, Wynton Marsalis stated: "Woody added to the vocabulary of the trumpet. His whole approach influenced me tremendously."<ref name="WRVR"/>		As a musician and trumpeter, Shaw was held in high esteem by his colleagues and is today seen as one of the most technically and harmonically advanced trumpet players in the history of jazz and of the instrument itself. [[Miles Davis]], a notoriously harsh critic of fellow musicians, once said of Shaw: "Now there's a great trumpet player. He can play different from all of them."<ref>{{Citation \| last=Feather\| first=Leonard\| author-link=Leonard Feather\| date=December 1982\| title=Miles Davis' Miraculous Recovery From Stroke\| periodical=[[Ebony (magazine)\|Ebony]]\| publisher=Johnson\| page =64\| url=https://books.google.com/books?id=6NgDAAAAMBAJ&pg=PA64\| access-date=March 4, 2010}}</ref> Trumpeter [[Dave Douglas (trumpeter)\|Dave Douglas]] stated: "It's not only the brilliant imagination that captivates with Woody Shaw – it's how natural those fiendishly difficult lines feel... Woody Shaw is now one of the most revered figures for trumpeters today."<ref>{{cite web \|url=http://www.greenleafmusic.com/woody-shaw-1979 \|title=Woody Shaw, 1979 \|last1=Douglas \|first1=Dave \|author-link=Dave Douglas (trumpeter) \|date=September 19, 2008 \|work=The Greenleaf Music Blog \|publisher=[[Greenleaf Music]] \|access-date=March 17, 2012}}</ref>

	Multi-genre producer, instrumentalist and rapper, Madlib, also cites Shaw as an inspiration ~~for his music~~. In an interview with Red Bull Music Academy, Madlib listed Shaw as his favorite trumpet player, saying of his music: "It’s electric and acoustic, traditional and non-traditional — that’s what I’m all about."<ref>{{cite web \|url=https://www.redbull.com/us-en/madlib-reveals-his-ultimate-jazz-supergroup \|title= Madlib Reveals His Ultimate Jazz Supergroup \|last1=Sharp \|first1=Elliot \|date=March 27, 2017 \|website=Redbull.com\|access-date=July 30, 2019}}</ref>		Shaw is credited with having extended the harmonic and technical vocabulary of the trumpet. Upon hearing of Shaw's death in 1989, Wynton Marsalis stated: "Woody added to the vocabulary of the trumpet. His whole approach influenced me tremendously."<ref name="WRVR"/> Multi-genre producer, instrumentalist and rapper, Madlib, also cites Shaw as an inspiration. In an interview with Red Bull Music Academy, Madlib listed Shaw as his favorite trumpet player, saying of his music: "It’s electric and acoustic, traditional and non-traditional — that’s what I’m all about."<ref>{{cite web \|url=https://www.redbull.com/us-en/madlib-reveals-his-ultimate-jazz-supergroup \|title= Madlib Reveals His Ultimate Jazz Supergroup \|last1=Sharp \|first1=Elliot \|date=March 27, 2017 \|website=Redbull.com\|access-date=July 30, 2019}}</ref>

	==Travels==		==Travels==