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Calling BS on this based on WP;STRONGNAT. Moved, lived and worked in the US. Was a natuaralized US citizen for most of his life
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| caption = 1941
| caption = 1941
| birth_name = Archibald Alexander Leach
| birth_name = Archibald Alexander Leach
| birth_date = {{Birth date|df=y|1904|1|18}}
| birth_date = {{Birth date|1904|1|18}}
| birth_place = [[Bristol]], [[England]], [[United Kingdom]]
| birth_place = [[Bristol]], [[England]], [[United Kingdom]]
| death_date = {{Death date and age|df=y|1986|11|29|1904|1|18}}
| death_date = {{Death date and age|1986|11|29|1904|1|18}}
| death_place = [[Davenport, Iowa]], United States
| death_place = [[Davenport, Iowa]], United States
| death_cause = [[Cerebral haemorrhage]]
| death_cause = [[Cerebral hemorrhage]]
| other_names = Archie Leach
| other_names = Archie Leach
| occupation = Actor
| occupation = Actor
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|awards = '''[[Academy Honorary Award]]''' -<br>1970 <small>For his unique mastery of the art of screen acting with the respect and affection of his colleagues.</small><br>'''[[Kennedy Center Honors]]''' - 1981
|awards = '''[[Academy Honorary Award]]''' -<br>1970 <small>For his unique mastery of the art of screen acting with the respect and affection of his colleagues.</small><br>'''[[Kennedy Center Honors]]''' - 1981
}}
}}
'''Archibald Alexander Leach'''<ref>McMann 1996, p. 271, n. 13. Note: Although Grant's baptismal record records his middle name as "Alec", it is "Alexander" on his birth certificate. <!--McMann writes "There is little doubt that his parents named him "Archibald Alexander".---put into invisible note due to the controversy engendered by this edit---></ref> (18 January 1904 – 29 November 1986), better known by his stage name '''Cary Grant''', was an English actor who later gained American citizenship.
'''Archibald Alexander Leach'''<ref>McMann 1996, p. 271, n. 13. Note: Although Grant's baptismal record records his middle name as "Alec", it is "Alexander" on his birth certificate. <!--McMann writes "There is little doubt that his parents named him "Archibald Alexander".---put into invisible note due to the controversy engendered by this edit---></ref> (January 18, 1904 – (November 29, 1986), better known by his stage name '''Cary Grant''', was an English actor who later gained American citizenship.
Known for his [[transatlantic accent]], debonair demeanor and "dashing good looks", Grant is considered one of [[Classical Hollywood cinema|classic Hollywood]]'s definitive [[leading man|leading men]].
Known for his [[transatlantic accent]], debonair demeanor and "dashing good looks", Grant is considered one of [[Classical Hollywood cinema|classic Hollywood]]'s definitive [[leading man|leading men]].


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Archibald Alexander Leach was born at 15 Hughenden Road, [[Horfield]], [[Bristol]], [[England]], to Elsie Maria Kingdon (1877–1973) and Elias James Leach (1873–1935).<ref>[http://www.geneall.net/U/per_page.php?id=987018 "Elsie Kingdom."] ''geneall.net.'' Retrieved: July 12, 2008.</ref><ref>Pace, Eric. [http://www.carygrant.net/articles/epitome.htm "Movies' Epitome of Elegance Dies of a Stroke."] ''[[The New York Times]]'', December 1, 1986. Retrieved: July 12, 2008.</ref> An only child, Leach had an unhappy upbringing, attending [[Bishop Road Primary School]]. His mother had suffered from [[clinical depression]] since the death of a previous child. Her husband placed her in a [[mental institution]], and told his nine-year-old son only that she had gone away on a "long holiday". Believing she was dead, Grant did not learn otherwise until he was 31 and discovered her alive in a care facility.{{r|schwarz20070102}} When Grant was 10, his father abandoned him after remarrying and having a baby with his new young wife.<ref>[http://www.smh.com.au/entertainment/books/cary-grants-lsd-gateway-to-god-20111018-1lye1.html "Cary Grant's LSD gateway to God."] ''smh.com.''</ref>
Archibald Alexander Leach was born at 15 Hughenden Road, [[Horfield]], [[Bristol]], [[England]], to Elsie Maria Kingdon (1877–1973) and Elias James Leach (1873–1935).<ref>[http://www.geneall.net/U/per_page.php?id=987018 "Elsie Kingdom."] ''geneall.net.'' Retrieved: July 12, 2008.</ref><ref>Pace, Eric. [http://www.carygrant.net/articles/epitome.htm "Movies' Epitome of Elegance Dies of a Stroke."] ''[[The New York Times]]'', December 1, 1986. Retrieved: July 12, 2008.</ref> An only child, Leach had an unhappy upbringing, attending [[Bishop Road Primary School]]. His mother had suffered from [[clinical depression]] since the death of a previous child. Her husband placed her in a [[mental institution]], and told his nine-year-old son only that she had gone away on a "long holiday". Believing she was dead, Grant did not learn otherwise until he was 31 and discovered her alive in a care facility.{{r|schwarz20070102}} When Grant was 10, his father abandoned him after remarrying and having a baby with his new young wife.<ref>[http://www.smh.com.au/entertainment/books/cary-grants-lsd-gateway-to-god-20111018-1lye1.html "Cary Grant's LSD gateway to God."] ''smh.com.''</ref>


Grant was expelled from the [[Fairfield Grammar School]] in Bristol in 1918. After joining the "Bob Pender Stage Troupe", Leach performed as a [[stilt walker]] and travelled with the group to the United States in 1920 at the age of 16, on a two-year tour of the country. He was processed at [[Ellis Island]] on 28 July 1920.<ref>[http://www.ellisisland.org/search/passRecord.asp?pID=100225020255 "The Statue of Liberty."] ''Ellis Island Foundation, Inc.''. Retrieved: March 24, 2010.</ref>
Grant was expelled from the [[Fairfield Grammar School]] in Bristol in 1918. After joining the "Bob Pender Stage Troupe", Leach performed as a [[stilt walker]] and traveled with the group to the United States in 1920 at the age of 16, on a two-year tour of the country. He was processed at [[Ellis Island]] on 28 July 1920.<ref>[http://www.ellisisland.org/search/passRecord.asp?pID=100225020255 "The Statue of Liberty."] ''Ellis Island Foundation, Inc.''. Retrieved: March 24, 2010.</ref>


When the troupe returned to the UK, he decided to stay in the U.S. and continue his stage career. During this time, he became a part of the [[vaudeville]] world and toured with Parker, Rand and Leach. Still using his birth name, he performed on the stage at [[The Muny]] in [[St. Louis, Missouri|St. Louis]], [[Missouri]] in such shows as ''[[Irene (musical)|Irene]]'' (1931); ''Music in May'' (1931); ''Nina Rosa'' (1931); ''[[Rio Rita (musical)|Rio Rita]]'' (1931); ''Street Singer'' (1931); ''[[The Three Musketeers (musical)|The Three Musketeers]]'' (1931); and ''Wonderful Night'' (1931). Leach's experience on stage as a stilt walker, acrobat, juggler, and [[mime]] taught him "phenomenal physical grace and exquisite comic timing" and the value of teamwork, skills which would benefit him in Hollywood.{{r|schwarz20070102}}
When the troupe returned to the UK, he decided to stay in the U.S. and continue his stage career. During this time, he became a part of the [[vaudeville]] world and toured with Parker, Rand and Leach. Still using his birth name, he performed on the stage at [[The Muny]] in [[St. Louis, Missouri|St. Louis]], [[Missouri]] in such shows as ''[[Irene (musical)|Irene]]'' (1931); ''Music in May'' (1931); ''Nina Rosa'' (1931); ''[[Rio Rita (musical)|Rio Rita]]'' (1931); ''Street Singer'' (1931); ''[[The Three Musketeers (musical)|The Three Musketeers]]'' (1931); and ''Wonderful Night'' (1931). Leach's experience on stage as a stilt walker, acrobat, juggler, and [[mime]] taught him "phenomenal physical grace and exquisite comic timing" and the value of teamwork, skills which would benefit him in Hollywood.{{r|schwarz20070102}}


==Hollywood stardom==
==Hollywood stardom==
After appearing in several musicals on [[Broadway theatre|Broadway]] under the name "Archie Leach,"<ref>[http://ibdb.com/person.php?id=49233 "Cary Grant."] ''Internet Broadway Database.'' Retrieved: September 8, 2011.</ref> Grant went to Hollywood in 1931.{{r|schwarz20070102}} When told to change his name, he proposed "Cary Lockwood," the name of the character he had played in the Broadway show ''Nikki'', based upon the recent film ''[[The Last Flight (1931 film)|The Last Flight]]''. He signed with [[Paramount Pictures]], where studio bosses decided that the name "Cary" was acceptable, but that "Lockwood" was too similar to another actor's surname. Paramount gave their new actor a list of surnames to choose from, and he selected "Grant" because the initials C and G had already proved lucky for [[Clark Gable]] and [[Gary Cooper]], two of Hollywood's biggest film stars.
After appearing in several musicals on [[Broadway theater|Broadway]] under the name "Archie Leach,"<ref>[http://ibdb.com/person.php?id=49233 "Cary Grant."] ''Internet Broadway Database.'' Retrieved: September 8, 2011.</ref> Grant went to Hollywood in 1931.{{r|schwarz20070102}} When told to change his name, he proposed "Cary Lockwood," the name of the character he had played in the Broadway show ''Nikki'', based upon the recent film ''[[The Last Flight (1931 film)|The Last Flight]]''. He signed with [[Paramount Pictures]], where studio bosses decided that the name "Cary" was acceptable, but that "Lockwood" was too similar to another actor's surname. Paramount gave their new actor a list of surnames to choose from, and he selected "Grant" because the initials C and G had already proved lucky for [[Clark Gable]] and [[Gary Cooper]], two of Hollywood's biggest film stars.


Grant appeared as a leading man opposite [[Marlene Dietrich]] in ''[[Blonde Venus]]'' (1932), and his stardom was given a further boost by [[Mae West]] when she chose him for her leading man in two of her most successful films, ''[[She Done Him Wrong]]'' and ''[[I'm No Angel]]'' (both 1933).<ref>"Cary Grant biography." ''Encyclopædia Britannica''.</ref> ''I'm No Angel'' was a tremendous financial success and, along with ''She Done Him Wrong'', which was nominated for an [[Academy Award for Best Picture]], saved Paramount from bankruptcy. Paramount put Grant in a series of unsuccessful films until 1936, when he signed with [[Columbia Pictures]]. His first major comedy hit was when he was loaned to [[Hal Roach]]'s studio for the 1937 ''[[Topper (film)|Topper]]'' (which was distributed by [[Metro-Goldwyn-Mayer|MGM]]).
Grant appeared as a leading man opposite [[Marlene Dietrich]] in ''[[Blonde Venus]]'' (1932), and his stardom was given a further boost by [[Mae West]] when she chose him for her leading man in two of her most successful films, ''[[She Done Him Wrong]]'' and ''[[I'm No Angel]]'' (both 1933).<ref>"Cary Grant biography." ''Encyclopedia Britannica''.</ref> ''I'm No Angel'' was a tremendous financial success and, along with ''She Done Him Wrong'', which was nominated for an [[Academy Award for Best Picture]], saved Paramount from bankruptcy. Paramount put Grant in a series of unsuccessful films until 1936, when he signed with [[Columbia Pictures]]. His first major comedy hit was when he was loaned to [[Hal Roach]]'s studio for the 1937 ''[[Topper (film)|Topper]]'' (which was distributed by [[Metro-Goldwyn-Mayer|MGM]]).
[[File:Snapshot20071107102421.jpg|left|thumb|in ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940)]]
[[File:Snapshot20071107102421.jpg|left|thumb|in ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940)]]
[[Image:Ingrid Bergman in Notorious Trailer.jpg|thumb|With [[Ingrid Bergman]] in ''[[Notorious (1946 film)|Notorious]]'' (1946)]]
[[Image:Ingrid Bergman in Notorious Trailer.jpg|thumb|With [[Ingrid Bergman]] in ''[[Notorious (1946 film)|Notorious]]'' (1946)]]
''[[The Awful Truth]]'' (1937) was a pivotal film in Grant's career, establishing for him a screen persona as a sophisticated light comedy leading man. As Grant later wrote, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point." Grant is said to have based his characterisation in ''The Awful Truth'' on the mannerisms and intonations of the film's director, [[Leo McCarey]], whom he resembled physically. As writer/director [[Peter Bogdanovich]] notes, "After ''The Awful Truth'', when it came to light comedy, there was Cary Grant and then everyone else was an also-ran."
''[[The Awful Truth]]'' (1937) was a pivotal film in Grant's career, establishing for him a screen persona as a sophisticated light comedy leading man. As Grant later wrote, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point." Grant is said to have based his characterization in ''The Awful Truth'' on the mannerisms and intonations of the film's director, [[Leo McCarey]], whom he resembled physically. As writer/director [[Peter Bogdanovich]] notes, "After ''The Awful Truth'', when it came to light comedy, there was Cary Grant and then everyone else was an also-ran."


''The Awful Truth'' began "what would be the most spectacular run ever for an actor in American pictures."{{r|schwarz20070102}} During the next four years, Grant appeared in several classic [[romantic comedies]] and [[screwball comedies]], including ''[[Holiday (1938 film)|Holiday]]'' (1938), ''[[Bringing Up Baby]]'' (1938) and ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940) (all three films opposite [[Katharine Hepburn]]) ''[[His Girl Friday]]'' (1940) with [[Rosalind Russell]]; and ''[[My Favorite Wife]]'' (1940), which reunited him with [[Irene Dunne]], his co-star in ''The Awful Truth.'' During this time he also made the adventure films ''[[Gunga Din (film)|Gunga Din]]'' and ''[[Only Angels Have Wings]]'' (both 1939) and dramas ''[[Penny Serenade]]'' (1941, also with Dunne) and ''[[Suspicion (film)|Suspicion]]'' (1941, the first of Grant's four collaborations with [[Alfred Hitchcock]]).
''The Awful Truth'' began "what would be the most spectacular run ever for an actor in American pictures."{{r|schwarz20070102}} During the next four years, Grant appeared in several classic [[romantic comedies]] and [[screwball comedies]], including ''[[Holiday (1938 film)|Holiday]]'' (1938), ''[[Bringing Up Baby]]'' (1938) and ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940) (all three films opposite [[Katharine Hepburn]]) ''[[His Girl Friday]]'' (1940) with [[Rosalind Russell]]; and ''[[My Favorite Wife]]'' (1940), which reunited him with [[Irene Dunne]], his co-star in ''The Awful Truth.'' During this time he also made the adventure films ''[[Gunga Din (film)|Gunga Din]]'' and ''[[Only Angels Have Wings]]'' (both 1939) and dramas ''[[Penny Serenade]]'' (1941, also with Dunne) and ''[[Suspicion (film)|Suspicion]]'' (1941, the first of Grant's four collaborations with [[Alfred Hitchcock]]).
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Grant remained one of Hollywood's top box-office attractions for almost 30 years.{{r|schwarz20070102}} [[Howard Hawks]] said that Grant was "so far the best that there isn't anybody to be compared to him".<ref>Mast, Howard and Gerald. "Interview of [[Howard Hawks]] with Joseph McBride, in Hawks, ''Bringing Up Baby''." New Brunswick, New Jersey: Rutgers University Press, 1988, p. 260.</ref> [[David Thomson (film critic)|David Thomson]] called him "the best and most important actor in the [[history of film|history of the cinema]]".<ref name="schwarz20070102">Schwarz, Benjamin. [http://www.theatlantic.com/magazine/archive/2007/01/becoming-cary-grant/5548/ "Becoming Cary Grant."] ''The Atlantic,'' January/February 2007. Retrieved: January 18, 2011.</ref>
Grant remained one of Hollywood's top box-office attractions for almost 30 years.{{r|schwarz20070102}} [[Howard Hawks]] said that Grant was "so far the best that there isn't anybody to be compared to him".<ref>Mast, Howard and Gerald. "Interview of [[Howard Hawks]] with Joseph McBride, in Hawks, ''Bringing Up Baby''." New Brunswick, New Jersey: Rutgers University Press, 1988, p. 260.</ref> [[David Thomson (film critic)|David Thomson]] called him "the best and most important actor in the [[history of film|history of the cinema]]".<ref name="schwarz20070102">Schwarz, Benjamin. [http://www.theatlantic.com/magazine/archive/2007/01/becoming-cary-grant/5548/ "Becoming Cary Grant."] ''The Atlantic,'' January/February 2007. Retrieved: January 18, 2011.</ref>


Grant was a favourite of Hitchcock, who called him "the only actor I ever loved in my whole life".<ref name=NelsonN-GrantC>Nelson and Grant 1992, p. 325.</ref> Besides ''Suspicion'', Grant appeared in the Hitchcock classics ''[[Notorious (1946 film)|Notorious]]'' (1946), ''[[To Catch a Thief (film)|To Catch a Thief]]'' (1955) and ''[[North by Northwest]]'' (1959). Biographer Patrick McGilligan wrote that, in 1965, Hitchcock asked Grant to star in ''[[Torn Curtain]]'' (1966), only to learn that Grant had decided to retire after making one more film, ''[[Walk, Don't Run]]'' (1966); [[Paul Newman]] was cast instead, opposite [[Julie Andrews]].<ref name=McGillianP>McGilligan 2003, pp. 663–664.</ref>. Producers Broccoli and Saltzman originally sought Cary Grant for the role of [[James Bond (character)|James Bond]] in ''[[Dr. No (film)|Dr. No]]'', but discarded the idea as Grant would be committed to only one feature film, and the producers decided to go after someone who could be part of a franchise.<ref>http://en.wikipedia.org/wiki/Dr._No_(film)#Casting</ref>
Grant was a favorite of Hitchcock, who called him "the only actor I ever loved in my whole life".<ref name=NelsonN-GrantC>Nelson and Grant 1992, p. 325.</ref> Besides ''Suspicion'', Grant appeared in the Hitchcock classics ''[[Notorious (1946 film)|Notorious]]'' (1946), ''[[To Catch a Thief (film)|To Catch a Thief]]'' (1955) and ''[[North by Northwest]]'' (1959). Biographer Patrick McGilligan wrote that, in 1965, Hitchcock asked Grant to star in ''[[Torn Curtain]]'' (1966), only to learn that Grant had decided to retire after making one more film, ''[[Walk, Don't Run]]'' (1966); [[Paul Newman]] was cast instead, opposite [[Julie Andrews]].<ref name=McGillianP>McGilligan 2003, pp. 663–664.</ref>. Producers Broccoli and Saltzman originally sought Cary Grant for the role of [[James Bond (character)|James Bond]] in ''[[Dr. No (film)|Dr. No]]'', but discarded the idea as Grant would be committed to only one feature film, and the producers decided to go after someone who could be part of a franchise.<ref>http://en.wikipedia.org/wiki/Dr._No_(film)#Casting</ref>
[[File:Cary Grant in To Catch a Thief trailer.jpg|right|thumb|as John Robie in [[Alfred Hitchcock]]'s<br>''[[To Catch a Thief (film)|To Catch a Thief]]'' (1955)]]
[[File:Cary Grant in To Catch a Thief trailer.jpg|right|thumb|as John Robie in [[Alfred Hitchcock]]'s<br>''[[To Catch a Thief (film)|To Catch a Thief]]'' (1955)]]


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On 25 December 1949, Grant married [[Betsy Drake]]. He appeared with her in two films. This would prove to be his longest marriage, ending on 14 August 1962. Drake introduced Grant to [[LSD]], and in the early 1960s he related how treatment with the hallucinogenic drug — legal at the time — at a prestigious California clinic had finally brought him inner peace after [[yoga]], [[hypnotism]] and [[mysticism]] had proved ineffective.<ref name=WhiteB>[http://www.carygrant.net/articles/cary%20grant%20today.htm "Cary Grant Today."] ''[[Saturday Evening Post]]'', March 1978. Retrieved: June 13, 2009.</ref><ref name=McKelveyB-1984>McKelvey, Bob. [http://www.carygrant.net/articles/zany.htm "Cary Grant – Hollywood's Zany Lover Reaches 80."] ''[[Detroit Free Press]]'' January 18, 1984. Retrieved: June 13, 2009.</ref><ref name=GodfreyL>Godfrey, Lionel. ''Cary Grant: The Light Touch''. New York: St. Martin's Press, 1981. ISBN 0-312-12309-4.</ref> Grant and Drake divorced in 1962.
On 25 December 1949, Grant married [[Betsy Drake]]. He appeared with her in two films. This would prove to be his longest marriage, ending on 14 August 1962. Drake introduced Grant to [[LSD]], and in the early 1960s he related how treatment with the hallucinogenic drug — legal at the time — at a prestigious California clinic had finally brought him inner peace after [[yoga]], [[hypnotism]] and [[mysticism]] had proved ineffective.<ref name=WhiteB>[http://www.carygrant.net/articles/cary%20grant%20today.htm "Cary Grant Today."] ''[[Saturday Evening Post]]'', March 1978. Retrieved: June 13, 2009.</ref><ref name=McKelveyB-1984>McKelvey, Bob. [http://www.carygrant.net/articles/zany.htm "Cary Grant – Hollywood's Zany Lover Reaches 80."] ''[[Detroit Free Press]]'' January 18, 1984. Retrieved: June 13, 2009.</ref><ref name=GodfreyL>Godfrey, Lionel. ''Cary Grant: The Light Touch''. New York: St. Martin's Press, 1981. ISBN 0-312-12309-4.</ref> Grant and Drake divorced in 1962.


He eloped with [[Dyan Cannon]] on 22 July 1965, in [[Las Vegas, Nevada|Las Vegas]]. Their daughter, [[Jennifer Grant]], was born prematurely on 26 February 1966. He frequently called her his "best production" and regretted that he had not had children sooner. The marriage was troubled from the beginning, and Cannon left him in December 1966, claiming that Grant flew into frequent rages and spanked her when she "disobeyed" him. The divorce, finalised in 1968, was bitter and public, and custody fights over their daughter went on for nearly ten years.
He eloped with [[Dyan Cannon]] on 22 July 1965, in [[Las Vegas, Nevada|Las Vegas]]. Their daughter, [[Jennifer Grant]], was born prematurely on 26 February 1966. He frequently called her his "best production" and regretted that he had not had children sooner. The marriage was troubled from the beginning, and Cannon left him in December 1966, claiming that Grant flew into frequent rages and spanked her when she "disobeyed" him. The divorce, finalized in 1968, was bitter and public, and custody fights over their daughter went on for nearly ten years.


On 11 April 1981, Grant married long-time companion Barbara Harris, a British hotel public relations agent, who was 47 years his junior. They renewed their vows on their fifth wedding anniversary. (Fifteen years after Grant's death, Harris married former [[Kansas Jayhawks football|Kansas Jayhawks]] All-American quarterback [[David Jaynes]] in 2001.)<ref>[http://www2.ljworld.com/news/2003/oct/05/mayer_sayers_advice/ "Sayers’ advice on education priceless for today’s athletes."] ''The Lawrence Journal-World'' October 5, 2003. Retrieved: August 9, 2009.</ref>
On 11 April 1981, Grant married long-time companion Barbara Harris, a British hotel public relations agent, who was 47 years his junior. They renewed their vows on their fifth wedding anniversary. (Fifteen years after Grant's death, Harris married former [[Kansas Jayhawks football|Kansas Jayhawks]] All-American quarterback [[David Jaynes]] in 2001.)<ref>[http://www2.ljworld.com/news/2003/oct/05/mayer_sayers_advice/ "Sayers’ advice on education priceless for today’s athletes."] ''The Lawrence Journal-World'' October 5, 2003. Retrieved: August 9, 2009.</ref>

Revision as of 18:17, 29 August 2012

Cary Grant
1941
Born
Archibald Alexander Leach

(1904-01-18)January 18, 1904
DiedNovember 29, 1986(1986-11-29) (aged 82)
Davenport, Iowa, United States
Cause of deathCerebral hemorrhage
Other namesArchie Leach
OccupationActor
Years active1932–1966
Spouse(s)Virginia Cherrill (1934–1935)
Barbara Hutton (1942–1945)
Betsy Drake (1949–1962)
Dyan Cannon (1965–1968)
Barbara Harris (1981–1986)
PartnerMaureen Donaldson (1973–1977)[1]
ChildrenJennifer Grant, born on (1966-02-26) February 26, 1966 (age 58)
AwardsAcademy Honorary Award -
1970 For his unique mastery of the art of screen acting with the respect and affection of his colleagues.
Kennedy Center Honors - 1981

Archibald Alexander Leach[2] (January 18, 1904 – (November 29, 1986), better known by his stage name Cary Grant, was an English actor who later gained American citizenship. Known for his transatlantic accent, debonair demeanor and "dashing good looks", Grant is considered one of classic Hollywood's definitive leading men.

Grant was named the second Greatest Male Star of All Time by the American Film Institute. Noted particularly for his work in comedy but also for drama, Grant's best-known films include The Awful Truth (1937), Bringing Up Baby (1938), Gunga Din (1939), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), To Catch A Thief (1955), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).

Nominated twice for the Academy Award for Best Actor, for Penny Serenade (1941) and None But the Lonely Heart (1944), and five times for a Golden Globe Award for Best Actor, Grant was continually passed over, and in 1970 was given an Honorary Oscar at the 42nd Academy Awards. Frank Sinatra presented Grant with the award, "for his unique mastery of the art of screen acting with the respect and affection of his colleagues".[3][4]

Early life and career

Archibald Alexander Leach was born at 15 Hughenden Road, Horfield, Bristol, England, to Elsie Maria Kingdon (1877–1973) and Elias James Leach (1873–1935).[5][6] An only child, Leach had an unhappy upbringing, attending Bishop Road Primary School. His mother had suffered from clinical depression since the death of a previous child. Her husband placed her in a mental institution, and told his nine-year-old son only that she had gone away on a "long holiday". Believing she was dead, Grant did not learn otherwise until he was 31 and discovered her alive in a care facility.[7] When Grant was 10, his father abandoned him after remarrying and having a baby with his new young wife.[8]

Grant was expelled from the Fairfield Grammar School in Bristol in 1918. After joining the "Bob Pender Stage Troupe", Leach performed as a stilt walker and traveled with the group to the United States in 1920 at the age of 16, on a two-year tour of the country. He was processed at Ellis Island on 28 July 1920.[9]

When the troupe returned to the UK, he decided to stay in the U.S. and continue his stage career. During this time, he became a part of the vaudeville world and toured with Parker, Rand and Leach. Still using his birth name, he performed on the stage at The Muny in St. Louis, Missouri in such shows as Irene (1931); Music in May (1931); Nina Rosa (1931); Rio Rita (1931); Street Singer (1931); The Three Musketeers (1931); and Wonderful Night (1931). Leach's experience on stage as a stilt walker, acrobat, juggler, and mime taught him "phenomenal physical grace and exquisite comic timing" and the value of teamwork, skills which would benefit him in Hollywood.[7]

Hollywood stardom

After appearing in several musicals on Broadway under the name "Archie Leach,"[10] Grant went to Hollywood in 1931.[7] When told to change his name, he proposed "Cary Lockwood," the name of the character he had played in the Broadway show Nikki, based upon the recent film The Last Flight. He signed with Paramount Pictures, where studio bosses decided that the name "Cary" was acceptable, but that "Lockwood" was too similar to another actor's surname. Paramount gave their new actor a list of surnames to choose from, and he selected "Grant" because the initials C and G had already proved lucky for Clark Gable and Gary Cooper, two of Hollywood's biggest film stars.

Grant appeared as a leading man opposite Marlene Dietrich in Blonde Venus (1932), and his stardom was given a further boost by Mae West when she chose him for her leading man in two of her most successful films, She Done Him Wrong and I'm No Angel (both 1933).[11] I'm No Angel was a tremendous financial success and, along with She Done Him Wrong, which was nominated for an Academy Award for Best Picture, saved Paramount from bankruptcy. Paramount put Grant in a series of unsuccessful films until 1936, when he signed with Columbia Pictures. His first major comedy hit was when he was loaned to Hal Roach's studio for the 1937 Topper (which was distributed by MGM).

in The Philadelphia Story (1940)
With Ingrid Bergman in Notorious (1946)

The Awful Truth (1937) was a pivotal film in Grant's career, establishing for him a screen persona as a sophisticated light comedy leading man. As Grant later wrote, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point." Grant is said to have based his characterization in The Awful Truth on the mannerisms and intonations of the film's director, Leo McCarey, whom he resembled physically. As writer/director Peter Bogdanovich notes, "After The Awful Truth, when it came to light comedy, there was Cary Grant and then everyone else was an also-ran."

The Awful Truth began "what would be the most spectacular run ever for an actor in American pictures."[7] During the next four years, Grant appeared in several classic romantic comedies and screwball comedies, including Holiday (1938), Bringing Up Baby (1938) and The Philadelphia Story (1940) (all three films opposite Katharine Hepburn) His Girl Friday (1940) with Rosalind Russell; and My Favorite Wife (1940), which reunited him with Irene Dunne, his co-star in The Awful Truth. During this time he also made the adventure films Gunga Din and Only Angels Have Wings (both 1939) and dramas Penny Serenade (1941, also with Dunne) and Suspicion (1941, the first of Grant's four collaborations with Alfred Hitchcock).

Grant remained one of Hollywood's top box-office attractions for almost 30 years.[7] Howard Hawks said that Grant was "so far the best that there isn't anybody to be compared to him".[12] David Thomson called him "the best and most important actor in the history of the cinema".[7]

Grant was a favorite of Hitchcock, who called him "the only actor I ever loved in my whole life".[13] Besides Suspicion, Grant appeared in the Hitchcock classics Notorious (1946), To Catch a Thief (1955) and North by Northwest (1959). Biographer Patrick McGilligan wrote that, in 1965, Hitchcock asked Grant to star in Torn Curtain (1966), only to learn that Grant had decided to retire after making one more film, Walk, Don't Run (1966); Paul Newman was cast instead, opposite Julie Andrews.[14]. Producers Broccoli and Saltzman originally sought Cary Grant for the role of James Bond in Dr. No, but discarded the idea as Grant would be committed to only one feature film, and the producers decided to go after someone who could be part of a franchise.[15]

as John Robie in Alfred Hitchcock's
To Catch a Thief (1955)

In the mid-1950s, Grant formed his own production company, Granart Productions, and produced a number of films distributed by Universal, such as Operation Petticoat (1959), Indiscreet (1958), That Touch of Mink (co-starring with Doris Day, 1962), and Father Goose (1964). In 1963, he appeared opposite Audrey Hepburn in Charade. His last feature film was Walk, Don't Run three years later, with Samantha Eggar and Jim Hutton.

In Hitchcock's North by Northwest (1959)

Grant was the first actor to "go independent" by not renewing his studio contract, effectively leaving the studio system,[7] which almost completely controlled what an actor could or could not do. In this way, Grant was able to control every aspect of his career, at the risk of not working because no particular studio had an interest in his career long term. He decided which films he was going to appear in, he often had personal choice of the directors and his co-stars and at times even negotiated a share of the gross revenue, something uncommon at the time. Grant received more than $700,000 for his 10% of the gross for To Catch a Thief, while Hitchcock received less than $50,000 for directing and producing it.[16]

Grant was nominated for two Academy Awards, for Penny Serenade (1941) and None But the Lonely Heart (1944), but never won a competitive Oscar; he received a special Academy Award for Lifetime Achievement in 1970. Accepting the Best Original Screenplay Oscar in 1965, Father Goose co-writer Peter Stone had quipped, "My thanks to Cary Grant, who keeps winning these things for other people." In 1981, Grant was accorded the Kennedy Center Honors.

Never self-absorbed, Grant poked fun at himself with statements such as, "Everyone wants to be Cary Grant—even I want to be Cary Grant,"[17] sometimes elaborating, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point." He poked fun at himself in ad-lib lines - such as in the film His Girl Friday, saying, "I never had so much fun since Archie Leach died", and in Arsenic and Old Lace (1944) a gravestone is seen bearing the name Archie Leach. According to an extremely famous story now believed to be apocryphal, after seeing a telegram from a magazine editor to his agent asking "How old Cary Grant?" Grant reportedly responded with "Old Cary Grant fine. How you?"[18][19]

Retirement and death

Statue of Cary Grant in Millennium Square, Bristol

Cary Grant retired from the screen at 62 when his daughter Jennifer was born, in order to focus on bringing her up and to provide a sense of permanency and stability in her life. While bringing up his daughter, he archived artifacts of her childhood and adolescence in a (bank quality) room sized vault he had installed in the house. His daughter attributed this meticulous collection to the fact that artifacts of his own childhood had been destroyed during the Luftwaffe's bombing of Bristol in the Second World War (an event that also claimed the lives of his uncle, aunt and cousin as well as the cousin's husband and grandson) and he may have wanted to prevent her from experiencing a similar loss.[20]

Cary Grant in 1949; he had the mole on his cheek removed the following year.

Although Grant had retired from the screen, he remained active in other areas. In the late 1960s, he accepted a position on the board of directors at Fabergé. By all accounts this position was not honorary, as some had assumed; Grant regularly attended meetings and his mere appearance at a product launch would almost certainly guarantee its success. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother, Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle, Hollywood, California), Western Airlines (now Delta Air Lines) and MGM.[21] He was a keen motoring enthusiast and owned many notable cars like many other Hollywood stars of the era . One of the first he owned was a 1929 Cadillac Cabriolet. His love of Cadillacs never waned and he later purchased,from the proceeds of a successful stage and movie career , a Biarritz Cadillac. Other cars that he owned included a MG Magnette and a Sunbeam Alpine series one roadster .

In the last few years of his life, Grant undertook tours of the United States in a one-man show, A Conversation with Cary Grant, in which he would show clips from his films and answer audience questions. Grant was preparing for a performance at the Adler Theatre in Davenport, Iowa on the afternoon of 29 November 1986 when he sustained a cerebral haemorrhage (he had previously suffered a stroke in October 1984). He died at 11:22 pm[21] in St. Luke's Hospital at the age of 82. The bulk of his estate, worth millions of dollars, went to his fifth wife, Barbara Harris, and his daughter, Jennifer Grant.[22]

In 2001, a statue of Grant was erected in Millennium Square, a regenerated area next to the harbour in his city of birth, Bristol.

In November 2005, Grant came in first in the "The 50 Greatest Movie Stars of All Time" list by Premiere Magazine.[23] Richard Schickel, the film critic, said about Grant: "He's the best star actor there ever was in the movies."[24]

Personal life

File:Barbara Hutton May 1931.jpg
Second wife Barbara Hutton

Marriages and significant romantic relationships

Grant was married five times. He wed Virginia Cherrill on 10 February 1934. She divorced him on 26 March 1935, following charges that Grant had hit her. In 1942, he married Barbara Hutton, one of the wealthiest women in the world, and became a father figure to her son, Lance Reventlow. The couple was derisively nicknamed "Cash and Cary", although in an extensive prenuptial agreement Grant refused any financial settlement in the event of a divorce.[citation needed] After divorcing in 1945, they remained lifelong friends. Grant always bristled at the accusation that he married for money: "I may not have married for very sound reasons, but money was never one of them."[citation needed]

Wife Betsy Drake in trailer of her film with Grant, Every Girl Should Be Married (1948)

On 25 December 1949, Grant married Betsy Drake. He appeared with her in two films. This would prove to be his longest marriage, ending on 14 August 1962. Drake introduced Grant to LSD, and in the early 1960s he related how treatment with the hallucinogenic drug — legal at the time — at a prestigious California clinic had finally brought him inner peace after yoga, hypnotism and mysticism had proved ineffective.[25][26][27] Grant and Drake divorced in 1962.

He eloped with Dyan Cannon on 22 July 1965, in Las Vegas. Their daughter, Jennifer Grant, was born prematurely on 26 February 1966. He frequently called her his "best production" and regretted that he had not had children sooner. The marriage was troubled from the beginning, and Cannon left him in December 1966, claiming that Grant flew into frequent rages and spanked her when she "disobeyed" him. The divorce, finalized in 1968, was bitter and public, and custody fights over their daughter went on for nearly ten years.

On 11 April 1981, Grant married long-time companion Barbara Harris, a British hotel public relations agent, who was 47 years his junior. They renewed their vows on their fifth wedding anniversary. (Fifteen years after Grant's death, Harris married former Kansas Jayhawks All-American quarterback David Jaynes in 2001.)[28]

Some, including Hedda Hopper[29] and screenwriter Arthur Laurents, have said that Grant was bisexual, the latter writing that Grant "told me he threw pebbles at my window one night but was luckless".[30] Grant allegedly was involved with costume designer Orry-Kelly when he first moved to Manhattan,[31] and lived with actor Randolph Scott off and on for 12 years. Publicity photographs of Grant and Scott taken in 1933 at their home and at the beach, especially the one where Scott is lighting Grant's cigarette, fanned the rumours.[32] Richard Blackwell wrote that Grant and Scott were "deeply, madly in love",[33] and alleged eyewitness accounts of their physical affection have been published.[31] Alexander D'Arcy, who appeared with Grant in The Awful Truth, said he knew that Grant and Scott "lived together as a gay couple", adding: "I think Cary knew that people were saying things about him. I don't think he tried to hide it."[31] The two men frequently accompanied each other to parties and premieres and were unconcerned when photographs of them cozily preparing dinner together at home were published in fan magazines.[31] Scotty Bowers alleged in his memoir Full Service, published in 2012, that he was a lover of both Grant and Scott.[34]

Barbara, Grant's widow, has disputed that there was a relationship with Scott.[21] When Chevy Chase joked about Grant's being gay in a television interview, Grant sued him for slander; they settled out of court.[35]However, Grant's one-time girlfriend Maureen Donaldson wrote in her 1989 memoir, An Affair to Remember: My life with Cary Grant, that Grant told her that his first two wives had accused him of being homosexual. In Chaplin's Girl, a biography of Virginia Cherrill (Grant's first wife), the writer Miranda Seymour acknowledged that Grant and Scott were only platonic friends.[36]

Former showgirl Lisa Medford claimed that Cary Grant wanted her to have his child, but she didn't want kids, and "he was basically gay, and I wasn't in love with him."[37] Grant's daughter Jennifer Grant denied that her father was gay in her 2011 memoir but added that her "dad somewhat enjoyed being called gay. He said it made women want to prove the assertion wrong."[38] Jennifer's mother, Dyan Cannon, Grant's fourth wife, also denied that Grant was gay when she was promoting her memoir of Grant in 2012.[39] Grant's third wife Betsy Drake commented: "Why would I believe that Cary was homosexual when we were busy fucking?"[21]

Politics

Cary Grant

Grant did not think film stars should publicly make political declarations.[40] Grant described his politics and his reticence about them this way:

"I'm opposed to actors taking sides in public and spouting spontaneously about love, religion or politics. We aren't experts on these subjects. Personally I'm a mass of inconsistencies when it comes to politics. My opinions are constantly changing. That's why I don't ever take a public stand on issues."[41]

Throughout his life, Grant maintained personal friendships with colleagues of varying political stripes, and his few political activities seemed to be shaped by personal friendships. Repulsed by the human costs to many in Hollywood, Grant publicly condemned McCarthyism in 1953, and when his friend Charlie Chaplin was blacklisted, Grant insisted that the actor's artistic value outweighed political concerns.[41] Grant was also a friend of the Kennedy brothers and Robert Kennedy's press secretary Frank Mankiewicz. He hosted one of Robert Kennedy's first political fundraisers at his home. He made one of his rare statements on public issues following the assassination of Robert F. Kennedy, calling for gun control.[41]

In 1976, after his retirement from films, Grant made his one overtly partisan appearance, introducing his friend Betty Ford, the First Lady, at the Republican National Convention,[40] but even in this he maintained some distance from partisanship, speaking of "your" party, rather than "ours" in his remarks.[41]

Filmography

Year Film Role Notes
1932 This Is the Night Stephen With Lili Damita, Charles Ruggles, and Thelma Todd
Sinners in the Sun Ridgeway With Carole Lombard and Chester Morris
Singapore Sue First Sailor Musical Comedy short subject
Merrily We Go to Hell Charlie Baxter UK title: Merrily We Go to _____

With Sylvia Sidney and Fredric March

Devil and the Deep Lieutenant Jaeckel With Tallulah Bankhead and Gary Cooper
Blonde Venus Nick Townsend With Marlene Dietrich
Hot Saturday Romer Sheffield With Nancy Carroll and Edward Woods
Madame Butterfly Lieutenant B.F. Pinkerton With Sylvia Sidney and Charles Ruggles
1933 She Done Him Wrong Capt. Cummings With Mae West and Noah Beery, Sr.
The Woman Accused Jeffrey Baxter With Nancy Carroll
The Eagle and the Hawk Henry Crocker With Fredric March and Carole Lombard
Gambling Ship Ace Corbin With Jack La Rue and Glenda Farrell
I'm No Angel Jack Clayton With Mae West
Alice in Wonderland The Mock Turtle With W. C. Fields and Gary Cooper
1934 Thirty-Day Princess Porter Madison III With Sylvia Sidney and Edward Arnold
Born to Be Bad Malcolm Trevor With Loretta Young

(Heavily censored by the Hayes Office)

Kiss and Make-Up Dr. Maurice Lamar With Helen Mack and the WAMPAS Baby Stars of 1934
Ladies Should Listen Julian De Lussac With Francis Drake and Edward Everett Horton
1935 Enter Madame Gerald Fitzgerald With top-billed Elissa Landi
Wings in the Dark Ken Gordon With Myrna Loy
The Last Outpost Michael Andrews With Claude Rains
Sylvia Scarlett Jimmy Monkley Directed by George Cukor

With Katharine Hepburn

1936 Big Brown Eyes Det. Sgt. Danny Barr With Joan Bennett and Walter Pidgeon
Suzy Andre With Jean Harlow and Franchot Tone
The Amazing Quest of Ernest Bliss Ernest Bliss US title: Romance and Riches

Alt title: The Amazing Adventure

Wedding Present Charlie With Joan Bennett
1937 When You're in Love Jimmy Hudson UK title: For You Alone

With Grace Moore

Topper George Kerby With Constance Bennett
The Toast of New York Nicholas "Nick" Boyd With Edward Arnold and Jack Oakie
The Awful Truth Jerry Warriner Directed by Leo McCarey
With Irene Dunne
Introduced the "Cary Grant persona"
1938 Bringing up Baby Dr. David Huxley Directed by Howard Hawks
With Katharine Hepburn and Charles Ruggles
Holiday John "Johnny" Case Directed by George Cukor
With Katharine Hepburn
UK title: Free to Live
1939 Gunga Din Sgt. Archibald Cutter Directed by George Stevens
With Victor McLaglen and Douglas Fairbanks, Jr.
Only Angels Have Wings Geoff Carter Directed by Howard Hawks
With Jean Arthur, Thomas Mitchell, and Rita Hayworth
In Name Only Alec Walker With Carole Lombard and Charles Coburn
1940 His Girl Friday Walter Burns Directed by Howard Hawks
Remake of The Front Page
With Rosalind Russell
My Favorite Wife Nick Co-written by Leo McCarey
Directed by Garson Kanin
With Irene Dunne and Gail Patrick
The Howards of Virginia Matt Howard UK title: The Tree of Liberty
With Martha Scott
The Philadelphia Story C.K. Dexter Haven With Katharine Hepburn and James Stewart
1941 Penny Serenade Roger Adams Nominated – Academy Award for Best Actor
Directed by George Stevens
With Irene Dunne and Edgar Buchanan
Suspicion Johnnie Directed by Alfred Hitchcock
With Joan Fontaine
1942 The Talk of the Town Leopold Dilg aka Joseph With Ronald Colman and Jean Arthur
Once Upon a Honeymoon Patrick "Pat" O'Toole Directed by Leo McCarey
With Ginger Rogers
1943 Mr. Lucky Joe Adams/Joe Bascopolous With Laraine Day and Charles Bickford
Destination Tokyo Capt. Cassidy With John Garfield and Dane Clark
1944 Once Upon a Time Jerry Flynn With Janet Blair
Arsenic and Old Lace Mortimer Brewster With Priscilla Lane and Peter Lorre
None But the Lonely Heart Ernie Mott Nominated – Academy Award for Best Actor

Written and directed by Clifford Odets
With Ethel Barrymore

1946 Without Reservations Himself (cameo) With Claudette Colbert and John Wayne
Night and Day Cole Porter Directed by Michael Curtiz
Notorious T.R. Devlin Directed by Alfred Hitchcock
With Ingrid Bergman and Claude Rains
1947 The Bachelor and the Bobby-Soxer Dick UK title: Bachelor Knight

With Myrna Loy and Shirley Temple

The Bishop's Wife Dudley With Loretta Young and David Niven
1948 Mr. Blandings Builds His Dream House Jim Blandings With Myrna Loy and Melvyn Douglas
Every Girl Should Be Married Dr. Madison W. Brown With Betsy Drake
1949 I Was a Male War Bride Capt. Henri Rochard UK title: You Can't Sleep Here
With Ann Sheridan
1950 Crisis Dr. Eugene Norland Ferguson With Jose Ferrer
1951 People Will Talk Dr. Noah Praetorius With Jeanne Crain
1952 Room for One More George "Poppy" Rose With Betsy Drake
Monkey Business Dr. Barnaby Fulton Directed by Howard Hawks
With Ginger Rogers and Marilyn Monroe
1953 Dream Wife Clemson Reade With Deborah Kerr and Walter Pidgeon
1955 To Catch a Thief John Robie Directed by Alfred Hitchcock
With Grace Kelly
1957 The Pride and the Passion Anthony With Frank Sinatra and Sophia Loren
An Affair to Remember Nickie Ferrante A same-script remake of Love Affair (1939 film), both directed by Leo McCarey

With Deborah Kerr

Kiss Them for Me Cmdr. Andy Crewson Directed by Stanley Donen
With Jayne Mansfield and Suzy Parker
1958 Indiscreet Philip Adams Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Stanley Donen
With Ingrid Bergman
Houseboat Tom Winters With Sophia Loren
1959 North by Northwest Roger O. Thornhill Directed by Alfred Hitchcock

With Eva Marie Saint, James Mason and Martin Landau

Operation Petticoat Lt. Cmdr. Matt T. Sherman Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
With Dina Merrill and Arthur O'Connell
1960 The Grass Is Greener Victor Rhyall, Earl Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy

Directed by Stanley Donen
With Deborah Kerr, Robert Mitchum and Jean Simmons

1962 That Touch of Mink Philip Shayne Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Delbert Mann
With Doris Day and Gig Young
1963 Charade Peter Joshua / Alexander Dyle / Adam Canfield / Brian Cruikshank Nominated – BAFTA Award for Best Foreign Actor
Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Stanley Donen
With Audrey Hepburn, Walter Matthau and James Coburn
1964 Father Goose Walter Christopher Eckland Directed by Ralph Nelson
With Leslie Caron and Trevor Howard
1966 Walk, Don't Run Sir William Rutland With Samantha Eggar

Remake of The More the Merrier

References

Notes

  1. ^ Donaldson,
    Brooks, Phyllis, Maureen and William Royce. An Affair to Remember: My Life With Cary Grant. New York: Charter Books, 1990. ISBN 1-55773-371-6.
  2. ^ McMann 1996, p. 271, n. 13. Note: Although Grant's baptismal record records his middle name as "Alec", it is "Alexander" on his birth certificate.
  3. ^ "Oscar." carygrant.net.
  4. ^ "Cary Grant: Honorary Oscar." tcm.com.
  5. ^ "Elsie Kingdom." geneall.net. Retrieved: July 12, 2008.
  6. ^ Pace, Eric. "Movies' Epitome of Elegance Dies of a Stroke." The New York Times, December 1, 1986. Retrieved: July 12, 2008.
  7. ^ a b c d e f g Schwarz, Benjamin. "Becoming Cary Grant." The Atlantic, January/February 2007. Retrieved: January 18, 2011.
  8. ^ "Cary Grant's LSD gateway to God." smh.com.
  9. ^ "The Statue of Liberty." Ellis Island Foundation, Inc.. Retrieved: March 24, 2010.
  10. ^ "Cary Grant." Internet Broadway Database. Retrieved: September 8, 2011.
  11. ^ "Cary Grant biography." Encyclopedia Britannica.
  12. ^ Mast, Howard and Gerald. "Interview of Howard Hawks with Joseph McBride, in Hawks, Bringing Up Baby." New Brunswick, New Jersey: Rutgers University Press, 1988, p. 260.
  13. ^ Nelson and Grant 1992, p. 325.
  14. ^ McGilligan 2003, pp. 663–664.
  15. ^ http://en.wikipedia.org/wiki/Dr._No_(film)#Casting
  16. ^ Hodgins, Eric. "Amid Ruins of an Empire a New Hollywood Arises." Life, May 10, 1957, p. 146.
  17. ^ "Cary in the Sky with Diamonds." Vanity Fair, Number 600, August 2010, p. 174.
  18. ^ "Old Cary Grant Fine." time.com, 27 July 1962.
  19. ^ Halliwell 1988, p. 303.
  20. ^ Grant, Jennifer. Good Stuff: A Reminiscence of My Father, Cary Grant. New York: Alfred A. Knopf, 2011. ISBN 978-0-307-26710-8.
  21. ^ a b c d Jaynes, Barbara Grant and Robert Trachtenberg. "Cary Grant: A Class Apart." tcm.com, Burbank, California: Turner Classic Movies (TCM) and Turner Entertainment, 2004.
  22. ^ Decker, Cathleen. "Cary Grant will leaves bulk of estate to his widow, daughter." Los Angeles Times, December 4, 1986. Retrieved: June 8, 2012.
  23. ^ "The 50 Greatest Movie Stars of All Time." Premiere Magazine. Retrieved: August 21, 2011.
  24. ^ Hammond, Pete. "Remembering Cary Grant at 100." Associated Press, (c/o CBS News), May 21, 2004. Retrieved: June 13, 2009.
  25. ^ "Cary Grant Today." Saturday Evening Post, March 1978. Retrieved: June 13, 2009.
  26. ^ McKelvey, Bob. "Cary Grant – Hollywood's Zany Lover Reaches 80." Detroit Free Press January 18, 1984. Retrieved: June 13, 2009.
  27. ^ Godfrey, Lionel. Cary Grant: The Light Touch. New York: St. Martin's Press, 1981. ISBN 0-312-12309-4.
  28. ^ "Sayers’ advice on education priceless for today’s athletes." The Lawrence Journal-World October 5, 2003. Retrieved: August 9, 2009.
  29. ^ Mann 2001, p. 154.
  30. ^ Laurents 2001, p. 131.
  31. ^ a b c d Higham and Moseley 1989.
  32. ^ "Paper Trail: Great American Couple." advocate.com, January 5, 2009. Retrieved: June 8, 2012.
  33. ^ Blackwell, Vernon Patterson. From Rags to Bitches: An Autobiography. Los Angeles: General Publishing Group Inc., 1995. ISBN 1-881649-57-1.
  34. ^ Collis, Clark. "Scotty Bowers: The Young Man Who Sold Sex to Old Hollywood." Entertainment Weekly, February 10, 2012. Retrieved: June 8, 2012.
  35. ^ Eliot, Marc. Cary Grant: The Biography. New York: Harmony Books, 2004. ISBN 1-4000-5026-X.
  36. ^ Louvish, Simon. "Bright spark of the silver screen: Simon Louvish on the brief but eventful career of a cinema star." The Guardian,' May 9, 2009. Retrieved: June 12, 2012.
  37. ^ "Lisa Medford, Cary Grant: First Nude Showgirl in Vegas Tells About Relationship With Actor." Huffington Post, June 4, 2012. Retrieved: June 12, 2012.
  38. ^ " 'My father liked being called gay,' admits Cary Grant's daughter in new memoir." Daily Mail, 28 April 2011. Retrieved: June 12, 2012.
  39. ^ "Dyan Cannon: 'Cary Grant Was Not Gay'." Starpulse.com, September 21, 2011. Retrieved: June 12, 2012.
  40. ^ a b Jaynes, Barbara Grant and Robert Trachtenberg. "PBS: Cary Grant: A Class Apart." Washington Post, May 26, 2005. Retrieved: June 13, 2009.
  41. ^ a b c d Nelson, Nancy. Evenings With Cary Grant: Recollections in His Own Words and by Those Who Knew Him Best. New York: Citadel, 2007. ISBN 978-0-8065-2412-2.

Bibliography of cited references

  • Bogdanovich, Peter. Who the Hell's in It: Portraits and Conversations. New York: Knopf, 2004. ISBN 0-375-40010-9
  • Eliot, Marc. Cary Grant: The Biography. New York: Aurum Press, 2005. ISBN 1-84513-073-1
  • Higham, Charles and Roy Moseley. Cary Grant: The Lonely Heart. London: Thompson Learning, 1997. ISBN 0-15-115787-1.
  • Halliwell, Leslie. Halliwell's Filmgoer's Companion, Ninth Edition. New York: Charles Scribner's Sons, 1988. ISBN 978-0-6841-9063-1.
  • Johannson, Warren and William A. Percy. Outing: Shattering the Conspiracy of Silence.. Kirkwood, New York: Harrington Park Press, 1994, pp. 146–147
  • Kael, Pauline. "The Man from Dream City – Cary Grant" – The New Yorker (July 14, 1975) – reprinted in: Pauline Kael: For Keeps – 30 Years at the Movies. New York: Dutton, 1994
  • Laurents, Arthur. Original Story by: A Memoir of Broadway and Hollywood. Milwaukee, Wisconsin: Hal Leonard Corp, 2001. ISBN 1-55783-467-9
  • Mann, William J. Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910–1969. New York: Viking, 2001. ISBN 0-670-03017-1
  • McCann, Graham. Cary Grant: A Class Apart. London: Fourth Estate, 1997. ISBN 1-85702-574-1
  • McGilligan, Patrick. Alfred Hitchcock: A Life in Darkness and Light. New York: Regan Books, 2003. ISBN 0-06-039322-X
  • Morecambe, Gary; Sterling, Martin. Cary Grant: In Name Alone. London: Robson Books, 2001. ISBN 1-86105-466-1
  • Nelson, Nancy and Cary Grant. Evenings With Cary Grant: Recollections In His Own Words and By Those Who Loved Him Best. Thorndike, Maine: Thorndike Press, 1992. ISBN 1-56054-342-6.
  • Russo, Vito. The Celluloid Closet: Homosexuality in the Movies [revised edition]. New York: Harper & Row, 1987. ISBN 0-06-096132-5
  • Wansell, Geoffrey. Cary Grant: Dark Angel. London: Arcade, 1997. ISBN 1-55970-369-5
  • Grant, Jennifer. Good Stuff: A Reminiscence of My Father, Cary Grant. New York: Alfred A. Knopf, 2011. ISBN 978-0-307-26710-8

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