Heavenly Creatures: Difference between revisions
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==Plot== |
==Plot== |
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In 1950s [[Christchurch, New Zealand]] sixteen year old [[Pauline Parker]] (Lynskey) befriends fifteen year old [[Juliet Hulme]] (Winslet) when Juliet transfers to Pauline's school. Together they create [[fantasy]] worlds and close friends. Over the course of two years their friendship grows more and more intense. |
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In 1950s [[New Zealand]] two teenage girls, Pauline Parker and Juliet Hulme, meet when Juliet transfers to Pauline's school. Drawn together by the [[fantasy]] worlds they create together, the girls become close friends and over the course of two years their friendship grows more and more intense. They continue seeing each other after their families forbid it and step in to separate them. They eventually murder Pauline's mother to prevent the separation, an act they believe essential in order to remain together. Their crime is discovered, and both are sent to prison. After the film was released, it came to light that historical murder-mystery writer [[Anne Perry]], today a Mormon, was Juliet Hulme. |
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The film opens with archival footage of a [[1950]]s ''[[travelogue]]'' style introduction to the city of [[Christchurch, New Zealand]], with a commentary by an unknown actor. His voice is gradually drowned out by the sound of agonizing screams. There is then a crash cut to the Christchurch hills, where two blood-soaked girls run down a muddy, twisted path. The girls are revealed to be [[Juliet Hulme]], 15 at the time and [[Pauline Parker]], aged 16. The audience has just witnessed the aftermath of the murder of Pauline’s mother. |
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The film returns to the day the two first met, which is also an introduction to the public school system of New Zealand. While in art class, the girls are paired up by the class teacher to draw portraits. Instead of drawing Pauline, Juliet does a fantastic picture portraying [[Mario Lanza]] as [[Saint George]] slaying the dragon. Pauline gruffly compliments the piece. The girls are unable to participate in physical education lessons due to problems with their health and proceed to entertain one another with their life stories and readings from the [[Biggles]] adventure series. |
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Juliet invites Pauline to her home in [[Ilam, New Zealand|Ilam]] (a suburb in Christchurch). Pauline finds herself amazed by the wealth of Juliet's family. The girls soon develop a fantasy kingdom called Borovnia, and begin to dress up and [[roleplaying games|enact]] the adventures of the royal family. They then write out the storylines as short novels, which they hope to publish in America. At the same time, they begin inventing a quasi-religion centred around an imaginary place called 'The Fourth World', where they worship their favorite film stars and opera singers as saints. |
Juliet invites Pauline to her home in [[Ilam, New Zealand|Ilam]] (a suburb in Christchurch). Pauline finds herself amazed by the wealth of Juliet's family. The girls soon develop a fantasy kingdom called Borovnia, and begin to dress up and [[roleplaying games|enact]] the adventures of the royal family. They then write out the storylines as short novels, which they hope to publish in America. At the same time, they begin inventing a quasi-religion centred around an imaginary place called 'The Fourth World', where they worship their favorite film stars and opera singers as saints. |
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Juliet has an attack of tuberculosis and is sent to a |
Juliet has an attack of tuberculosis and is sent to a clinic. Pauline is desolate without her, and the two begin an intense correspondence, writing not only as themselves, but in the roles of the royal couple. Pauline, who sleeps in one of the small rooms that are a part of the motel her parents run, is courted unromantically by John, one of the boarders who is in love with her, and she loses the small amount of privacy she has when the man is discovered in bed with her by her father. After four months, Juliet is released from the clinic and their relationship continues. Pauline records their relationship in a diary, which was given to her by her father for [[Christmas]]. |
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<!-- Commented out because image was deleted: [[Image:winslet & Lynskey in Heavenly Creatures.jpg|thumb|250px|right|Kate Winslet and Melanie Lynskey in a scene from the film]] --> |
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| ⚫ | By now, the girls' relationship has become incredibly strong. Juliet’s father arrives at the Parker house and discusses the girls' intense relationship. He insists that Pauline’s mother, Honora, must take Pauline to a doctor. The doctor suggests Pauline may |
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| ⚫ | By now, the girls' relationship has become incredibly strong. Juliet’s father arrives at the Parker house and discusses the girls' intense relationship. He insists that Pauline’s mother, Honora, must take Pauline to a doctor. The doctor suggests Pauline may be [[homosexuality|homosexual]] - regarded as a mental illness and illegal in 1950's New Zealand. The parents agree that the girls must be separated. They will be allowed to spend two weeks together before Juliet moves to [[South Africa]] to live with her aunt Enna, ostensibly for the warmer climate. |
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| ⚫ | The girls want to run away together to America. They plot together the murder of Pauline’s mother, whom they perceive as the main obstacle to their happiness. Juliet is nervous, but Pauline says she feels extremely excited and |
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| ⚫ | The girls want to run away together to America. They plot together the murder of Pauline’s mother, whom they perceive as the main obstacle to their happiness. Juliet is nervous, but Pauline says she feels extremely excited about the murder. Honora, Pauline and Juliet arrive at Victoria Park. They have snacks at a teahouse, and then venture down a track, where the girls, using a brick in a stocking, bash Pauline's mother in the head while she is examining a pink stone that the girls planted on the track. |
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Honora, Pauline and Juliet arrive at Victoria Park. They have snacks at a teahouse, and then venture down a track, where the girls, using a brick in a stocking, bash Pauline's mother in the head while she is examining a pink stone that the girls planted on the track. In a disturbing scene, Honora screams in agony as the girls ruthlessly continue the murder. The scene then merges with black and white shots of Juliet on a ship with her parents waving goodbye to Pauline, who is stranded on the quay, whispering the words "I'm sorry." The film fades to black, and the sound of Pauline's screams can be heard in the background (in the original New Zealand cut, rather than fade to black, the film cuts to Pauline's bloody face with a blurry picture of the diary entries in the background, but this was not in the original script). |
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==Cast== |
==Cast== |
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Revision as of 15:17, 9 September 2008
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| Heavenly Creatures | |
|---|---|
 Heavenly Creatures film poster | |
| Directed by | Peter Jackson |
| Written by | Fran Walsh Peter Jackson |
| Produced by | Jim Booth |
| Starring | Melanie Lynskey Kate Winslet |
| Cinematography | Alun Bollinger |
| Edited by | Jamie Selkirk |
| Music by | Peter Dasent |
| Distributed by | Miramax |
Release dates |  October 14, 1994  November 16, 1994  September 12, 1995  January 8, 1995 |
Running time | 108 min. |
| Country | New Zealand |
| Language | English |
| Budget | $5,000,000 (est.) |
Heavenly Creatures is an acclaimed 1994 drama directed by Peter Jackson and written with his partner Fran Walsh. It is based on the notorious 1954 Parker-Hulme murder, committed by two teenage girls in Christchurch, New Zealand. The film features Melanie Lynskey as Pauline Parker, Kate Winslet as Juliet Hulme and Sarah Peirse as Honora Reiper and deals with the obsessive relationship between Pauline and Juliet, who vow to murder Pauline’s mother in order to avoid a potential separation when the mother fears their relationship is bordering on lesbianism. The original 1994 American release was rated R for a chilling murder and some sexuality, while the 2002 Director's Cut was rated R for violence and sexual content.
The film departs strongly, stylistically and dramatically from Jackson’s former films, which were mostly graphic horror/comedy ("splatstick") productions.[1] However it retains his elaborate fantasy sequences, used in the film to show the imaginary world of Pauline and Juliet. Heavenly Creatures opened to critical acclaim in 1994 at the Venice Film Festival, celebrated for its visual effects and acting from the then-newcomers and the directing achieved by Jackson. It received an Academy Award nomination for Best Original Screenplay, a Silver Lion for Best Director and the Jury Grand Prize for Best Film. Due to the film's success in advance screenings, studio executives decided to distribute it in a much wider release than ever before internationally, rather than just New Zealand and the United States. It launched the career of Winslet, who went on to become a major star. This, however, was not the case for the movie's other leading lady, Melanie Lynskey, who had to wait a full four years before getting another significant role.
Plot
In 1950s Christchurch, New Zealand sixteen year old Pauline Parker (Lynskey) befriends fifteen year old Juliet Hulme (Winslet) when Juliet transfers to Pauline's school. Together they create fantasy worlds and close friends. Over the course of two years their friendship grows more and more intense.
Juliet invites Pauline to her home in Ilam (a suburb in Christchurch). Pauline finds herself amazed by the wealth of Juliet's family. The girls soon develop a fantasy kingdom called Borovnia, and begin to dress up and enact the adventures of the royal family. They then write out the storylines as short novels, which they hope to publish in America. At the same time, they begin inventing a quasi-religion centred around an imaginary place called 'The Fourth World', where they worship their favorite film stars and opera singers as saints.
Juliet has an attack of tuberculosis and is sent to a clinic. Pauline is desolate without her, and the two begin an intense correspondence, writing not only as themselves, but in the roles of the royal couple. Pauline, who sleeps in one of the small rooms that are a part of the motel her parents run, is courted unromantically by John, one of the boarders who is in love with her, and she loses the small amount of privacy she has when the man is discovered in bed with her by her father. After four months, Juliet is released from the clinic and their relationship continues. Pauline records their relationship in a diary, which was given to her by her father for Christmas.
By now, the girls' relationship has become incredibly strong. Juliet’s father arrives at the Parker house and discusses the girls' intense relationship. He insists that Pauline’s mother, Honora, must take Pauline to a doctor. The doctor suggests Pauline may be homosexual - regarded as a mental illness and illegal in 1950's New Zealand. The parents agree that the girls must be separated. They will be allowed to spend two weeks together before Juliet moves to South Africa to live with her aunt Enna, ostensibly for the warmer climate.
The girls want to run away together to America. They plot together the murder of Pauline’s mother, whom they perceive as the main obstacle to their happiness. Juliet is nervous, but Pauline says she feels extremely excited about the murder. Honora, Pauline and Juliet arrive at Victoria Park. They have snacks at a teahouse, and then venture down a track, where the girls, using a brick in a stocking, bash Pauline's mother in the head while she is examining a pink stone that the girls planted on the track.
Cast
- Melanie Lynskey — Pauline Parker Rieper
- Kate Winslet — Juliet Hulme
- Sarah Peirse — Honorah Parker Rieper
- Diana Kent — Hilda Hulme
- Clive Merrison — Dr. Henry Hulme
- Simon O'Connor — Herbert Rieper
- Jed Brophy — John ("Nicholas")
- Peter Elliott - Bill Percy
- Gilbert Goldie - Dr. Bennett
Overview
Discovery of real-life Juliet Hulme
The film's international release coincided with members of the New Zealand media tracking down the real-life Juliet Hulme, who now wrote murder mysteries in Scotland under the name Anne Perry. Up until this point Jackson had been careful in interviews not to reveal this information, although he argued that her identity had already been common knowledge in some New Zealand theatrical circles as early as 1992. This turn of events saw the expression of some contrasting views between Jackson, Walsh and Hulme in interviews, about the film's fidelity to what had occurred (although Hulme admitted she had not seen the film, and had no desire to.)
Production and writing
Fran Walsh suggested to Peter Jackson (who was infamous for horror-comedy films at the time) that they do a film about the notorious Parker-Hulme affair. Jackson took the idea to his long-time collaborator, producer Jim Booth (who died after filming). The three filmmakers decided that the film should tell the story of the friendship between the two girls rather than focus on the murder and trial. "The friendship was for the most part a rich and rewarding one, and we tried to honour that in the film. It was our intention to make a film about a friendship that went terribly wrong," said Peter Jackson.[2]
Fran Walsh had been interested in the case since her early childhood. "I first came across it in the late sixties when I was ten years old.[2] The Sunday 'Times' devoted two whole pages to the story with an accompanying illustration of the two girls. I was struck by the description of the dark and mysterious friendship that existed between them - by the uniqueness of the world the two girls had created for themselves."
Jackson and Walsh researched the story by reading contemporary newspaper accounts of the trial. They decided that the sensational aspects of the case that so titillated newpaper readers in 1954 were far removed from the story that Jackson and Walsh wished to tell. "In the 1950s, Pauline Parker and Juliet Hulme were branded as possibly the most evil people on earth. What they had done seemed without rational explanation, and people could only assume that there was something terribly wrong with their minds," states Jackson.
In order to bring a more humane version of events to the screen, the filmmakers undertook a nationwide search for people who had close involvement with Pauline Parker and Juliet Hulme forty years earlier. This included tracing and interviewing seventeen of their former classmates and teachers from Christchurch Girls' High School. In addition, Jackson and Walsh spoke with neighbors, family friends, work colleagues, policemen, lawyers and psychologists.
Jackson and Walsh also read Pauline's diary, in which she made daily entries documenting her friendship with Juliet Hulme and events throughout their relationship. From the diary entries, it became apparent that Pauline and Juliet were intelligent, imaginative, outcast young women who possessed a wicked and somewhat irreverent sense of humor. All of Pauline's voice overs are excerpts from her journal entries.
Casting
The role of Pauline was cast after Fran Walsh scouted schools all over New Zealand to find a Pauline 'look-alike'. She had trouble finding an actress who resembled Pauline and had acting talent. Walsh finally discovered Melanie Lynskey, who had absolutely no acting experience at the time. Melanie was cast just two weeks before filming began. Kate Winslet auditioned for the part of Juliet, winning the role over 175 other girls.[3] The girls were both absorbed by their role so much that they kept on acting as Pauline and Juliet after the filming was done, as is described on Jackson's website. The making of the film had an impact on them as the viewing of the film has to some viewers. When Kate Winslet was back in England after the filming, it took her a few weeks to get over it. [citation needed]
Locations
The entire film was filmed on location in Christchurch city in the South Island of New Zealand. Jackson has been quoted as saying "Heavenly Creatures is based on a true story, and as such I felt it important to shoot the movie on locations where the actual events took place."[2]
Almost all locations used for filming were the genuine locations where the events occurred. The tea shop where Honora Parker ate her last meal was knocked down a few days after the shoot ended. According to director Peter Jackson, when they got to the location of the murder on the dirt path, it was eerily quiet; the birds stopped singing, and it didn't seem right. So they moved along a couple of hundred yards.
Special effects
The special effects in the film were handled by the then newly-created Weta Digital. The girls' fantasy life, and the "Borovnian" extras (the characters the girls made up) were supervised by Richard Taylor while the digital effects were supervised by George Port. Taylor and his team constructed over 70 full-sized latex costumes to represent the "Borovnian" crowds--plasticine figures that inhabit Pauline and Juliet's magical fantasy world. Heavenly Creatures contains over thirty shots that were digitally manipulated ranging from the morphing garden of the "Fourth World," to castles in fields, to the "Orson Welles" sequences.
Critical and commercial success
Heavenly Creatures was not a huge box office success, but performed admirably in various countries, including the United States where it grossed a total of $3 million during its limited run in 57 theaters.
Heavenly Creatures has garnered critical praise, and was an Academy Award nominee in 1994 for Best Original Screenplay. It featured in a number of international film festivals, and received very favourable reviews worldwide.[citation needed], including making top ten of the year lists in Time, The Guardian, The Sydney Morning Herald, and The New Zealand Herald.
The success of Heavenly Creatures won Peter Jackson attention from American company Miramax, who promoted the film vigorously in America and signed him to a first look deal.
Notes
External links
