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==History==
==History==


===Early History===
⚫
The Prayer Chain formed in February 1990 when Campuzano & Prickett's band ''Laughing Boy'' broke up at the same time as Taber's band ''Tapestry'' broke up. Campuzano knew Taber through a Bible study group. <ref>''HM Magazine'' issue #96 (July/August 2002), page 58</ref> Taber both sang and played drums originally, though drum machines were also used. <ref>Liner notes for "So Close...Yet So Far" </ref> The band auditioned Everett to play drums later that year at a Prayer Chain show in California.


⚫
The Prayer Chain formed in February 1990 when Campuzano & Prickett's band ''Laughing Boy'' broke up at the same time as Taber's band ''Tapestry'' broke up. Campuzano knew Taber through a Bible study group. <ref>Hm magazine issue #96 (July/August 2002), page 58</ref> Taber both sang and played drums originally, though drum machines were also used. <ref>Liner notes for "So Close...Yet So Far" </ref> The band auditioned Everett to play drums later that year at a Prayer Chain show in California.
⚫
Their first album, ''The Neverland Sessions'', was released independently, was recorded with [[Steve Hindalong]] at Neverland Studios. After signing to [[Reunion Records]] they put out the ''Whirlpool EP'' and started touring, while focusing on their first LP, ''Shawl'', released in 1993. The album showed a more aggressive side of the band compared to the upbeat poppier sound of the ''Whirlpool" EP''.{{Citation needed|date=April 2015}} The band proudly distanced themselves from their past, announcing in album opener "Crawl" that "shine is dead", referring to their hit song ''Shine''.{{Citation needed|date=April 2015}} The album produced "Never Enough", "Fifty-Eight" (written in 5/8 time) and "Worm".{{Citation needed|date=April 2015}} "Crawl" and "Like I Was" were also released as a 7-inch single, with clips released for both.{{Citation needed|date=April 2015}} In April 1994, the band released their first live recording, recorded toward the end of the tour for ''Shawl'', that included a bonus tracks from the ''Shawl'' era.{{Citation needed|date=April 2015}}


Their first album, released independently, was recorded with [[Steve Hindalong]] at Neverland Studios and was entitled ''The Neverland Sessions''. After signing to [[Reunion Records]] they put out the ''"Whirlpool" EP'' and started touring, while focusing on their first LP ''Shawl'' released in 1993.
⚫
After extensive national and international shows they started working on their final album, ''Mercury'', which was released in 1995. Campuzano said, "When we were were discussing this record, a lot of people said ''Shawl'' was a negative album, so we all kinda wanted to do this real drony 'get lost in the music' type record -- only with praise songs. But we really started just disliking each other, so that didn't allow us to fully praise God, because there's just too much disconnection in the band.<ref>''HM Magazine'' issue #53 (May/June 1995), page 11</ref> Taber says "before ''Mercury'', I wanted to record a more worshipful album. Eric Campuzano did too, but when we came together, the dynamic in the band produced something different."<ref>{{cite web|url=http://www.crosswalk.com/culture/music/the-lost-tim-taber-interview-540222.html|title=The Lost Tim Taber Interview|work=Crosswalk.com|accessdate=April 9, 2015}}</ref> The band also stated that they did not want to become the "the new [[Petra (band)|Petra]]."<ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb &#124; The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=April 9, 2015}}</ref> They changed their sound not wanting to repeat their earlier work.<ref>''HM Magazine issue #96 (July/August 2002), page 58</ref> Producer Steve Hindalong is credited by the band as helping bring the project together. <ref>Hm magazine issue #53 (May/June 1995), page 8 </ref>


===''Shawl'' era===
Their first version of the album, initially titled ''Humb'', was rejected the label, and the band were asked to produce more a commerical product.<ref name="The Prayer Chain's Bandcamp page"/> The band then wrote "Sky High". Themes on the album include distance ("Mercury", "Creole", "Shiver", "Waterdogs") and disconnection ("Grylliade") as well as love ("Manta Rae" and "Bendy Line") and worship ("Humb", "Sky High" and "Sun Stoned").<ref>''HM Magazine'' issue #53 (May/June 1995), page 11 </ref>

⚫
In 1993, The Prayer Chain released there first collection of all new material since 1990. The album showed a more aggressive side of the band compared to the upbeat poppier sound of the "Whirlpool" EP. The band proudly distanced themselves from their past, announcing in album opener ''Crawl'' that "Shine is dead", referring to their hit song ''Shine''. The album produced fan favorites ''Never Enough'', ''Fifty-Eight'' (written in 5/8 time) and ''Worm''. ''Crawl'' and ''Like I Was'' were also released as a 7-inch single, with clips released for both.

In April 1994, the band released their first Live recording, recorded toward the end of the tour for ''Shawl''. It included a couple of bonus tracks from the ''Shawl'' era.

===''Mercury'' era===

⚫
After extensive national and international shows they started working on their final album, ''Mercury'', which was released in 1995. Originally the band wanted to do a worship-based album. Campuzano says "When we were were discussing this record, a lot of people said ''Shawl'' was a negative album, so we all kinda wanted to do this real drony 'get lost in the music' type record -- only with praise songs. But we really started just disliking each other, so that didn't allow us to fully praise God, because there's just too much disconnection in the band. <ref>Hm magazine issue #53 (May/June 1995), page 11 </ref> Taber says "before ''Mercury'', I wanted to record a more worshipful album. Eric Campuzano did too, but when we came together, the dynamic in the band produced something different." <ref> http://www.crosswalk.com/culture/music/the-lost-tim-taber-interview-540222.html </ref>

Their most ambitious project to date, the band says "We purposefully made a record that would get us fired from the job Reunion had planned out for us, which was "the new Petra."". <ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb &#124; The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=April 9, 2015}}</ref> On the change of sound, Campuzano says "All of us made a conscious decision to not make ''Shawl Part 2'', but a record where we tried to not be influenced by any other popular music at the time. For the most part, I think we were very successful." <ref>Hm magazine issue #96 (July/August 2002), page 58</ref> Everett says "It ended up being a lot more emotional than the last one (''Shawl''), which was a lot more mental, so not only only lyrically but musically, we went for something that was a lot more earthy and emotional rather than something that's got a lot of complicated riffing or a lot of dynamics." <ref>Hm magazine issue #53 (May/June 1995), page 9 </ref>

Producer Steve Hindalong is credited by the band as helping bring the project together. Taber says "On this album, there was maybe only two or three fairly finished ideas before we started recording. The rest was 'Well we think we've got a verse, we think we might have a chorus, and we're not sure about the melody, we're not sure about the arrangement, we're not sure about any of the parts.' So Steve's influence helped us even be able to complete the songs and steer us in a certain direction....without Steve on this record, it wouldn't have been ''Mercury'', it wouldn't have been the same record at all." <ref>Hm magazine issue #53 (May/June 1995), page 8 </ref>

Their first draft of the album, titled ''Humb'', was rejected by Reunion, and the band "were instructed to go back into the studio, and write more songs. Something they could sell.". <ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb &#124; The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=April 9, 2015}}</ref> The band then wrote ''Sky High''.

{{Quote box
| quote = "It seems to be the music you like for several years has more depth to it; and they're doing different things. Maybe the first time you heard it, you weren't too sure about it, but after you listened to it ten times, it grew on you, rather than to start getting old. So I think that's more of what of what this album will be for people -- that after repeated listens they won't be getting sick of it. Hopefully, they'll be finding new things that they didn't hear before, that it will be growing on them."
| source =&nbsp;—Tim Taber 1995 <ref>Hm magazine issue #53 (May/June 1995), page 10 </ref>
| width = 25%
| align = right
| style = padding:10px;
}}

Themes on the album include distance (''Mercury'', ''Creole'', ''Shiver'', ''Waterdogs'') & disconnection (''Grylliade'') as well as love (''Manta Rae'', ''Bendy Line'') & worship (''Humb'', ''Sky High'', ''Sun Stoned''). Everett says "The record definitely does have that element of disconnection to it, certainly with God and even beyond talking of spiritual things -- it really explores feeling disconnected with other other people around you. With a lover, even within the band -- there's songs on this record about all of us being totally disconnected with each other, and having to make a record at the same time. It also has songs with a lot of hope in them such as ''Humb'' and ''Sky High'' and ''Sun Stoned'', which really invite a relinquishing to God in order to achieve peace and to become more connected with all these things that you've been separated from." <ref>Hm magazine issue #53 (May/June 1995), page 11 </ref> Campuzano says "The whole record basically itself is a manifestation of God telling us exactly what to do. All the lyrics, regardless of who they're written by, seem to be really together. It wasn't like we set out to do a thematic record, but I think the record itself did turn out to be thematic, in that it is a man's walk with God, from the beginning of ''Humb'' to the end of ''Sun Stoned''. And that is something that we did not set out to do, or outline." <ref> Hm magazine issue #53 (May/June 1995), page 11 </ref>

{{Quote box
| quote = "We always thought God put us in this position so we could break down some walls or notions about Christian music...I think we did that with touring, and with the eventual release of ''Mercury''."
| source =&nbsp;—Eric Campuzano<ref>Hm magazine issue #96 (July/August 2002), page 58 </ref>
| width = 25%
| align = left
| style = padding:10px;
}}

Engineer Chris Colbert wrote, "you can hear the band break up on the record, you can see them extend a warm and heartfelt middle finger to the industry".<ref>{{cite web |url=http://www.somewherecold.com/modules.php?op=modload&name=Sections&file=index&req=viewarticle&artid=49&page=1 |title=Chris Colbert (Part 1) on drones, breakfast with amy, the prayer chain's mercury, etc by Jason and Brent |year=2003 |accessdate=February 28, 2007 }}</ref>

===Post Break-up===


Some releases which included rare recordings followed. The band has since done a reunion show in [[Chicago]] in 1998, the [[Gene Eugene]] tribute show in 2000, some local [[California]] shows and 2003 reunion shows at [[Cornerstone Festival]] and the [[Flevo Festival]] in the Netherlands.<ref name="Postma">{{cite journal |last=Postma |first=Mike |date=January–February 2007 |title=The Prayer Chain |journal=[[HM Magazine]] |issue=123 |pages=50–53 }}</ref>
Some releases which included rare recordings followed. The band has since done a reunion show in [[Chicago]] in 1998, the [[Gene Eugene]] tribute show in 2000, some local [[California]] shows and 2003 reunion shows at [[Cornerstone Festival]] and the [[Flevo Festival]] in the Netherlands.<ref name="Postma">{{cite journal |last=Postma |first=Mike |date=January–February 2007 |title=The Prayer Chain |journal=[[HM Magazine]] |issue=123 |pages=50–53 }}</ref>


The band has released some of their work and rarities on the [[Bandcamp]] website. Most notably, they released the original version of their album ''Mercury'', titled ''Humb'', ending years of speculation between fans regarding the original album.{{Citation needed|date=April 2015}} The most evident differences between ''Mercury'' and ''Humb'' are the absence of "Sky High" on ''Humb'', which along with "Friend or Foe" was written after the record label rejected the original version of the album, and the inclusion of "Chalk", "Antarctica" and "Loverboy" on ''Humb'', all which eventually appeared on ''Antarctica''. ''Humb'' also had a different track order. The somewhat different mixing on the original album is considered to be darker.<ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb &#124; The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=March 17, 2013}}</ref>
The band has released some of their work & rarities on the [[Bandcamp]] website. Most notably, they released the original version of their album ''Mercury'' titled ''Humb'', ending years of speculation between fans regarding the original album. The original version was sent to Reunion Records in 1994 and the band were subsequently told to go back into the studio to write more songs, "something they could sell". The most evident differences between ''Mercury'' and ''Humb'' are the absence of "Sky High" on ''Humb'', which along with "Friend or Foe" was written after the record label rejected the original version of the album, and the inclusion of "Chalk", "Antarctica" and "Loverboy" on ''Humb'', all which eventually appeared on ''Antarctica''. ''Humb'' also had a different track order. The somewhat different mixing on the original album is considered to be darker.<ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb &#124; The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=March 17, 2013}}</ref>


In April 2015, the band announced they would be releasing ''Mercury'' on double vinyl through [[Kickstarter]] to mark the 20th anniversary of the album. Funding for the album was achieved within three hours of the announcement, evidence of the band's enduring cult following.. It is due to be released in July 2015.<ref>{{cite web|url=https://www.kickstarter.com/projects/1641828948/the-prayer-chain-20th-anniversary-mercury-vinyl|title=The Prayer Chain 20th Anniversary Mercury Vinyl|work=Kickstarter|accessdate=April 3, 2015}}</ref>
In April 2015, the band announced they would be releasing ''Mercury'' on double vinyl through [[Kickstarter]] to mark the 20th anniversary of the album. Funding for the album was achieved within three hours of the announcement, evidence of the band's enduring cult following.. It is due to be released in July 2015.<ref>{{cite web|url=https://www.kickstarter.com/projects/1641828948/the-prayer-chain-20th-anniversary-mercury-vinyl|title=The Prayer Chain 20th Anniversary Mercury Vinyl|work=Kickstarter|accessdate=April 3, 2015}}</ref>


== Members ==
== Members ==
* Tim Taber - vocals, founder of [[Floodgate Records]] (Cool Hand Luke, The Myriad), Transparent Productions, and Transparent Artists (Jeremy Edwardson)
* '''Tim Taber''' - vocals, founder of [[Floodgate Records]] (Cool Hand Luke, The Myriad), Transparent Productions, and Transparent Artists (Jeremy Edwardson)
* Andrew Prickett - guitar, now plays with CUSH and does extensive recording/producing/engineering, has also played with [[The Violet Burning]], [[My Brother's Mother]], [[OneRepublic]] and others.
* '''Andrew Prickett''' - guitar, now plays with CUSH and does extensive recording/producing/engineering, has also played with [[The Violet Burning]], [[My Brother's Mother]], [[OneRepublic]] and others.
* Eric Campuzano - bass guitar, now plays guitar for [[The Lassie Foundation]] & Stranger Kings. He's also released two drone solo projects under the moniker ''Charity Empressa''. He also plays bass with CUSH, and has played with [[Starflyer 59]].
* '''Eric Campuzano''' - bass guitar, now plays guitar for [[The Lassie Foundation]] & Stranger Kings. He's also released two drone solo projects under the moniker ''Charity Empressa''. He also plays bass with CUSH, and has played with [[Starflyer 59]].
* Wayne Everett - drums, now playing guitar and started [[The Lassie Foundation]], has played in [[Starflyer 59]] and CUSH, has done some producing, also released a solo album titled ''KingsQueens'' in 2003 on [[Northern Records]].
* '''Wayne Everett''' - drums, now playing guitar and started [[The Lassie Foundation]], has played in [[Starflyer 59]] and CUSH, has done some producing, also released a solo album titled ''KingsQueens'' in 2003 on [[Northern Records]].


==Discography==
==Discography==
===Full-length albums===
===Full-Length Albums===
*''The Neverland Sessions'' (1992)
*''The Neverland Sessions'' (1992)
*''Shawl'' (1993)
*''Shawl'' (1993)

Revision as of 10:28, 9 April 2015

The Prayer Chain
OriginCalifornia, US
GenresChristian alternative rock
Years active1991–1995
LabelsReunion, Rode Dog
Past membersTim Taber
Andrew Prickett
Eric Campuzano
Wayne Everett
Websitewww.theprayerchain.com

The Prayer Chain was a 1990s Christian alternative rock band. The band has been called "the epitome of the Christian underground".[1] The Prayer Chain was known for producing moody, angst-ridden music which was, in turn, the result of creative differences within the band and with their record label.[2]

History

Early History

The Prayer Chain formed in February 1990 when Campuzano & Prickett's band Laughing Boy broke up at the same time as Taber's band Tapestry broke up. Campuzano knew Taber through a Bible study group. [3] Taber both sang and played drums originally, though drum machines were also used. [4] The band auditioned Everett to play drums later that year at a Prayer Chain show in California.

Their first album, released independently, was recorded with Steve Hindalong at Neverland Studios and was entitled The Neverland Sessions. After signing to Reunion Records they put out the "Whirlpool" EP and started touring, while focusing on their first LP Shawl released in 1993.

Shawl era

In 1993, The Prayer Chain released there first collection of all new material since 1990. The album showed a more aggressive side of the band compared to the upbeat poppier sound of the "Whirlpool" EP. The band proudly distanced themselves from their past, announcing in album opener Crawl that "Shine is dead", referring to their hit song Shine. The album produced fan favorites Never Enough, Fifty-Eight (written in 5/8 time) and Worm. Crawl and Like I Was were also released as a 7-inch single, with clips released for both.

In April 1994, the band released their first Live recording, recorded toward the end of the tour for Shawl. It included a couple of bonus tracks from the Shawl era.

Mercury era

After extensive national and international shows they started working on their final album, Mercury, which was released in 1995. Originally the band wanted to do a worship-based album. Campuzano says "When we were were discussing this record, a lot of people said Shawl was a negative album, so we all kinda wanted to do this real drony 'get lost in the music' type record -- only with praise songs. But we really started just disliking each other, so that didn't allow us to fully praise God, because there's just too much disconnection in the band. [5] Taber says "before Mercury, I wanted to record a more worshipful album. Eric Campuzano did too, but when we came together, the dynamic in the band produced something different." [6]

Their most ambitious project to date, the band says "We purposefully made a record that would get us fired from the job Reunion had planned out for us, which was "the new Petra."". [7] On the change of sound, Campuzano says "All of us made a conscious decision to not make Shawl Part 2, but a record where we tried to not be influenced by any other popular music at the time. For the most part, I think we were very successful." [8] Everett says "It ended up being a lot more emotional than the last one (Shawl), which was a lot more mental, so not only only lyrically but musically, we went for something that was a lot more earthy and emotional rather than something that's got a lot of complicated riffing or a lot of dynamics." [9]

Producer Steve Hindalong is credited by the band as helping bring the project together. Taber says "On this album, there was maybe only two or three fairly finished ideas before we started recording. The rest was 'Well we think we've got a verse, we think we might have a chorus, and we're not sure about the melody, we're not sure about the arrangement, we're not sure about any of the parts.' So Steve's influence helped us even be able to complete the songs and steer us in a certain direction....without Steve on this record, it wouldn't have been Mercury, it wouldn't have been the same record at all." [10]

Their first draft of the album, titled Humb, was rejected by Reunion, and the band "were instructed to go back into the studio, and write more songs. Something they could sell.". [7] The band then wrote Sky High.

"It seems to be the music you like for several years has more depth to it; and they're doing different things. Maybe the first time you heard it, you weren't too sure about it, but after you listened to it ten times, it grew on you, rather than to start getting old. So I think that's more of what of what this album will be for people -- that after repeated listens they won't be getting sick of it. Hopefully, they'll be finding new things that they didn't hear before, that it will be growing on them."

 —Tim Taber 1995 [11]

Themes on the album include distance (Mercury, Creole, Shiver, Waterdogs) & disconnection (Grylliade) as well as love (Manta Rae, Bendy Line) & worship (Humb, Sky High, Sun Stoned). Everett says "The record definitely does have that element of disconnection to it, certainly with God and even beyond talking of spiritual things -- it really explores feeling disconnected with other other people around you. With a lover, even within the band -- there's songs on this record about all of us being totally disconnected with each other, and having to make a record at the same time. It also has songs with a lot of hope in them such as Humb and Sky High and Sun Stoned, which really invite a relinquishing to God in order to achieve peace and to become more connected with all these things that you've been separated from." [12] Campuzano says "The whole record basically itself is a manifestation of God telling us exactly what to do. All the lyrics, regardless of who they're written by, seem to be really together. It wasn't like we set out to do a thematic record, but I think the record itself did turn out to be thematic, in that it is a man's walk with God, from the beginning of Humb to the end of Sun Stoned. And that is something that we did not set out to do, or outline." [13]

"We always thought God put us in this position so we could break down some walls or notions about Christian music...I think we did that with touring, and with the eventual release of Mercury."

 —Eric Campuzano[14]

Engineer Chris Colbert wrote, "you can hear the band break up on the record, you can see them extend a warm and heartfelt middle finger to the industry".[15]

Post Break-up

Some releases which included rare recordings followed. The band has since done a reunion show in Chicago in 1998, the Gene Eugene tribute show in 2000, some local California shows and 2003 reunion shows at Cornerstone Festival and the Flevo Festival in the Netherlands.[16]

The band has released some of their work & rarities on the Bandcamp website. Most notably, they released the original version of their album Mercury titled Humb, ending years of speculation between fans regarding the original album. The original version was sent to Reunion Records in 1994 and the band were subsequently told to go back into the studio to write more songs, "something they could sell". The most evident differences between Mercury and Humb are the absence of "Sky High" on Humb, which along with "Friend or Foe" was written after the record label rejected the original version of the album, and the inclusion of "Chalk", "Antarctica" and "Loverboy" on Humb, all which eventually appeared on Antarctica. Humb also had a different track order. The somewhat different mixing on the original album is considered to be darker.[7]

In April 2015, the band announced they would be releasing Mercury on double vinyl through Kickstarter to mark the 20th anniversary of the album. Funding for the album was achieved within three hours of the announcement, evidence of the band's enduring cult following.. It is due to be released in July 2015.[17]

Members

  • Tim Taber - vocals, founder of Floodgate Records (Cool Hand Luke, The Myriad), Transparent Productions, and Transparent Artists (Jeremy Edwardson)
  • Andrew Prickett - guitar, now plays with CUSH and does extensive recording/producing/engineering, has also played with The Violet Burning, My Brother's Mother, OneRepublic and others.
  • Eric Campuzano - bass guitar, now plays guitar for The Lassie Foundation & Stranger Kings. He's also released two drone solo projects under the moniker Charity Empressa. He also plays bass with CUSH, and has played with Starflyer 59.
  • Wayne Everett - drums, now playing guitar and started The Lassie Foundation, has played in Starflyer 59 and CUSH, has done some producing, also released a solo album titled KingsQueens in 2003 on Northern Records.

Discography

Full-Length Albums

  • The Neverland Sessions (1992)
  • Shawl (1993)
  • Mercury (1995)
  • Antarctica (1996)
  • Humb (2011)

EPs

  • 4 Song Demo (1990)
  • Whirlpool (1992)
  • Live (4-song version) (1994)
  • Live (8-song version) (1994)
  • Live at CBGB's (2005)

Singles (7-inch vinyl)

  • Shine (1992)
  • Crawl/Like I Was (1993)

Two-disc sets

  • Mercury & Mercurios Tin: Limited Edition Collector's Set (1995)
  • So Close...Yet So Far (Retrospective & B-sides) (1998)

Double Vinyl

  • Mercury (20th anniversary re-release) (2015)

Compilations

  • Live at the Strand (1997)
  • A Live Tribute Recording for Gene Eugene (2000)
  • Here Comes the Rust (retrospective) (2003)

References

  1. ^ Powell, Mark Allan (2002). Encyclopedia of Contemporary Christian Music (First printing ed.). Peabody, Massachusetts: Hendrickson Publishers. pp. 724–726. ISBN 1-56563-679-1.
  2. ^ Roth, J. Peter (September–October 1995). "The Last Prayer Chain Story". 7ball (2). Archived from the original on December 27, 1996.
  3. ^ Hm magazine issue #96 (July/August 2002), page 58
  4. ^ Liner notes for "So Close...Yet So Far"
  5. ^ Hm magazine issue #53 (May/June 1995), page 11
  6. ^ http://www.crosswalk.com/culture/music/the-lost-tim-taber-interview-540222.html
  7. ^ a b c "Humb | The Prayer Chain". Theprayerchain.bandcamp.com. August 31, 1994. Retrieved April 9, 2015. Cite error: The named reference "The Prayer Chain's Bandcamp page" was defined multiple times with different content (see the help page).
  8. ^ Hm magazine issue #96 (July/August 2002), page 58
  9. ^ Hm magazine issue #53 (May/June 1995), page 9
  10. ^ Hm magazine issue #53 (May/June 1995), page 8
  11. ^ Hm magazine issue #53 (May/June 1995), page 10
  12. ^ Hm magazine issue #53 (May/June 1995), page 11
  13. ^ Hm magazine issue #53 (May/June 1995), page 11
  14. ^ Hm magazine issue #96 (July/August 2002), page 58
  15. ^ "Chris Colbert (Part 1) on drones, breakfast with amy, the prayer chain's mercury, etc by Jason and Brent". 2003. Retrieved February 28, 2007.
  16. ^ Postma, Mike (January–February 2007). "The Prayer Chain". HM Magazine (123): 50–53.
  17. ^ "The Prayer Chain 20th Anniversary Mercury Vinyl". Kickstarter. Retrieved April 3, 2015.
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