Corps of drums: Difference between revisions

Corps of drums of the Moscow Military Conservatoire at the Victory Parade on Red Square, 2010. Note the red and white "swallows' nests" on the shoulders, characteristic of musicians' uniforms in European armies.

Corps of drums at a tattoo (Großer Zapfenstreich) in Germany, 2002.

A Corps of Drums is a musical unit of several national armies. Drummers were originally established in European armies to act as signallers. This is the major historical distinction between a military band and a corps of drums, 'drummers' would not play their instruments to entertain or delight, but rather as a utilitarian battlefield role. This role was fulfilled by trumpeters or buglers and timpanists in the cavalry and the artillery, who did not form into comparative formed bodies in the way that drummers did; therefore, an orthodox corps of drums will exist in the infantry arm and not in other arms (save for the light infantry).

History

Most fife and drum traditions trace back to the Swiss mercenaries of the early Renaissance, and it is known that by the early 16th century, each company of infantry soldiers would have a single drummer and a single fife player. These two musicians would march at the head of the company, and when not providing uplifting marching tunes, they would be used by the company commander to convey orders, on and off the field of battle. The drummers would be more aptly described as signallers than musicians, as shouted orders were very hard to hear over the din of battle. Later, a bugle would become the preferred means of communication on the battlefield, and the drummers adapted, training on bugles and carrying them in battle, but retaining the drum and the title of drummer.

Drummers in the centre foreground, in their original battlefield role, close to the officer and wearing the distinctive drummers uniform described below.

As time went on, the individual drummers and fife players in each company would be organized at battalion level. They retained their role in each company in battle, but would form one body of men at the head of a battalion on the march. It was necessary to appoint a Drum Major (the equivalent of a Sergeant Major, for the drummers) to be in charge of the drummers and to organize training in the emerging discipline of military drumming while a fife major was to be appointed to be the principal fifer and to train future fife players. The corps of drums would group together when not on duty with each company, and carry out various roles within the battalion, such as administering military justice and ensuring soldier's billets were secured, thus, the corps of drums became attached to the battalion HQ and was organized at battalion level, as opposed to individual company level.

Current Role

Eventually, as the use of musical instrument on the battlefield diminished, corps of drums looked to fill specialist roles within the battalion while still retaining their original role for ceremonial purposes.

Several different strings of logic have seen corps of drums employed in many varied roles. Because the corps would often be employed in support of the battalion, in areas such as delivering mail or designating billets, they are often given the role of assault pioneers, or supporting-fire (machine gun) platoons. The corps of drums role on the battlefield was originally to signal orders, and therefore some units are organised into signals platoons, operating radios. Corps of drums were also deployed to march under the parley flag when officers of opposing met to discuss terms of surrender, etc. Therefore some corps of drums perform a liaison role.

Historical duties such as uncasing the colours on parade and various other privileges are continued in most units. Due to the specialist duties and ceremonial aspects of a drummers life, a corps of drums may be the unofficial custodian of regimental customs and traditions.

Corps of drums are drawn from the whole battalion, and are attached to the battalion HQ. Above the drum major as its head, the corps is usually answerable to the battalion's adjutant.

British Military

The late Lee Rigby was a Drummer in the Royal Fusiliers

The British Army maintains a corps of drums in each infantry battalion except for Scottish, Irish, and Rifle Regiments (The Rifles and the Royal Gurkha Rifles) which have pipes and drums and Bugles respectively. Each battalion of a regiment will maintain a corps of drums which may be 'massed' together on certain occasions. All corps-of-drums soldiers are called drummers (shortened to 'Dmr') regardless of the instrument they play, similarly to use of the term "sapper" for soldiers of the Royal Engineers,.

Unlike army musicians who form bands and will usually be limited to auxiliary duties in wartime, drummers in a Corps of Drums are principally fully trained infantry soldiers, with recruitment coming after standard infantry training. A Corps of Drums will deploy with the rest of the battalion, and will often form specialist platoons such as assault pioneers, supporting fire or force protection.

Historically, the drum was used to convey orders during a battle, so the Corps of Drums has always a fully integrated feature of an infantry battalion. Later on, when the bugle was adopted to convey orders, drummers were given bugles in addition, but maintained their drums and flutes, except in rifles regiments where the lighter instrument was more conducive to the skirmishing form of warfare.

Instruments

Corps of Drums of the Welsh Guards. Note: side drum, bugle and short-sword slung behind, fleur-de-lys lace on body and sleeves of tunic.

The main instrument is the Side drum. These were originally of a rope-tension design with wide wooden hoops, a wooden shell and an animal-skin head. In the British Army, this model has been continuously upgraded, with the inclusion of snares, more modern metal rod-tension and plastic heads. The current British Army 97s-pattern side drum also has nylon hoops.

The side drum was increasingly decorated throughout the 19th century, until it bore the fully embellished regimental colours of the battalion, including its battle honours. As such a regiment's drums are often afforded respect.

The second instrument was originally the fife, replaced in the modern British Army by the five key flute. A wide variety of flutes and pitches is used. The fife and later the flute have been favoured as a warlike instrument due to shrill pitch and thus the ability to be heard above the noise of battle. Many tunes such as The British Grenadiers are traditionally played by military flutes.

The bugle replaced the drum mid-way through the 19th century as the most common means of communication on the battlefield. These duties were carried out by the battalion's corps of drums, whose drummers now each carry a bugle.

As the musical role of a corps of drums became more ceremonial in the 19th and 20th centuries, more instruments were added to make their output more musically complete. A modern corps of drums may thus have a range of percussion instruments such as a bass drum, single tenor drums and cymbals in addition to the snare drum, flute and bugle.

Uniform

A corps of drums of the Duke of Wellington's regiment (since amalgamated into the Yorkshire Regiment), showing crown lace tunics, a leopard skin on the bass drummer, and rod-tension side drums with metal hoops.

Drummers originally wore distinct uniforms so as to stand out on the battlefield. During the 18th century most British Army drummers were distinguished by wearing their regimental uniforms in "reversed colours" - thus an infantry regiment wearing red coats with yellow facings would clothe its drummers in yellow coats with red facings. This practice tended to make drummers targets in battle and after 1812 was replaced by less conspicuous distinctions. These usually consisted of lace, used liberally all over the standard uniform, in varying patterns. Many early patterns consisted of a "Christmas-tree" pattern in which the chest was covered in horizontal lace decreasing in width downwards, and chevrons of lace down each sleeve. The modern infantry pattern in the British Army is of "crown-and-inch" lace sewn over the seams down the sleeves, around the collar, and over the seams on the back of the tunic. The crown-and-inch lace itself is about half-an-inch thick with a repeating crown pattern. The Guards Divisions drummers have the old-style "Christmas-tree" pattern, with fleur-de-lis instead of crowns.

Whilst corps of drums in the British Army often parade in combat uniforms and other forms of dress, they will usually parade in the full dress uniform as above, being one of a few formations which regularly wear full dress.

In some regiments, it has become custom for the percussion rank to wear leopard skins over their uniform. This has the dual purpose of protecting the uniform (cymbals have to be muffled against the chest, and therefore would leave vertical marks on a bare tunic) and protecting the instruments themselves (the bass drum can be scratched by uniform buttons). Modern "leopard skins" are made from synthetic fur. Other regiments opt for a simple leather or cloth apron.

Drummers have traditionally been armed with "drummers' swords", a shortsword with a simple brass hilt bearing the Royal Cypher. The practice of wearing swords has been discontinued by some regiments, though many still do carry the swords, whilst some use an SA80 bayonet as a modern alternative.

Honourable Artillery Company

Honourable Artillery Company Drum Major and Drummers

The Honourable Artillery Company maintains a corps of drums as other British Army infantry regiments have, and as such is the only such sub-unit in an artillery unit in the British Army. Although the Honourable Artillery Company now fulfils an artillery role, historically it was originally an infantry regiment, with two battalions fighting during the Great War. The last infantry battalion was disbanded in 1973, but the corps of drums remained. As the regiment still maintains the privilege granted to it by King William IV in 1830, that the H.A.C. should dress as the Grenadier Guards, except wearing silver where the Grenadiers wear gold, the corps of drums of the HAC dresses in a very similar fashion to that of the Grenadier Guards. Just as other corps of drums carry out a soldiering role as their main function.

Since the HAC is the oldest unit in existence in the British Army, and as drummers were on the establishment of infantry units at the latest during the 16th century, it may be assumed that the corps of drums of the HAC is the oldest in the British Army, though it has not been in continuous existence.

In addition, the HAC's veteran unit, the Company of Pikemen and Musketeers maintains an early form of Corps of Drums known as the 'Musik'. In this capacity, more basic fifes and larger rope-tension drums are used and 17th century uniforms are worn in keeping with the rest of the Company.

Royal Logistic Corps

RLC Drums with Battle honours.

The Royal Logistic Corps also maintains a corps of drums in the form of several side drummers, drawn from soldiers who serve a short tour as drummers before returning to a field unit. This is not a conventional corps of drums, as it has no flautists, and comes under the command of RHQ of The Royal Logistic Corps, rather than forming a separate entity. It frequently plays with the Band of The Royal Logistic Corps, but often performs in isolation. It is famed for its "Black Light" display. These drummers stem from the 12 drummers placed on the Royal Waggon Train in 1803. There are reserve soldiers within the Corps of Drums of 157 Regiment RLC, based at Cardiff/Caerdydd in Wales.

At the time of Waterloo, in the period of deployment to the Low Countries, the Royal Wagon Train introduced drums made of brass. These originated on the Indian sub-continent. The size 35.56 cm by 30.48 cm. They weighed 7.24 kg. They were faced in blue and carried the cypher of King George, with the title below. A few drums of the period survive today. The drumsticks were of Canadian maple, following the campaigns in North America during the Napoleonic era. The drums had drag ropes purchased from unit funds. Whilst drummers carried the bugle, the common instrument for the "Waggoners" was the fanfare trumpet on account of their cavalry traditions, and inclusion in the Light cavalry. During that period the Corps was then being divided between the Foot soldiers. which used drums and fifes, and the Mounted soldiers, with cavalry fanfare trumpets as signalling instruments. The drum sling was still that of the hook.

Royal Marines

Royal Marines Corps of Drums

Royal Marines Bands are led by 'buglers', who are trained on both the side drum and the bugle as well as the Herald Fanfare Trumpet (natural trumpet); this section of the band is referred to as "the Corps of Drums", which since 1903 is now situated at the front of the band. Whilst similar to Army corps of drums, these are members of the Royal Marines Band Service (RMBS), although they retain their own rank structure. Members of the RMBS are primarily musicians; however, they also carry out secondary roles (e.g. medics, drivers, force protection etc.) when required to, like their Army counterparts.

RM Buglers have a similar history to Army 'drummers' in that they were used to convey orders on a ship on drums and bugles, and would then mass onshore into corps of drums, though they were still expected to work as individual soldiers, also known in slang by the Royal Navy as drummers.

These drummer-buglers trace themselves back to the raising of the Royal Marines in 1664 as a maritime foot regiment, with six drummers attached to its battalions.

History of maritime drums

Drums were, in 1664, used for the raising of the Duke of York's and Albany's maritime regiment of foot, the Admiral's Regiment. The regiment's 1,200 personnel had per company six snare drummers, the ancestors of the Royal Marines Band's corps of drums. The Holland Regiment soon came after them. They were later to be called The Buffs, the Old Buffs and Howards's Buffs.

Each time a maritime regiment, or from 1672 onward, a marine regiment, is disbanded and a new one appears in its place, drummers come in, especially the young ones who liked playing drums and wanted to serve playing them. The 1702 formation of the marine and sea-service foot regiments saw the drummers' greatest action at Gibraltar, when they played the drums to support their regiments.

The War of Jenkins' Ear saw into action ten British marine regiments and an all-American marine regiment, all units whose drummers and fifers played alongside their units.

Even though part of the British Army which in the 18th century was led by the War Office, the Board of Ordnance and the Commissariat, marines were naval units. Royal Navy officers were at one point part of the marines. Due to two laws that regulated them and other army and navy units, marine drummers faced a loyalty problem over what drum calls they would have to do, and for what branch and on what occasion they might be required to play drums for orders, commands, etc.

In 1755, the problem was solved. The Admiralty took over what was then called His Majesty's Marine Forces. Even though at first Royal Navy officers filled the officer ranks, with lieutenant-colonel being perceived as the highest relevant rank, in 1771 a promotion to colonel occurred for the first time in the H.M.M.F.

After their formation, the H.M.M.F's drummers and fifers of the three marine divisions played alongside their fellow soldiers in various landings worldwide on behalf of the Royal Navy. They joined their units in the American War of Independence, and a drummer was at James Cook's service during his sea travels.

At Adm. John Jervis's insistence, by King George III's order in 1802, the H.M.M.F. was transformed into the H.M.M.F.-Royal Marines, albeit larger than today's establishment. Two years later, bomb vessel crews and gunners became part of the newly created Royal Marine Artillery, in which bugle calls became a regular part of life from then on.

The Royal Navy in the 19th century was short of manpower in both the H.M.M.F.-R.M. and the R.M.A. For this, Army units joined the H.M.M.F.-R.M. as replacement units, carrying not only their drummers and fifers but also buglers.

In 1855, during the units' service in the Crimean War, the H.M.M.F.-R.M's foot units became one under the unified title of Royal Marines Light Infantry, later known as the Royal Marine Light Infantry. From then, bugles replaced drums as signallers and order beaters, but the latter would be still useful for drill, being then called drummers and buglers, and from 1867 the R.M.L.I./R.M.A. drummers were called buglers only, serving individually in ships and the R.N's shore establishments and artillery units and massed into corps of drums for their units on the ground. Fifes fully declined and disappeared in usage. By then, a bugler playing both the drum and his bugle both to sound orders and do drum calls was a common sight in the RMLI and RMA. By the 1890s, even buglers also trained in using herald trumpets or Fanfare trumpets became commonplace in RMLI and RMA bases and facilities.

A 1902 incident changed the buglers forever. A Coronation Review at Aldershot was due soon, and the then Sr. Bandmaster of the RMLI, Lt. George Miller, asked his fellow bandmasters to get buglers for his band for the review. The next day at a church parade, he asked 30 RMLI buglers to front the RMLI Massed Bands. They then marched to his own arrangement of Onward Christian Soldiers. Everyone was shocked by this and were amazed that the formation that he used would become a RMLI and RMA military band standard formation setup, and the precision stick drills that he made became a permanent fixture in military events where either or both the RMLI and RMA's presence were needed. Soon later, when the RM began operating the Royal Naval School of Music the next year as a training venue for future bandsmen of the RN, RMLI and RMA, they brought this formation for Royal Navy bands as well, inspiring the formations used by modern military bands of some Commonwealth countries like Australia, Singapore, Malaysia and Brunei.

1923 would see the buglers of the R.M.L.I. and R.M.A. now belong to the Corps of Royal Marines, the Royal Marines of today. Seeing action during the Second World War and in the growing crisis of the Cold War were the R.M.'s brave buglers of the new Royal Marines Band Service, even through separate from the bands themselves. The R.M.A. and R.M.L.I. buglers' dress uniforms (dark blue trousers and tunic and red collars and trouser wells) became the full dress of the corps bands and buglers, with the addition of a Wolseley pith helmet as headdress, and yellow shoulder cords and slashed cuffs to indicate their long history, heritage and lineage from 1664.

By 1950, the R.N.S.o.M. became today's Royal Marines School of Music, and the Royal Naval bands were dissolved. Beating retreats by both the Royal Marine bands and the R.M. Corps of Drums buglers would begin to occur annually, and later triennially, at Horse Guards Parade, Portsmouth and other venues, playing for the entire Royal Navy and the Royal Marines. It would be only in 1978 that the R.M.B.S. would have buglers as well in its rosters. By the 1990s, however, only five R.M. corps of drums were left as the Deal Depot closed down in 1996, the Chatham band already dissolved in the 1940s, with three at the R.N. England bases in Portsmouth, Plymouth and at the Britannia Royal Naval College till 2008 (The last is now assigned to HMS Collingwood), one in the R.M.S.o.M. (then in Deal and now in Portsmouth since 1996) and another one in Scotland at HMS Caledonia.

Today there are six R.M. Bands (plus the training company, R.M.S.o.M. Junior Musicians and Buglers) located around the UK, in Portsmouth (three in HMS Nelson, which includes the R.M.S.o.M.), Fareham (HMS Collingwood), Plymouth (HMS Raleigh), Lympstone (Commando Training Centre Royal Marines) and Scotland (HMS Caledonia) for a total of seven bands and attached corps of drums. All members of the R.M.B.S. are trained at the Royal Marines School of Music (HMS Nelson). Buglers' training lasts two years. Basic military skills are taught during four months of initial military training and, if successful, trainee buglers are instructed on the bugle, drum and herald/fanfare trumpets. Musical skills are refined and supported with additional lessons in music theory and aural perception. Parade work forms a large part of the curriculum and considerable time is spent developing personal drill and bearing.

Today's R.M. Corps of Drums contains approximately 60 buglers who carry out duties ranging from repatriation services (Last Post and Reveille), mess beatings (drum displays), beating retreat (marching displays) and concerts on behalf of the Royal Marines and the entire Royal Navy.

Instruments and leadership

Like the British Army, Military snare (side) drums (MSD) are the principal instrument of the corps of drums; however, another core instrument is the bugle. Bass drums are often used during parades and drum displays, while cymbals and single tenor drums are used during parades and ceremonies only. Herald Fanfare trumpets (natural trumpets) are also performed on such occasions where a bugle fanfare would be inappropriate for such. The corps is led by a drum major and a bugle major serves as the principal player for it.

British civilian and cadet corps of drums

In addition to Army and Navy/Royal Marines Corps of Drums, in the United Kingdom there are also cadet- civilian corps who base their music on the military traditions of the country. The Army Cadet Force corps use the Army-style formations and instrumentation (flutes/bugles, snare, bass and tenor drums, cymbals and Glockenspiels), save for those with Scottish and Irish links that have Pipe bands instead and those affiliated with the light infantry (especially the now only LI regiment The Rifles) have a corps of drums without the fifes while using only bugles. Those corps of the Combined Cadet Force, Royal Marines Volunteer Cadet Corps and the Sea Cadet Corps use the RN/RM naval and ship-style corps (Snare drums/Bugles, Bass and Tenor drums, cymbals and glockenspiels) and are attached to the main band. This formation is also used by the military band of the Duke of York's Royal Military School. Another example of a military style CoD is that of the Royal British Legion, whose bands are modeled on the Royal Navy and Royal Marines Band Service. The Royal Air Force however does not have any such ensembles, and only Corps of Drums under the Royal Air Force Air Cadets are active, with their formation being similar to those of the RN and RM.

The Metropolitan Police restarted a Corps of Drums in 2011, when the central youth engagement unit purchased some drums and sent cadets on a "band camp". Greenwich borough subsequently took a caretaker role of the drums and expanded in a drum corp. 2015 saw Kensington and Chelsea and Hillingdon Boroughs expanding and creating more branches of the drum corp. It is the first band in the Metropolitan Police to be composed of members of the Metropolitan Police since 1988. It is also the first band in the name of the Metropolitan Police since 1997, when the civilianised Metropolitan Police Band was disbanded.

Civilian corps of drums are also formatted after their respective services, with corps patterned after those of the Army, Navy and the Royal Marines in instrumentation and marching style becoming commonplace. These are staffed by both veteran and retired military drummers as well as civilian drummers playing the fifes, bugles and percussion.

United States

A corps of drums or field music in the United States is a type of military band, which originated in European armies in the 16th century. The main instruments of a corps of drums are the drum and the flute or fife and bugle. Unlike 'full' military marching bands, corps of drums usually exist within an infantry battalion. A drum major is the leader of a corps of drums, and in the past a fife major served as the principal fifer or flautist with a bugle major serving the same purpose for the buglers.

Valley Forge Military Academy and College has a corps of drums that is part of the regimental band. Uniforms and music are modelled on the Royal Marines Corps of Drums. VFMAC does have a similar but separate formation which is part of the Corps of Cadets (VFMAC Field Music) which only uses drums (snares, tenors and basses), cymbals and bugles and from 2011, fifes. Formed in 1956, it also provides the official guard-of-honour for visitors to the Delaware Valley area.

The United States Army Old Guard Fife and Drum Corps, raised in 1960 and part of the 3rd US Infantry Regiment (The Old Guard) of the United States Army, formally revived this very part of American military music history and its mission is to relive it for coming generations. This is the only musical unit of the US armed forces in which its drum major, wearing a classic 18th century infantry cap and carrying a spontoon, the honor badge and weapon of 18th century senior non-commissioned officers, salutes using the left hand. Musicians assigned to this unit wear 18th century military uniforms reminiscent of those used in the American Revolutionary War by the Continental Army drummers and fifers. Until the late 19th century the US Army and the United States Marine Corps maintained similar ensembles before switching to bugles.

Germany

In Germany, Spielmannszug, Tambourkorps and sometimes Trommlerkorps are the names given to the German corps of drums, whether it is a military formation or a civilian formation. The instrumentation of these are, commonly fifes and snare drums (just like the Bundeswehr corps of drums that are attached to the unit military bands), flutes and piccolos, Glockenspiels, Bass drums, cymbals and, on some corps, single and multiple tenor drums, and like their British counterparts, bugles. Timpani, vibraphones and marimbas are used in concerts. Sometimes even a Turkish crescent is used to symbolize the band. Whatever the configuration, a drum major always leads the corps during military and civil parades and other events, and in modern corps even majorettes and pom pom dancers are a part of its roster.

Military corps of drums belong and are attached to the bands of the Bundeswehr Military Music Service under the Bundeswehr Streitkräftebasis while civilian corps are dedicated civil bands and youth bands assigned in cities and towns all over Germany.

From 1955 to 1990, the National People's Army maintained corps of drums in the same manner as the Bundeswehr. During the National Day parades on 7 October in East Berlin, the national corps included single tenor drums at the front.

Netherlands and in Indonesia

Drum bands are the Dutch and Indonesian terms for the corps of drums, but in the Netherlands they are also called as drumfanfares, tamboerkorps and klaroenkorps (drum and lyre bands, fanfare bands and drum and brass bands) and in Indonesia as marching bands and drum corps.

In the Netherlands, the basic instrumentation is

• Snare drums
• Bass drums
• Multiple and single tenor drums
• Cymbals
• Glockenspiels
• Flutes, Fifes
• Bugles
• Natural horns (few bands only)
• Turkish crescent (optional)
• Brass section (in few bands)

Military drum bands in the armed forces of the Netherlands would have only 2 to 4 of these basic instruments.

Optional or permanent instruments in these bands are flutes and piccolos, bugles, natural horns, valved bugles and brass instruments (soprano bugles and trumpets, cornets, horns, mellophones, baritones, sousaphones and contrabass bugles).

These bands are attached to the main marching band, similar to French bands, but also perform as stand alone bands. They are led by a drum major, and can have majorettes and colour guards, the latter now more separated from the band.

In the 1990s however these bands became paramilitary-styled and even adopted the traditions of British military bands of the Guards Division and the Royal Marines, but several of these bands chose the American marching band and drum and bugle corps practice. Some of these bands also adopted woodwind instruments turning them into full-time military marching bands, and almost all drum bands use English voice commands and not Dutch commands and only a few use whistle commands and the mace movements.

In Indonesia, the corps, a military musical heritage from Dutch colonial times, may be treated as military, civil or school marching and show bands, and in some cases as drum and bugle corps, and are either attached to the main marching band or as stand-alone bands, with instrumentation drawn from the following:

• Snare drums
• Bass drums
• Single tenor drums
• Multiple tenor drums
• Cymbals
• Glockenspiels
• Melodicas (in school marching bands)
• Fanfare trumpets (chromatic and/or herald) (optional)
• Bugles (optional)
• Flutes/piccolos (in the Indonesian National Armed Forces)
• Fifes (optional in the Indonesian National Armed Forces)
• Clarinets (in the Indonesian National Armed Forces)
• Trumpets, cornets and soprano bugles
• Flugelhorns and flugel bugles
• Trombones (optional in the Indonesian National Armed Forces)
• Horns, mellophones and horn bugles
• Baritone bugles and marching baritone horns
• Wagner tubas (optional)
• Tubas, euphoniums, saxhorns (optional)
• Contrabass bugles, sousaphones

If a civilian front ensemble is present:

• Marimba
• Vibraphone
• Xylophone
• Suspended cymbals
• Tubular bells
• Gong
• Drum kit
• Timpani

They are led by from one to six drum majors and can have a separate director of music (in civil and police bands only), majorettes and Colour guards (optional). The drum majors in these bands have a unique use of the mace in order to coordinate the timing and precision of the band like US marching band drum majors do. The Indonesian corps also has dancing bass drummers either wearing uniforms or costumes (such is the case in the corps of drums of the various Indonesian uniformed organizations, most especially the armed forces and the national police), a unique feature of these corps and are attached to it and are also a nod to Indonesian cultural traditions, plus dancing contrabass buglers and baritone buglers in some bands. The brass instruments are pitched in C, F or B major unlike US military DBCs, most notably that of the United States Marine Drum and Bugle Corps that use G major brasses and civilian corps in the past, and so too are the glockenspiels being used and the flutes and clarinets.

Another unique characteristic is that in military and police corps of drums, tenor and bass drummers, baritone buglers (optionally) and contrabass buglers wear combat, duty or everyday uniform (and optionally costumes for the tenor drummers) instead of the full dress uniform while playing, whether in performance, field practice or rehearsals, unlike their British counterparts do. They wear berets, ball caps or side caps as head-dress, unlike the rest of the band, who wear peaked caps, especially the drum majors and in civil bands, the director of music, the color guards and the pit section during field performances. Bands of the Armed Forces academies tend to have their single tenor drummers wear their specialty uniform and colored berets of the selected service arm or branch, with those of the Navy wearing free diving gear and the Air Force flightsuits.

South America

Inspired by the German (and sometimes French) style corps of drums, South American corps differ in instrumentation, size and leadership.

Chile

Similar to the German corps, the Chilean corps of drums are both military and civil bands, the Bandas de Guerra (War Bands) that the Chileans call them formally.

Military corps of drums belong to the Chilean Armed Forces' three services, the Carabineros de Chile and the Chilean Gendarmerie and differ in instrumentation and officers in charge (only in the Chilean Navy).

• Chilean Army: Snare drums, fifes, bugles (led by a drum major and a bugle major)
• Chilean Navy: Snare drums, fifes, bugles (led by a drum major)
• Chilean Air Force: Snare drums, bugles (led by a drum major and a bugle major)
• Chilean Carabiners: Snare drums, bugles (led by a drum major and a bugle major)
• Chilean Gendarmerie: Snare drums, fifes, bugles (led by a drum major and a bugle major)

The military style corps also inherit the British corps' tradition of carrying drummers' swords attached to belts in all their dress uniforms.

Civilian corps are usually school or college-based bands with the addition of a percussion section (Snare drums, bass drums and cymbals) and glockenspiels and are either part of a school marching band or as a standalone band in itself. In these separate bands, a fife major leads the band's fifers/flautists while on duty, and also assist the drum major and the bugle major. These positions also exists on corps which are now part of school bands. There are some civil corps of drums which are associated with universities and colleges like that of the National College. These civil corps perform on occasions when requested and participate in competitions.

Ecuador

Corps of drums in Ecuador are both military and civil bands. These corps are very similar to the German corps, but with the addition of bugles and the single tenor drum.

Like the Chilean corps, these bands have differences in configuration and instrumentation in the Ecuadorian armed forces. But the corps snare and tenor (sometimes bass) drummers often play on drums that are painted in the service or unit colours (sometimes in the colours of Guayaquil, which are blue and white for the corps of the Ecuadorian Navy) and in the case of the Military Academy "Eloy Alfaro" and the Air Force Academy "Cosme Rendella", have the unit/school insignia attached to the bugles' and fifes' tabards.

The typical Ecuadorian corps, called as the Peloton Comando (Commando Platoon) but are also called as the Banda de Guerra (War Band), just like in Chile in several schools and colleges (many bands now fall under the Banda Escolar or Banda de Paz title due to recent state reforms), is led by a drum major (in several cases there would be 1 to 4 drum majors) and is composed of:

• Snare drums
• Fifes (common only in the Ecuadorian Army and Ecuadorian Air Force and school bands)
• Bugles and natural trumpets (common in all three services, principal instrument in the Ecuadorian Navy)
• Single tenor drums
• Bass drums (optional and common in some corps)
• Cymbals (optional and in some corps)
• Glockenspiels
• Multiple tenor drums (only in school bands)

Ecuadorian Civil corps of drums are similar only to the Army and Air Force corps but are based as youth bands stationed in schools across the nation. Notable exceptions include the Corps of Drums of the Ecuadorian National Police. Like military corps, they are led by a drum major in all their activities but there are cases of multiple drum majors leading, from a minimum of two to a maximum of 4 or 5. But in some corps, there are some majorettes and tambourine players. Those that are based on the Navy's corps of drums (especially Guayaquil-based corps) use the same instrumentation as its corps have.

Venezuela

Similar to Germany and Colombia's, the Venezuelan corps of drums are both military and civil bands, and like Colombia's, Peru's and Ecuador's contain the same instrumentation of :

• Snare drums
• Bass drums
• Cymbals
• Single tenor drums
• Glockenspiels
• Bugles (and optionally trumpets)

The corps is led by a single drum major. In some corps, especially in civil-based ones, other brass instruments may be added into the bugle section.

Military corps have tabards applied on the bass drums, snare drums, glockenspiels and bugles on every occasion that it is performing. One such formation is the Military Academy of Venezuela Corps of Drums. Recently there's an effort to build up full-time military marching bands in the national armed forces with the percussion of the corps combined with brass and woodwind instruments.

Bolivia

Corps of drums in Bolivia, both military and civil, are inspired by German and French band practices and are part of the main band. The instruments used by them are snare drums, tenor drums (single and multiple), bass drums, cymbals and sometime glockenspiels. Turkish crescents are used as standards and are paraded as part of them. In military corps attached to bands there would be one to two drum majors and in some cases standards or vertical banners are used to distinguish the corps when on parade. Civil corps attached to marching bands would have one to eight drum majors (in some cases ten) and would also have a military-styled colour guard marching with the Turkish crescents and optionally the standards.

Peru

Peruvian corps of drums are both military and civil bands, with differences in instrumentation. In whatever combination, it's a main part of the main school or military marching band led by the Director of Music, with the drum major or majorette or standard bearer leading led by the conductor or as a separate band led by the drum major or standard bearer at the front of the ensemble. These follow the Spanish and French influence.

Corps of drums in the Peruvian Armed Forces and the National Police of Peru (formerly the Civil Guard of Peru, Peruvian Investigations Police and Peruvian Republican Guard), plus school or college based bands and corps attached to them or as separate bands are composed of snare and or field drums, single tenor drums, multiple tenor drum (in school corps), bugles and glockenspiels in addition to the regular snare and bass drums and cymbals. Tambourines are common within the school-based corps, with female majorettes assisting the conductor or the school band drum major or music director. Tabards are applied only on the bugles and glockenspiels, as well as in the snare and tenor drums if applicable.

Colombia

Colombian corps of drums ar similar to those of Ecuador, Peru, Chile and Venezuela but are different in leadership, being led by a minimum of 3-7 drum majors or majorettes, and are composed instrumentally of:

• Snare drums
• Field/precision snare drums
• Bass drums
• Single tenor drums
• Multiple tenor drums (civil corps)
• Cymbals
• Glockenspiels
• Bugles and trumpets
• Natural trumpets (military corps only and in several civil corps)
• Trombones (optional, only in select military corps)
• Saxhorns (only in select military corps)
• Bagpipes (in the corps of drums of the Colombian Naval Academy and the Basic School of the Colombian Naval Infantry)
• Tambourines (civil corps)
• Conga drums (civil Corps)
• Timbales (civil corps)
• Cowbells (civil corps)
• Suspended cymbals (civil corps)

Civil corps would also have a separate conductor, occasionally standard bearers and colour guards marching along.

Even through separate from the main marching band, a part of the band itself or as a band of its own, they are both useful as military-based and civil-based marching bands. The drums are either covered with cloth tabards of the unit or band to which the corps belongs, or painted in various colours to suit its needs. The bugles, trumpets and glockenspiels (and in military units and several civil bands, natural trumpets) are attached with small tabards with the military service, police, school or college insignia, name or emblem shown in them.

Central America

Known as Bandas de Guerra or banda tradicional in Spanish, the Corps of drums tradition is also active in the following Central American countries:

• Guatemala
• El Salvador
• Honduras
• Panama

The Guatemalan corps tradition is mostly active in school-based corps, which mirror drum and bugle corps of the US and Mexico.

External links

• Coldstream Guards Corps of Drums website
• Regimental Band of The Royal Welsh Guards Corps of Drums website
• Corps of Drums Society
• Corps of Drums of The Royal Logistic Corps

See also

• Military band
• Marching band
• Pipe band
• Fife and drum corps for the US variant