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The Great Sinner

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The Great Sinner
Theatrical poster
Directed byRobert Siodmak
Screenplay byChristopher Isherwood
Ladislaus Fodor
René Fülöp-Miller
Based onThe Gambler
1866 novel
by Fyodor Dostoyevsky
Produced byGottfried Reinhardt
StarringGregory Peck
Ava Gardner
Melvyn Douglas
CinematographyGeorge J. Folsey
Edited byHarold F. Kress
Music byBronisław Kaper
Production
company
Distributed byLoew's Inc.
Release date
  • June 29, 1949 (1949-06-29)
Running time
110 minutes
CountryUnited States
Budget$2,075,000[1]
Box office$2,041,000[1]

The Great Sinner is a 1949 American drama film directed by Robert Siodmak. Based on the 1866 short novel The Gambler written by Fyodor Dostoyevsky, the film stars Gregory Peck, Ava Gardner, Frank Morgan, Ethel Barrymore, Walter Huston, Agnes Moorehead and Melvyn Douglas.

Plot

The film opens in the 1860s in a run-down attic room in Wiesbaden, with a man (whose name we soon learn is Fedya) lying on a bed in the foreground. A violent storm knocks open the windows, sending the pages of a manuscript flying around the room. A woman (later revealed to be Pauline Ostrovsky, a reformed gambling addict), enters and shuts the windows, looking tenderly at Fedya. Picking up the pages of the manuscript, she realizes that they are a memoir that Fedya has been writing. The main narrative follows as an extended flashback, sometimes with voiceover narration by Fedya.

While traveling by train from Moscow to Paris, Fedya, a writer, meets Pauline, who passes the time playing solitaire. Attracted to her, he decides to disembark with her at Wiesbaden and follows her to a casino. There, he finds that Pauline is a gambling addict like her father General Ostrovsky who is also at the casino. Upon seeing how undisturbed the Ostrovskys are to find out the General's wealthy mother is dying, he becomes interested in the effects of gambling. He decides to stay in Wiesbaden to do a character study of gambling addicts.

One of them is Aristide Pitard, an old thief and gambler who steals Fedya's money. Taking pity on the man, Fedya offers Aristide money to leave the city. Instead, Aristide uses the money to gamble and he eventually shoots himself in desperation. Before dying, he gives Fedya a pawn ticket and asks him to redeem it and return the pawned article to its owner. However, he dies before divulging the name of this person. When Fedya goes to the pawnshop he discovers that the pledged item is a religious medal, and later finds out that it belongs to Pauline. Meanwhile, he has fallen deeply in love with her, despite her father's discouragement of a romantic involvement with her.

After returning the medal, Fedya finds out Pauline is pledged to an arranged marriage with Armand de Glasse, the wealthy but ruthless manager of the casino. Aware that Pauline is not engaged to Armand out of love, but as a payment for her father's big debts to the casino, Fedya decides to start gambling himself to earn enough money to pay off the General's debts. He initially earns a lot of money at roulette and becomes a gambling addict himself. However, after a period of fame for his winning streak, his luck runs out and he loses all of his money at the casino.

Fedya eventually is forced to borrow money from Armand to continue his gambling. After this, he even goes as far as pawning his possessions. When he is completely broke, Fedya has a vision in which Aristide hands him a gun to shoot himself. Delirious, he grabs Pauline's medal and attempts to sell it to pawnbroker Emma Getzel. She refuses to buy it however, after which he almost kills her before losing consciousness. In the end, Fedya completes his manuscript. After, he turns to Pauline, who forgives him for his behavior.

Cast

Production

The working title for the film was The Gamblers.[2] Warner Bros. planned on making a screen adaptation of Fyodor Dostoyevsky's novel in 1940, directed by William Dieterle and starring Albert Basserman.[2] Eventually, MGM bought the rights to the short novel, and for its adaptation, the screenwriters also used elements of Dostoyevsky's life and his other novel Crime and Punishment.[3]

In April 1948, Gregory Peck was cast in the lead role.[4] At the time it was announced, it was revealed Deborah Kerr was scheduled to star opposite him.[4] However, in late May 1948, Lana Turner was cast as Peck's leading lady, with production set to start in September the same year.[5] However, a week later, in June, it was revealed that Ava Gardner was cast in the female lead.[6] Turner withdrew from the film due to an extended honeymoon in Europe, which prevented her from being in Hollywood in time for the commencement of filming.[6] The film was Peck and Gardner's first of three collaborations.[3]

The role played by Melvyn Douglas was initially offered to Kirk Douglas.[7]

In late June 1948, Robert Siodmak signed on to direct. Initially, Siodmak had been unavailable to direct the film due to commitments to an ultimately unrealized project starring Joan Fontaine, but Fontaine's withdrawal due to pregnancy allowed Siodmak to direct The Great Sinner.[8] The film went into production as a 'prestige film' and Peck later recalled that Siodmak was as a "nervous wreck" as a result of the responsibility he felt.[3] Walter Huston did not sign on for the film until production had already started in September 1948.[9]

Siodmak said he had been presented with "an enormous script" which he wanted to cut "but no one took any notice so I went ahead and filmed it." He says it came in at three hours after much cutting "but it was still too long, terribly slow (Gregory Peck, a slow talker, seemed so impressed by the idea of acting in Dostoevsky that he played at about a third of even his usual speed), heavy and dull with the disadvantage that now the story didn't even make sense." The film was cut down to two hours and ten minutes. MGM wanted the film reshot with "a new and stronger love story". Siodmak refused so the studio got Mervyn Le Roy to do it. He said "When I eventually saw the finished film I don't believe that a single scene was left as I had made it."[10]

Reception

Despite the first-class production values, The Great Sinner flopped at the box office.[3] According to MGM records the film earned $1,179,000 in the US and Canada and $862,000 overseas resulting in a loss of $821,000.[1][11]

In a New York Herald Tribune review, the film was called "pompous and dull entertainment."[3] Time magazine added "the rich, exuberant flow of dialogue, incident, and atmosphere characteristic of the Russian master has been choked to a pedestrian trickle. Dostoevsky's brilliant insights into the tortured motives and emotions of his lovers have paled into klieg-lighted stereotypes."[3]

TimeOut says "the script unceremoniously culls episodes and characters from Dostoevsky's youth...Unfortunately, this prestigious MGM production is heavy-going and overdone."[12]

Screenwriter Christopher Isherwood, who adapted the novel, admitted to the failure, saying: "It should have been much better than it was....but apart from a few good scenes, it was neither Dostoevsky's story, nor the story of Dostoevsky."[3]

References

  1. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. ^ a b "Notes for The Great Sinner (1949)". Turner Classic Movies. Retrieved March 6, 2010.
  3. ^ a b c d e f g "The Great Sinner: Overview Article". Turner Classic Movies. Retrieved March 6, 2010.
  4. ^ a b "Gregory Peck To Star in Second Baddie Role" by Sheilah Graham, Bluefield Daily Telegraph, April 3, 1948, p. 12
  5. ^ "Gregory Peck and Lana Turner to Make 'The Great Sinner'" by Louella O. Parsons, Syracuse Herald Journal, May 25, 1948, p. 22
  6. ^ a b "Ava Gardner Replacing Lana Turner at Studio?" by Sheilah Graham, Bluefield Daily Telegraph, June 5, 1948, p. 6
  7. ^ "In Hollywood" by Erskine Johnson, Pampa Daily News, May 31, 1949, p. 6
  8. ^ "Hollywood" by Dorothy Manners, Middletown Times Herald, June 24, 1948, p. 12
  9. ^ "Hollywood Highlights", The Oakland Tribune, September 27, 1948, p. 15
  10. ^ Encounter with Siodmak Taylor, Russell. Sight and Sound; London Vol. 28, Iss. 3, (Summer 1959): 180.
  11. ^ "Top Grossers of 1949". Variety. January 4, 1950. p. 59.
  12. ^ "The Great Sinner". Time Out London.
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