Rodney Milnes
Rodney Milnes Blumer (26 July 1936, Stafford) is an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.[1]
He attended Rugby School and Oxford University before working in publishing.[1]
Milnes was opera critic of Harpers and Queen, and then opera critic of the Spectator (1970-90), Evening Standard (1990–92), The Times (1992–2002). He was associate editor of Opera from 1976, deputy editor from 1984, and editor between 1986–99. There he honed his reputation as a "trenchant and entertaining writer, with a strong background in literature and theatre, and wide musical sympathies".[1] In his final editorial for Opera, Milnes wrote "Thank you to all of those who have written in outrage cancelling their subscriptions, and then not done so. Thank you to all readers for being so patient with my bêtes noires. I know I’m wrong about surtitles (like hell I am) and they’re here to stay. So are sponsors and their lordly, impertinent ways, Call me old-fashioned, by I don’t really feel that a century that starts with Lilian Baylis and ends with Chris Smith is one that has seen a lot in the way of progress".[2]
He has translated various operas under his original name, including Rusalka, The Jacobin, Osud, Don Chischiotte, Pollicino, Undine, Giovanna d’Arco, Die drei Pintos and Tannhäuser.
Milnes contributed entries on Massenet and his operas in the Grove Dictionary of Music and Musicians. He was consultant editor for the 'Viking Opera Guide', and revised and updated 'A Concise History of Opera' in 1987. He was a contributor to 'Opera on Record' Vol 1 (Carmen), 2 (Thais) & 3 (The stage works of Weill).
For BBC radio he was a regular on 'Building a Library' and 'Record Review'; in 'Just the Part' he talked to opera singers about particular roles they have made their own, and in 2001 introduced a 14-part series 'Performing Verdi'.
In January 2002 he was awarded an OBE for services to journalism and music.