Trap music

This article is about trap as a musical genre. For other uses, see Trap.

Trap music
Stylistic origins	Southern hip hop, hip hop
Cultural origins	Early 1990s, 2000s Port Arthur, Houston, Texas Atlanta, Georgia Memphis, Tennessee United States
Typical instruments	Sequencer, sampler, drum machine, synthesizer, keyboard, strings, brass, digital audio workstation, percussion
Subgenres
Drill
Fusion genres
Future garage
Regional scenes
Atlanta hip hop

Trap music is a music genre that originated in the early 1990s in the Southern United States. It is typified by its aggressive lyrical content and sound, which incorporates 808 sub-bass kick drums, double-time, triple-time and other faster time division hi-hats, layered synthesizers, and "cinematic" strings.

In 2012, a new movement of electronic music producers and DJs emerged who began incorporating elements of trap music into their works. This helped expand its popularity among electronic music fans. A number of stylistic offshoots of trap developed, which in the latter half of 2012 gained a rise in viral popularity and made a noticeable impact on dance music.

Characteristics

File:U Know What It Iz - Young Jeezy (2006).ogg

An example of Shawty Redd's signature trap sound.

Trap music incorporates an extensive use of multi-layered hard-lined and melodic synthesizers; crisp, grimy and rhythmic snares; deep 808 sub-bass kick drums; double-time, triple-time and similarly divided hi-hats; and a cinematic and symphonic utilization of string, brass and keyboard instruments creating an overall dark, harsh, grim and bleak background feeling for the listener. This would go on to be the signature sound and feeling of trap music originating from producer Shawty Redd.

Trap music is also defined by its bleak, gritty and belligerent lyrical content, ominous characteristics which widely varies depending on the hip hop artist but typical lyrical themes include observations of street life, poverty, violence, and hardship in the "trap" and harsh experiences urban surroundings that the rapper is trying to lyrically portray to the listener.

History

1990s–2000s: Origins and entrance into mainstream music

T.I.'s Trap Muzik album cover

The term "trap" was literally used to refer to the place where drug deals are made and how it is difficult to escape the lifestyle. The term originated in Atlanta, Georgia where rappers Cool Breeze, Outkast, Goodie Mob and Ghetto Mafia were some of the first to use the term in their music. Fans and critics started to refer to rappers whose primary lyrical topic was drug dealing, as "trap rappers." David Drake of Complex wrote that "the trap in the early 2000s wasn't a genre, it was a real place", and the term was later adopted to describe the "music made about that place."

In the early 1990s, rappers UGK, 8Ball & MJG, Three 6 Mafia, Cool Breeze, Kilo Ali, Master P, and Ghetto Mafia were among the first rappers to introduce trap music. In 1992, UGK's "Pocket Full of Stones" was one of the first trap records to be released from their major-label debut album Too Hard to Swallow. It was also featured in the 1993 film Menace II Society. The lyrics covered topics about life in "the trap", drug dealing and the struggle for success. Local Southern rappers, such as Young Jeezy, Gucci Mane, Yo Gotti and T.I., as well as his rap group P$C, helped expand the popularity of the genre and trap records started to appear on local mixtapes and radio stations.

During the 2000s, trap began to emerge after the success of a number of albums and singles released at the time. In 2003, the first wave of trap music broke into mainstream with the release of T.I.'s second studio album Trap Muzik. It achieved major commercial success, selling over 2.1 million copies. The album's lead single, "24's", was featured on EA's popular video game Need for Speed: Underground. T.I. explained that "It's informative for people who don't know nothing about that side of life and wonder why somebody they know that live on that side of life act the way they do or do the things they do." In 2005, the first wave continued with the success of Young Jeezy's Let's Get It: Thug Motivation 101. The album debuted at number two on the US Billboard 200, with 172,000 copies sold in its first week of release and was later certified platinum by the Recording Industry Association of America (RIAA) for shipment of over 1 million copies. The album also popularized producer Shawty Redd after creating the original signature trap sound. Some of the first wave of trap producers include DJ Toomp, Drumma Boy, Shawty Redd, Zaytoven and D. Rich.

2010s: The Second Wave

File:LexLugerproducingabeat (2010).png

Lex Luger (Producer)

In 2010, the second wave of various trap records reached the mainstream hip-hop charts across the United States. Producer Lex Luger broke out of relative obscurity, gained huge popularity, and went on to produce more than 200 songs between 2010 and 2011, including a number of popular artists' singles, such as Rick Ross' "B.M.F. (Blowin' Money Fast)", Kanye West and Jay-Z's "H•A•M", and Waka Flocka Flame's "Hard in da Paint".

Since 2010, Luger's signature trap sound has been his heavy use of hard-hitting 808's, crisp snares, frantic synth keys, and bombastic orchestration of ominous brass, strings, woodwinds and keyboards. His sounds have since been widely adopted by rap producers, trying to replicate his success, and he is often credited with popularizing the second wave modern trap sound. Since the 2010s, the second wave of modern trap producers along with Lex Luger have gained popularity, most notably 808 Mafia, Southside, Sonny Digital, Young Chop and Metro Boomin. Some producers expanded their range to other genres, such as R&B (Mike WiLL Made It) and electronic music (AraabMuzik).

In 2012, trap songs kept maintaining a strong presence on the mainstream hip hop charts with records released by rappers such as Chief Keef and Future went viral. Future's single, "Turn On The Lights", was certified gold and entered at #50 on the "Billboard" Hot 100 while Keef's "I Don't Like" and "Love Sosa" garnered over 30 million views on YouTube, also spawned a new subgenre within trap called drill. Music critics called drill production style the "sonic cousin to skittish footwork, southern-fried hip-hop and the 808 trigger-finger of trap." Young Chop is frequently identified by critics as the genre's most characteristic producer. The sound of trap producer Lex Luger's music is a major influence on drill, and Young Chop identified Shawty Redd, Drumma Boy and Zaytoven as important precursors to the drill movement.

"I Don't Like" inspired notable hip hop producer and rapper Kanye West to create a remix of the song, which was included on his label GOOD Music's compilation album Cruel Summer. Stelios Phili of "GQ" called trap music "the sound of hip hop in 2012."

American dance-pop singer Lady Gaga recorded a trap-inspired song titled "Jewels 'n Drugs" for her 2013 album Artpop, featuring rappers T.I., Too Short and Twista. The combination of pop and trap music was met with mixed responses from critics. In September 2013, American pop singer Katy Perry released a song titled "Dark Horse" featuring rapper Juicy J, from her 2013 album Prism, that incorporated trap flavors. The song reached the pinnacle of the Billboard Hot 100 by the end of January 2014. "Dark Horse" also reached the pinnacle of charts in Canada, the Netherlands and Russia. Beyoncé's songs "Drunk in Love", "Flawless" and "7/11", all from her 2013 album Beyoncé, are influenced by trap music.

In 2013, DJ Snake and Lil Jon released the single Turn Down For What, became both a commercial hit charting in several countries and a critical hit. Rolling Stone voted "Turn Down For What" as the 2nd best song of the year 2014, saying that, "The year's nutsiest party jam was also the perfect protest banger for a generation fed up with everything. DJ Snake brings the synapse-rattling EDM and Southern trap music; Lil Jon brings the dragon-fire holler for a hilarious, glorious, glowstick-punk fuck you."

Electronic developments

An example of EDM with trap inspired elements. (credit: Arabian Riches by Audial)

In typical EDM music, songs often have multiple build-ups to "drops" which are characterized by a pounding bass drum in a four on the floor pattern. However, EDM trap music generally deviates away from this formula, incorporating drops that utilize heavier, rhythmic bass drum hits that may fall on the offbeats of the beat. This is occasionally used to throw-off the listener's expectations, or create more powerful drops than a typical EDM song might contain.

In 2012, new styles and developments of electronic music which incorporated elements of trap music, such as "trap house", "trap-ah-ton", and "trapstep" began gaining popularity. Most of these subgenres combined trap-style drum patterns with EDM synths, creating "dirty, aggressive beats [and] dark melodies." Electronic producers, such as Diplo, TNGHT, Baauer, Flosstradamus, RL Grime, and Yellow Claw expanded the popularity, gaining the attention of electronic music fans.

In the later half of 2012, these new offshoots of trap developed gaining viral popularity and made a noticeable impact on electronic dance music. The music was initially dubbed simply as "trap" by producers and fans, which led to the term "trap" being used to address the music of both rappers and electronic producers -- to much confusion among followers of both. Instead of referring to a single genre, the term "trap" has been used to describe two separate genres of rap and dance music. The new wave of the genre has been labeled by some as EDM trap to distinguish it from the rap genre. The evolving EDM trap has seen incorporations and stylistic influences from dubstep, with Rebecca Haithcoat of LA Weekly stating "You could basically call it the next phase of dubstep. It plays at a club-ready 140 bpm while retaining dubstep's craze-inducing drops" and it is continuing to grow in popularity.

On February 10, 2013, All Trap Music released their debut compilation album which featured 19 tracks from artists such as RL Grime, Flosstradamus, Baauer, Bro Safari, Buku, 12th Planet, Hucci and UZ. Described by the music press as the first album of its kind it reached number two in the iTunes dance chart with Vibe Magazine stating it was “the world’s biggest selling EDM trap album ever.”