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Tears for Fears

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This is an old revision of this page, as edited by 62.252.128.16 (talk) at 14:23, 30 December 2004 (Updated for 1990s, Curt's solo career, ELAHE. -csz.com). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Tears for Fears are a British pop band formed in the early 1980s by Roland Orzabal and Curt Smith, who emerged as a pairing from an early band in their home town of Bath. They were initially associated with new wave and the New Romantic movements, but quickly branched out into mainstream chart success.

The duo's name is derived from the primal therapy treatment formed by Arthur Janov. During primal therapy, the patient is encouraged to cry, scream, and beat objects to express childhood, perinatal and prenatal feelings; hence the name "Tears for Fears," and the content of the song "Shout."

Their first album The Hurting (1983) featured synthesizer-based songs whose lyrics reflected Orzabal's bitter growing-up experiences with his parents. Its singles were "Mad World", "Change" and "Pale Shelter". A previously unheard single called "The Way You Are" was released at the very beginning of 1984 to keep the band in the spotlight while they worked on the second album.

Their next album Songs from the Big Chair (1985) - its title inspired by the 1976 US TV mini-series Sybil - broke free from the new wave mold; featuring instead a big sound that would become the band's stylistic hallmark. Orzabal had been encouraged by producer Chris Hughes to pick up his guitar as he was a gifted player but wasn't using the instrument enough. Orzabal also took over the lion's share of lead vocal duty from Smith, who ended up with a comparative bit-part role of playing bass guitar.

The album was a massive success on both sides of the Atlantic and yielded the hit singles "Mothers Talk"; "Shout"; "Everybody Wants to Rule the World"; "Head Over Heels" and "I Believe". The album title stemmed from the B-side to "Shout", which was a song called "The Big Chair", though this song was absent from the album itself.

In 1986, a slightly rewritten version of their biggest hit was recorded and released for the British fundraising initiative Sport Aid, a splinter project of Band Aid in which people took part in running races of varying length and seriousness to raise more money for African projects. The slogan was "I Ran The World"; therefore Tears For Fears released "Everybody Wants To Run The World".

It was 1989 before the group released its third album, The Seeds of Love, at a reported production cost of over a quarter-million dollars. The album retained the band's epic sound while showing increasing influences ranging from jazz and blues to The Beatles, the last of which is extremely evident in the hit single "Sowing the Seeds of Love". Another single was "Woman in Chains," on which Phil Collins played drums and Oleta Adams — whom Orzabal would guide to a successful solo career — shared vocals.

After The Seeds of Love, Orzabal and Smith had an extremely acrimonious falling out. Though only in their late twenties, the two had been in the musical spotlight for nearly a decade, and as individuals they were no longer the angst-ridden teenagers they had been when they met at 13. A break was almost inevitable. The split was ultimately blamed on Orzabal's intricate but frustrating approch to production and Smith's distaste for the pop music world. The two spent much of the 90s continuing to attack each other through the media and through their music.

Smith relocated to New York City and took several years to recover from the spotlight. In 1993 he recorded a lite FM album, which he himself despised, solely to fulfill his Mercury contract. In 1995 he met local songwriter and producer Charlton Pettus. The two formed a self-described "organic" partnership, writing simple, melody-based songs and recording them at home on vintage analog equipment. From 1996 to 1998 their band, Mayfield, performed occasional sets in clubs throughout Greenwich Village and SoHo including Brownie's, the Mercury Lounge, and CBGB. As a live band, Mayfield performed with minimal production and no commercial obligations, and Smith's sense of musicianship was rekindled for the first time since his teenage years.

Eschewing major record labels, Smith formed his own label, Zerodisc, to release Mayfield's music, and was an early advocate of using the internet to share and distribute music outside the mainstream industry. A second album, Aeroplane, was released in 1998, showcasing the songs written during Mayfield's club days. Smith also took on the management or co-management of several independent bands and musicians.

In 1993, Orzabal recorded the album Elemental in collaboration with longtime co-collaborator Alan Griffiths, and released it under the Tears for Fears moniker. It yielded the radio hit "Break It Down Again". It is unfortunate that the album was received with more attention paid to what it was not - an album without Smith -

Orzabal and Griffiths released another Tears for Fears album in 1995, Raoul and the Kings of Spain, a more quiet and contemplative work that showed a new Latin music influence. (Raoul was originally the name Orzabal's parents wanted to give him.) Although it continued TFF's legacy of outstanding songwriting, big production values, and varied influences, creating an album around the theme of exotic Spanish heritage excluded all but its main single, "God's Mistake", from any chance of commercial success. The release of Raoul was delayed for nearly a year due to a last-minute label switch from Mercury to Sony, and the ensuing confusion did not help the album's promotion either. Sony responded to the lack of commercial success by ending TFF's contract.

In 1996 a collection of TFF's impressive b-sides, Saturnine Martial and Lunatic, was released on Mercury. The liner notes gave fans an insight into the songwriting process as well as a rare glimpse of self-deprecating humour from TFF regarding the tracks which they would rather forget.

In 1999 Mercury Records released remastered editions of TFF's first three albums which included b-sides, remixes, and extended versions. As with Saturnine, the liner notes provided rich background and new insights even to longtime fans. The remasters also had the effect of establishing TFF as definitive artists, helping them to escape the dreaded "80's band" moniker.

The dizzying array of record company mergers and acquisitions in the late 1990s eventually placed TFF's back catalogue into the Universal fold.

After undertaking production work for Icelandic singer/songwriter Emiliana Torrini, Orzabal reteamed with Griffiths and recorded the album Tomcats Screaming Outside, released on Eagle Records as a solo project, under his own name. Where TFF's work had remained guitar-based, Tomcats Screaming Outside showcased a completely electronic style and a darker approach. As fate would have it, the album had the bad luck to be released on September 11, 2001, and drew little notice outside TFF's core fan base.

In 2001, routine paperwork obligations led to Orzabal and Smith's first conversation in over a decade. The two patched up their differences and Orzabal flew to Smith's home in Los Angeles for what they assumed would be a hesitant attempt at songwriting. Much to their surprise, the songwriting sessions, which included Charlton Pettus, went so well that fourteen songs were written and recorded in less than six months (by contrast, the drum track alone for "Badman's Song" on "The Seeds of Love", an eight-song album, took six weeks to record.)

The ensuing album, Everybody Loves a Happy Ending, is in many ways what "The Seeds of Love" was meant to be. Like their earlier work, ELAHE features TFF's hallmarks of vibrant Beatlesque melodies, solid songwriting, and turns of phrase, but the album also has a free spirit that Orzabal and Smith would have shunned in their earlier, more serious years. This spirit is largely the work of co-writer and producer Charlton Pettus, who succeeded at the formidable task of melding Orzabal's lush songwriting with the live energy of Smith's Mayfield shows. Indeed, one of the highest compliments paid to the album was one reviewer's comment that "John Lennon and Paul McCartney are alive and well." The twelve-track album was scheduled for release on Arista Records in late 2003, but a label switch to New Door, a new offshoot of Universal, delayed the release until September 14, 2004. A successful US tour followed.

Everybody Loves a Happy Ending will be released in the UK and Europe in February 2005 on Gut Records. The UK release will contain all fourteen tracks written and recorded during the ELAHE sessions. A tour of larger UK venues will follow in April.

In 2003 the legacy of Tears For Fears re-emerged with some surprise when a haunting piano-only cover version of their debut hit "Mad World", performed by Michael Andrews and Gary Jules and featured on the soundtrack to the cult film Donnie Darko, reached the coveted UK Number 1 spot for Christmas 2003. Despite chart-topping success in the USA, Tears For Fears have yet to reach the top spot themselves in their native country, and the cover marked "their" first Number 1. The success of the single also led to TFF's greatest hits album, Tears Roll Down, spending eight weeks in the UK Top 40 a full twelve years after its release. The coincidental timing of the Andrews/Jules single and the release of TFF's new album prompted some critics to accuse the band of capitalizing on the single's success for profit, although TFF wrote and recorded their new album before Andrews and Jules had recorded theirs.

Adding to that criticism of the band has been the fact that over the years, branches of Universal Records have released numerous "greatest hits" collections, compilations, DVDs, and repackaged reissues of the same, at times without the band's knowledge. To their credit, Universal reprinted the first three albums for sale in the UK in early 2004 following the success of the Andrews/Jules cover, and these sold in astonishing numbers.


Discography

Hit singles

  • 1982 "Mad World" #3 UK
  • 1983 "Change" #4 UK
  • 1983 "Pale Shelter" #5 UK
  • 1983 "The Way You Are" #24 UK
  • 1984 "Mother's Talk" #14 UK, #27 US (1985 release)
  • 1984 "Shout" #4 UK, #1 US (1985 release)
  • 1985 "Everybody Wants to Rule the World" #2 UK, #1 US
  • 1985 "Head over Heels" #12 UK, #3 US
  • 1985 "I Believe (A Soulful Re-Recording)" #23 UK
  • 1986 "Everybody Wants to Run the World" #5 UK
  • 1989 "Sowing the Seeds of Love" #5 UK, #2 US
  • 1989 "Woman in Chains" #26 UK, #36 US
  • 1990 "Advice for the Young at Heart" #36 UK
  • 1992 "Laid So Low (Tears Roll Down)" #17 UK
  • 1993 "Break It Down Again" #20 UK, #25 US
  • 1995 "Raoul and the Kings of Spain" #31 UK
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