Batara Kala
 A Wayang figure of Batara Kala. | |
| Grouping | Legendary creature |
|---|---|
| Sub grouping | Undead |
| Family | Child of Shiva, Durga |
| Country | Indonesia |
| Region | Java |
Batara Kala is the god of death in traditional Javanese and Balinese mythology, ruling over it in a cave along with Setesuyara.[1] Batara Kala is also named the creator of light and the earth. He is also the god of time, who devours unlucky people.
Origin myth
According to legend, Batara Kala is the son of Batara Guru (the Javanese version of Shiva).[2] Batara Guru has a very beautiful wife named Dewi Uma (Parvati). One day Batara Guru, in a fit of uncontrolled lust, forced himself on Dewi Uma. They had sexual intercourse on top of his vahana Nandi, a divine cow. This behavior ashamed Uma, who cursed both of them so they appeared as fearsome and ugly ogres. This fierce form of Dewi Uma is also known in Hinduism as Durga. From this relationship, Batara Kala was born with the appearance of an ogre.[2]
Another origin story is that he was conceived when a drop of Shiva's semen was swallowed by a fish.[3]
Batara Kala is described as having an insatiable appetite and being very rude. He was sent by the devas to Earth to punish humans for their evil habits. However, Batara Kala was interested only in devouring humans to satisfy his appetite. Alarmed, the devas then recalled Batara Kala from the Earth.[1] He later became ruler of the underworld, together with the goddess Setesuyara.[4]
Traditionally, Javanese people try to obtain his favor, as the god of time and destruction, to prevent misfortune, especially to children.[5] Exorcism ceremonies, called ruwatan, are held for children born under "unlucky" circumstances, such as being born feet-first. This is to prevent such children from being devoured by Batara Kala. This ceremony usually includes a wayang (Javanese shadow puppets) performance and a selamatan feast.[6]
Symbolism
Simon Monbaron notes that Batara Kala symbolizes the negative effects of having sexual relations in a fit of passion. Batara Kala's negative aspects are described as a warning against the fate of all children born out of wedlock.[2] Batara Kala's function, especially as a Kirtimukha, has been considered similar to Bhoma in Indian and Balinese Hinduism.[3]
References
- ^ a b Khoon, Choy Lee (1999). A fragile nation: the Indonesian crisis. World Scientific. p. 209. ISBN 978-981-02-4003-5.
- ^ a b c Monbaron, Simon (1999). Subud the Coming New Age of Reality: The Most Complete Book on Subud. Peace. p. 573. ISBN 978-0-9672753-1-4.
- ^ a b Emigh, John (1996). Masked performance: the play of self and other in ritual and theatre. University of Pennsylvania Press. p. 100. ISBN 978-0-8122-1336-2.
- ^ Littleton, C. Scott (2005). Gods, Goddesses, and Mythology. Vol. 11. New York: Marshall Cavendish. p. 1324. ISBN 978-0-7614-7559-0. Retrieved 2 August 2011.
- ^ Geels, Antoon (1997). Subud and the Javanese mystical tradition. 0700706232, 9780700706235. p. 75. ISBN 978-0-7007-0623-5.
- ^ Weintraub, Andrew Noah (2004). Power plays: wayang golek puppet theater of West Java. Ohio University Press. p. 39. ISBN 978-981-230-249-6.
- ^ "Gerhana Disambut Ritual Usir Batara Kala". okezone.com. June 16, 2011.
