Jump to content

Hell Awaits

This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia
The printable version is no longer supported and may have rendering errors. Please update your browser bookmarks and please use the default browser print function instead.

Hell Awaits
Studio album by
Slayer
ReleasedApril 8, 1985 (1985-04-08)[1]
StudioEldorado (Los Angeles)[2]
GenreThrash metal
Length37:11
LabelMetal Blade
Producer
Slayer chronology
Live Undead
(1984) 		Hell Awaits
(1985) 		Reign in Blood
(1986)

Hell Awaits is the second studio album by American thrash metal band Slayer, released on April 8, 1985, by Metal Blade Records. The band's 1983 debut Show No Mercy became Metal Blade Records' highest-selling release, and as a result, producer Brian Slagel desired to release a second Slayer album. To that end, Slagel financed a recording budget (Show No Mercy was paid for by band members) and recruited several experienced producers to help in the studio.

The lyrical themes on Hell Awaits include hell and Satan, as with their debut; the intro of the title track played backwards reveals the repeated phrase "join us".[3] Musically, the album features the band's most progressive and diverse work compared to their previous releases, and according to Kerry King, he and Jeff Hanneman were very into Mercyful Fate at the time, which then led to the longer and more progressive songs.[4] Defined as "influential to future extreme metal acts", the most popular songs from Hell Awaits were re-recorded by various underground metal bands and have appeared on several tribute albums.[5]

Recording

Slayer's previous album, Show No Mercy, became Metal Blade Records' highest selling release, selling 40,000 copies worldwide; the success led producer Brian Slagel to want to record another album with them.[6] Slagel hired producer Ron Fair, who worked for Chrysalis Records, and had seen the band perform live and enjoyed their performance. On seeing Slayer in the studio, Fair stated, "Wow, these guys are really angry," as he was inexperienced working with heavy metal musicians.[7] Slagel financed the album, in stark contrast to Show No Mercy, which was financed by singer Tom Araya, who used his earnings as a respiratory therapist, and a loan from guitarist Kerry King's father.[7]

"Hell Awaits" (1985)
30 second sample from the intro of "Hell Awaits", with the backwards demonic voice.
Problems playing this file? See media help.

The budget organized by Slagel allowed for professional assistance. Bernie Grundman provided audio mastering, Eddy Schreyer worked on remastering, and Bill Metoyer, who worked on the band's earlier release Haunting the Chapel, acted as sound engineer.[8] The recording featured audio effects such as the intro to "Hell Awaits", a reversed recording of a demonic-sounding voice repeating "Join us", ending with "Welcome back".[9] Still, Araya later stated the album had poor production quality: "Nowadays, production-wise, it's so under par. But for what it was at the time, those are amazing records to me. I guess we could go in and redo it. But why ruin it?"[10]

Drummer Dave Lombardo, on the other hand, asserts the album was professionally done compared to Show No Mercy: "I didn't have to overdub the cymbals, and we had a really good engineer."[7] Lombardo's favorite song is "At Dawn They Sleep", "because it was kind of slow and grungy, but then it had that double-bass part at the end."[7] While recording the track, neither guitarists King nor Jeff Hanneman who wrote the lyrics were in the studio—only Araya and Slagel. On reading the lyrics, which featured a misspelled word, Araya sang it as it was spelled, although it's not a real word.[7] The song "Hardening of the Arteries" on the album ends with a very similar section that makes up the beginning of the song "Hell Awaits" and is also one of the only Slayer songs to fade out on a continuous riff.

Touring

To promote Hell Awaits, Slayer embarked on the Combat Tour with Venom and Exodus. Exodus guitarist Gary Holt commented, "We immediately bonded with the Slayer guys. It was two bands of friends playing with one band of heroes, you know? We were just star-struck."[7]

Inside Venom's tour bus (the first time Slayer had been in one) the band members got drunk with Venom, while listening to Hell Awaits.[7] Araya entered the bus "hammered out of his mind", according to Lombardo, saying "I gotta take a piss! Where's the bathroom in this thing?"[7] Venom singer Conrad "Cronos" Lant responded, saying "Right here—right here in my mouth!" Araya took it almost literally and urinated on his hair. Cronos got up and punched him in the face, the two blamed each other all night, and Araya continued the tour with a black eye.[7] Araya will not discuss the incident other than saying that he was drunk and it was a very disrespectful thing to do.[11]

Reception

Professional ratings
Review scores
SourceRating
AllMusic[12]
The Rolling Stone Album Guide[13]
Rock Hard9/10[14]

Although it did not enter any charts, Hell Awaits was hailed upon its release as Slayer's most progressive recording, featuring a much darker thrash-oriented style, with unusual arrangements such as varying tempos, and dissonant nuances that "paved the way to a wholly distinctive sound all their own", according to AllMusic reviewer Eduardo Rivadavia.[12] Rivadavia awarded the album four out of five stars, saying that it was "incredibly ahead of its time" and referred to it as "a mandatory item in the band's remarkable discography". It has sold over 1,000,000 records worldwide according to Brian Slagel.[12]

In the book Legends of Rock Guitar, Hell Awaits was defined as "a psychotic exploration into the depths of Satanism and physical torture".[15] The book, a chronology of the great guitarists of rock which includes both Kerry King and Jeff Hanneman, observed the band's evolution in comparison with their previous album, Show No Mercy, saying, "The musicianship is improved, as is lead singer Tom Araya's voice, making the band sound less like hacks and more like metal fiends. The sludgy riffs, which were pure [Black] Sabbath, are offset by some of King's and Hanneman's faster solos, giving Slayer entrée into the speed metal realm."[15]

Influence

Musicians such as singer Phil Anselmo and drummer Gene Hoglan cite Hell Awaits as an influence.[16] Anselmo—known for his work with Pantera, Down, and Superjoint Ritual—explained in an interview with D. X. Ferris, author of the book about the album Reign in Blood, that "Hell Awaits just holds the entire thing. Every bit of everything to do with heavy music. [Slayer] are gods, the best band from California, for sure."[16] Norwegian musician Frode Sivertsen (also known as "E. N. Death"), former member of the black metal band Gehenna, says the song "Hell Awaits" and Slayer's music in general has influenced him as a musician, ranking the album in his top five.[17] Dimebag Darrell of Pantera and Damageplan picked "At Dawn They Sleep" among his 12 Favorite Tunes in the March 1993 issue of Guitar World, stating that Slayer taught him "how to play with guts and aggression".[18]

Defined as "influential to future extreme metal acts",[12] the most popular songs from Hell Awaits were re-recorded by various underground metal bands,[5] and have appeared in several tribute albums, such as Slatanic Slaughter II and Gateway to Hell 1 & 2. The song "Hell Awaits" has been covered by Cradle of Filth, Incantation, Earth Crisis, and Mr Bungle, "Kill Again" by Angelcorpse, "Praise of Death" by Sinister, "At Dawn They Sleep" by Six Feet Under, and "Necrophiliac" by Sadistic Intent, Sinister, Benediction and Fleshcrawl.[19][20]

Track listing

Side one
No.TitleLyricsMusicLength
1."Hell Awaits"Kerry King
6:16
2."Kill Again"King
  • Hanneman
  • King
4:56
3."At Dawn They Sleep"
Hanneman6:17
Side two
No.TitleLyricsMusicLength
4."Praise of Death"HannemanKing5:21
5."Necrophiliac"
  • Hanneman
  • King
Hanneman3:46
6."Crypts of Eternity"
  • Araya
  • Hanneman
  • King
  • Hanneman
  • King
6:40
7."Hardening of the Arteries"HannemanHanneman3:55
Total length:37:11
Bonus tracks[†]
No.TitleWriter(s)Length
8."Haunting the Chapel"
  • Hanneman
  • King
4:00
9."Captor of Sin"
  • Hanneman
  • King
3:31
Total length:44:42

^ † The Metal Classics version features two additional songs taken from Haunting the Chapel. The version of Show No Mercy from the same series (CD ZORRO 7) includes the remaining two tracks from the EP.

Personnel

Slayer
Production
  • Carolyn Collins – assistant engineering
  • Ron Fair – engineering
  • Bernie Grundman – mastering
  • Albert Cuellar – artwork
  • Brian James – layout design
  • Bill Metoyer – engineering
  • Lowell Katz – photography
  • Brian Slagel – production
  • Slayer – production

Charts

Chart performance for Hell Awaits
Chart (2021) Peak
position
German Albums (Offizielle Top 100)[21] 41
UK Rock & Metal Albums (OCC)[22] 24

References

  1. ^ "FMBQ - March 29, 1985" (PDF). FMBQ. Retrieved March 24, 2024.
  2. ^ "Kerry King letter Slipped Disc Records". Slipped Disc Records. Retrieved May 5, 2013.
  3. ^ Gargano, Paul. "Slayer – Tom Araya – January 2007". Maximum Ink Music Magazine. Retrieved January 24, 2007.
  4. ^ "Kerry King interviewed by Metal Hammer". YouTube. June 15, 2010. Retrieved February 6, 2012.
  5. ^ a b Birchmeier, Jason. "Post Mortem: The Tribute to Slayer – Review". AllMusic. Macrovision. Retrieved June 7, 2009.
  6. ^ German, Eric. "Interview with Brian Slagel". Metalupdate.com. Retrieved December 4, 2006.
  7. ^ a b c d e f g h i "An exclusive oral history of Slayer". Decibel Magazine. Archived from the original on August 13, 2006. Retrieved December 3, 2006.
  8. ^ "Hell Awaits credits". AllMusic. Retrieved April 4, 2007.
  9. ^ "Why They Rule – #6 Slayer". MTV. Archived from the original on July 18, 2006. Retrieved January 18, 2006.
  10. ^ La Briola, John (July 22, 2004). "Slay Ride". Westword.com. Archived from the original on June 10, 2013. Retrieved April 4, 2007.
  11. ^ "A Folk Devil Talking: Slayer's Tom Araya Interviewed". The Quietus. Retrieved June 12, 2012.
  12. ^ a b c d Rivadavia, Eduardo. "Hell Awaits". AllMusic. Macrovision. Retrieved March 25, 2007.
  13. ^ Brackett, Nathan; Hoard, Christian (2004). The Rolling Stone Album Guide. New York City, New York: Simon and Schuster. pp. 741–742. ISBN 0-7432-0169-8.
  14. ^ Kühnemund, Götz. "Rock Hard". Issue 11. Retrieved May 20, 2013.
  15. ^ a b Prown, Pete; Newquist, HP (1997). "Thrash: The Dark Side of the Force". Legends of Rock Guitar. Hal Leonard. pp. 228–229. ISBN 0-7935-4042-9.
  16. ^ a b Ferris, D. X. (2008). Reign in Blood. Continuum International Publishing Group. p. 12. ISBN 978-0-8264-2909-4.
  17. ^ Anders (March 8, 2006). "Interview with The Deviant". Nocturnal Horde. Archived from the original on September 27, 2007. Retrieved April 4, 2007.
  18. ^ Jeff Kitts (November 14, 2013). "Prime Cuts: Dimebag Darrell Chooses His 12 Favorite Tunes in 1993 Guitar World Feature". Guitar World (published March 1993). Retrieved October 2, 2018.
  19. ^ "Slatanic Slaughter, Vol. 2". AllMusic. Macrovision. Retrieved June 7, 2009.
  20. ^ "Gateway to Hell, Vol. 2: A Tribute to Slayer". AllMusic. Macrovision. Retrieved June 7, 2009.
  21. ^ "Offiziellecharts.de – Slayer – Hell Awaits" (in German). GfK Entertainment Charts. Retrieved November 8, 2023.
  22. ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved November 8, 2023.

Retrieved from "https://en.wikipedia.org/w/index.php?title=Hell_Awaits&oldid=1252652174"