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Jeannie Seely

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Jeannie Seely
Seely at the Grand Ole Opry, 2012
Born (1940-07-06) July 6, 1940 (age 84)
Titusville, Pennsylvania, U.S.
Occupations
  • Singer
  • songwriter
  • producer
  • actress
  • author
Years active1964–present
WorksDiscography
Spouses
  • ​
    ​
    (m. 1969; div. 1979)​
  • Gene Ward
    ​
    (m. 2010)​
Musical career
Genres
InstrumentVocals
Labels
Websitejeannieseely.com

Marilyn Jeanne Seely (born July 6, 1940)[1] is an American singer, songwriter, record producer, actress and author. Primarily identified with country music, Seely found success with the Grammy Award-winning song "Don't Touch Me" (1966). Her soul-inspired vocal delivery[2] gave her the nickname of "Miss Country Soul".[3] Seely has been a member of and performer on the Grand Ole Opry, having appeared more times on the program than any other performer (over 5,000 appearances in her 55-year and ongoing tenure).[4]

Born and raised in northwestern Pennsylvania, Seely had an early interest in country music, regularly appearing on local radio and television stations. After high school she began a career in the baking industry and moved to California. Switching careers, she began writing songs which would be recorded by other artists. After being briefly signed with Challenge Records, she moved to Nashville, Tennessee, to further elevate her country music recording career. In Nashville, Seely's "Don't Touch Me" was released on Monument Records and reached the US country top five. She followed it with several more top ten and 20 songs, including "A Wanderin' Man" (1967) and "I'll Love You More (Than You'll Need)" (1968).

Seely then formed a duet musical partnership with Jack Greene and they began collaborating together in the late 1960s. Their highest-charting single was 1969's "Wish I Didn't Have to Miss You" and they subsequently toured over the next decade. Her solo career continued with the popular singles "Can I Sleep in Your Arms" (1973) and "Lucky Ladies" (1974). After a car accident in 1977, Seely's career went on a brief hiatus and then resumed new projects. This included appeares in the Willie Nelson film Honeysuckle Rose and acted in several stage plays, opening a Nashville bar and becoming the first female to host the Grand Ole Opry.

In the 1990s, Seely returned to recording albums with a 1990 eponymous release, followed by her first album of holiday music in 1994 called Number One Christmas. Other releases included the critically-acclaimed 2003 release Life's Highway. Her most recent studio release was 2020's An American Classic, issued on Curb Records. Seely has since continued to work the Grand Ole Opry and became a regular host of a weekly radio program on Sirius XM's Willie's Roadhouse broadcast.

Early life

Marilyn Jeanne Seely was born in Titusville, Pennsylvania, but raised on a farm near Townville, Pennsylvania.[2] Seely was the youngest of four children born to Irene and Leo Seely. Her father was a farmer and worked at the Titusville Steel Mill. On weekends, he worked square dances and played the banjo. Her mother was a homemaker, but enjoyed singing around the house. Her family and friends often got together to pick and play music in Seely's childhood.[5] They also listened to weekly Grand Ole Opry radio broadcasts during Seely's childhood.[6]

At age 11, Seely started performing on WMGW's local radio show in Meadville, Pennsylvania[2] and began performing on a local television show in Erie, Pennsylvania.[7] Seely attended Townville High School where she was a cheerleader and an honors student.[8] In high school, Seely was teased for singing country music and being poor.[9] Following her 1958 high school graduation, she worked as a stenographer (and later a secretary) at the Titusville Trust Company.[8] She also took night courses at the American Banking Institute. During this time, Seely was driving during an Easter winter storm when her car got stuck in the snow. This inspired her to move to southern California where the climate was warmer.[10] In 1961, Seely left for California in her MGA Roadster convertible.[11] She then briefly held a job at a bank in Beverly Hills, California but realized she wanted to get more involved in the music business, prompting her to obtain a secretarial position at Imperial Records for half the pay.[7] Seely also appeared on a local California television program titled Hollywood Jamboree.[3]

Career

1964–1965: Early songwriting, first record label and Nashville

While working as an Imperial Records secretary, Seely started writing songs for Four Star Music in California.[3] One of the first compositions she wrote was "Anyone Who Knows What Love Is (Will Understand)". Accompanying herself on piano, she tracked down writer Randy Newman to help finish the song.[12] It would be picked up by R&B singer Irma Thomas whose version made the US pop charts in 1964.[13] This was followed by the song "Senses" (co-written with Glen Campbell), which Connie Smith cut for her 1965 album Cute 'n' Country.[14] The same year, Dottie West cut "It Just Takes Practice" (co-written with Gail Talley) for her album Dottie West Sings.[15] Norma Jean later recorded "Then Go Home to Her" (credited with Hank Cochran) for her 1966 album Please Don't Hurt Me.[16]

Seely's songwriting led to her signing a recording contract with the California-based Challenge Records.[17] Her first recording sessions were held in 1964 at RCA Studio B in Nashville, Tennessee.[6] From the sessions came three singles: "If I Can't Have You" (1964),[18] "A World Without You" (1965)[19] and "Today Is Not the Day" (1965).[20] According to her website, Seely embarked on a US west coast tour to promote the singles, leading to her meeting songwriter Hank Cochran.[21] Impressed by her singing, Cochran encouraged her to move to Nashville to further pursue a country career.[9] Dottie West (who had developed a friendship with Seely) also encouraged a Nashville move and in 1965, Seely officially left California.[22] She then arrived at the 1965 DJ Convention in Nashville where she saw Cochran again. Cochran then agreed to help Seely with her career, only if he was allowed to have control of her decisions.[7] She was then hired as Norma Jean's replacement on Porter Wagoner's television series during the same period.[23]

1966–1968: "Don't Touch Me" and breakthrough

"Don't Touch Me"
Seely's signature song, which won a Grammy Award in 1966.
Problems playing this file? See media help.

Cochran brought a demo of Seely's voice to all of Nashville's record labels and each of them passed on signing her.[24] According to Seely, Fred Foster of Monument Records was interested in signing her if she found a quality song to record. Now traveling as part of Porter Wagoner's road show, Seely received a phone call from Cochran while performing in Rochester, New York. Cochran performed the first verse for her on the phone and Seely agreed to hearing the remainder of the song in-person. Cochran then flew to Rochester where he played her the remaining verses and Seely decided to record it.[25] Cochran then brought Seely to Foster's Nashville office and he signed her to a contract with Monument.[24] Released as a single in 1966, "Don't Touch Me" rose to number two on the US Hot Country Songs chart,[26] number 85 on the US Hot 100[27] and number 29 on the US adult contemporary chart.[28] Writers and historians have since called "Don't Touch Me" a country music standard.[3][29]

Now a popular concert attraction, Seely was replaced by Dolly Parton in Porter Wagoner's road and television show.[24] The success of "Don't Touch Me" also brought Seely the Best Female Country Vocal Performance accolade at the 9th Annual Grammy Awards.[30] She was later invited to become a member of the Grand Ole Opry in 1967.[31] The song led to the release of her debut studio album called The Seely Style,[32] which rose into the top ten on the US Top Country Albums chart in 1966.[33] Seely's next two single releases also made the US country top 20: "It's Only Love" (1966) and "A Wanderin' Man" (1967).[26] The latter releases (along with additional Monument tracks) were composed by Cochran, whom she married in the late 1960s.[7] Seely paid tribute to him with her second studio LP, Thanks, Hank!, which consisted of songs all written by Cochran.[34] The LP made the top 20 of the US country albums chart in 1967.[33]

In the late sixties, Seely's US touring schedule increased and she traveled frequently from coast-to-coast.[35] In 1967, alongside Ernest Tubb and often appeared on his country music television program.[36][37] Furthermore, Seely's next single "I'll Love You More (Than You Need)" rose to number ten on the US country chart in 1968.[26] It served as the title track to her 1968 studio album, which climbed into US country albums top 30 in 1968.[33] Before the end of 1968, her next two singles reached the top 40 of the Hot Country Songs chart: "Welcome Home to Nothing" and "How Is He?".[26] Both songs appeared on her fourth studio offering Little Things,[38] her fourth album to make the Top Country Albums chart.[33] Commenting on her Monument recordings, writers and critics found Seely's vocals to demonstrate "raw emotion", "suffering" and "soul"[39][40] while others found her singing style to steer towards pop music.[41]

1969–1977: Duets with Jack Greene and solo career comeback

In 1969, Seely signed with Decca Records and began recording alongside producer Owen Bradley. Her debut label single was "Just Enough to Start Me Dreamin'",[42] which peaked outside the US country songs top 40 in 1969.[26] The label issued her eponymous studio album in April 1969, featuring the single, along with several cover tunes.[43] Seely also agreed to a tour of eastern Asia in January 1969 where she performed at US military bases[44] for a total of six-weeks.[42] She also became the host of a 30-minute radio segment on the American Armed Forces Network that attracted four million listeners[44] and according to Billboard, made her the first female military disc jockey.[45] Decca issued Seely's next studio album in 1970 titled Please Be My New Love which also included mostly cover songs.[46] Among them was the title track (which was a top 50 country single)[26] and a medley arranged by Bradley titled "Jeannie's Song" that featured Seely singing portions of different country songs from the period.[47]

Seely and Jack Greene onstage in the early 2010s. For several years, the pair recorded and toured together.

Through Seely's association with Ernest Tubb, she formed a duet partnership with fellow Decca artist Jack Greene.[36] The duo's first single, "Wish I Didn't Have to Miss You", reached the US country top five 1970[26] and received a country duet nomination at the 12th Annual Grammy Awards.[30] It was then featured on their 1970 studio album of duet recordings[36] Greene and Seely then formed a road show that routinely played venues across North America and Europe,[48][47] including New York City's Madison Square Garden and London's Wembley Arena.[47] Their second duet album together, Two for the Show (1973), was named for their collaborative road appearances.[49] The Greene-Seely duo had two more top 20 singles on the US and Canadian RPM country charts through 1973: "Much Oblige" and "What in the World Has Gone Wrong with Our Love".[26][50] Greene and Seely were also nominated four times for the Country Music Association's "Vocal Duo of the Year" award between 1972 and 1975.[51]

Seely's solo career also continued simultaneously during this period.[1] Her solo releases through 1972 ("Tell Me Again", "You Don't Understand Him Like I Do", "Alright I'll Sign the Papers", "Pride" and "Farm in Pennsyltucky") reached lower-peaking positions on the US country chart.[26] Yet, she found success writing Faron Young's single "Leavin' and Sayin' Goodbye", which made the country top ten in 1972.[47] Walter Haynes then produced Seely's 1973 single, "Can I Sleep in Your Arms".[52] A reworked version of a traditional folk ballad,[53] "Can I Sleep in Your Arms" reached the top ten on both the US and Canadian country charts[26][50] and became her highest-peaking single in the US since 1970.[26] An adapted version of another folk ballad ("Come All You Fair and Tender Ladies") called "Lucky Ladies"[53] reached the US and Canadian country songs top 20 in 1974.[26][50] Both appeared on her next studio LP, Can I Sleep in Your Arms/Lucky Ladies, which also collected her previous chart singles[54] and rose to number 15 on the US country albums chart in 1973.[33]

Seely's next two 1974 recordings titled "I Miss You" and "He Can Be Mine" reached the US country top 40, while "He Can Be Mine" made the Canadian country top 20.[26][50] She then moved to Columbia Records in 1977 where she was produced by Chuck Glaser.[55] The label issued her last charting US country songs: "Take Me to Bed" and "We're Still Hangin' in There Ain't We Jessi".[26] The latter recording described the marriages of country artists Jessi Colter, Jan Howard, Dottie West and Tammy Wynette.[53] The same year, the Greene-Seely duo released a live LP titled Live at the Grand Ole Opry.[56] Seely's songs were again being recorded by other artists during this period. This included Merle Haggard (who recorded "Life of a Rodeo Cowboy" for his 1977 album)[57][58] and Ernest Tubb (who recorded the 1977 single "Sometimes I Do")[59] In 1977, she was injured in a car accident.[1]

1978–2009: Career setbacks, acting and return to recording

Seely started dabbling in acting during the 1980s, particularly in stage productions. In 2005, she portrayed the character of Mabel in the play Could It Be Love.

Seely's career several setbacks following her car accident.[1] Her performance opportunities became limited and she divorced Hank Cochran.[53] Despite re-recording her duets for a 1982 album with Jack Greene,[1] the duo ended their partnership during this period.[60] In an interview, Seely theorized that promoters were more "loyal" to Greene, leading to him receiving more concert offers than she did.[25] Yet, Seely did appear alongside Willie Nelson in the soundtrack of the 1980 film Honeysuckle Rose.[61] She also started touring alongside Nelson in his "Willie Nelson and Family" show, including at the 1982 Tennessee State Fair.[62][63] In 1985, she opened up a Nashville nightclub named "Jeannie Seely's Country Club".[64] The club closed down after only a year of being open to the public.[65] The same year, Little Jimmy Dickens released the album Country Music Hall of Fame, which was produced by Seely.[66]

Seely then dabbled in acting, first appearing in the country music-themed musical, Takin' It Home (1986). Seely played alongside Lorrie Morgan and Jean Shepard during the show's run.[65] In 1988, she played the character of Miss Mona in the Nashville-based Circle Players' revival of The Best Little Whorehouse in Texas.[67] She later appeared in her first straight-acting role for the 1990 production Everybody Loves Opal. During rehearsal, she broke two of her ribs but still performed for the show's duration at a Nashville dinner theater.[68] Seely also appeared on country music television programs during the 1980s, including interviewing performers on Opry Backstage.[47]

Seely returned to recording with the release of her second eponymous studio album in 1990. The ten-track project was self-produced and featured self-written compositions, along with a cover of Michael Bolton's "When I'm Back on My Feet Again".[69] She then appeared alongside Stonewall Jackson in the 1993 music video for Confederate Railroad's "Trashy Women".[70] Her first album of Christmas music was released in 1996 titled Number One Christmas.[1] Consisting of spiritual holiday songs, the album was first released by the Power Pak label, but later re-released under the title Golden Christmas in 2007.[71][72] Seely then released her 1999 studio album called Been There...Sung That!, an album of cover tunes that also featured Willie Nelson and T. Graham Brown.[73] In 2001, Seely contributed to Ralph Stanley's studio album Clinch Mountain Sweethearts[74] and followed it with her next studio album in 2003 called Life's Highway.[1] John Lupton of Country Standard Time praised Seely's vocal contributions, calling it "classic country" and "timeless".[75] Bob Mitchell of the Louisville Music News wrote, "Overall, this recording lacks the earthy intensity and drive that characterizes authentic traditional Bluegrass. But, make no mistake, Life's Highway is enjoyable and features some of country and bluegrass's finest musicians," he wrote.[76]

Seely also continued acting, playing the role of Louise Seger in the 2001 musical Always Patsy Cline. The show chronicled the friendship between Patsy Cline and Seger.[77] In 2002, Seely played the role of Mrs. Jenkins in the film Changing Hearts, which starred Faye Dunaway.[78] Seely then performed Nashville's production of the sexually-themed The Vagina Monologues alongside fellow country artists Kathy Mattea and Pam Tillis.[79] She then starred in the musical Could It Be Love from 2004-2007, which included a performance at Nashville's Ryman Auditorium. Seely portrayed an older theater actress that wanted to put on a senior citizen version of Grease.[80][81] As the 2000s continued, Seely recalled on her website playing shows at the Dollywood theme park, as well as in Ireland and on country music cruises.[82]

2010–present: Continued recording and other projects

In 2010, Seely's Nashville home was destroyed in the 2010 Tennessee floods but she resumed her career, beginning with an Opry performance shortly after the natural disaster occurred.[83] Yet Through her own label (Cheyenne Records), Seely issued her next studio project in 2011 called Vintage Country: Old But Treasured. Another self-produced project, Vintage Country contained 11 tracks of traditional country songs she chose to cover.[84] According to Seely, she named it Vintage Country after making several jokes during performances about classic country music.[85]

Seely at the Grand Ole Opry, 2010s

Seely maintained a continued presence at the Grand Ole Opry during the 2010s decade by performing and interviewing other artists onstage. She also made appearances at Nashville's CMA Music Festival during this period as well.[67] She also began hosting the "Dottie West Birthday Bash" in 2016, which is held every October in honor of West and supports the Nashville Musicians Relief Fund.[86] Her next studio project Written in Song (2017) featured self-written songs that were first cut by other recording artists.[1] Included were Seely's interpretations of "Anyone Knows What Love Is Will Understand", "Leaving and Saying Goodbye" and "Senses".[87] Markos Papadatos of the Digital Journal gave the album an "A" rating and commented, "'Miss Country Soul' is back stronger than ever. There is a variety on her latest musical effort."[88]

In 2018, it was announced that Seely would join Willie Nelson's Sirius XM radio series, Willie's Roadhouse.[89] Her segment, titled "Sunday's with Seely"[2] has since aired on the network on Sunday's from noon to 4pm. During her segment, Seely shares stories from her memories in Nashville and also plays songs by classic country artists.[90] In late 2019, Seely announced her next studio offering called An American Classic.[91] The album released in August 2020 shortly after she celebrated her 80th birthday. Produced by Don Cusic and issued on Curb Records, An American Classic included several new recordings and featured guest performers like Willie Nelson, Rhonda Vincent and Steve Wariner.[92] Tom Netherland of the Bristol Herald Courier found the album cemented Seely as a significant female country artist[93] while Markos Papadatos of Digital Journal gave the project an "A" rating.[94] After receiving praise from singing a cover of Dottie West's "Suffertime" on the Opry, Seely went into RCA Studio B to record her own version of the song. The song was released in July 2024, along with a corresponding video showcasing the recording process.[95]

Personal life

Car accident and health

In June 1977, Seely was involved in a car accident in Goodlettsville, Tennessee (located outside of Nashville) after her vehicle crashed into a tree. She was admitted to Nashville Memorial Hospital, suffering a fractured jaw, broken ribs,[96] a punctured lung and a collapsed lung. Upon arriving at the hospital she was given same-day surgery to repair her lung.[97] She was reported in "fair condition"[96] and eventually recovered from her injuries.[1] Friend Dottie West helped Seely following her hospital release, helping her when she was immobile and taking her on car rides for a change in scenery.[98] Seely later reflected that the accident brought her a new appreciation for life. "You know, it sounds like a cliche, but it's true that your perspective changes when you have a close call, what you took for granted you come to appreciate more,"[99]

In 2024, Seely was hospitalized in Pittsburgh, Pennsylvania after suffering from "acute diverticulitis" and "dehydration" on a trip to her home town. She was later released and was reportedly "doing well".[100]

Marriages and homes

Seely was first married to songwriter Hank Cochran. It was Cochran who wrote many of her biggest hits.

Seely has been married twice. Her first marriage was to her songwriter Hank Cochran,[101] [102] whom she officially wed on June 15, 1969 in Renfro Valley, Kentucky in a church ceremony.[103] Around 1975, the couple built a home[104] set on a farm with 77 acres of property in Hendersonville, Tennessee.[105] In the late 1970s, the couple separated[106] and officially filed for divorced in 1979.[107][108] Cochran died in 2010.[107] Seely later stated that Cochran helped lay "the groundwork" for country music in a 2012 documentary about his life.[109]

Seely continued to live in the farmhouse until the early 1990s when she decided to move to a smaller cottage home, located on the Cumberland River in Nashville.[25] It was later destroyed in the 2010 Tennessee floods. As the water started to rise in her neighborhood, Seely and her husband escaped in a pickup truck, leaving valuables behind. Seely lost most possessions in her home after three feet of water had damaged the inside.[110] "You can either laugh about it or you can cry, and I don't feel like crying," she said in a performance shortly after losing her home.[111] She credited the help of local volunteers with helping to clean up her home which she ultimately moved back into.[110]

Seely married Nashville attorney Gene Ward in 2010 as well.[17] A year later, Seely cancelled several engagements after Ward was rushed to the hospital shortly before she was scheduled to make a Grand Ole Opry appearance. She later posted on social media that Ward's condition improved and he was able to start the recovery process.[112] The couple renewed their wedding vows in 2019 on a country music cruise. "The reason Gene and I wanted to renew our vows is because first of all, we can...I thought it might be nice for them [her fans] to see Gene standing up there looking so sharp in his suit," she commented..[113]

Artistry

"In 1966, Seely's 'Don't Touch Me' took country women's sexuality from the honky-tonk into the bedroom even though it didn't end up there, and the on-again off-again ache in her voice retained its savor afterwards. But never again did she find a song at once so moral and so febrile."

Seely's musical style has categorized and identified with the country genre,[1][115] while also incorporating elements of pop[41] and soul.[115] Critics and writers named her "Miss Country Soul" due to not only her style but her emotional vocal performances.[116][3] Writers Robert K. Oermann and Mary A. Bufwack wrote, "Jeannie's husky cigarette-stained voice moaned with such agony"[7] In reference to her nickname, Ken Burns of PBS called her singing "big heart" and "emotion-packed".[3]

Seely's music has also varied in subject matter. In "Don't Touch Me", Seely's character eludes to themes of sexuality and desire.[115] Oermann and Bufwack found it to be "a throbbing song of unfulfilled passion"[7] while The Boot's Carrie Horton found the song proved "that women can sing about sex too".[115] Music critic Robert Christgau also highlighted a sexually-charged story line.[114] Other songs with a similar theme included 1977's "Take Me to Bed".[53] The subjects of Seely's other singles included heartache and love lost such as in "It's Only Love" and "Can I Sleep in Your Arms".[115][117] Other topics she has explored in songs include recreational drug use, notably in "Who Needs You".[53]

Seely was influenced by country music from an early age, beginning with an interest in the Grand Ole Opry broadcasts.[24] She also recalled attending outdoor performances venues where country was played, notably Pennsylvania's Hillbilly Park. "I was always on the ground right in front of the front row, looking up at the stage," she recalled in her website's biography.[5] Seely also kept photographs of country performers she was inspired by, including Little Jimmy Dickens and Jean Shepard.[8] She also credited Ernest Tubb, along with pop singers Rosemary Clooney and Patti Page as influences on her music.[118]

Legacy

Main article: List of awards and nominations received by Jeannie Seely

Seely has been described as an influential female country artist. According to authors Mary Bufwack and Robert K. Oermann, Seely's stage presence and personality was unlike that of her predecessors. "When she arrived in Nashville in 1965, women were still expected to portray the submissive country sweetheart. Jeannie blazed a nonconformist trail from the moment she hit the Opry stage in her mini skirt."[119] Carrie Horton of The Boot called her career "prolific" and "influential". "From her success as a songwriter to her popularity as a duet partner to her influence as a solo artist, Seely's work has impacted generations of country, Americana and bluegrass performers," Horton commented.[115] Edward Morris of Country Music Television called her "one of the Opry's most applauded performers."[120]

Seely onstage at R.O.P.E. awards, 2010s

On the Grand Ole Opry, she became the first artist to wear a miniskirt on stage.[3] Seely challenged Opry manager Ott Devine, who disliked the idea of her wearing a miniskirt onstage. "Okay, this is what America is wearing and I’ll make you a deal. I won’t wear a miniskirt in the back door if you don’t let anybody wear one in the front door," she recounted in Ken Burns’ Country Music documentary.[121] Seely was also among the first female artists to wear other contemporary fashion items, including go-go boots, pantsuits and denim jeans. Prior to Seely, many female country performers entertained in gingham and wore dresses on stage. According to Mary Bufwack and Robert K. Oermann, Seely "broke the Opry's gingham curtain". Seely later reflected on her choice of stage attire. "I never planned to set any sort of trend. I'm about like any other normal American girl my age. I think I dress and act pretty much the way she does," she recalled.[65]

Her music has also been an influence on other female country artists. Lorrie Morgan has considered Seely to be influence on her music. In a 2017 interview, Morgan called her "a great lady and a very good friend of mine."[122] Barbara Mandrell has also cited her as an influence.[123] Carly Pearce is a third female artist that has sought inspiration from Seely. "I dreamt of singing in the Grand Ole Opry my whole life. They are so dear to me, and I hope to be a member one day. Be like Jeannie – she's kind of my inspiration as far as the Opry goes," Pearce commented.[124]

In recent years, Seely has received honors for her accomplishments as a recording artist and writer. Her hometown of Townville, Pennsylvania has made her a "Grand Marshall" of their community parades on several occasions.[125] In 2017, Seely celebrated 50 years as a member of the Grand Ole Opry. She was among several women who have since been a member for 50 years. Among those have been Loretta Lynn and Dolly Parton. "The Opry has been my life for more than 50 years. I feel so blessed to be a part of this Opry family. Tonight was just the icing on the cake," she commented in 2017.[126] The same year, Seely was recognized for her life's work at 7th annual "NATD Honors Gala", along with Charley Pride.[127]

In 2018, Seely received a star on the Music City Walk of Fame.[128] Also in 2018, she received an award from Billboard magazine for the composition, "Anyone Who Know What Love Is (Will Understand)". The song reached number 2 on the "Top TV Songs" chart after its appearance in the show Black Mirror.[12] She was featured in Ken Burns's documentary Country Music in September 2019. Seely's music and career was profiled and she was also interviewed for several segments.[3] In late 2019, she received an honorary degree from Lincoln Memorial University in Tennessee. "This is an honor that exceeds even my dreams. I could never have imagined this. I hope that I can always be deserving of this title in all that I do," she commented in her acceptance speech.[129] Between March 2019 and February 2020, artifacts from Seely's life and career were on display at the Country Music Hall of Fame and Museum. Titled, "American Currents", her life and career was beside the work of newer Nashville artists, most notably Carly Pearce.[130]

Discography

Main article: Jeannie Seely discography
Studio albums

Books

  • Pieces of a Puzzled Mind (1988)[53]

Acting credits

Filmography

Title Year Role Notes Ref.
Honeysuckle Rose 1980 Jeannie cameo appearance [132]
Changing Hearts 2002 Mrs. Jenkins [78]

Stage productions

Title Year Role Notes Ref.
Takin' It Home 1986 Lorrie Morgan's mother [65]
The Best Little Whorehouse in Texas 1988 Miss Mona [65]
Everybody Loves Opal 1990 Opal Seely's first non-musical role [68]
Always Patsy Cline 2001 Louise Seger [77]
Could It Be Love 2004–2007 Mabel [80]
The Vagina Monologues 2005 various roles [79]

References

  1. ^ a b c d e f g h i j Huey, Steve. "Jeannie Seely: Biography & History". AllMusic. Retrieved April 10, 2020.
  2. ^ a b c d "Big Honor for Jeannie Seely Later This Month". Meadville Tribune. 2 December 2019. Retrieved April 8, 2020.
  3. ^ a b c d e f g h Burns, Ken. "Country Music: Jeannie Seely Biography". PBS. Retrieved April 8, 2020.
  4. ^ Windsor, Pam. "Country Singer Jeannie Seely Honored For 55 Years As A Member Of The Grand Ole Opry". Forbes. Retrieved 2022-09-27.
  5. ^ a b Seely & Harman 2002, p. 1.
  6. ^ a b Kruh, Nancy (September 30, 2022). "She's an Opry Record-Setter: Jeannie Seely Celebrates Over 5,000 Performances on Country's Most Famous Stage". People. Retrieved 24 July 2024.
  7. ^ a b c d e f Bufwack & Oermann 2003, p. 301.
  8. ^ a b c Seely & Harman 2002, p. 2.
  9. ^ a b Bufwack & Oerman 2003, p. 301.
  10. ^ Shanley Special, Jean (February 21, 2022). "Vision 2022: Untold Story: Jeannie Seely's journey to the Grand Ole Opry". The Meadville Tribune. Retrieved 24 July 2024.
  11. ^ Harman, Ron (16 September 2017). "Crawford County Native Seely Celebrates 50th Anniversary as Grand Ole Opry Member". Meadville Tribune. Retrieved 10 April 2020.
  12. ^ a b Bronson, Fred (15 August 2018). "'Anyone Who Knows What Love Is': Why An Obscure '60s Song Is Bigger Than Ever In 2018". Billboard. Retrieved 10 April 2020.
  13. ^ "Irma Thomas: Billboard chart history". Billboard. Retrieved 10 April 2020.
  14. ^ Smith, Connie (October 1965). "Cute 'n' Country (LP Liner Notes and Album Information)". RCA Victor Records. LSP-3444.
  15. ^ West, Dottie (December 1965). "Dottie West Sings (Album Notes and Liner Notes)". RCA Victor. LSP-3490.
  16. ^ "Please Don't Hurt Me (Liner Notes)". RCA Victor. 1966. LPM-3541 (LP Mono).
  17. ^ a b Harman, Ron. "Decades later, Jeannie Seely returns to Crawford fair". GoErie.com. Retrieved 18 April 2020.
  18. ^ Seely, Jeannie (December 1964). ""If I Can't Have You"/"Old Memories Never Die" (7" vinyl single)". Challenge Records. 59274.
  19. ^ Seely, Jeannie (June 1965). ""A World Without You"/"Bring It on Back" (7" vinyl single)". Challenge Records. 59298.
  20. ^ Seely, Jeannie (August 1965). ""Today Is Not the Day"/"What Am I Doing in Your World" (7" vinyl single)". Challenge Records. 59274.
  21. ^ Harman & Seely 2002, p. 2.
  22. ^ Partridge, Tamela Meredith (28 September 2006). "Jeannie Seely and David Frizzell co-headline at Nashville North". Herald & Review. Retrieved 10 April 2020.
  23. ^ Darrow, Ryan. "Porter Wagoner Show, The". Tennessee Encyclopedia. Retrieved 25 July 2024.
  24. ^ a b c d Homer 2019, p. 42.
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Sources

  • Homer, Sheree (2019). Under the Influence of Classic Country. Jefferson, NC: McFarland and Company. ISBN 978-1476637075.{{cite book}}: CS1 maint: ref duplicates default (link)
  • Bufwack, Mary A.; Oermann, Robert K. (2003). Finding Her Voice: Women in Country Music: 1800–2000. Nashville, TN: The Country Music Press & Vanderbilt University Press. ISBN 0-8265-1432-4.
  • Seely, Jeannie; Harman, Ron (2002). "Biography" (PDF). Jeannie Seely.com. Retrieved April 10, 2020.
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