Jump to content

Juul Kraijer

From Wikipedia, the free encyclopedia
The printable version is no longer supported and may have rendering errors. Please update your browser bookmarks and please use the default browser print function instead.

Juul Kraijer (born 31 October 1970)[1] is a Dutch visual artist. Her work has been exhibited internationally, and is included in major museum collections such as the Museum of Modern Art, New York City, the Museum of Old and New Art, Tasmania and the Kupferstichkabinett Berlin.

Life and work

Kraijer was born in Assen.[1] She studied at the Academy of Fine Arts in Rotterdam, graduating in 1994 with a series of large format charcoal drawings.[2] Her principal mediums are drawing, photography and collage. She occasionally makes sculptures and video-works.[1]

In the drawings Kraijer's subject is always female, naked and depersonalized, an archetype or personage rather than a particular individual.[3] The model is sometimes multiplied: facing herself, head to head, or appearing as Siamese twins or triplets. In most works the human body is combined with other creatures or natural phenomena: surrounded by schools of little fish or swarms of moths, fused with branches or parts of animals or displaying mountainscapes on the skin.

Kraijer favors charcoal,[4] and only rarely works in colour. The size of her drawings is determined by the image, which is always depicted more or less life-size.[2]

Since 2012 photography has been an important medium in Kraijers practice. Her photographs are also mostly black and white and thematically closely related to her drawings. She often works with the same model, who poses with objects or animals, most notably snakes.[5][6]

Kraijer's works share an emblemata-like concision, showing no more than what is strictly necessary.[7] In each image, the figure looms out of an undefined background. Definition of time is absent as well. No hairstyles or dress belonging to any specific period are shown, no hint of a narrative is present. The postures and facial expressions are deliberately restrained and intensely concentrated. They seem to have been adopted for eternity.[8] Faces and bodies are a vehicle for meaning rather than portrayals of individuals. The impassive visage, in a state of half-sleep, seems to exist at an interface between self-awareness and self-extinction.[9] The images elude traditional iconography. Kraijer creates naturalistic images that are memorably strange.[10]

Her work has been awarded four Dutch art prizes and has been included in major international exhibitions such as ARS 06 at the Museum of Modern Art KIASMA in Helsinki (2006), the Third Moscow Biennale of Contemporary Art (2009) and the Kochi-Muziris Biennale, India (2018).

Solo exhibitions

  • Stedelijk Museum Schiedam, The Netherlands (1998)
  • Stedelijk Museum Het Domein, Sittard, The Netherlands (1998)
  • Stedelijk Museum Amsterdam, the Netherlands (2001)
  • Gemeentemuseum Den Haag, The Hague, The Netherlands (2006)
  • Galleria Monica De Cardenas, Milan, Italy | Zuoz, Switzerland (2007,[11] 2014, 2023)
  • The Wapping Project/Bankside, London (2014)
  • Kunsthalle Giessen, Gießen, Germany (2014)
  • Drents Museum and CBK Drenthe, Assen, The Netherlands (2015)[12]
  • Chimaera, Huis Marseille, Museum for Photography, Amsterdam, the Netherlands (2017)[13]
  • Galerie Les Filles du Calvaire, Paris, Frankrijk (2019)
  • Zweiheit, Museum Sinclair-Haus, Bad Homburg vor der Höhe, Germany (2020)
  • S , De Ketelfactory, Schiedam, The Netherlands (2021)
  • Vadehra Art Gallery, New Delhi, India (2010, 2016, 2023)

Awards

  • Charlotte Köhler Prijs (1998)[14]
  • Pendrecht Cultuurprijs (2000)[15]
  • Philip Morris Kunstprijs (2004)[15]
  • Thérèse van Duyl-Schwartze Portretprijs (2009)[16]
  • nominated for Prix Guerlain du Dessin Contemporain (2018)
  • Lensculture Portrait Awards - Single Image 3rd Place (2018)
  • Lensculture Black&White Awards - Series 3rd Place (2018)

Works in public collections

References

  1. ^ a b c Juul Kraijer at the RKD
  2. ^ a b Baar, V. and Sütö, W. (2009) Juul Kraijer. Rotterdam: FREEM.
  3. ^ Alphen, E. van and Malbert, R. (2015) Juul Kraijer : werken 2009-2015. Zwolle: WBOOKS.
  4. ^ Abraham, T. (January 19, 2009). "Comfortably sharing art space". The Hindu.
  5. ^ Andreasson, K. (August 14, 2014). "Juul Kraijer's best photograph: a model with a python squeezing her head". The Guardian.
  6. ^ Padley, G. (September 17, 2014). "Wapping Project Bankside re-opens in Mayfair". British Journal of Photography.
  7. ^ Casper, J. (2014). "Penumbrae, Modern Dutch Surreal Photography". Lensculture.
  8. ^ Kraijer, J. (1998) The Hydra. Rotterdam.
  9. ^ Malbert, R. (2015) Drawing People. The Human figure in Contemporary Art. London: Thames&Hudson.
  10. ^ Koplos, J. (April 1998) Juul Kraijer. Art in America.
  11. ^ Madesani, A. (October 2007). "Juul Kraijer: Monica De Cardenas: Milan". Artforum.
  12. ^ "Tentoonstelling: Juul Kraijer". drentsmuseum.nl. Retrieved 2021-11-02.
  13. ^ "Juul Kraijer". Huis Marseille. Retrieved 2021-11-02.
  14. ^ http://www.cultuurfonds.nl/uploads/files/downloads/Winnaars%20Charlotte%20K%C3%B6hler%20Prijs.pdf [bare URL PDF]
  15. ^ a b "Voor Juul Kraijer is tekenen bijna een verslaving aan het worden". Trouw (in Dutch). 4 April 2006.
  16. ^ "Juul Kraijer". CBKR - Rotterdamse Kunstenaars.
  17. ^ "Juul Kraijer". The Museum of Modern Art. Retrieved 2021-11-03.
  18. ^ "Kiasma's Collection Exhibition". kiasma.fi. Retrieved 2021-11-03.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Juul_Kraijer&oldid=1233604529"