The music of Africa is as vast and varied as the continent's many regions, nations and ethnic groups. Although there is no distinctly pan-African music, there are common forms of musical expression, especially within regions.
Some musical genres of northern and northeastern Africa, and the Islands off East Africa, share both traditional African and Middle Eastern features.
The music and dance forms of the African diaspora, including many Caribbean and Latin American music genres like rumba and salsa, as well as African American music, were founded to varying degrees on musical traditions from Africa, taken there by African slaves.
Bold text===Relationship to language=== Many African languages are tonal languages, leading to a close connection between music and language in many African cultures. In singing, the tonal pattern or the text puts some constraints on the melodic patterns. On the other hand, in instrumental music a native speaker of a language can often perceive a text or texts in the music. This effect also forms the basis of drum languages (talking drums).[citation needed]
Bold text===Relationship to dance===
The treatment of "music" and "dance" as separate art forms is a European idea. In many African languages there is no concept corresponding exactly to these terms. For example, in many Bantu languages, there is one concept that might be translated as "song" and another that covers both the semantic fields of the European concepts of "music" and "dance". So there is one word for both music and dance (the exact meaning of the concepts may differ from culture to culture).
For example, in Kiswahili, the word "ngoma" may be translated as "drum", "dance", "dance event", "dance celebration" or "music", depending on the context. Each of these translations is incomplete.
Therefore, from an intracultural point of view, African music and African dance must be viewed in very close connection. The classification of the phenomena of this area of culture into "music" and "dance" is foreign to many African cultures.
Traditional music
A lot of African traditional music is or was performed by professional musicians. Some of it is belong to court music or sacral music traditions, therefore the term "folk" music is not always appropriate. Nevertheless, both the terms "folk music" and "traditional music" can be found in the literature.
Sub-Saharan African folk music and traditional music is mostly functional in nature. There are, for example, many different kinds of work songs, ceremonial or religious music and courtly music performed at royal courts, but none of these are performed outside of their intended social context.
Music is highly functional in African ethnic life, accompanying childbirth, marriage, hunting, and even political activities. Similarities with other cultures, particularly Indian and Middle Eastern, can be ascribed primarily to the spread of Islam[citation needed].
Popular music
fab was here =D
Influence in American music
African music has been a major factor in the shaping of what we know today as blues and jazz. These styles have all, to some extent, borrowed from African rhythms and sounds, brought over the Atlantic ocean by slaves. Paul Simon, on his album "Graceland" has used African bands and music along with his own lyrics.
As the rise of rock'n'roll music is often credited as having begun with 1940s blues music, and with so many genres having branched off from rock - the myriad subgenres of heavy metal, punk rock, pop music and many more - it can be argued that African music has been at the root of a very significant portion of all contemporary music.
See also
References
- Tracey, Hugh. (1961). The evolution of African music and its function in the present day. Johannesburg: Institute for the Study of Man in Africa.
- Lomax, Alan: Folk song style and culture. American Association for the Advancement of Science, Publication No. 88, Washingthon 1968.
- Lomax, Alan, Bertenieff, Irmgaard, Paulay, Forrestine: Choreometrics: a method for the study or cross-cultural pattern in film. Research Film, Vol 6, No. 6, Göttingen 1969.
- Koetting, James T (1992). "Africa/Ghana". Worlds of Music: An Introduction to the Music of the World's Peoples (Second edition ed.). New York: Schirmer Books. pp. 67–104. ISBN 0-02-872602-2.
{{cite book}}:|edition=has extra text (help) - Kubik, Gerhard Zum Verstehen Afrikanischer Musik, Aufsätze, Reihe: Ethnologie: Forschung und Wissenschaft, Bd. 7, 2., aktualisierte und ergänzte Auflage, 2004, 448 S., ISBN 3-8258-7800-7 (in German language)
- Simon, Artur (Ed.), "Musik in Afrika", (Staatliche Museen) Berlin 1983 (in German language)
- Bender, Wolfgang: Sweet Mother - Moderne afrikanische Musik, 1985, Trickster Verlag, München. ISBN 3-923804-10-5 (in German language)
External links
- African Popular Music: Evolution and Diversity
- African Music
- A collection of contemporary & classic African Music videos
- A glossary of African music styles
- International Library of African Music at Rhodes University Department of Music And Musicology
- Rhythms of the Continent (BBC)
- Some African musical instruments