Nehushtan

"Brazen Serpent" redirects here. For the historic bookseller in London, see Paternoster Row § Brazen Serpent.

In the biblical Books of Kings (2 Kings 18:4; written c. 550 BC), the Nehushtan (/nəˈhʊʃtən/; Hebrew: נְחֻשְׁתָּן, romanized: Nəḥuštān [nəħuʃtaːn]) is the bronze image of a serpent on a pole. The image is described in the Book of Numbers, where Yahweh instructed Moses to erect it so that the Israelites who saw it would be cured and be protected from dying from the bites of the "fiery serpents", which Yahweh had sent to punish them for speaking against Him and Moses (Numbers 21:4–9).

According to 2 Kings 18:4, King Hezekiah instituted an iconoclastic reform: "He abolished the shrines, smashed the pillars, and cut down the sacred post. He also broke into pieces the bronze serpent that Moses had made, for until that time, the Israelites had been offering sacrifices to it; it was called Nehushtan."

Etymology

"Nehushtan" is a pun off either the Hebrew word for "snake" (נָחָשׁ, nāḥāš) and/or "brass" (נְחשֶׁת, nəḥošeṯ), and thus may mean "The (Great) Serpent" or "The (Great) Brass".

Alternative translations

The English Standard Version of the Bible and the majority of contemporary English translations refer to the serpent as made of "bronze", whereas the King James Version and a number of other versions state "brass". 2 Kings 18:4 is translated as "brasen" in the King James Version. The Douay-Rheims 1899 edition has "brazen". Eugene H. Peterson, in his paraphrase of the Bible The Message (2002), opted for "a snake of fiery copper".

Serpent image

Snake cults had been well established in Canaan in the Bronze Age: archaeologists have uncovered serpent cult objects in Bronze Age strata at several pre-Israelite cities in Canaan: two at Megiddo, one at Gezer, one in the sanctuary of the Area H temple at Tel Hazor and two at Shechem. Cultic serpent imagery was not isolated to Canaan. It appeared in surrounding areas, including the Esagila or temple of Marduk as tutelary deity in Babylon, where pairs of bronze serpents were erected beside each entrance to the temple.

According to Lowell K. Handy, the Nehushtan may have been the symbol of a deity for snakebite cure within the Temple in Jerusalem.

In scriptures

Hebrew Bible

See also: Serpents in the Bible § Serpent of bronze

Moses lifts up the brass snake in a photograph of the stained glass window at St Marks Church, Gillingham

The Brazen Serpent (watercolor circa 1896–1902 by James Tissot)

The Basilica of Sant'Ambrogio in Milan has a Roman column and, on top of it, a bronze serpent donated by emperor Basil II in 1007. It may be the origin of the biscione/bissa symbol of Milan.

In the biblical story, following their Exodus from Egypt, the Israelites set out from Mount Hor to go to the Red Sea. However they had to detour around the land of Edom (Numbers 20:21, 25). Impatient, they complained against Yahweh and Moses (Numbers 21:4–5), and in response God sent "fiery serpents" among them and many died. The people came to Moses to repent and asked him to ask God to take away the serpents. Verse 9 says, "Moses made a copper serpent and mounted it on a standard; and when bitten by a serpent, anyone who looked at the copper serpent would recover."

The term appears in 2 Kings 18:4 in a passage describing reforms made by King Hezekiah, in which he tore down the high places, cut down symbols of Asherah, destroyed the Nehushtan, and according to many Bible translations, gave it that name.

Regarding the passage in 2 Kings 18:4, M. G. Easton noted that "the lapse of nearly one thousand years had invested the 'brazen serpent' with a mysterious sanctity; and in order to deliver the people from their infatuation, and impress them with the idea of its worthlessness, Hezekiah called it, in contempt, 'Nehushtan', a brazen thing, a mere piece of brass".

The tradition of naming it Nehushtan is not considered older than Hezekiah's time.

New Testament

In the Gospel of John, Jesus makes a comparison between the raising up of the Son of Man and the act of the serpent being raised by Moses for the healing of the people. Jesus says "And just as Moses lifted up the serpent in the wilderness, so must the Son of Man be lifted up". (John 3:14)

Charles Spurgeon preached a famous sermon on "the Mysteries of the Brazen Serpent" and this passage from John's Gospel in 1857.

Book of Mormon

In the Book of Mormon, three prophets make reference to this event. The first is the prophet Nephi, son of Lehi in a general discourse, the second is many years later by the prophet Alma, and the third is years later by Alma's great-grandson also named Nephi. Nephi tells the people that many of the Israelites perished because of the simplicity and faith required i.e., "and the labor which they had to perform was to look; and because of the simpleness of the way, or the easiness of it, there were many who perished." In the latter narrative, Alma tells the people of Antionum that many of the Israelites died because they lacked the faith to look at the brazen serpent. He then compared the brazen serpent to a type of Christ and exhorted the people to look to Christ and spiritually live. These same themes from Alma were reiterated by Nephi in the Book of Helaman.

Rabbinic literature

A modern monument of the bronze serpent (which Moses erected in the Negev desert) on Mount Nebo, in front of the church of Saint Moses (2018).

Inasmuch as the serpent in the Talmud stands for such evils as talebearing and defamation of character (Genesis 3:4–5), the Midrash finds in the plague of the fiery serpents a punishment for sins of the evil tongue (Numbers 21:5). God said: "Let the serpent who was the first to offend by 'evil tongue' inflict punishment on those who were guilty of the same sin and did not profit by the serpent's example".

One of the complaints in this case was dissatisfaction with the manna. Whereas the manna is said to have had any taste desired by the person eating it (Shemot Rabbah 25:3), to the serpent all things had the taste of dust, in accordance with the words: "And dust shalt thou eat all the days of thy life" (Genesis 3:14). It was very appropriate, therefore, that they who loathed the food which had given any taste desired, should be punished by means of that creature to which everything has the same taste (Tan., ed. Buber, Ḥuḳḳat, xlv. [337]; Midrash R. Num. xix. 22). The Mishnah does not take literally the words "Every one who was bitten by a serpent would look at the serpent and live", but interprets them symbolically. The people should look up to the God of heaven, for it is not the serpent that either brings to life or puts to death, but it is God (Mishnah R. H. 3:8, B. Talmud R.H. 29a). In the course of time, however, the people lost sight of the symbolical meaning and regarded the serpent itself as the seat of the healing power, and they made it an object of worship, so that Hezekiah found it necessary to destroy it (2 Kings 18:4; see also Ber. 10a).

The question that puzzled Heinrich Ewald ("Gesch. des Volkes Israel," iii. 669, note 5) and others, "Where was the brazen serpent till the time of Hezekiah?" occupied the Talmudists also. They answered it in a very simple way: Asa and Joshaphat, when clearing away the idols, purposely left the brazen serpent behind, in order that Hezekiah might also be able to do a praiseworthy deed in breaking it (Ḥul. 6b).

Debated origins

Old Testament scholar H. H. Rowley proposed that Nehushtan, as it was known during Hezekiah’s reign, had no origins in Yahwism despite being regarded as a symbol of Yahweh at the time of its destruction. Instead, Rowley theorized that the bronze serpent destroyed by King Hezekiah was a sacred pre-Israelite symbol of serpent worship associated with a Canaanite god and was adapted by the Israelites following the occupation of Jerusalem. W.W.G. Baudissin was also of the belief that the Canaanite bronze serpent was adapted by the Israelites between 850–750 B.C.E following their settlement in Jerusalem.

Egyptologist Henry Hall supports the theory that the Nehushtan destroyed by Hezekiah was not associated with Yahweh, but Hall alternately suggests that it was an ancient serpent image carried from Egypt by the ancestors of the Israelites. This theory is supported by acknowledging the standard Egyptian practice of using the image of a serpent as to defend themselves against snake bites, in a form of sympathetic magic.

In his notion that the brazen serpent existed within Jerusalem before the arrival of the Israelites, Rowley argues that there is no record of Nehushtan before the reign of Hezekiah, aside from the Numbers 21 story of the bronze serpent. Rowley states that had Nehushtan been brought into Jerusalem at any time as a genuine relic, there would be a documented record of its arrival or transfer. In his argument, Rowley also inserts that the arrival of Moses's sacred rod would be a public spectacle with an honorary procession, which would be well documented. Instead, he proposes that the bronze serpent became associated with Nehushtan through process of religious syncretism, citing that the gradual fusion of Canaanite and Israelite beliefs and customs. He hypothesized that symbols representing both religions may have been erected side by side within a sanctuary or public space as a political maneuver following the Israelite settlement.

Hebraist and Old Testament scholar R. H. Kennett hypothesized that Moses made the Brazen Serpent and that the Ark of the Covenant was created specifically to contain it despite no known written reference made to the Ark's contents. Kennett also theorized that should Nehushtan truly date back to the time of Moses, it was either maintained by priests after fleeing to Nob from Shiloh or accompanied the Ark as it was carried off by the Philistines. This is not widely accepted due to no known tradition or association between the Serpent and Ark.

In art

In 1508 Michelangelo's image of the Israelites deliverance from the plague of serpents by the creation of the bronze serpent, on the ceiling of the Sistine Chapel.

There is a Brazen Serpent Monument on Mount Nebo in Jordan created by Italian artist Giovanni Fantoni. Similarly, on the ceiling of the Sistine Chapel, Michelangelo painted a mural of the Israelites' deliverance from the plague of serpents by the creation of the bronze serpent.

See also

• Caduceus
• Naassenes
• Nāga
• Nahusha in Hindu mythology, a king who became a serpent
• Ningishzida
• Ophites
• Rod of Asclepius
• Serpent Column
• Serpent symbolism
• Snake worship
• Staff of Moses
• Teraphim
• Uraeus
• Wadjet

References

•  This article incorporates text from a publication now in the public domain: Kaufmann Kohler, Isaac Husik, Morris Jastrow Jr., J. Frederic McCurdy (1901–1906). "Brazen serpent". In Singer, Isidore; et al. (eds.). The Jewish Encyclopedia. New York: Funk & Wagnalls.{{cite encyclopedia}}: CS1 maint: multiple names: authors list (link)
• Noth, Martin (1968). Numbers: A Commentary (Issue 613, Vol. 7 ed.). Westminster John Knox Press. pp. 155–8. ISBN 978-0-664-22320-5.
• Olson, Dennis T. (1996). Numbers. Louisville, KY: Westminster John Knox Press. pp. 135–138. ISBN 978-0-8042-3104-6.
• Joines, Karen Randolph (September 1968). "The Bronze Serpent in the Israelite Cult". Journal of Biblical Literature. 87 (3): 245–256. doi:10.2307/3263536. JSTOR 3263536. Retrieved 5 January 2021.
• Reina, Gabriele (2018). Le imprese araldiche dei Visconti e degli Sforza (1277–1535): Storia, storia dell'arte, repertorio [The heraldic achievements of the Visconti and the Sforza (1277–1535): History, artistic change, and inventory] (PDF) (in Italian). Lausanne: Université de Lausanne, Faculté des lettres, Section d'histoire de l'art.
• Rowley, H. H. “Zadok and Nehushtan.” Journal of Biblical Literature, vol. 58, no. 2, 1939, pp. 113–141. doi:10.2307/3259856.
• Hastings, James (1908). Encyclopædia of Religion and Ethics (1st ed.). New York: C. Scribner's Sons. pp. 791–793.
• Hall, H. R. (1927). The Ancient History of the Near East: From the Earliest Times to the Battle of Salamis (7th, Rev.ed.). London: Methuen & Co. Ltd. p. 485.

External links

• Jewish Encyclopedia, s.v. "Nehushtan"
• Naassian. The Mystica.
• The Bronze Serpent: Numbers 21:4–9, John 3:9–15