Maria Pawlikowska-Jasnorzewska
Maria Pawlikowska-Jasnorzewska, née Kossak (24 November 1891 – 9 July 1945), was a Polish poet known as the Polish Sappho and "queen of lyrical poetry" of Poland's interwar period.[1] Fluent in French, English, and German, she married three times and lived the life of a world traveller.
Born in Kraków to a family of artists, Maria Kossak grew up around painters, writers, and intellectuals. Her grandfather, Juliusz Kossak, and father, Wojciech Kossak, were both professional painters famous for their historical paintings. Her younger sister, Magdalena Samozwaniec, was also a popular writer.
In her youth, Kossak painted as often as she wrote poetry. It was only during her marriage to Jan Pawlikowski that her literary interests prevailed, inspired by the couple's discussions about her poetic output and the world of literature in general. Their passionate relationship based on shared interests and mutual love was the endless source of her poetic inspiration. However, the marriage didn't last.
Following her divorce, Maria Pawlikowska became active in the community of poets from the Warsaw-based Skamander group: Julian Tuwim, Jan Lechoń, Kazimierz Wieżyński, and renowned writers such as Jarosław Iwaszkiewicz, Irena Krzywicka, Kazimiera Iłłakowicz and Tadeusz Boy-Żeleński. During the inter-war period Pawlikowska-Jasnorzewska published twelve volumes of poetry and established herself as one of the most innovative poets of the era.
She began her career as a playwright in 1924, with her first farce, Archibald the Chauffeur, produced in Warsaw. By 1939 she had written fifteen plays whose treatment of taboo topics such as abortion, extra-marital affairs, and incest provoked scandals. She was compared by critics to Molière, Marivaux, Oscar Wilde, George Bernard Shaw, and Witkacy. Her plays depicted her unconventional approach to motherhood, which she understood as a painful obligation that ends mutual passion. She spoke in support of a woman's right to choose according to her needs and feelings.
In 1939, at the onset of World War II, she followed her second husband, Stefan Jasnorzewski, to England. She was diagnosed with cancer in 1944, became semi-paralyzed, and on 9 July 1945 died in Manchester, cared for by her husband.
A Woman of Wonder
In 1937 Pawlikowska-Jasnorzewska wrote a controversial play called A Woman of Wonder, translated into English by Elwira M. Grossman and Paul J. Kelly.
Plot summary
A Woman of Wonder depicts the ruthless dictatorship of [Her Highness] Valida Vrana in a country called Ritonia. Under Valida, people are ranked according to the number of children they have, with boys being the preferred sex. In Ritonia motherhood is not only a compulsory duty but also a tribute to "Her Motherly Highness." Thus the lives of women are reduced to a basic procreative function. The plot centres on the way a childless couple, Petronika and Norman, cope with this regime. Petronika is a chemist and Norman is a former governmental minister who lost his job because of his wife's insubordination. Unlike Petronika, Norman maintains the illusion of being Valida's faithful follower, even though he despises her. This difference in attitude creates tension in the marriage and even though Petronika asks for a divorce, the couple eventually remains together. While Norman waits passively for better times, Petronika prepares a secret weapon in her laboratory. Knowing Valida's weakness for perfume, she creates an intoxicating substance that eventually renders the vicious ruler powerless.[1]
Works
- Niebieskie migdały, Kraków 1922
- Różowa magia, Kraków 1924
- Narcyz 1926
- Szofer Archibald. Comedy in 3 acts, premiere: Warsaw, The New Theatre 1924, publication: "Świat" 1924 (# 45–52)
- Kochanek Sybilli Thompson. Futuristic fantasy in 3 acts, premiere: Kraków, J. Słowacki Theatre 1926
- Pocałunki, Warsaw 1926
- Dancing. Karnet balowy, Warsaw 1927
- Wachlarz, Warsaw 1927
- Cisza leśna, Warsaw 1928
- Paryż, Warsaw 1928
- Profil białej damy, Warsaw 1930
- Egipska pszenica. Play in 3 acts, premiere: Kraków, J. Słowacki Theatre 1932
- Mrówki (myrmeis). Play in 3 acts, premiere: Kraków, J. Słowacki Theatre 1936
- Referat. Farce in 3 acts, premiere: Polish TV 1968, publication: "Dialog" 1979
- Zalotnicy niebiescy. Play in 3 acts, premiere: Warsaw, The New Theatre 1933, publication Kraków 1936
- Surowy jedwab, Warsaw 1932
- Powrót mamy. Comedy in 3 acts, premiere: Warsaw, The New Theatre 1935
- Śpiąca załoga, Warsaw 1933
- Dowód osobisty. Comedy in 3 acts, premiere: Warsaw, The New Theatre 1936
- Nagroda literacka. Comedy in 4 acts, premiere: Warsaw, The New Theatre 1937
- Balet powojów, Warsaw 1935
- Biedna młodość, radio play, Polish radio 1936
- Pani zabija pana, radio play, Polish radio 1936
- Krystalizacje, Warsaw 1937
- Złowrogi portret, radio play, Polish radio 1937
- Baba-dziwo. TragiComedy in 3 acts, premiere: Kraków, J. Słowacki Theatre 1938, publication: "Dialog" 1966
- Dewaluacja Klary. Comedy in 3 acts, premiere: Poznań, Teatr Polski 1939
- Popielaty welon. Fantazja sceniczna w 9 obrazach, premiere: Warsaw, Teatr Narodowy 1939
- Szkicownik poetycki. Warsaw 1939
- Gołąb ofiarny, poems, Glasgow 1941
- Róża i lasy płonące. London, 1941
- Czterolistna koniczyna albo szachownica. London, 1980
References
- ^ a b Maria Pawlikowska-Jasnorzewska: Biography and A Woman of Wonder in translation at the Toronto University.
See also
