Josephine Baker

Josephine Baker, photographed by Carl Van Vechten, 1949.

Josephine Baker (June 3, 1906 - April 12, 1975), born was an American-born dancer, actress and singer. She was given the nicknames "Black Venus," "Black Pearl" and "Creole Goddess."[1]. She became a citizen of France in 1937.

Early life

Josephine Baker was born on November 15, 1937 in St. Louis, Missouri, the daughter of Carrie McDonald. Her father's identity is debated. It is often said that he was Eddie Carson, who certainly was the lover of Carrie McDonald, but Josephine believed her father was a white man. Her father is identified as vaudeville drummer Eddie Carson by the official biography of her estate; however, there are other sources that state that her father was a travelling Jewish salesman. She was of mixed ethnic background: Native American/African American. She descended from Apalachee Indians and Black slaves in South Carolina.

She started her career as a busker, dancing in the street as a child. She entered vaudeville joining the St. Louis Chorus at 15. She then headed to New York City during the Harlem Renaissance, performing at the Plantation Club and in the chorus of the popular Broadway revues Shuffle Along (1921) and The Chocolate Dandies (1924). She performed as the last dancer in a chorus line, a position in which the dancer traditionally performed in a comic manner, as if they were unable to remember the dance, until the encore, at which point they would not only perform it correctly, but with additional complexity. She was then billed as "the highest-paid chorus girl in vaudeville."

On October 2, 1925, she opened in Paris at the Théâtre des Champs-Élysées, where she became an instant success for her erotic dancing and for appearing practically nude on stage. After a successful tour of Europe, she reneged on her contract and returned to France to star at the Folies Bergère, setting the standard for her future acts. She performed wearing only high heels and a skirt made of bananas; she was often accompanied by her pet cheetah, Chiquita, who was adorned with a diamond collar. The cheetah frequently escaped into the orchestra pit, where it terrorized the musicians, adding yet another element of excitement to the show.

Rise to fame

♥SPENCER FONTE LOVES CHRISTY CHAMBERS!!♥
she was the most successful American entertainer working in France—whereas in the U.S., she would have suffered from the racial prejudices common to the era. Ernest Hemingway called her "the most sensational woman anyone ever saw." In addition to being a musical star, Baker also starred in several successful films, among them Zouzou (1934) and Princesse Tamtam (1935).

Upon marrying her manager Giuseppe Pepito Abatino—a Sicilian stonemason who passed himself off successfully as a Sicilian count—Baker transformed her stage and public persona into a sophisticated cultural figure. (The marriage was reportedly a publicity stunt and not legally binding.)

At this time she also scored her greatest song hit "J'ai deux amours" (1931) and became a muse for contemporary authors, painters, and sculptors including Langston Hughes, Ernest Hemingway, F. Scott Fitzgerald, and Pablo Picasso.

She was so well-known and popular that even the Nazis, who occupied France during World War II were hesitant to cause her harm. In turn, this allowed Baker to show her loyalty to her adopted country by participating in the Underground. After the war, Baker was awarded the Croix de Guerre for her underground activity.

Yet despite her popularity in France, she was never really able to obtain the same reputation at home. Upon a visit to the United States in 1936, she starred in a failed version of the Ziegfeld Follies (being replaced by Gypsy Rose Lee later in the run) her personal life similarly suffered, and she went through six marriages, some legal, some not. During this time, when Baker returned to the United States, she was allegedly at a dinner party and began to speak in French as well as English with a French accent. An African-American maid was reputed to tell her, "Honey, you is full of shit. Speak the way yo' mouth was born". She had the woman fired.

In 1973, Josephine Baker opened at Carnegie Hall to a standing ovation. She wept openly onstage in response to the warm welcome.

Death

On April 8, 1975, her fortunes seemed to be turning to the better when she was the star of a retrospective show at Club Bobino in Paris, Joséphine, celebrating her 50 years in the theater. The show opened to rave reviews. She died of a cerebral hemorrhage less than a week later at the age of 68. She was found lying peacefully in her bed surrounded by newspapers with glowing reviews of her performance.

She became the first American-born woman to receive French military honors at her funeral, which was held at L'Église de la Madeleine. Paris came to a standstill on the day of her funeral, and 20,000 filled the streets to watch her procession. She was interred at the Cimetière de Monaco.

"Place Josephine Baker" in the Montparnasse Quarter of Paris was named in her honor. She has also been inducted into the St. Louis Walk of Fame.

Quotes

• "I have two loves: my country and Paris."
• "Since I personified the savage on the stage, I tried to be as civilized as possible in my daily life."
• "You've got to fight every single day. When I see a roach, I step on it."
• "We can make all our dreams come true, but first we have to decide to awaken from them."

Pop culture

• In the French film Les Uns et les Autres an African-American vaudeville performer appears who is clearly based on Josephine Baker.

• The 2004 erotic thriller novel, Scandalous by British author Angela Campion uses Josephine Baker as its heroine and is inspired by Baker's sexual exploits and later adventures in the French Resistance. In the novel, Josephine, working with a fictional black Canadian lover named Drummer Thompson, foils a plot by French fascists in 1936 Paris. The novel is the first time an historical figure has been used as the heroine in a modern erotica novel.

• “Josephine Baker ranked in at #8 on "Wayne's Top Ten Babes of All Time" in a Wayne's World skit on Saturday Night Live:"See, Josephine Baker was a babe from the 20's, while though she was a victim of the prevailing racial mores of her native United States, became the toast of Paris known primarily for her exotic banana dance, ok." - Wayne "It's so obvious!" - Garth

• The animated film The Triplets of Belleville featured a half-nude caricature of Baker. Director Sylvain Chomet states in one of the commentary segments that this scene was the reason the film got a PG-13 rating in America.

• There is a track on Al Stewart's album Last Days of the Century, "Born too Late to see Josephine Baker". It describes the narrator watching an old documentary on television and fantasizing about "Josephine Baker/dancing in a Paris cabaret"

• The English pop group Sailor in their debut 1974 album of the same name included a track called "Josephine Baker." It describes the passion of a man in Paris who repeatedly visit Les Folies Bergere to see Josephine performing.

• Pop/R&B singer Beyoncé Knowles performed her number one hit, Deja Vu, on the Fashion Rocks television show wearing a banana dress. Knowles has said the performance was a tribute to Josephine Baker.

• In 1995 the band Fossil released an album containing a song titled "Josaphine Baker" about a man living in the 1990's who is in love with the late Josephine Baker.

• In the animated movie Anastasia, when the characters visit Paris there is a woman wearing a banana skirt (with a bodysuit underneath for the American audience) walking her pet cheetah that is clearly representative of Josephine Baker.

• In the Proud Family episode "A Scar Is Born" Penny leaves LPDZ to baecome a solo artist contract with Wizard Kelly. Penny Preforms Its All About Me on stage with a

Filmography

• La Sirène des tropiques (1927) ... aka Siren of the Tropics
• Zouzou (1934)
• Princesse Tam Tam (1935)
• Moulin Rouge (1941)
• Fausse alerte (1945) ... aka The French Way
• An jedem Finger zehn (1954) ... aka Ten on Every Finger
• Carosello del varietà (1955)
• Grüsse aus Zürich (1963) (TV)

References

• Kraut, Anthea, Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham, Theatre Journal 55 (2003): 433–50.

External links

• The Official Site of Josephine Baker
• A Josephine Baker photo gallery
• "Josephine Baker photographs". University of Missouri–St. Louis.
• Josephine Baker at the Internet Broadway Database
• Josephine Baker at IMDb
• Discography at SonyBMG Masterworks