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Charles L. Venable

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Charles L. Venable
Born
Charles Lane Venable

1960 (age 63–64)
Houston, Texas, U.S.
EducationRice University (1982)
University of Delaware (1986)
Boston University (Ph.D. 1993)
OccupationMuseum director
Children1

Charles Lane Venable (born 1960 (1960)) is an American art curator and museum director. Early in his career, he published multiple articles and books on American art history, including on the history of silverware and furniture. Starting in 1986, Venable was a curator at the Dallas Museum of Art, before moving to the Cleveland Museum of Art in 2002, and the Speed Art Museum in 2007, where he served as the director. In 2012, Venable became the director of the Indianapolis Museum of Art, which was renamed to "Newfields" under a rebranding effort he initiated. Venable served as the head of the museum until 2021, when he stepped down from the role amidst calls for his removal.

Early life and education

Charles Lane Venable was born in Houston, Texas in 1960, where he was also raised.[1][2][3] He attended Rice University where he studied art history and history, graduating in 1982.[3] Venable then graduated from the University of Delaware's Winterthur Program in Early American Culture masters degree program in 1986. He completed the doctoral program in American Studies at Boston University in 1993,[4] with a focus on the history of the American silverware industry.[3]

Career

Early curatorial roles and directorship (1986-2011)

Museums Venable has worked at. Left to right, top to bottom: The Dallas Museum of Art, the Cleveland Museum of Art, the Speed Art Museum in Louisville, Kentucky, the Indianapolis Museum of Art.

Venable was hired by the Dallas Museum of Art in 1986 as its first curator of decorative arts.[5] His book, Silver in America was published during this time and was followed by Venable’s first major exhibition by the same title, which opened in Dallas in November 1994.[6][7] Venable worked at the Dallas Museum of Art for 16 years, during which time he became the museum's deputy director.[3][8]

Venable was hired in 2002 by the Cleveland Museum of Art (CMA) as the deputy director for collections and programs, overseeing the development of exhibitions, publications, and art acquisitions.[9] His work also included the expansion and building renovation done by architect Rafael Viñoly.[10][11][8]

Venable left the Cleveland Museum of Art in 2007 to become the director of the Speed Art Museum in Louisville, Kentucky, starting on October 29, 2007.[8][12][9][3] His work there included overseeing a quality assessment of the institution’s collection that led to a major refinement of its holdings,[13] as well as renovated building space designed by Kulapat Yantrasast.[14][15][16]

Time at the Indianapolis Museum of Art (2012-2021)

Further information: Indianapolis Museum of Art § Time under Charles L. Venable and after (2012–present)
The logo for "Newfields", the rebranding initiative for the Indianapolis Museum of Art initiated by Venable.

In 2012, Venable became the director of the Indianapolis Museum of Art (IMA), replacing Maxwell L. Anderson who left the museum in late 2011.[9][17] In April 2015, Venable and the board ended the organization's long-standing policy of free admission to all visitors, a move which was largely criticized by the media and patrons,[18] but that the museum maintained was needed for financial stability.[19] In 2017, Venable led the decision to rebrand the institution as “Newfields: A Place for Nature and the Arts” where additional emphasis was placed on the campus's several garden and the Virginia B. Fairbanks Art & Nature Park.[20] This was preceded by the exodus of several curators, including Sarah Urist Green, Tricia Paik, and Scott Stulen.[21][22][23]

In early 2018, the organization's new direction was heavily criticized by art critic Kriston Capps writing for CityLab, stating the changes were, "the greatest travesty in the art world in 2017" and that, "Venable [had] turned a grand encyclopedic museum into a cheap Midwestern boardwalk." The criticisms were widely discussed in the art community and Indianapolis media.[24][25][26][27]

In 2019, Venable sought to improve the quality of the IMA’s art collection, as well as reduce the amount of money the museum spent on art storage. The museum spent $5.6 million per year to store and maintain the art, and in 2018, the museum needed to double its storage space at what would have been a cost of $12 million.[28] He initiated a seven-year review of all 55,000 art objects in the collection, asking curators to rank them in terms of quality from a high "A" to low "D". This exercise allowed the institution to identify and promote its masterpieces, while slating lower quality pieces for deaccessioning in accordance with national museum standards. Venable's thoughts on the unsustainability of rapid collection growth and building expansions to accommodate more and more art brought him national attention, but proved controversial to some, including the IMA's staff.[29][30][31]

Venable also spearheaded efforts to bring large-scale digital art to the IMA galleries. The institution dedicated 30,000 sq. ft. of galleries called "The Lume" for digital art exhibitions in 2021, replacing the contemporary art exhibit at the museum.[32]

Venable and Newfields drew national attention in February 2021 for a job posting for a new director. The Board of Trustees had elevated Venable to the new position of President of Newfields as part of a transition strategy that included Venable’s planned retirement in a few years and the appointment of a new art museum director. In consultation with the San Francisco-based executive search firm m/Oppenheim Associates, a job description was created that stressed the desire for Newfields to diversify its audience over time without losing supporters who made up its current "core, white art audience".[33] The phrase received widespread backlash and sparked a larger discussion of what was described by some former employees as a “toxic” and “discriminatory” culture at the IMA.[34] An open letter from 85 Newfields employees and members of the board of governors, as well as another from more than 1,900 artists, local arts leaders and former employees of the museum, both called for his removal.[4] Venable submitted his resignation on February 17, 2021.[4][35]

Publications and exhibitions

Venable has edited and written several scholarly publications. His book, American Furniture in the Bybee Collection (1989), was awarded the Charles F. Montgomery Award of the Decorative Arts Society (DAS).[36][37] His 1994 publication, Silver in America, 1840-1940: A Century of Splendor, received the DAS's Montgomery Prize.[38][36][37] Venable co-authored, China and Glass in America, 1880-1980 in 2000.[37]

During his time as director of Newfields, Venable periodically curated exhibitions, including the IMA's silver exhibition, Tiffany, Gorham, and the Height of American Silver : 1840-1930. and Dining by Design: American Silver 1925-2000.[39]

Personal life

Venable married Martin Webb in October 2013, having been together since 1998.[40] They have a daughter.[41][42][43][2] Webb and Venable have collected American and European decorative art and contemporary art since they met in 1998.[44][failed verification]

Venable lived in Westerley House during his directorship at Newfields until he left in 2021. Before leaving, he had stated a desire to move out of the house as part of an effort from Newfields to save money and for the director to have a less public-facing residence.[45][46][47] Venable now lives in Florida.[36]

Bibliography

  • American Furniture in the Bybee Collection, 1989. Winner of the Charles F. Montgomery Award.[11]
  • Silver in American, 1840-1940: A Century of Splendor, 1994. Winner of the Charles F. Montgomery Book Prize.[11]
  • Decorative Art Highlights from the Wendy and Emery Reves Collection, 1995
  • Editor and contributor, Dallas Museum of Art: A Guide to the Collection, 1997
  • "Germanic Craftsmen and Design in Philadelphia, 1820-1850", Journal of American Furniture, 1998
  • Editor and contributor, China and Glass in American, 1880-1980: From Table Top to TV Tray, 2000
  • Editor, Modernism in American Silver: 20th-Century Design, 2005
  • Newfields: A Place for Nature & the Arts, 2017, ISBN 0936260823

References

  1. ^ "Silver in America, 1840-1940 : a century of splendor / Charles L. Venable ; Tom Jenkins, lead photographer ; biographical entries by D. Albert Soeffing". Smithsonian Institution. Retrieved 6 July 2022.
  2. ^ a b "The Ringmaster: Is Charles Venable Democratizing a Great Art Museum in Indianapolis—or Destroying It?". ARTnews. July 9, 2019.
  3. ^ a b c d e Gonzales, Matt (4 October 2013). "Painting By Numbers: The State of the IMA". Indianapolis Monthly. Retrieved 2 June 2022.
  4. ^ a b c Bahr, Sarah (February 17, 2021). "Charles Venable Resigns as Head of Indianapolis Museum of Art". NYTimes.com.
  5. ^ "DMA Insight - The Jewel Stern American Silver Collection". Dallas Museum of Art. 2017.
  6. ^ Jacobs, Barbara (1 April 1995). "Review: Silver in America 1840-1940: A Century of Splendor, by Charles L. Venable | Booklist Online". Booklist. Retrieved 31 May 2022.
  7. ^ Reif, Rita (1 October 1995). "ARTS/ARTIFACTS; Shining Examples of American Silver's Golden Age". The New York Times. Retrieved 26 May 2022.
  8. ^ a b c Heilenman, Diane (21 August 2007). "Speed taps museum director". The Courier-Journal. Retrieved 16 August 2022.
  9. ^ a b c "Charles Venable, former Cleveland Museum of Art deputy director, will head Indianapolis Museum of Art". Cleveland Museum of Art. August 15, 2012.
  10. ^ Rosenberg, Donald; Dealer, The Plain (21 February 2010). "Harmonic convergence: Gartner Auditorium welcomes music back to the embrace of home stage". cleveland. Retrieved 31 May 2022.
  11. ^ a b c "Charles L. Venable appointed as Director and CEO of the Indianapolis Museum of Art • Current Publishing". YouAreCurrent. 15 August 2012. Retrieved 1 August 2022.
  12. ^ Heilenman, Diane (30 December 2007). "Foretelling change". The Courier-Journal. Retrieved 15 August 2022.
  13. ^ "Big Plans For Indianapolis Museum of Art". HuffPost. 2012-08-16. Retrieved 2022-05-19.
  14. ^ Magazine, Wallpaper* (2016-03-23). "Godspeed: Kentucky's oldest art museum gets a makeover". Wallpaper*. Retrieved 2022-05-19.
  15. ^ Kramer, Elizabeth (30 January 2009). "Speed Museum Chooses wHY Architecture". 89.3 WFPL News Louisville. Retrieved 1 August 2022.
  16. ^ Heilenman, Diane (5 December 2009). "Full speed ahead". The Courier-Journal. pp. A4. Retrieved 15 August 2022.
  17. ^ Kennedy, Randy (16 August 2012). "Indianapolis Museum of Art Names New Director". ArtsBeat. Retrieved 26 May 2022.
  18. ^ Comisky, Daniel S. (27 September 2016). "The Fallout from the IMA's Admission Hike". Indianapolis Monthly. Retrieved 15 February 2021.
  19. ^ Schouten, Cory (16 December 2014). "IMA defends admission charge as complaints pile up". Indianapolis Business Journal. Retrieved 2022-05-19.
  20. ^ Bongiovanni, Domenica. "New campus name and 'dramatic change' are coming to the Indianapolis Museum of Art". The Indianapolis Star. Retrieved 2022-05-19.
  21. ^ Lindquist, David. "Newly hired IMA curator worked at MoMA and Met". The Indianapolis Star. Retrieved 31 May 2022.
  22. ^ Harry, Lou. "Is IMA chief Venable visionary or misguided?". Indianapolis Business Journal. Archived from the original on 17 April 2018. Retrieved 31 May 2022.
  23. ^ Chen, Wei-Huan. "Scott Stulen leaving IMA post to head Philbrook Museum of Art". The Indianapolis Star. Retrieved 31 May 2022.
  24. ^ Grossman, Dan (6 January 2018). "Why CityLab's Kriston Capps calls Newfields a travesty: an interview". NUVO. Retrieved 7 June 2022.
  25. ^ Bongiovanni, Domenica (4 January 2018). "Newfields responds after art critic calls it the 'greatest travesty in the art world in 2017'". The Indianapolis Star. Retrieved 7 June 2022.
  26. ^ Tugend, Alina (12 March 2018). "To Reach New Audiences, Museums Are Redefining What They Offer". The New York Times. Retrieved 7 June 2022.
  27. ^ Goldstein, rew (12 February 2018). "Newfields Director Charles Venable on His Data-Driven (and Maybe Crazy) Quest to Save the Art Museum". Artnet News. Retrieved 7 June 2022.
  28. ^ Haimerl, Amy (3 March 2021). "What Keeps U.S. Art Museums Running—and How Might the Pandemic Change That?". ARTnews.com. Retrieved 6 June 2022.
  29. ^ Bahr, Sarah (29 November 2022). "2 Years After Racism Outcry, Indianapolis Embraces Black Artists". The New York Times. Retrieved 30 November 2022.
  30. ^ Greenberger, Alex (17 February 2021). "Indianapolis Museum of Art President Resigns Following Job Posting Centering 'White Art Audience'". ARTnews.com. Venable also drew ire from the staff when he had it class every object in the museum's holdings using a letter grade system.
  31. ^ Pogrebin, Robin (2019-03-10). "Clean House to Survive? Museums Confront Their Crowded Basements". The New York Times. ISSN 0362-4331. Retrieved 2022-05-19.
  32. ^ Brown, Alex; Parker, Reed. "Newfields to Debut Major Digital Gallery". Inside INdiana Business. Retrieved 2022-05-19.
  33. ^ Bahr, Sarah (2021-02-13). "Indianapolis Museum of Art Apologizes for Insensitive Job Posting". The New York Times. ISSN 0362-4331. Retrieved 2022-05-19.
  34. ^ Bongiovanni, Domenica. "Curator calls Newfields culture toxic, discriminatory in resignation letter". The Indianapolis Star. Retrieved 26 May 2022.
  35. ^ Salaz, Susan (2 April 2021). "Charles Venable's Exit From Newfields Leaves Behind A Mess—And An Opportunity". Indianapolis Monthly. Retrieved 27 May 2022.
  36. ^ a b c Ring, Madelia Hickman (30 November 2021). "Venable's Silver Collection Achieves Venerable Results For Heritage - Antiques And The Arts WeeklyAntiques And The Arts Weekly". Antiques and the Arts Weekly. Retrieved 6 June 2022.
  37. ^ a b c "Charles L. Venable appointed as new Director and CEO of the Indianapolis Museum of Art". artdaily.cc. 16 August 2012. Retrieved 1 August 2022.
  38. ^ "Charles F. Montgomery Prize & Award". Decorative Arts Society, Inc. Retrieved 1 August 2022.
  39. ^ "Archives". discovernewfields.org. Retrieved 7 June 2022.
  40. ^ Higgins, Will (24 February 2013). "Thinking Outside the Frame". The Indianapolis Star. Retrieved 16 August 2022.
  41. ^ Goldstein, Andrew (14 February 2018). "Newfields Director Charles Venable on Why Art Museums as We Know Them Cannot Survive". Artnet News. Retrieved 6 June 2022.
  42. ^ "Front & Center: Q&A with Charles Venable". Indianapolis Monthly. 27 September 2012. Retrieved 6 June 2022.
  43. ^ Taylor, Emily (3 January 2014). "Knot Here: Where Gay Hoosiers Are Getting Hitched". Indianapolis Monthly. Retrieved 6 June 2022.
  44. ^ Cook, Robert B. (November 2013). "The Hoppel Collection of Fine Minerals—Auction 1 by Heritage Auctions, 3500 Maple Ave., Dallas, TX 75219; HA.com. 2013; 217 pages; $50 (softbound)". Rocks & Minerals. 88 (6): 574. Bibcode:2013RoMin..88..574C. doi:10.1080/00357529.2013.826101. ISSN 0035-7529. S2CID 128691115.
  45. ^ Shuey, Mickey. "Newfields puts historic Westerley property on market for $2.2M". Indianapolis Business Journal. No. 25 May 2021. Archived from the original on 26 May 2021. Retrieved 1 June 2022.
  46. ^ Milz, Mary (May 27, 2021). "Newfields' Westerley estate reportedly sold after less than a week on the market". WTHR. Retrieved 1 June 2022.
  47. ^ Shuey, Mike (27 May 2021). "Quick sale: Newfields accepts offer for Westerley estate". indianaeconomicdigest.net. Retrieved 9 June 2022.
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