We Come to the River
We Come to the River is an opera by Hans Werner Henze to an English libretto by Edward Bond. Henze and Bond described this work as "Actions for music", rather than an opera. It was Henze's 7th opera, written originally for the Royal Opera in London, and takes as its focus the horrors of war. The opera was first performed at the Royal Opera House, Covent Garden, London on 12 July 1976. It was subsequently staged in Berlin, and received its first American performance at Santa Fe Opera in 1984[1] [2].
The opera is notable for its complex staging, including a large cast of 111 roles and three separate instrumental ensembles, including a percussionist who actually performs among the singers on stage. The scholar Robert Hatten has noted the mix of musical styles that Henze has employed, ranging from 'atonal to neoclassically tonal'.[3]
Plot
The work is in two acts, divided into 11 scenes. The setting is an imaginary empire.
The General, who gives no thought to the morality of his profession, has put down an abortive revolution. A deserter is executed, after the General has heard his pleading Later, the soldier's wife and her mother, who have been looting corpses to try to survive, are also shot. Later, The Doctor tells the General that he has a disease that will eventually render him blind. This news causes the General to start to come to terms with his own vulnerability, and to start to question war. Finally repulsed by images of the battlefield wounded, the General leaves the army, but this does not obliterate his past actions.
In Act II, the General has been imprisoned in an insane asylum. The asylum inhabitants obsessively tell tales of violence while tearing at their hair and clothes. The authorities approach the General again to order him to take the field on behalf of the empire. When he refuses, the Emperor's henchmen blind him so that he cannot lead a revolution from the asylum. The blind General sees visions of his victims. At the close of the work, the inmates kill the General.
References
- ^ Bernard Holland, "Henze's River Performed in Santa Fe". New York Times, 3 August 1984.
- ^ Michael Walsh, "Brutality and Bathos in Santa Fe". Time, 13 August 1984 (one word in on-line title is misspelled).
- ^ Robert S. Hatten, "Pluralism of Theatrical Genre and Musical Style in Henze's We Come to the River". Perspectives of New Music, 28 (2), pp. 292-311 (1990).
Sources
We Come to the River by Andrew Clements, in 'The New Grove Dictionary of Opera', ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
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