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Grindhouse

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A grindhouse is an American term for a theater that shows exploitation films; it is also used as an adjective to describe the genre of films that would play in such a theatre. While just about any film that had too much sex or too much violence to play in a mainstream theatre was fair game for the grindhouses, the term has connotations of leaning more towards movies that were unacceptable by the terms of the mainstream: especially brutally violent films, films with bizarre or perverse plot points, etc. Frequent fare for such theatres were low-budget Japanese and Chinese movies, specifically kung-fu and samurai movies, usually known for being exceptionally bloody.


The term grind-house may also refer to a kind of low-budget inner-city theater common in American cities from the 1950s until the 1980s. Having been movie palaces during the cinema boom of the 1930s and 1940s, these theaters had fallen into disrepair by the 1960s. Grind-houses were known for "grinding out" non-stop, triple-bill programs of B movies. Beginning in the late 1960s and especially during the 1970s, the subject matter of grind-house features often included explicit sex, violence, and other taboo content. By the end of the 1970s, many grind-houses were exclusively pornographic and the trashy exploitation movies shown in them were regularly discussed in the fanzine Sleazoid Express.

By the 1980s, home video threatened to render the grind-house obsolete. By the end of the decade, these theaters had vanished from New York City's 42nd Street, Los Angeles' Broadway and Hollywood Boulevard, and San Francisco's Market Street, just to name a few. By the mid-1990s, the grindhouse completely disappeared from American culture.