Victor de Sabata discography
Appearance
Published recordings featuring the conducting of Victor De Sabata.
Date | Composer | Work | Soloists/Choir/Orchestra | Type | Label(s) | References |
11 December 1930 | Wagner | Tristan und Isolde (excerpts) | Giuseppina Cobelli (Isolde), Renato Zanelli (Tristan), Orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Pearl GEMS 0054, Symposium 1102 | [1] |
28 December 1933 | Stravinsky | Fireworks | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [2] |
28 December 1933 | Glazunov | From the Middle Ages (suite) | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [3] |
29-30 December 1933 | De Sabata | Juventus | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [4] |
30 December 1933 | Mossolov | Iron Foundry | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [5] |
22 June 1937 | Verdi | Aïda | Gina Cigna (Aïda), Beniamino Gigli, (Radamès), Orchestra and chorus of La Scala | Live recording, Berlin | Eklipse EKR 53 | [6], [7], [8], [9] |
April 1939 | Brahms | Fourth Symphony | Berlin Philharmonic Orchestra | Studio recording for Polydor, Berlin | Pearl GEMS 0054, Magic Master 37086, Andante 1030 | [10] |
April 1939 | Respighi | Feste Romane | Berlin Philharmonic Orchestra | Studio recording for Polydor, Berlin | Pearl GEMS 0054 | [11] |
April 1939 | Wagner | Tristan und Isolde: Prelude and Liebestod | Berlin Philharmonic Orchestra | Studio recording for Polydor, Berlin | Pearl GEMS 0054, Urania 155, Magic Master 37086, Iron Needle IN 1410 | [12] |
April 1939 | Kodaly | Dances of Galanta | Berlin Philharmonic Orchestra | Studio recording for Polydor, Berlin | Pearl GEMS 0054, Urania 155 | [13] |
April 1939 | Richard Strauss | Death and Transfiguration | Berlin Philharmonic Orchestra | Studio recording for Polydor, Berlin | Pearl GEMS 0054 | [14] |
12 December 1940 | Verdi | Requiem (excerpts) | Beniamino Gigli (Tenor), Ebe Stignani (Mezzo soprano), Maria Caniglia (Soprano), Tancredi Pasero (Bass), RAI Chorus and Orchestra | Live recording | Enterprise RY 77 | [15], [16] |
14 December 1940 | Verdi | Requiem (excerpts) | Beniamino Gigli (Tenor), Ebe Stignani (Mezzo soprano), Maria Caniglia (Soprano), Tancredi Pasero (Bass), EIAR Symphony Orchestra and Chorus, Orchestra da Camera di Roma | Live recording, Basilica di Santa Maria degli Angeli, Rome | Legato LCD 178-2, Arkadia CDMP 446 | [17], [18], [19] |
December 1941 | Mozart | Requiem | Ebe Stignani, Ferruccio Tagliavini, EIAR Symphony Orchestra and Chorus (Rome) | Live recording | Iron Needle IN 1390, Cetra 40001 | |
2-3 May 1946 | Beethoven | Third Symphony (Eroica) | London Philharmonic Orchestra | Studio recording for Decca | IDI 6361, Iron Needle IN 1410, Arkadia 105788 | |
May 1946 | Berlioz | Le Carnaval Romain Overture | London Philharmonic Orchestra | Studio recording for Decca | Magic Master 37086, Iron Needle IN 1410 | |
May 1946 | Wagner | The Ride of the Valkyries | London Philharmonic Orchestra | Studio recording for Decca | Magic Master 37086, Iron Needle IN 1410 | |
23-24 January 1947 | Respighi | Fountains of Rome | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Rome | Testament SBT 1108 | [20] |
23-25, 29 January, 3 February 1947 | Beethoven | Sixth Symphony (Pastoral) | Orchestra of Santa Cecilia | Studio recording for HMV, Teatro Argentina, Rome | Grammofono 2000, Naxos 8.110859, Arkadia 105788 | [21] |
7 February 1947 | Debussy | Jeux | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Rome | Testament SBT 1108, Pristine Audio PASC046 | [22], [23] |
February 1947 | Verdi | I Vespri Siciliani (Overture) | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 78852 | |
March 1947 | Wagner | Tristan und Isolde (excerpts) | Kirsten Flagstad, Einar Beyron, Elsa Cavelti, Paul Shoffler, La Scala | Live recording, Milan | Urania URN 22.105 | [24] |
9 September 1947 | Stravinsky | Chant du Rossignol | Stockholm Philharmonic Orchestra | Live recording | Urania 155, Archipel 0135, Nuova Era 2319 | |
1 February 1948 | Debussy | Nocturnes (Nuages) | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Roma | Testament SBT 1108 | [25] |
24 February 1948 | Debussy | Nocturnes (Fetes) | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Roma | Testament SBT 1108 | [26] |
28 February - 1 March 1948 | Debussy | La Mer | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV (not issued until 1997), Teatro Argentina, Roma | Testament SBT 1108 | [27] |
February 1948 | Rossini | William Tell (overture) | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 78852 | |
February?? 1948 | Verdi | La Traviata (Act 1 and Act 3 Preludes) | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 78852 | |
1948 | Richard Strauss | Don Quixote | Aldo Parisot (cello), Pittsburgh Symphony Orchestra | Live recording, Pittsburgh | Urania URN 22.105 | [28] |
1948 | Wagner | Tristan und Isolde (excerpts) | Kirsten Flagstad, La Scala | Live recording | Simax 1820 | |
5 February 1949 | Verdi | Otello (excerpts) | Tebaldi, La Scala | Live recording | Fono Enterprise 1058 | |
6 March 1949 | Giordano | Andrea Chenier (excerpts) | Tebaldi, del Monaco, La Scala | Live recording | Fono Enterprise 1058, Myto MCD 90634 | |
7 December 1949 | Puccini | La Boheme (excerpts) | Noni, La Scala | Live recording | Myto MCD 90634 | |
5 March 1950 | Ghedini | Marinaresca e bacchanale | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 2219, Archipel 0135 | |
5 March 1950 | Ravel | Bolero | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 2219, Archipel 0135 | |
5 March 1950 | Sibelius | First Symphony | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 2210, Urania 155 | [29] |
12 March 1950 | Dukas | The Sorceror's Apprentice | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 6350, Originals 821 | |
12 March 1950 | Franck | Symphony in D minor | New York Philharmonic | Live recording, Carnegie Hall, New York | IDI 336, Nuova Era 6350 | |
12 March 1950 | Rachmaninoff | Rhapsody on a Theme of Paganini | Artur Rubinstein, New York Philharmonic | Live recording, Carnegie Hall, New York | Aura 252, Archipel 0135, Originals ORI 821, Nuova Era 2232 | |
12 March 1950 | Respighi | Pines of Rome | New York Philharmonic | Live recording, Carnegie Hall, New York | Urania URN 22.142, Nuova Era 2232 | [30] |
16 March 1950 | Beethoven | Fifth Symphony | New York Philharmonic | Live recording, Carnegie Hall, New York | Urania URN 22.142, Tahra TAH 449, Nuova Era 013.6316 | [31] |
16 March 1950 | Brahms | Violin Concerto | Nathan Milstein, New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6316, Tahra TAH 449, Archipel ARPCD 0086 | |
18 March 1950 | Barber | School for Scandal (Overture) | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 2297, Archipel 0135 | [32] |
26 March 1950 | Dvorak | Ninth Symphony (From the New World) | New York Philharmonic | Live recording, Carnegie Hall, New York | IDI 336, Nuova Era 2297 | [33] |
26 March 1950 | Ravel | Ma Mere l'Oye (suite) | New York Philharmonic | Live recording, Carnegie Hall, New York | Archipel 0135, Originals 821, Nuova Era 2219 | |
27 January 1951 | Verdi | Requiem | Renata Tebaldi (soprano), Nell Rankin (mezzo-soprano), Giacinto Prandelli (tenor), Nicola Rossi Lemeni (bass), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 6346/47, Urania URN 22.189, Great Opera Performances GOP 825 | [34] |
18 March 1951 | Beethoven | Eighth Symphony | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6338, IDI 6361 | |
18 March 1951 | Schumann | Piano Concerto | Claudio Arrau, New York Philharmonic | Live recording, Carnegie Hall, New York | Aura 252, Music and Arts 1174, Archipel ARPCD 0086 | |
25 March 1951 | Wagner | Tristan und Isolde, Gotterdamerung, Die Meistersinger, Parsifal (excerpts) | Eileen Farrell, New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6637, Arkadia/Hunt 512, Arkadia CDHP 512.1, Urania 22167 | |
7 June 1951 | Verdi | Falstaff | Mariano Stabile (Falstaff), Renata Tebaldi, Cloë Elmo (Quickly), Chorus and orchestra of La Scala | Live recording, Teatro alla scala, Milan | Opera d'Oro 1214, Urania 176, Nuova Era 2220/21, Premiere Opera CDNO 2932 | [35] |
13 December 1951 | Wagner | Tristan und Isolde | Gertrud Grob-Prandl (Isolde), Max Lorenz (Tristan), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Archipel ARPCD 0027-3 | [36] |
3 February 1952 | Rossini | Barber of Seville | Gino Bechi (Baritone), Cesare Valletti (Tenor) , Nicola Rossi-Lemeni (Bass), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Walhall WLCD 0061 | [37] |
26 May 1952 | Verdi | Falstaff | Mariano Stabile (Falstaff), Renata Tebaldi (Alice), Cloë Elmo (Quickly), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Music and Arts CD 1104, Cantus Classics 500.408 | [38], [39] |
7 December 1952 | Verdi | Macbeth | Maria Callas (Lady Macbeth), Enzo Mascherini (Macbeth), Italo Tajo (Banquo), Orchestra and Chorus of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 2202/3, EMI CMS 5 66447 2, many others | [40], [41] |
February?? 1953 | Brahms | Third Symphony (finale) (rehearsal) | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200, Nuova Era 2319 | [42] |
February 1953 | Richard Strauss | Salome's Dance (from Salome) (rehearsal) | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200, Nuova Era 2319, Archipel 0135 | [43] |
April 1953 | Puccini | Tosca (Aria Vissi d'arte) | Tebaldi???, Orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 2319 | [44] |
1 August 1953 | Berlioz | Le Carneval Romain overture | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Idi 6416, Nuova Era 2319, Dynamic IDIS6416 | [45] |
1 August 1953 | Richard Strauss | Death and Transfiguration | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Idi 6416, Nuova Era 2210, Dynamic IDIS6416 | [46] [47] |
1 August 1953 | Ravel | La valse | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Idi 6416, Archipel 0135, Nuova Era 2219, Dynamic IDIS6416 | [48] |
1 August 1953 | Verdi | I vespri siciliani (overture) | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Idi 6416, Nuova Era 2319, Originals ORI 821, Dynamic IDIS6416 | [49] |
10-14, 16, 18-21 August 1953 | Puccini | Tosca | Maria Callas (Floria Tosca), Giuseppe di Stefano (Mario Caravadossi), Tito Gobbi (Scarpia), Chorus and orchestra of La Scala | Studio recording for HMV, Teatro alla Scala, Milan | EMI 7243 5 62890 2 4 (and many others), Naxos 8.110256-57, Regis 2065 | [50] |
18-22, 25-27 June 1954 | Verdi | Requiem | Elisabeth Schwarzkopf (soprano), Oralia Dominguez (mezzo-soprano), Giuseppe di Stefano (tenor), Cesare Siepi (bass), Chorus and orchestra of La Scala | Studio recording for HMV, Teatro alla Scala, Milan | EMI 653565 5062, Opera d'Oro OPD 1314 | [51], [52] |
References
- ^ Archipel ARPCD 0027-3, booklet notes
- ^ Nuova Era 2210, Booklet note. See also [53]
- ^ Nuova Era 2297, Booklet note. See also [54]
- ^ Testament SBT 1108, booklet notes
- ^ Urania URN 22.105, booklet notes
- ^ Urania URN 22.105, booklet notes
- ^ Urania URN 22.142, booklet notes
- ^ Pearl GEMS 0054, booklet notes