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Doug Tracht

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Doug "The Greaseman" Tracht (born August 1, 1950 in The Bronx, New York) is a radio personality who was probably most famous during his time (8/2/1982-1/22/1993) on WWDC-FM in the Washington, D.C. area, where he took over the morning drive time slot from Howard Stern. He was also in two television movies -- Jack Reed: A Search For Justice (1994) and Jack Reed: Death And Vengeance (1996).

Career

Doug Tracht has been on-air as "The Greaseman" at several different stations, including:

During his time at WXRK (now WFNY), he was syndicated to several other Infinity Broadcasting (now CBS Radio) stations (such as WYSP 94.1 in Philadelphia). In fall 1996, his show returned via syndication to Jacksonville over WTLK "Real Radio" 106.5, where it lasted until January 1998, when the station changed owners and formats. During this Jacksonville run, Greaseman's show changed origination from a California studio, to WARW in Washington, DC. With this change, he again incorporated music into his program.

Starting in 2002, he was on the air at WDMV-AM 700 (previously WGOP) near Frederick, Maryland, and was soon afterwards syndicated to numerous other stations in the region. Currently he holds the morning show slot on WMET-AM 1160 in Gaithersburg, Maryland, and selected Greaseman bits are heard during late PM drive on WGRX-FM 104.5 in the Fredericksburg, Virginia area.

Tracht has a new film coming out soon, inspired by Pulp Fiction, called "The Last Mango". It is expected to screen in festivals in May 2006.

Controversy

While Tracht makes attempts to stay clean on the air and avoid any sort of controversy, two incidents mar an otherwise clean record. At WWDC, Tracht was suspended for an alleged racist joke made on the air, and some years later he was fired for a joke which referred to the death of Martin Luther King Jr.. The joke was made on Martin Luther King Jr. Day in 1986, when Tracht said "Why don't we plug four more and get the whole week off?" He issued a public apology on TV station WRC-TV and the executives at WWDC forgave him.

While at WARW, Tracht made a comment about James Byrd, who was murdered in 1998 in Jasper, Texas after having been dragged behind a pickup truck by two white supremacists. He had been playing a song by Lauryn Hill. Tracht then stated (as a reference to the quality of her music) "And they wonder why we drag them behind trucks." This incident in February 1999 proved catastrophic to his radio career, igniting a firestorm of protest from black and white listeners alike, including Donnie Simpson, who savaged Tracht on his morning show on sister station WPGC-FM. Not only was Tracht quickly fired from WARW, he lost his position as a volunteer deputy sheriff in Falls Church, Virginia.

Tracht is heavily disliked by Howard Stern. The reason may stem from the time when Stern had been fired from WWDC, and Tracht took over Stern's morning slot; Stern soon moved to WNBC in New York City. Not only did Tracht hold on to Stern's WWDC audience, but he increased it, perhaps incurring Stern's jealousy. Stern however repeatedly claimed the ill feelings arose from Tracht's imitating the format of his show. This is a questionable claim, however, since there are few similarities in radio show format, style of humor, or otherwise, between the two, other than the fact they can both fairly be classified as "shock jocks".

Radio routines

The Greaseman's radio programs feature elaborate audio sketches involving an assortment of fictional characters, often macho he-men engaged in outrageous sexual exploits. At other times he might portray a pathetic wimp for comic effect. In these stories and in his conversations with call-in listeners, Greaseman manages to explicitly describe vulgar or patently sexual acts, using a self-styled set of codewords and sound effects to refer to specific body parts or physical acts in order to elude censors.

The codewords and sound effects are certainly Tracht's most well known "call sign," and the easiest target for other DJs who make fun of him. He punctuates his routines with these repeated absurd and often garbled vocalizations, including one of his stock greetings, "waddle-ooddle-addum." "Hobble-doo-gee" refers to intercourse, which is often accompanied by graphic sound effects, such as the sound of sawing wood. Oral sex is referred to as "gobble-doo-gee," "snarlin' gnarlins," going "south with the mouth," and various verbs paired with the metaphorical "bomb-bays." One popular routine, "Clinton and the Punk," featuring an implied gay Clint Eastwood and his boyfriend, always ended with the sounds of squealing pigs, the code sound effect for anal sex. These euphemisms, while entertaining in their own right, likely evolved to avoid being censored or fined by the FCC.

The Greaseman's stories involve recurring imaginary characters and associated themes, including:

  • Lawman: Perhaps inspired by his actual experiences with police, Greaseman launches these raucous bits with "time to wonder what it must be like ... to strap on a gun, pin on a badge, and become ... a Lawman." What follows, with a background of the theme music from the 1970s TV show "S.W.A.T", is a playful romp through a law enforcement adventure, usually marked by over-aggressiveness and comic sexuality.
  • South of the Border: Following an introduction in which he invites the audience to accompany him "South of the Border" to "La Tierra (the "r" sound is trilled for an outrageous length of time) de la Muerte," The Grease relates one of his surreal adventures in Mexico, usually accompanied by his "former" wife, Estelle.
  • A Trip to West Virginia: Banjo music plays while Grease discusses the good country people of West Virginia.
  • The Greaseman Quiz: Players are asked questions while playing for various prizes from, "Spiegel, Chicago 60609".
  • Sgt. Fury: Tracht takes a trip back to the days, "When the name on my uniform said Greasemanelli, but everybody knew me as SGT. FURY!" The stories invariably take place in Quang Tri, Vietnam, 1967, though of course Tracht was not old enough to have been in the army at that time.
  • Redneck song: The Grease sings about being a redneck with the refrain, "Oh baby I'm a redneck, can't help it I'm a redneck!"
  • Johhny Rico: Recalling his Bronx childhood, Tracht adopts the persona of a tough, quick-lipped teenager, and recounts Rico's ribald experiences in short, stylized phrases syncopated with the background drumbeats of the 1960's hit, Wipe_Out.
  • Clinton: Tracht speculates about what might happen if he "got a knock on the head" and took up housekeeping in an "alternate lifestyle" with Clint Eastwood. These routines invariably end to the sound of squealing pigs as the servile speaker is unexpectedly sodomized by his dominant partner.
  • Emperor Tukasfacius: A flashback scenario, where Tracht talks about his 'previous life' as an Emperor of the Holy Roman Empire. His courtiers feature classical-sounding names, each of which contains an anatomical allusion to the individual's quirks, including "Menstruatia," Testicules," and "Fudgepackius."
  • Carlos the International Terrorist: Tracht talks about his run-ins with famed international terrorist, Carlos The Jackal, a real terrorist currently serving a life sentence in France. The encounters with him are improvised and purely fictional.
  • Damien: Tracht tells of stories where he encounters his "Dark Master" (i.e., Satan) during an otherwise unremarkable daily event.
  • Irving Greasemanowitz: Another flashback sequence to a 'previous life' where Tracht was the Wild West's first Yiddish lawman.
  • Big Dick Brannigan: Humorous stories revolving around Tracht's time as a private eye.
  • Six Minute Workout: Where Grease talks about a unique workout for men only featuring the infamous Mrs. Baumgartner.
  • RJ calls - An Englishman named RJ calls the Greaseman on the air and recounts outrageous tales involving The Greaseman's dog, who causes RJ great embarrassment by leaving "ploppers" at inopportune moments. These calls always began with RJ's trademark greeting, "I say Greasy, RJ!"
  • The construction worker in the Village People

One particular routine, which Tracht has referred to as the "Bit Without an Ending," happened in 1982 while Tracht was broadcasting out of DC. Apparently, he was frequently awakened by neighbors buzzing radio-controlled model planes by his windows. One day, having had enough of this, Greaseman built his own RC Airplane with guns and set out to shoot down the other planes. Unfortunately, the plane was possessed by Damien, who turned the plane's weapons on Grease. At this point, Tracht ran out of ideas, and tried to incorporate this blank state of mind into the bit. He got in his car and tried to get away from the plane but couldn't. He desperately drove his car "South of the Border," but couldn't think of a way to end the bit there. He then called in Big Dick Branigan, but again couldn't think of a way to end the bit. He ended up saying something along the lines of, "Sorry! I have no idea how to finish this!" and went to commercial break. This was a rare instance of his real-time persona interrupting his usually seamless performances.


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