Maxwell Anderson
(James) Maxwell Anderson (15 December 1888 – 28 February 1959) was a Pulitzer Prize-winning playwright, author, poet, reporter and lyricist, and a founding member of The Playwrights' Company (which included, at various times, Maxwell Anderson, S. N. Behrman, Elmer Rice, Robert E. Sherwood, Sidney Howard, Roger L. Stevens, John F. Wharton, and Kurt Weill), and produced many notable plays of the 20th century.
His life
He was born in Atlantic, Pennsylvania, the second child of William Lincoln Anders, a Baptist minister, and his wife, formerly Charlotte Perrimela Stephenson. His family initially lived on his maternal grandmother's farm in Atlantic, then moved to Andover, Ohio, where his father became a railroad fireman while studying to become a minister. They moved to Jamestown, North Dakota in 1907, where Anderson attended Jamestown High School, graduating in 1908.
As an undergraduate, he waited tables and worked at the night copy desk of the Grand Forks Herald, and was active in the school's literary and dramatic societies. He obtained a B.A. in English Literature from the University of North Dakota in 1911. He became the principal of a high school in Minnewaukan, North Dakota, also teaching English there, but he was fired from this job in 1913 because he had made pacifist statements to his students. He then entered Stanford University, obtaining an M.A. in English Literature in 1914. He became a high school English teacher in San Francisco: after three years he became chairman of the English department at Whittier College in 1917. He was fired after a year for public statements supporting a student seeking conscientious objector status.
He next became a reporter for the San Francisco Chronicle, then moved to New York, where he wrote editorials for the The New Republic, the Evening Globe, and the Morning World.
In 1921, he founded Measure, a magazine devoted to verse. He wrote his first play, White Desert, in 1923, which ran only twelve performances, but was well-reviewed by the book reviewer for the New York World, Laurence Stallings, who collaborated with him on his next play What Price Glory?, which was successfully produced in 1924 in New York City. Afterwords he resigned from the World, launching his career as a dramatist.
He wrote many well-known plays, of widely-varying styles, and was one of the few modern playwrights to make extensive use of blank verse. Some of these became movies, and Anderson wrote screen adaptations of other authors' plays and novels (Death Takes a Holiday, All Quiet on the Western Front), as well as books of poetry and essays. The only one of his plays that he himself adapted to the screen was Joan of Lorraine, which became the 1948 film Joan of Arc, starring Ingrid Bergman, with a screenplay by Anderson and Andrew Solt . Anderson was awarded the Pulitzer Prize in 1933 for his political drama Both Your Houses, and twice received the New York Drama Critics' Circle Award, for Winterset, and High Tor.
Anderson was, above all, a strong believer in the dignity of man (although humanism might be too strong of a word), and many of his plays focus on the concepts of liberty and justice. Anderson can probably be credited with popularizing the use of poetry in modern drama. He chose to write in solitude, preferring to write longhand in a wire-bound notebook, and refused to attend the opening nights of his plays.
He enjoyed great commercial success with a series of plays set during the reign of the Tudor family, who ruled England, Wales and Ireland from 1485 until 1603. One in particular, Anne of the Thousand Days - the story of Henry VIII's brutal marriage to Anne Boleyn - was a phenomenal success. It opened on Broadway starring Rex Harrison and, in 1969 became an Oscar-winning movie with Richard Burton and Genevieve Bujold. It is still regularly performed today. Another of his Tudor plays was adapted as The Private Lives of Elizabeth and Essex, starring the legendary actress Bette Davis and Hollywood pin-up, Errol Flynn.
He married Margaret Haskett, a fellow classmate, on 1 August 1911 in Bottineau, North Dakota. They had three sons, Quentin, Alan, and Terence. Margaret died of cancer on 22 February 1931. Anderson then resided with Gertrude "Mab" Higger starting in about October 1933. A daughter, Hesper, was born 2 August, 1934. Gertrude ("Mab") committed suicide on 21 March 1953. Her daughter Hesper (who was screenwriter for the movie Children of a Lesser God, wrote a book South Mountain Road: A Daughter's Journey of Discovery about her unearthing, only after the suicide, the fact that her parents had never married. Maxwell Anderson did marry once more, to Gilda Hazard, on 6 June 1954.
Honorary awards include the Gold Medal in Drama from the National Institute of Arts and Letters in 1954, an honorary Doctor of Literature degree from Columbia University in 1946, and an honorary Doctor of Humanities degree from the University of North Dakota in 1958.
Maxwell Anderson died in Stamford, Connecticut, on 28 February 1959, two days after suffering a stroke.
Plays and Musicals
- White Desert - 1923
- What Price Glory - 1924 - a war drama
- First Flight - 1925 - written with Laurence Stallings (it has nothing to do with the Star Trek episode.)
- The Buccaneer - 1925 (a play having nothing to do with the 1938 and 1958 films of the same name)
- Outside Looking In - 1925
- Saturday's Children - 1927
- Gods of the Lightning - 1929 (written with Harold Nickerson)
- Gypsy - 1928 - (not the later musical by Arthur Laurents, unrelated but for title)
- Elizabeth the Queen - 1930 - a historical drama in blank verse, filmed as The Private Lives of Elizabeth and Essex.
- Night Over Taos - 1932
- Both Your Houses - 1933 -- Pulitzer Prize for Drama
- Mary of Scotland - 1933 - a historical drama in blank verse
- Valley Forge - 1934 - a play about George Washington and the famous winter that he and his army spent there. It was never filmed as a theatrical motion picture, but it has been presented twice on television (so far) - in 1951 and 1975.
- Winterset - 1935 - a verse tragedy inspired by the Sacco and Vanzetti case - First Annual New York Critics Circle Award
- The Masque of Kings - 1936
- The Wingless Victory - 1936
- Star-Wagon - 1937
- High Tor - 1937 New York Drama Critics Circle Award
- The Feast of Ortolans - 1937 - one-act play
- Knickerbocker Holiday - 1938 - book and lyrics
- Second Overture - 1938 - one-act play
- Key Largo - 1939
- Journey to Jerusalem - 1940
- Candle in the Wind - 1941 (a play having absolutely nothing to do with the Elton John song.)
- The Miracle of the Danube - 1941 - one-act play
- The Eve of St. Mark - 1942
- Your Navy - 1942 - one-act play
- Storm Operation - 1944
- Letter to Jackie - 1944 - one-act play
- Truckline Café - 1946
- Joan of Lorraine - 1946
- Anne of the Thousand Days - 1947 - a historical drama in blank verse
- Lost in the Stars - 1949 - book and lyrics
- Barefoot in Athens - 1951
- The Bad Seed - 1954
- High Tor - 1956 (TV score)
- The Day the Money Stopped - 1958 - (written with Brendan Gill)
- The Golden Six - 1958
Films
- What Price Glory - 1926 - play
- Saturday's Children - 1929 - play
- Cock-Eyed World, The - 1929 - story
- All Quiet on the Western Front - 1930 - adaptation & dialogue
- The Guardsman - 1931 - one scene from Elizabeth the Queen is featured, just after the opening credits of the film
- Rain - 1932 - adaptation
- Washington Merry-Go-Round - 1932 - play
- Death Takes a Holiday - 1934 (screenplay only; the play was written in Italian by Alberto Casella and translated into English by Walter Ferris)
- We Live Again - 1934 - adaptation, from Tolstoy's Resurrection
- The Lives of a Bengal Lancer - 1935 - uncredited contributing writer
- Maybe It's Love - 1935 - play Saturday's Children
- So Red the Rose - 1935 - screenplay
- Mary of Scotland - 1936 - play
- Winterset - 1936 - play
- The Private Lives of Elizabeth and Essex - 1939 - play Elizabeth the Queen
- Saturday's Children - 1940 - play
- Knickerbocker Holiday - 1944 - play
- The Eve of St. Mark - 1944 - play
- Winterset - 1945 - TV - play
- A la sombra del puente - 1946 - play
- Key Largo - 1948 - play (almost completely rewritten for the screen by other writers)
- Joan of Arc - 1948 - play Joan of Lorraine - screenplay
- Pulitzer Prize Playhouse - 1950 TV Series - play - four episodes
- Celanese Theatre - 1951 TV Series - play - two episodes
- What Price Glory - 1952 - play
- The Alcoa Hour - 1955 TV Series - play - episode "Key Largo"
- The Bad Seed - 1956 - play
- The Wrong Man - 1956 - novel The True Story of Christopher Emmanuel Balestrero
- Never Steal Anything Small - 1959 - play The Devil's Hornpipe
- Ben-Hur - 1959 - uncredited
- Barefoot in Athens - 1966 - TV - play
- The Star Wagon - 1967 - TV - play
- Elizabeth the Queen - 1968 - TV - play
- Anne of the Thousand Days - 1969 - play
- Valley Forge - 1975 - TV - play
- Lost in the Stars - 1974 - play
- The Bad Seed - 1985 - TV - play
- Meet Joe Black (1998) (earlier screenplay) (inspiration)
Best-known Lyrics
(Worked with composers Kurt Weill and Arthur Schwartz)
- "September Song" (from Knickerbocker Holiday)
- "Lost in the Stars" (from Lost in the Stars))
- "Cry, The Beloved Country" (from Lost in the Stars))
- "When You're in Love"
- "There's Nowhere to Go but Up"
- "It Never Was You"
- "Stay Well"
- "Trouble Man" (from Lost in the Stars))
- "Thousands of Miles"
Books
- You Who Have Dreams - 1925 - poetry a book of poetry
- The Essence of Tragedy and Other Footnotes and Papers - 1939 - essays
- Off Broadway Essays About the Theatre - 1947 - essays
- Notes on a Dream - 1972 - poetry
References
- The Maxwell Anderson papers are housed at the Elwyn B. Robinson Department of Special Collections of the Chester Fritz Library at the University of North Dakota
- Shivers, Alfred. The Life of Maxwell Anderson. New York: Stein and Day, 1983.
- The National Cyclopedia of American Biography vol. 60: pp. 323-325.
- Dictionary of American Biography. Supplement Six: pp. 14-16
- bibliography by M. Cox (1958, repr. 1974).