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Al Kooper

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Mike Bloomfield (left) and Al Kooper (right) album cover

Al Kooper (born Alan Peter Kuperschmidt February 5, 1944, Brooklyn, New York) is an American songwriter,producer, and musician, probably best known for organizing the group Blood, Sweat & Tears.

His first musical success was as a 14-year-old guitarist in the Royal Teens, best known for their novelty blues riff, "Short Shorts". In 1960, he joined the song-writing team of Bob Brass and Irwin Levine, who wrote the hit, "This Diamond Ring", for Gary Lewis and the Playboys. When he was 21, he moved to Greenwich Village.

He performed with Bob Dylan in concert in 1965 and in the studio in 1965 and 1966, including playing Hammond organ with Dylan at the (in)famous Newport Folk Festival of 1965. He worked extensively with Mike Bloomfield for a number of years after the two met as studio musicians on Dylan's legendary Highway 61 Revisited album.

In 1965, he co-formed The Blues Project and played their most famous gig at the Monterey Pop Festival in 1967. He formed Blood, Sweat & Tears in the same year, leaving after the group's first album, Child is Father to the Man, in 1968.

Kooper played on hundreds of records, including The Rolling Stones, B.B. King, The Who and Cream. On occasion, he has even overdubbed on his own efforts, as on The Live Adventures Of Mike Bloomfield & Al Kooper album, as Roosevelt Gook. He discovered the band Lynyrd Skynyrd, and produced their first three albums, including the single Sweet Home Alabama. Kooper also wrote the score for the TV series, Crime Story, and has also written music for several made-for-television movies. Kooper also produced a now rare album by a group called Appaloosa.

Al Kooper has published a memoir, Backstage Passes: Rock 'n' Roll Life In The Sixties (1977), now available in revised form as Backstage Passes & Backstabbing Bastards: Memoirs of a Rock 'N' Roll Survivor (1998).

Kooper currently teaches songwriting and production at Berklee College of Music in Boston and plays weekend concerts with his band The ReKooperators.

Like a Rolling Stone Session

Kooper's most notable playing with Dylan likely is the striking organ parts on "Like a Rolling Stone". Kooper had been invited to the session as an observer, and hoped to be allowed to sit in on guitar, his primary instrument. After hearing a guitar player who turned out to be Mike Bloomfield warming up, and recognizing that Bloomfield was a much better player, Kooper put his guitar aside and went to the control room. During the recording of Like a Rolling Stone, Paul Griffin moved from organ to piano. Kooper told producer Tom Wilson that he had a good organ part for the song (which he later noted that it was just a ruse to get into the session), and Wilson responded "You're not an organ player, you're a guitar player", but Kooper insisted that he play. Before Wilson could explicitly reject Kooper, he got a phone call. Kooper went and sat down at the organ, though he had rarely played organ before the session. Wilson soon returned, surprised to find Kooper in the studio. You can hear the organ coming in just behind the other members of the band at many places in the song, to make sure he was getting the chords right. During recording, Dylan famously said, "Turn the organ up," and a classic rock organ part was born. The organ was the famous Hammond B3, and Kooper mentioned later that it is a somewhat complicated instrument to turn on -- had it not already been switched on by someone else at the studio he probably wouldn't have figured it out on his own, and would never have sneaked his way in to the role as organist on these sessions.

Discography

[[Category:People from Brooklyn|Kooper, Al]