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Marie Laforêt

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Marie Laforêt, born Maïténa Doumenach to Armenian parents on 5 October 1939 in Soulac-sur-Mer, is a French singer and actor.

File:Marie Laforet.jpg
Marie Laforêt, the "girl with the golden eyes."

Biography

The 1960s

Her career began accidentally in 1959 when she replaced her sister at the last minute in a French radio talent contest Naissance d'une étoile (birth of a star) and won. Director Louis Malle then cast the young starlet in the film he was shooting at the time, Liberté, a project he finally abandonded, making Laforêt's first appearance on screen opposite actor Alain Delon in René Clément's 1960 drama Plein Soleil.

After this film she became very popular and interpreted many roles in the 1960s. She married director Jean-Gabriel Albicocco, who cast her in some of his own works, including La Fille aux Yeux d'Or (The Girl with the Golden Eyes), based on the Balzac story, which would become her nickname.

In her second film, Saint Tropez Blues, accompanied by a young Jacques Higelin at the guitar, she sang the title song and immediately started releasing singles, her first hit being 1963's Les Vendanges de l'Amour. Her songs offered a more mature, poetic, tender alternative to the light, teenage yé-yé tunes charting in France at the time. Her melodies borrowed more from exotic folk music, especially South American and Eastern European, than from contemporary American and British pop acts. Laforêt worked with many important French composers,musicians and lyricists, such as André Popp and Pierre Cour, who provided her with a panoply of colorful, sophisticated orchestral arrangements, featuring dozens of musical instruments and creating a variety of sounds, sometimes almost Medieval, Rennaissance or Baroque, other times quite modern and innovative.

The 1970s

At the end of the 1960s, Marie had become a rather unique figure in the French pop scene. Her music stood out, perhaps too much for her new label CBS Records, which expected of her more upbeat, simpler songs. She was interested in making more personal records, but finally gave in. Although her most financially successful singles (Viens, Viens, a cover of a British hit, and Il a neigé sur Yesterday, a ballad about the break-up of the Beatles) were released in the 1970s, Marie progressively lost interest in her singing career, moving to Geneva, Switzerland in 1978, where she opened an art gallery and abandoned music more or less altogether.

1980 to Today

In the 1980s, Marie concentrated on her acting career, appearing in a few French and Italian films. Some music singles were eventually released, but were not popular. She made a comeback, however, in 1993 with an album (her last) for which she wrote the lyrics. In the 1990s, she again continued to work as an actress, both on screen and on stage. She has performed in a number of plays in Paris over the years, acclaimed by audiences and critics alike. In September 2005 she sang once again, going on tour in France for the first time since 1972. Every concert was sold out. Laforêt still currently resides in Geneva and has obtained Swiss citizenship.

Records

Marie Laforêt, the folk singer

Laforêt has been fond of folk music ever since she began recording in the early 1960s. She helped popularize the Bob Dylan song Blowin' in the Wind in France with her 1963 interpretation. On the B-side of the same EP she sings the classic American folk ballad House of the Rising Sun. Other folk recordings include: Viens sur la montagne, a 1964 French adaptation of the African-American spiritual Go Tell it on the Mountain, recorded by American folk trio Peter, Paul and Mary the previous year, Coule doux (Hush-a-Bye), another Peter, Paul and Mary song, 1966's Sur les chemins des Andes, a French version of the traditional Peruvian song El Condor Pasa, and La voix du silence, a 1966 cover of American duo Simon and Garfunkel's first hit, The Sound of Silence.

Marie Laforêt, the rocker

She also recorded some rock songs in the 1960s, her most famous being Marie-douceur, Marie-colère, a 1966 cover of the Rolling Stones hit Paint it Black. Another popular recording was 1965's girl-groupish A demain, my darling, known by English-speakers as The Sha La La Song and recorded by Marianne Faithfull on her debut album.

Marie Laforêt, the Popp singer

Some of her most memorable pop songs are those written or arranged by French composer André Popp, such as Entre toi et moi, L'amour en fleurs, Les noces de campagne, Manchester et Liverpool, and Mon amour, mon ami.

Popp made one-of-a-kind space age instrumental recordings during the 1950s and by the early 1960s had built quite a good reputation in the music recording industry and was in demand as an arranger. He did wonderful orchestrations for Rive Gauche legend Juliette Greco that were jazzy, urbane, vibrant, quirky, even cartoonish at times, but always very enjoyable. His scores really brought songs to life, but nonetheless demanded somewhat of the listener. The arrival of Rock & Roll in France and, consequentially, yé-yé music, dramatically changed the expectations of French audiences and record-buyers, especially the younger ones, who were more interested in singers like Johnny Hallyday than Jacques Brel, although chansonniers such as Brel ultimately remained just as popular as they had been in the 1950s.

Popp had to adapt to these new trends. He worked almost exclusively with female singers during this period, preferably the Lolita types, such as Chantal Goya, but also with Françoise Hardy. Love is Blue, a song Vicky Leandros performed at the Eurovision Song Contest 1967 on behalf of Luxembourg, also recorded by Claudine Longet, became internationally popular. In these recordings, Popp does not sacrifice the sophistication of his 1950s orchestrations, but rather than animate the songs, he seems to set the tone, the mood, painting a colorful picture. Sometimes there are silky, smooth strings; often there is harpsichord and oboe and flute; elsewhere adventurous brassy fanfares; occasionally an ethereal soprano chorus; always some magical musical final touch, like the faint, quavering harmonica in Manchester et Liverpool. Marie Laforêt's voice fit perfectly in André Popp's 1960's soundscapes and he created more of them for her than for her contemporaries.

Other important records

The quiet, bittersweet and minimally arranged ballad Je voudrais tant que tu comprennes (1966), composed by Francis Lai, often appreciated for his film scores, is a Marie Laforêt favorite. Hommage was paid to the song in the 1980s when French pop superstar Mylène Farmer added it to her own concert repertoire.

Marie's 1977 hit Il a neigé sur Yesterday, perhaps her most well-known recording, was penned by experienced lyricist Michel Jourdan, famous for his work with, among others, pop singers Dalida, Nana Mouskouri, Michel Fugain and Mike Brant, and who had written the words for earlier Laforêt songs, such as Les vendanges de l'amour and L'orage, and musician Jean-Claude Petit.

The 1973 hit Viens, viens was in fact a cover of a British song Rain, Rain, Rain performed by Simon Butterfly.

Filmography

File:Plein soleil.jpg
Marie Laforêt's first film, Plein Soleil.

Discography

1960's singles and EPs

  • 1960 : Saint-Tropez Blues / Tumbleweed
  • 1963 : Tu fais semblant - Les vendanges de l'amour / Mary Ann - Les jeunes filles
  • 1963 : Blowin' in the Wind - Flora / House of the Rising Sun - Banks on the Ohio
  • 1963 : Au coeur de l'automne - L'amour en fleurs / Qu'est-ce qui fait pleurer les filles - Mais si loin de moi
  • 1963 : La vendemmia dell'amore - E giusto / Una noia senza fine - Che male c'e
  • 1964 : Viens sur la montagne - Les noces de campagne / Un amour qui s'éteint - L'amour qu'il fera demain
  • 1964 : La tendresse - La playa / Après toi qui sait - L'arbre qui pleure
  • 1965 : Katy cruelle - Entre toi et moi / La bague au doigt - Ma chanson faite pour toi
  • 1965 : Ah ! Dites, dites - Julie Crèvecoeur / Viens - À demain my darling
  • 1965 : La plage / Après toi, qui sait
  • 1966 : La voix du silence (The Sound of Silence) - Siffle, siffle ma fille / Je t'attends - L'orage
  • 1966 : Marie-douceur, Marie-colère (Paint it Black) - Toi qui dors / Je voudrais tant que tu comprennes - La moisson
  • 1966 : Manchester et Liverpool - Pourquoi ces nuages / Prenons le temps - Sur les chemins des Andes
  • 1966 : Mon amour, mon ami - Sébastien / Je suis folle de vous - Mon village au fond de l'eau
  • 1967 : Ivan, Boris et moi - Je ne peux rien promettre / Pour celui qui viendra - Tom
  • 1968 : Le lit de Lola - Qu'y-a-t-il de changé / Et si je t'aime - A la gare de Manhattan
  • 1968 : El polo - L'air que tu jouais pour moi / Le tengo rabia al silencio - House of the rising sun
  • 1968 : Que calor la vida - Mais mon coeur est vide / La valse des petits chiens blancs - Requiem pour trois mariages
  • 1969 : Au printemps - Roselyne / Feuilles d'or - D'être à vous
  • 1969 : Pour une étoile - Ton coeur sauvage / Vin de l'été - En plus de l'amour
  • 1969 : Ah ! Si mon moine - On n'oublie jamais / Tourne, tourne - La fleur sans nom
  • 1969 : Tu es laide / Toi, nos enfants et moi

1960's LPs

  • 1964 : Marie Laforêt
  • 1965 : Marie Laforêt Vol. 2
  • 1967 : Marie Laforêt Vol. 3
  • 1968 : Marie Laforêt Vol. 4
  • 1968 : Que calor la vida
  • 1969 : Marie Laforêt Vol. 6
  • 1970 : Marie Laforêt Vol. 7
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