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Achilles

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For other uses, see Achilles (disambiguation).
File:WrathAchillesBenouville.jpg
The Wrath of Achilles, by François-Léon Benouville (1821-1859) (Musée Fabre)

In Greek mythology, Achilles, also Akhilleus or Achilleus (Ancient Greek Ἀχιλλεύς) was a hero of the Trojan War, the central character and greatest warrior of Homer's Iliad, which takes for its theme, not the War of Troy in its entirety, but specifically the Wrath of Achilles.

He is known for being the most handsome of the heroes assembled at Troy,[1] as well as the fleetest. Central to his myth is his love for his friend, Patroclus. For the relationship between the two, see Achilles and Patroclus

Birth

Achilles was the son of the mortal Peleus, king of the Myrmidons in Phthia (southeast Thessaly), and the sea nymph Thetis. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus the fire-bringer prophesied that Thetis would bear a son greater than his father. For this reason, the two gods withdrew their pursuit, and had her wed to Peleus.

When Achilles was born, according to the most common version of the myth, Thetis tried to make him immortal by dipping him in the river Styx. But she forgot to wet the heel she held him by, leaving him vulnerable at that spot. (See Achilles' tendon.) In an earlier and less popular version of the story, Thetis anointed the boy in ambrosia and put him on top of a fire to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage. Homer does not make reference to this invulnerability in the Iliad. To the contrary, he mentions Achilles being wounded.

Peleus gave him together with Patroclus (his cousin, friend, and, in many versions of the tale, lover) to Chiron the Centaur, on Mt. Pelion, to be raised.

Achilles in the Trojan War

“The Rage of Achilles” by Giovanni Battista Tiepolo.

The very first two lines of the Iliad read:

μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος

οὐλομένην, ἣ μυρί' Ἀχαιοῖς ἄλγε' ἔθηκεν,

Rage—sing, goddess, the rage of Achilles, the son of Peleus,
the destructive rage that brought countless griefs upon the Achaeans...

Achilles is the only mortal to experience consuming rage (menis). His anger is at some times wavering, at other times absolute. The humanization of Achilles by the events of the war is an important theme of the story.

Telephus

When the Greeks left for the Trojan War, they accidentally stopped in Mysia, ruled by King Telephus. In the resulting battle, Achilles gave Telephus a wound that would not heal; Telephus consulted an oracle, who stated that "he that wounded shall heal".

According to other reports in Euripides' lost play about Telephus, he went to Aulis pretending to be a beggar and asked Achilles to heal his wound. Achilles refused, claiming to have no medical knowledge. Alternatively, Telephus held Orestes for ransom, the ransom being Achilles' aid in healing the wound. Odysseus reasoned that the spear had inflicted the wound; therefore, the spear must be able to heal it. Pieces of the spear were scraped off onto the wound and Telephus was healed. This is an example of sympathetic magic.

Cycnus of Colonae

According to traditions related by the Byzantine scholar John Tzetzes[2] and Plutarch[3], once the Greek ships arrived in Troy, Achilles fought and killed with a rock Cycnus of Colonae, a son of Poseidon who was invulnerabile, except for his head.

Troilus

According to Dares Phrygius' Account of the Destruction of Troy [1], while Troilus, the youngest son of Priam and Hecuba (who some say was fathered by Apollo), was watering his horses at the Lion Fountain outside the walls of Troy, Achilles saw him and fell in love with his beauty (whose "loveliness of form" was described by Ibycus as being like "gold thrice refined"). The youth rejected his advances and took refuge inside the temple of Apollo. Achilles pursued him into the sanctuary and decapitated him on the god's own altar (Tzetzes, scholiast on Lycophron). At the time, Troilus was said to be a year short of his twentieth birthday, and the legend goes that if Troilus had lived to be twenty, Troy would have been invincible. (First Vatican Mythographer)

The Iliad

Patroclus and Achilles. Achilles bandages the arm of his friend Patroclus. The latter turns his head aside to avoid the sight of blood and of Achilles grimacing at his pain. The scene has been interpreted as an act of welfare and comeradeship, or as a scene with sexual overtones. Ancient Greek culture often held the two to be lovers.

Homer's Iliad is the most famous narrative of Achilles' deeds in the Trojan War. The Homeric epic only covers a few weeks of the war, and does not narrate Achilles' death. It begins with Achilles' withdrawal from battle after he is dishonored by Agamemnon, the commander of the Achaean forces. Agamemnon had taken a woman named Chryseis as his slave, her father Chryses, a priest of Apollo, begged Agamemnon to return her to him. Agamemnon refused and Apollo sent a plague amongst the Greeks. Agamemnon consented, but then commanded that Achilles' slave Briseis be brought to replace Chryseis. Angry at the dishonor (and as he says later, because he loved Briseis), [4] Achilles refused to fight or lead his Myrmidons alongside the other Greek forces.

Hoping to retain glory despite his abscence in the battle, Achilles prayed to his mother Thetis, asking her to plead with Zeus to allow the Trojans to push back the Greek forces. The Trojans, led by Hector, subsequently pushed the Greek army back toward the beaches and assaulted the Greek ships. With the Greeks forces are on the verge of absolute destruction, Achilles consented to Patroclus leading the Myrmidons into battle, though Achilles would remain at his camp. Patroclus succeeded in pushing the Trojans back from the beaches, but was killed by Hector before he could lead a proper assault on the city of Troy.

Hector versus Achilles

Achilles grieved over his friend and held many funeral games in his honor. His mother Thetis came to comfort the distraught Achilles and even convinced Hephaestus to make new armor in place of the armor that Patroclus was wearing which was taken by Hector. The armor includes the Shield of Achilles, described in great detail by the poet.

Enraged over the death of Patroclus, Achilles ended his refusal to fight and took the field killing many men in his rage but always seeking out Hector. Achilles even got in a fight with the river god Scamander who became angry that Achilles was choking his waters with all the men he killed. The god tried to drown Achilles but was stopped by Hera and Hephaestus. Zeus himself took note of Achilles' rage and sent the gods to restrain him so that he would not go on to sack Troy itself, seeming to show that the unhindered rage of Achilles could defy fate itself as Troy was not meant to be destroyed yet. Finally Achilles found his prey. Achilles chased Hector around the wall of Troy three times before Athena, dressed as a Trojan, persuaded Hector to fight face to face. Achilles got his vengeance, killing Hector with a blow to the neck. He then tied Hector's body to his chariot and dragged it around the battlefield for thirteen days.

With the assistance of the god Hermes, Priam, Hector's father, went to Achilles tent and convinced Achilles to permit him to allow Hector his funeral rights. The final passage in the Iliad is Hector's funeral, after which the doom of Troy is just a matter of time.

Memnon

Following the death of Patroclus, Achilles's closest companion was Nestor's son Antilochus. When Memnon of Ethiopia killed Antilochus, Achilles is once again drawn out onto the battlefield to seek revenge. The fight between Achilles and Memnon over Antilochus echoes that of Achilles and Hector over Patroclus, except that Memnon (unlike Hector) is also the son of a goddess (like Achilles). Many Homeric scholars argued that episode inspired many details in the Iliad's description of the death of Patroclus and Achilles' reaction to it. The episode then formed the basis of the Cyclic epic Aethiopis, which was composed after the Iliad, possibly in the 7th century BCE. The Aethiopis is now lost, except for scattered fragments quoted by later authors. Quintus of Smyrna gives a short narration of Memnon's death.

Penthesilea, and the death of Achilles

Achilles, after his temporary truce with Priam, fought and killed the Amazonian warrior Penthesilea; a tradition that he raped the dead body is recorded in pseudo-Apollodorus, the epitome of Bibliotheke.

As predicted by Hector with his dying breath, Achilles was thereafter killed by Paris — either by an arrow to the heel (which may have subsequently become fatally infected, and is said to have been guided by Apollo), or in an older version by a knife to the back while visiting Polyxena, a princess of Troy.

Both versions conspicuously deny the killer any sort of valor owing to the common conception that Paris was a coward and not the man his brother Hector was, and Achilles remains undefeated on the battlefield. His bones are mingled with those of Patroclus, and funeral games are held. He was represented in the lost Trojan War epic of Aktinos of Miletus as living after his death in the island of Leuke at the mouth of the Danube (see below).

Paris was later killed by Philoctetes using the enormous bow of Heracles

The fate of Achilles' armor

Achilles' armor was the object of a feud between Odysseus and Telamonian Ajax (Achilles' older cousin). They competed for it by giving speeches on why they were the bravest after Achilles and the most deserving to receive it. Odysseus won. Ajax went mad with grief and vowed to kill his comrades; he started killing cattle or sheep, thinking in his madness that they were Greek soldiers. He then killed himself.

The cult of Achilles in antiquity

There was an archaic cult of Achilles on the White Island, Leuce, in the Black Sea off the modern coasts of Romania and Ukraine, with a temple and an oracle which survived into the Roman period.

File:TBanksThetis.jpg
Thetis rising from the sea to comfort Achilles (Book 18), by Thomas Banks, English, 1778 Victoria and Albert Museum.

In the lost epic Aithiopis, a continuation of the Iliad attributed to Arktinus of Miletos, Achilles’ mother Thetis returned to mourn him and removed his ashes from the pyre and took them to Leuce at the mouths of the Danube. There the Achaeans raised a tumulus for him and celebrated funeral games.

Pliny's Natural History (IV.27.1) mentions a tumulus that is no longer evident (Insula Achillis tumulo eius viri clara), on the island consecrated to him, located at a distance of fifty Roman miles from Peuce by the Danube Delta, and the temple there. Pausanias has been told that the island is "covered with forests and full of animals, some wild, some tame. In this island there is also Achilles’ temple and his statue” (III.19.11). Ruins of a square temple 30 meters to a side, possibly that dedicated to Achilles, were discovered by Captain Kritzikly in 1823, but there has been no modern archeology done on the island.

Pomponius Mela tells that Achilles is buried in the island named Achillea, between Boristhene and Ister (De situ orbis, II, 7). And the Greek geographer Dionysius Periegetus of Bithynia, who lived at the time of Domitian, writes that the island was called Leuce "because the wild animals which live there are white. It is said that there, in Leuce island, reside the souls of Achilles and other heroes, and that they wander through the uninhabited valleys of this island; this is how Jove rewarded the men who had distinguished themselves through their virtues, because through virtue they had acquired everlasting honor” (Orbis descriptio, v. 541, quoted in Densuşianu 1913).

The Periplus of the Euxine Sea gives the following details: "It is said that the goddess Thetis raised this island from the sea, for her son Achilles, who dwells there. Here is his temple and his statue, an archaic work. This island is not inhabited, and goats graze on it, not many, which the people who happen to arrive here with their ships, sacrifice to Achilles. In this temple are also deposited a great many holy gifts, craters, rings and precious stones, offered to Achilles in gratitude. One can still read inscriptions in Greek and Latin, in which Achilles is praised and celebrated. Some of these are worded in Patroclus’ honor, because those who wish to be favored by Achilles, honor Patroclus at the same time. There are also in this island countless numbers of sea birds, which look after Achilles’ temple. Every morning they fly out to sea, wet their wings with water, and return quickly to the temple and sprinkle it. And after they finish the sprinkling, they clean the hearth of the temple with their wings. Other people say still more, that some of the men who reach this island, come here intentionally. They bring animals in their ships, destined to be sacrificed. Some of these animals they slaughter, others they set free on the island, in Achilles’ honor. But there are others, who are forced to come to this island by sea storms. As they have no sacrificial animals, but wish to get them from the god of the island himself, they consult Achilles’ oracle. They ask permission to slaughter the victims chosen from among the animals that graze freely on the island, and to deposit in exchange the price which they consider fair. But in case the oracle denies them permission, because there is an oracle here, they add something to the price offered, and if the oracle refuses again, they add something more, until at last, the oracle agrees that the price is sufficient. And then the victim doesn’t run away any more, but waits willingly to be caught. So, there is a great quantity of silver there, consecrated to the hero, as price for the sacrificial victims. To some of the people who come to this island, Achilles appears in dreams, to others he would appear even during their navigation, if they were not too far away, and would instruct them as to which part of the island they would better anchor their ships”. (quoted in Densuşianu)

The heroic cult of Achilles on Leuce island was widespread in Antiquity, not only along the sealanes of the Pontic Sea but also in maritime cities whose economic interests were tightly connected to the riches of the Black Sea.

Achilles from Leuce island was venerated as Pontarches the lord and master of the Pontic (Black) Sea, the protector of sailors and navigation. Sailors went out of their way to offer sacrifice. To Achilles of Leuce were dedicated a number of important commercial port cities of the Greek waters: Achilleion in Messenia (Stephanus Byzantinus), Achilleios in Laconia (Pausanias, III.25,4) Nicolae Densuşianu (Densuşianu 1913) even thought he recognized Achilles in the name of Aquileia and in the north arm of the Danube delta, the arm of Chilia ("Achileii"), though his conclusion, that Leuce had sovereign rights over Pontos, evokes modern rather than archaic sea-law."

Leuce had also a reputation as a place of healing. Pausanias (III.19,13) reports that the Delphic Pythia sent a lord of Croton to be cured of a chest wound. Ammianus Marcellinus (XXII.8) attributes the healing to waters (aquae) on the island.

The cult of Achilles in modern times: The Achilleion in Corfu

In the region of Gastouri (Γαστούρι) to the south of the city of Corfu Greece, Empress of Austria Elisabeth of Bavaria also known as Sissi built in 1890 a summer palace with Achilles as its central theme and it is a monument to platonic romanticism. The palace, naturally, was named after Achilles: Achilleion (Αχίλλειον). This elegant structure abounds with paintings and statues of Achilles both in the main hall and in the lavish gardens depicting the heroic and tragic scenes of the Trojan war.

The name of Achilles

Achilles' name can be analyzed as a combination of ἄχος (akhos) "grief" and λαός (laos) "a people, tribe, nation, etc." In other words, Achilles is an embodiment of the grief of the people, grief being a theme raised numerous times in the Iliad (frequently by Achilles). Achilles' role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of kleos (glory, usually glory in war).

Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers. With this derivation, the name would have a double meaning in the poem: When the hero is functioning rightly, his men bring grief to the enemy, but when wrongly, his men get the grief of war. The poem is in part about the misdirection of anger on the part of leadership.

Some post-Homeric sources claim that in order to keep Achilles safe from the war, Thetis (or, in some versions, Peleus) hides the young man at the court of Lycomedes, king of Skyros. There, Achilles is disguised as a girl and lives among Lycomedes' daughters, perhaps under the name "Pyrrha" (the red-haired girl). With Lycomedes' daughter Deidamia, whom in the account of Statius he rapes, Achilles there fathers a son, Neoptolemus (also called Pyrrhus, after his father's possible alias). According to this story, Odysseus learns from the prophet Calchas that the Achaeans would be unable to capture Troy without Achilles' aid. Odysseus goes to Skyros in the guise of a peddler selling women's clothes and jewelry and places a shield and spear among his goods. When Achilles instantly takes up the spear, Odysseus sees through his disguise and convinces him to join the Trojan campaign. In another version of the story, Odysseus arranges for a trumpet alarm to be sounded while he was with Lycomedes' women; while the women flee in panic, Achilles prepares to defend the court, thus giving his identity away.

In Homer's Odyssey, there is a passage in which Odysseus sails to the underworld and converses with the shades. One of these is Achilles, who when greeted as "blessed in life, blessed in death", responds that he would rather be a slave than be dead. This has been interpreted as a rejection of his warrior life, but also as indignity to his martyrdom being slighted. Achilles was worshipped as a sea-god in many of the Greek colonies on the Black Sea, the location of the mythical "White Island" which he was said to inhabit after his death, together with many other heroes.

Post-Homeric literature explores a pederastic interpretation of the love between Achilles and Patroclus. By the fifth and fourth centuries, the deep — and arguably ambiguous — friendship portrayed in Homer blossomed into an unequivocal erotic love affair in the works of Aeschylus, Plato, and Aeschines, and seems to have inspired the enigmatic verses in Lycophron's third century Alexandra that claim Achilles slayed Troilus in a matter of unrequited love.

The kings of the Epirus claimed to be descended from Achilles through his son. Alexander the Great, son of the Epiran princess Olympias, could therefore also claim this descent, and in many ways strove to be like his great ancestor; he is said to have visited his tomb while passing Troy.

Achilles fought and killed the Amazon Helene. Some also said he married Medea, and that after both their deaths they were united in the Elysian Fields of Hades — as Hera promised Thetis in Apollonius' Argonautica. In some versions of the myth, Achilles has a relationship with his captive Briseis.

Achilles in Greek tragedy

The Greek tragedian Aeschylus wrote a triology of plays about Achilles, given the title Achilleis by modern scholars. The tragedies relate the deeds of Achilles during the Trojan War, including his defeat of Hector and eventual death when an arrow shot by Paris punctures his heel. Extant fragments of Myrmidons and other Aeschylean fragments have been assembled to produce a workable modern play.

Another lost play by Aeschylus, The Myrmidons, focused on the relationship between Achilles and Patroclus; only a few lines survive today.

The tragedian Sophocles also wrote a play with Achilles as as the main character, The Lovers of Achilles. Only a few fragments survive.

Spoken-word myths (audio)

Achilles myths as told by story tellers
1. Achilles and Patroclus, read by Timothy Carter
Bibliography of reconstruction: Homer Iliad, 9.308, 16.2, 11.780, 23.54 (700 BC); Pindar Olympian Odes, IX (476 BC); Aeschylus Myrmidons, F135-36 (495 BC); Euripides Iphigenia in Aulis, (405 BC); Plato Symposium, 179e (388 BC-367 BC); Statius Achilleid, 161, 174, 182 (96 CE)

Achilles in later art

Fiction

  • Achilles appears in the novels Ilium and Olympos by science fiction author Dan Simmons.
  • Achilles the novel by Elizabeth Cook

Film

The role of Achilles has been played by:

Television

  • In the animated television series Class of the Titans, the character Archie is desended from Achilles and has inherited both his vulnerable heel and part of his invincibility.

Music

Achilles has frequently been mentioned in music.

Namesakes

Notes

  1. ^ Plato, Symposium, 180a
  2. ^ On Lycophron
  3. ^ Greek Questions 28.
  4. ^ Iliad 9.334-343.

References

Bibliography

  • Ileana Chirassi Colombo, “Heros Achilleus— Theos Apollon.” In Il Mito Greco, ed. Bruno Gentili & Giuseppe Paione, Rome, 1977;
  • Anthony Edwards:
    • “Achilles in the Underworld: Iliad, Odyssey, and Æthiopis”, Greek, Roman, and Byzantine Studies, 26 (1985): pp. 215-227 ;
    • “Achilles in the Odyssey: Ideologies of Heroism in the Homeric Epic”, Beitrage zur klassischen Philologie, 171, Meisenheim, 1985 ;
    • “Kleos Aphthiton and Oral Theory,” Classical Quarterly, 38 (1988): pp. 25-30 ;
  • Hedreen, Guy (1991). "The Cult of Achilles in the Euxine". Hesperia. 60 (3): 313–330.
  • Hélène Monsacré, Les larmes d'Achille. Le héros, la femme et la souffrance dans la poésie d'Homère, Paris, Albin Michel, 1984;
  • Gregory Nagy:
    • The Best of The Acheans: Concepts of the Hero in Archaic Greek Poetry, Johns Hopkins University, 1999 (rev. edition);
    • The Name of Achilles: Questions of Etymology and 'Folk Etymology', Illinois Classical Studies, 19, 1994;
  • Dale S. Sinos, The Entry of Achilles into Greek Epic, Ph.D. thesis, Johns Hopkins University;
  • Johansson, Warren. Achilles. Encyclopedia of Homosexuality. Dynes, Wayne R. (ed.), Garland Publishing, 1990. p. 8

See also

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