Gauri (raga): Difference between revisions
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'''For [[Hindu]] [[deity]] see [[Dakshayani]]''' |
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This is an India musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. |
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In the [[SGGS]], the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the third raga to appear in the series. The composition in this raga appear on a total of 196 pages from page numbers 151 to 347. |
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Gauri is one of several ragas that appears in the [[Ragmala]] as a ragini (subset) of [[Raga Sri|Sri Raga]]. This is an evening raga assigned to autumn and its mood is contemplative. The composition in Gauri is very voluminous. Gauri was used by [[Guru Nanak]], [[Guru Amar Das]], [[Guru Ram Das]], [[Guru Arjan]] and [[Guru Tegh Bahadur]]. Several forms of Gauri Raga exist historically and this probably accounts for the large number of variants: Gauri Cheti, Gauri Bairagan, Gauri Dipaki, Gauri Purbi-Dipaki, Gauri Guareri, Gauri-Majh, Gauri Malava, Gauri Mala, Gauri Sorath, Gauri Dakhani. |
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* Aroh: Sa Re Ga Re Ma Pa Ni Sa |
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* Avroh: Sa Ni Dha Ma Pa, Dha Pa Ma Ga, Ga Re Sa Ni Sa |
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* Vadi: Re |
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* Samvadi: Pa |
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Occasionally Re is performed with a vibrate as in Siri Raga which has the same vadis. Ni is given prominence through either stopping or lingering on this note. |
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==See also == |
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* [[Ragas in the SGGS]] |
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* [[Kirtan]] |
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*[[Raga]] |
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*[[Tala (music)|Taal]] |
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==External Links== |
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* [http://www.gurmatsangeetproject.com/ Gurmat Sangeet Project] |
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* [http://www.rajacademy.com/ Raj Academy of Asian Music] |
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* [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing] |
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{{Sikh Ragas}} |
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[[Category:Sikhism]] |
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[[Category:Sikh Kirtan]] |
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Revision as of 01:32, 7 September 2006
For Hindu deity see Dakshayani
This is an India musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the SGGS, the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the third raga to appear in the series. The composition in this raga appear on a total of 196 pages from page numbers 151 to 347.
Gauri is one of several ragas that appears in the Ragmala as a ragini (subset) of Sri Raga. This is an evening raga assigned to autumn and its mood is contemplative. The composition in Gauri is very voluminous. Gauri was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur. Several forms of Gauri Raga exist historically and this probably accounts for the large number of variants: Gauri Cheti, Gauri Bairagan, Gauri Dipaki, Gauri Purbi-Dipaki, Gauri Guareri, Gauri-Majh, Gauri Malava, Gauri Mala, Gauri Sorath, Gauri Dakhani.
- Aroh: Sa Re Ga Re Ma Pa Ni Sa
- Avroh: Sa Ni Dha Ma Pa, Dha Pa Ma Ga, Ga Re Sa Ni Sa
- Vadi: Re
- Samvadi: Pa
Occasionally Re is performed with a vibrate as in Siri Raga which has the same vadis. Ni is given prominence through either stopping or lingering on this note.