An Unearthly Child: Difference between revisions

"100,000 BC" redirects here. For information about this year, see Middle Paleolithic.

001 – An Unearthly Child
Doctor Who serial
Ian and Barbara moments after forcing their way into the TARDIS.
Cast
Doctor William Hartnell (First Doctor)
Companion Carole Ann Ford (Susan Foreman)
Others Derek Newark — Za Alethea Charlton — Hur Eileen Way — Old Mother Jeremy Young — Kal Howard Lang — Horg
Production
Directed by	Waris Hussein
Written by	Anthony Coburn C. E. Webber (episode 1)
Script editor	David Whitaker
Produced by	Verity Lambert Mervyn Pinfield
Music by	Norman Kay
Production code	A
Series	Season 1
Running time	4 episodes, 25 minutes each
First broadcast	23 November 1963
Last broadcast	14 December 1963
Chronology
← Preceded by — Followed by → The Daleks

An Unearthly Child (sometimes referred to as 100,000 BC) is the first serial of the British science fiction television series Doctor Who. It was first broadcast on BBC TV in four weekly parts from 23 November to 14 December 1963. Scripted by Australian writer Anthony Coburn, the episode introduces William Hartnell as the First Doctor and original companions: Carole Ann Ford as the Doctor's granddaughter Susan Foreman, with Jacqueline Hill and William Russell as school teachers Barbara Wright and Ian Chesterton. The first episode deals with Ian and Barbara's discovery of the Doctor and his time-space ship TARDIS in a junkyard in contemporary London. The remaining episodes are set amid a power struggle between warring Stone Age factions who have lost the secret of making fire.

The show was created to fill a gap between children's and young adult programming. Canadian producer Sydney Newman was tasked with creating the show, with heavy contributions from Donald Wilson and C. E. Webber. Newman conceived the idea of the TARDIS, as well as the central character of the Doctor. Production was led by Verity Lambert, the BBC's first female producer, and the serial was directed by Waris Hussein. Following several delays, the first episode was recorded in September 1963 on black and white videotape, but was rerecorded the following month due to several technical and performance errors. Several changes were made to the show's costuming, effects, performances, and scripts throughout production.

The show's launch was overshadowed by the assassination of John F. Kennedy the previous day, resulting in a repeat of the first episode the following week. The serial received mixed reviews, and the four episodes attracted an average of six million viewers. Retrospective reviews of the serial are favourable. It later received several print adaptations and home media releases.

Plot

The first episode begins at Coal Hill School, where teachers Ian Chesterton and Barbara Wright share their concerns about one of their pupils, Susan Foreman, who seems to have a very alien outlook on England. The teachers visit her address to investigate, where they encounter a police box, from within which they hear Susan's voice. An old man arrives, but refuses to let the teachers inside the police box. They force their way inside, to find Susan in a futuristic control room which is larger on the inside. Susan explains that the ship is called the TARDIS, and the old man—her grandfather, the Doctor—says that they are wanderers in the fourth dimension, exiled from their own planet. Refusing to let Ian and Barbara leave, the Doctor sets the TARDIS in flight and ends up in the Stone Age.

In the second episode, Za, the leader of a primitive Paleolithic tribe, attempts to make fire. A young woman called Hur warns him that if he fails to do so, the stranger called Kal will be made leader. After exiting the TARDIS, the Doctor is kidnapped by Kal, who witnesses him light a match. Kal takes the Doctor back to the tribe and threatens to kill him if he does not make fire; Ian, Barbara and Susan intercept, but the group is imprisoned in a large cave. With the help of Old Mother, who believes that fire will bring death to the tribe, they escape from the settlement but are intercepted before reaching the TARDIS. Za kills Old Mother for allowing the group to escape, and demands that if they do not make fire, they will be sacrificed. While Ian tries to start a fire, Kal enters the cave and attacks Za, but is killed. When Ian finally creates a fire, he gives Za a burning torch, which he shows the tribe and is declared leader. Susan notices that placing a skull over a burning torch makes it appear alive; when Hur enters the cave, she is faced with several burning skulls, and screams in terror, allowing the group to flee to the TARDIS. They travel to a silent and unknown forest. As they leave the TARDIS, the radiation meter rises to 'Danger'.

Production

Conception

See also: History of Doctor Who

In December 1962, BBC Television's Controller of Programmes Donald Baverstock informed Head of Drama Sydney Newman of a gap in the schedule on Saturday evenings between the sports showcase Grandstand and the pop music programme Juke Box Jury. Baverstock figured that the programmed should appeal to three audiences: children that had previously been accustomed to the timeslot, the teenage audience of Juke Box Jury, and the adult sports fan audience of Grandstand. Newman decided that a science fiction programme should fill the gap. Head of the Script Department Donald Wilson and writer C.E. Webber contributed heavily to the formatting of the program, and co-wrote the programme's first format document with Newman; the latter conceived the idea of a time machine larger on the inside than the outside, as well as the central character of the mysterious "Doctor", and the show's name Doctor Who. Production was initiated several months later and handed to producer Verity Lambert and story editor David Whitaker to oversee, after a brief period when the show had been handled by a "caretaker" producer, Rex Tucker.

Casting and characters

Carole Ann Ford in 1986

File:Williamrussellatbafta1998.jpg

William Russell in 1998

Ford was chosen to portray the Doctor's granddaughter Susan Foreman, while Russell plays her teacher Ian Chesterton.

In Webber's original production documents, the character of the Doctor (referred to as "Dr. Who") was a suspicious and malign character with a hatred of scientists and inventors, and a secret intention to destroy or nullify the future; Newman rejected this idea, wanting the character to be a father figure. Tucker offered the role of the Doctor to Hugh David; having spent a year working on Knight Errant Limited and not wanting to be tied to another series, David turned down the role. Tucker envisioned a young actor to play the Doctor with aged make-up; however, Lambert favoured an older actor, avoiding preparation time and adding authenticity to the role. The part was turned down by actors Leslie French, Cyril Cusack, Alan Webb and Geoffrey Bayldon; Cusack and Webb were reluctant to work for a year on a series, while Bayldon wished to avoid another "old man" role. Lambert and director Waris Hussein invited William Hartnell to play the role; after several discussions, Hartnell accepted, viewing it as an opportunity to take his career in a new direction.

The Doctor's companion was originally named Bridget or "Biddy", a 15-year-old girl eager for life. Her teachers were Miss Lola McGovern, a 24-year-old timid woman capable of sudden courage, and Cliff, a "physically perfect, strong and courageous" man. Bridget was renamed Suzan/Suzanne Foreman, later changed to Susan, and writer Anthony Coburn made her the Doctor's granddaughter, to avoid any possibility of sexual impropriety implicit in having a young girl travelling with an older man; Newman was reluctant to the idea, as he wanted the character to have human naivety. Miss McGovern later became history teacher Miss Canning, and a brief change saw Susan's birth name become "Findooclare"; this was soon dropped. When the show's bible was written, the two teachers were renamed Ian Chesterton and Barbara Wright. Chesterton was also much more violent in earlier drafts of the script. William Russell was chosen to portray Chesterton, being the only actor considered by Lambert to do so. Tucker held auditions for the roles of Susan and Barbara on 25 June 1963; actresses Christa Bergmann, Anne Castaldini, Maureen Crombie, Heather Fleming, Camilla Hasse, Waveney Lee, Anna Palk and Anneke Wills were all considered for the role of Susan, while Sally Home, Phyllida Law and Penelope Lee were considered for Barbara. Following Tucker's departure from production, Lambert was in talks with actress Jacqueline Lenya to play Susan, but the role was ultimately given to Carole Ann Ford, a 23-year-old who typically played younger roles. Lambert's friend Jacqueline Hill was chosen to play Barbara.

Writing

The programme was originally intended to open with a serial entitled The Giants, written by Webber, but was scrapped by June 1963 as the technical requirements of the storyline—which involved the leading characters being drastically reduced in size—were beyond the technical capabilities, and the story itself lacked the necessarily impact for an opener. Due to the lack of scripts ready for production, the untitled second serial from Coburn was moved to first in the running order. The order change necessitated rewriting the opening episode of Coburn's script to include some introductory elements of Webber's script for the first episode of The Giants; as a result, Webber received a co-writer's credit for "An Unearthly Child" on internal BBC documentation. Coburn also made several significant original contributions to the opening episode, mostly notably that the Doctor's time machine should resemble a police box, an idea he conceived after seeing a real police box while walking near his office.

Filming

William Hartnell and Carole Ann Ford in the original recording of the episode, which was later scrapped due to technical issues. Several changes were made before the final recording, including the character's costumes.

The show remained unnamed in April 1963, simply referred to as The Saturday Serial. It was provisionally scheduled to begin recording on 5 July, to be aired on 27 July, but was delayed. A pilot recording was scheduled to begin filming on 19 July; if successful, it could be broadcast on 24 August. Production was later deferred for a further two weeks while scripts were prepared, and the recording on 19 July was rescheduled as a test session for the dematerialisation effect of the TARDIS. The show's initial broadcast date was pushed back to 9 November, with the pilot recording scheduled for 27 September and regular episodes made from 18 October; the broadcast date was soon pushed back a week to 16 November, due to the BBC's athletics coverage on 9 November, and later to 23 November. The show was granted a budget of £2,300 per episode, with an additional £500 for the construction of the TARDIS.

Tucker was originally selected as the serial's director, but the task was assigned to Hussein following Tucker's departure from production. Some of the pre-filmed inserts for the serial, shot at Ealing Studios in September and October 1963, were directed by Hussein's production assistant Douglas Camfield. The first version of the opening episode was recorded at Lime Grove Studios on the evening of 27 September 1963, following a week of rehearsals. However, the recording was bedevilled with technical errors, including the doors leading into the TARDIS control room failing to close properly. After viewing the episode, Newman ordered that it be mounted again. During the weeks between the two tapings, changes were made to costuming, effects, performances, and scripts. The second attempt at the opening episode was recorded on 18 October, with the following three episodes being recorded weekly on 25 October, 1 November and 8 November.

Themes and analysis

Scholar Mark Bould discusses how the serial establishes Doctor Who's socio-political stances. He writes, "The story represents the separation/reunion, capture/escape, pursuit/evasion that will dominate the next twenty-six years, as well as the program's consistent advocacy of the BBC's political and social liberalism." He cites Ian and Barbara's attempt to teach a cavewoman kindness, friendship and democracy, writing "a tyrant is not as strong as the whole tribe acting collectively". Scholar John R. Cook reflected that the presence of teachers as companions echoes Doctor Who's original educational remit. The New Scientist reflected, in 1982, that the serial was set in the Stone Age because the show's original intention was "to bring to life the Earth's history."

Lawrence Miles and Tat Wood argue that the cavemen's focus on fire is meant to stand in for all technology, thus linking the latter three episodes with the questions of generational change raised by the first episode and its focus on suspicion of children, and tying that to a discussion of technological progress, including the nuclear bomb. They also argue that, contrary to the tendency to treat the story as a one-episode introduction to the series followed by "three episodes of running around and escaping" that the piece should be considered as a single, dramatic whole that is "about making four people who barely know one another learn to trust each other."

Reception

Broadcast and ratings

Episode	Title	Run time	Original air date	UK viewers (millions)	Appreciation Index
1	"An Unearthly Child"	23:24	23 November 1963 (1963-11-23)	4.4	63
2	"The Cave of Skulls"	24:26	30 November 1963 (1963-11-30)	5.9	59
3	"The Forest of Fear"	23:38	7 December 1963 (1963-12-07)	6.9	56
4	"The Firemaker"	24:22	14 December 1963 (1963-12-14)	6.4	55

The first episode was transmitted at 5:16pm on Saturday 23 November 1963. The assassination of John F. Kennedy the previous day overshadowed the launch of a new television series; as a result, the first episode was repeated a week later, on 30 November, preceding the second episode. The first episode was watched by 4.4 million viewers (9.1% of the viewing audience), and it received a score of 63 on the Reaction Index; the repeat of the first episode reached a larger audience of six million viewers. Across its four episodes, An Unearthly Child was watched by an average of 6 million (12.3% of potential viewers). Episodes 2–4 achieved ratings of 5.9, 6.9 and 5.4 million viewers, respectively. Mark Bould suggests that a disappointing audience reaction and high production costs prompted the BBC's chief of programmes to cancel the series until the Daleks, introduced in the second serial in December 1963, were immediately popular with viewers.

To date, the serial has been repeated twice on the BBC: on BBC Two in November 1981, as part of the repeat season The Five Faces of Doctor Who, achieving average audience figures of 4.3 million viewers; and on BBC Four as part of the show's 50th anniversary on 21 November 2013, achieving an average of 630,000 viewers.

Critical response

The episode received mixed reviews from television critics. Michael Gower of the Daily Mail wrote a short favourable review of the first episode, claiming that the ending "must have delighted the hearts of the Telegoons who followed". A reviewer in the Daily Worker stated that they "intend following closely" to the show, describing the ending as "satisfying". Variety felt that the script "suffered from a glibness of characterisations which didn't carry the burden of belief", but praised the "effective camerawork", noting that the show "will impress if it decides to establish a firm base in realism". After the second episode, Mary Crozier of The Guardian was unimpressed by the serial, stating that it "has fallen off badly soon after getting underway". She felt that the first episode "got off the ground predictably, but there was little to thrill", while the second was "a depressing sequel ... wigs and furry pelts and clubs were all ludicrous". Conversely, Marjorie Norris of Television Today commented that if the show "keeps up the high standard of the first two episodes it will capture a much wider audience".

Retrospective reviews are mostly positive towards An Unearthly Child. Referring to the serial while discussing the early years of Doctor Who, the New Scientist's Malcolm Peltu praised the script, acting and direction, but criticised the dated scenery. Radio Times reviewer Patrick Mulkern praised the casting of Hartnell, the "moody" direction and the "thrilling" race back to the TARDIS. In 2010, Christopher Bahn of The A.V. Club labelled An Unearthly Child an essential serial to watch for background on the programme. In his review, he noted that the first episode is "brilliantly done; the next three together could be about a half-hour shorter but get the job done". He praised the characters of Ian, Barbara, and the mysterious Doctor, but noted that he was far from the character he would become and Susan was "something of a cipher" with the hope she would develop later. DVD Talk's John Sinnott called the first episode "excellent", but felt the "story goes down hill a bit" with the introduction of the prehistoric time period. He cited the slower pace, the discussions in "Tarzan-speak", and the lack of tension or high stakes.

Commercial releases

An Unearthly Child

Author	Terrance Dicks
Cover artist	Andrew Skilleter
Series	Doctor Who book: Target novelisations
Release number	68
Publisher	Target Books
Publication date	15 October 1981
ISBN	0-426-20144-2

Writer David Whitaker omitted An Unearthly Child from the first spin-off novelisation, Doctor Who in an Exciting Adventure with the Daleks (later retitled Doctor Who and the Daleks and Doctor Who - The Daleks), with Ian and Barbara's entrance into the TARDIS leading directly into an adaptation of the second televised serial, The Daleks. Historian James Chapman highlights this as a reason that, in an age before home video, many people believed the Dalek serial to be the first Doctor Who story because the novelisations published by Target Books were the "closest that fans had to the original programmes". Terrance Dicks wrote the Target novelisation of this story, initially published as Doctor Who and an Unearthly Child in October 1981. The novel was translated to different languages: a French version with the title Docteur Who Entre en scène (Doctor Who Takes the Stage) was translated by Jean-Daniel Brèque and published in February 1987; and the German version Doctor Who und das Kind von den Sternen (Doctor Who and the Child from the Stars) was translated by Bettina Zeller and published in 1990. A verbatim transcript of the transmitted version of this serial, edited by John McElroy and titled The Tribe of Gum, was published by Titan Books in January 1988. It was the first in an intended series of Doctor Who script books. In 1994, a phonecard with a photomontage of the episode was released by Jondar International Promotions.

The story was originally released on VHS on 5 February 1990, with a cover designed by Alister Pearson. The unaired pilot was released as part of The Hartnell Years on 3 June 1991, and with Doctor Who: The Edge of Destruction and Dr Who: The Pilot Episode on 1 May 2000. A remastered version of the episode was also released on VHS on 4 September 2000; for the DVD release on 30 January 2006, the episode was released as part of Doctor Who: The Beginning alongside the following two episodes, with several special features. It was also released in the US and Canada on 27 May 2014 as part of the Blu-ray set for An Adventure in Space and Time.

References

Notes

Footnotes

Bibliography

• Ainsworth, John, ed. (2015). "100,000 BC and The Mutants (aka The Daleks)". Doctor Who: The Complete History. 1 (4). Panini Comics, Hachette Partworks. {{cite journal}}: Invalid |ref=harv (help)
• Bould, Mark (2008). "Science Fiction Television in the United Kingdom". In J.P. Telotte (ed.). The Essential Science Fiction Television Reader. University Press of Kentucky. ISBN 0-8131-2492-1. {{cite book}}: Invalid |ref=harv (help)
• Chapman, James (2006). Inside the Tardis: The Worlds of Doctor Who. I.B.Tauris. ISBN 1-84511-162-1. {{cite book}}: Invalid |ref=harv (help)
• Coburn, Anthony (1988). McElroy, John (ed.). Doctor Who - The Scripts: The Tribe of Gum. London: Titan Books. ISBN 1-85286-012-X. {{cite book}}: Invalid |ref=harv (help)
• Cook, John R. (1999). "Adapting telefantasy: the Doctor Who and the Daleks films". In Hunter, IQ (ed.). British Science Fiction Cinema. Psychology Press. ISBN 0-415-16868-6. {{cite book}}: Invalid |ref=harv (help)
• Cornell, Paul; Day, Martin; Topping, Keith (1993). The Guinness Book of Classic British TV. Guinness. ISBN 0-85112-543-3. {{cite book}}: Invalid |ref=harv (help)
• Howe, David J.; Stammers, Mark; Walker, Stephen James (1994). Doctor Who The Handbook: The First Doctor – The William Hartnell Years 1963–1966. London: Doctor Who Books. ISBN 0-426-20430-1. {{cite book}}: Invalid |ref=harv (help)
• Peltu, Malcolm (21 January 1982). "Dr Who". New Scientist. 93 (1289). ISSN 0262-4079. {{cite journal}}: Invalid |ref=harv (help)
• Wood, Tat; Miles, Lawrence (2006). About Time Volume 1. Mad Norwegian Press. {{cite book}}: Invalid |ref=harv (help)

External links

• An Unearthly Child at BBC Online
• An Unearthly Child at BBC Online
• Template:Brief
• Template:Doctor Who RG
• An Unearthly Child Radio Times entry at the BBC Genome Project
• An Unearthly Child on Tardis Wiki, the Doctor Who Wiki