Draft:Antonio Belucci

Antonio Belucci
Antonio Belucci
Born	19 Veebruar 1654; Pieve di Soligo
Died	29 August 1726; Pieve di Soligo
Style	Rokoko

Submission declined on 26 October 2024 by CoconutOctopus (talk).

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Declined by CoconutOctopus 22 days ago. Last edited by CoconutOctopus 22 days ago. Reviewer: Inform author.

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Antonio Bellucci (Pieve di Soligo, 1654 – Pieve di Soligo, 1726) oli Itaalia maalikunstnik ja dekoraator, töötas Rokokoo stiilis.^[1]

Tal oli palju jõukaid kliente: Düsseldorfi ja Viini õukond, Liechtensteini maja, Pfalzi kuurvürst Johann Wilhelm, Pommersfeldeni vürst-piiskop Lothar Franz von Schönborn ja lõpuks inglise kuninglik perekond.^[2]

Biograafia

Antonio sündis 1654.aastal Pieve di Soligos (teise nimega Treviso). Ta õppis Dalmaatsias, kus ta katsetas ennast sõjaväelasena. On teada, et Bellucci esimene õpetaja oli Domenico Difnico "Beatleman of Sibenik". Seejärel treenis kunstnik Veneetsias mõju all Pietro Liberi, Antonio Zanchi ja Andrea Celesti, kes olid omakorda selle sajandi viimastel aastakümnetel Merelinna kuulsaimad kunstnikud. Umbes 1691.aastal sai Antonio väga suure tellimuse, konkureerides Gregorio Ladzarini, kujutada St Lorenzo Giustiniani, kes palvetas buboonilise katku puhangu lõpuleviimiseks. Kunsti kujutamine on endiselt San Pietro di Castellos.

1706. aastal sai kunstnik veel ühe tellimuse, juba altariteose jaoks, millel oli kujutatud Martyrdom of S.Alexander Senati kiriku dargon ( aka Bergamo) jaoks. Umbes samal ajal valmis veel kaks maali Vicenza muuseumi jaoks : "Continenza di Scipione" ja "La famiglia di Dario". 1709.aastal asus Antonio Bellucci Viinis elama keiser Joseph I kutsel, kelle portree pidi maalima kunstnik. Kuid ta töötas ka Joseph Charles neljanda pärija heaks. Parim töö, mille Bellucci jättis, asub Austria pealinnas-see on dekoratsioon, mis on säilinud tänapäevani ja asub nüüd Liechtensteini hoones. Dekoratsioon sisaldab 10 katusekattet: üks trepi lõuend kujutab "Heraklese triumfi". Ülejäänud 23 dekoratiivmaali, mille saatus pole teada, eksponeeris Antonio Feldsbergi lossis. Kunstniku kutsus Viinist Düsseldorfi prints Elektor Giovanni Guglielmo. Bellucci tegi palju töid spetsiaalselt Bensbergi lossi jaoks, mis on nüüd hajutatud erinevate Saksa näituste vahel: Münichis, Kasselis, Bellevue lossis, Schleissheimi galeriis ja Augusta muuseumis. Kõik samal aastal 1709 töötas Antonio veel ühe mehe juures, kelle nimi oli Lotario Francesco di Schönbom, Maini vürst valija ja Bambergi peapiiskop, kelle lossis on endiselt "taimestiku" lagi. Düsseldorfi kunstigaleriis on Antoniost jäänud mõned visandid, kuid on kuulujutte, et mitte kõik neist pole kunstniku ehtsad visandid. Igal juhul on "flora of Pommersfelden" originaal, nagu ka "Giovanni Guglielmo elu Allegoria".1716.aastal, pärast Prinsi surma, kutsuti Bellucci Londoni, kus kunagi hävitati chandose hertsogi tellimusel kunstniku poolt kaunistatud katused ja seinad. Antonio naasis Veneetsiasse 1722.aastal, umbes samal ajal kirjutati maali "Giuseppe ja Putifarre naine", mis on nüüd Veroni muuseumis. Antonio Bellucci suri Pieve di Soligos, kui toetuda Melchiore 'ile, siis 1726.aastal, ja kui toetuda Vincenzo de canales' ile, siis 1727. aastal.^[3]

Kunstiteosed

Allikad

^ "Antonio Bellucci | Quotazioni, valore e valutazione opere". www.capitoliumart.com (in Italian). Retrieved 2024-10-26.
^ "A I A Antonio, Bellucci". www.uibk.ac.at. Retrieved 2024-10-26.
^ "BELLUCCI, Antonio - Enciclopedia". Treccani (in Italian). Retrieved 2024-10-26.

[1] "Antonio Bellucci | Quotazioni, valore e valutazione opere". www.capitoliumart.com (in Italian). Retrieved 2024-10-26.

[2] "A I A Antonio, Bellucci". www.uibk.ac.at. Retrieved 2024-10-26.

[3] "BELLUCCI, Antonio - Enciclopedia". Treccani (in Italian). Retrieved 2024-10-26.

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